
Roeliff Jansen Community Library has a Dark Sky Explorer Backpack that can be checked out for two weeks.
Provided
Roeliff Jansen Community Library has a Dark Sky Explorer Backpack that can be checked out for two weeks.
HILLSDALE — Susan P. Bachelder, a resident of Egremont, Massachusetts, and member of DarkSky International, gave a presentation “Saving the Night Sky: Dark Skies and Light Pollution” at the Roeliff Jansen Community Library on Thursday, May 2.
Bachelder began the discussion by reminding the audience to Save the Date of Aug. 12 when the Perseids meteor shower will occur. Bachelder noted that meteors are best observed after midnight, when the they are moving in the same direction as the Earth’s rotation.
Bachelder has been a member of DarkSky International (DarkSky.org) for more than 10 years. DarkSky, originally a small Arizona based nonprofit founded in 1988, has worked for more than 30 years to restore the night-time environment and protect communities and wildlife from light pollution.
Light pollution, defined as “the inappropriate or excessive use of outside artificial light,” is having serious environmental consequences for humans, wildlife and our climate.
DarkSky International is now comprised of more than 70 chapters worldwide. DarkSky International works to certify and help conserve starry sky parks, communities and other outdoor places. The group also certifies commercial, industrial and residential outdoor lighting with an aim to reduce light pollution by working with communities, governments and professionals to prioritize quality low impact, outdoor lighting.
The talk was comprised of two parts. First, the short film “Dark Sacred Night,” a 15 -minute overview created by filmmaker Jared Flesher for the Princeton University Department of Sustainability. The film features astrophysicist Gaspar Bakos and his quest to reduce light pollution by raising awareness of the dangers of light pollution on the Earth and its inhabitants.
Filmed on location at Princeton University and the Las Campanas Observatory in the southern reaches of Chile’s Atacama Desert, Bakos speaks of the necessity to direct lighting downward to protect the night sky.
According to Bakos, “80% of the U.S. has lost the vision of the Milky Way and light pollution has increased 50% over the last 25 years…due to the conversion to LED lighting.” While it has been observed that light pollution threatens many animal species, from migrating birds to hatchling turtles, the negative impact on humans is less well documented.
The interruption of natural sleep patterns in humans can easily be linked to light pollution. Bakos stated it has only been within the last 20 years that the effects of light pollution upon the Earth have only been studied. A 2016 study conducted on “Artificial Light at Night and Cancer” concluded “artificial light at night is significantly correlated for all forms of cancer including lung, breast, colorectal and prostate cancers individually.”
A 2020 study linked the “association of outdoor artificial lighting at night with mental disorders, including mood and anxiety disorders in adolescents.”
According to Bakos, 40% of outside lighting is wasted. Lights point up into the sky, wasting about $3 billion per year by converting carbon into photons. That is the equivalent of 21 million tons of carbon dioxide emitted every year. Bakos stated that light pollution goes unchallenged because the effects are generated far away from the source therefore there is a failure to connect the cause to the outcome.
According to Bakos, the solution to light pollution is simple.
— Exterior lighting should be useful, installed only when and where it is need.
— Lights should be shielded so they only shine down upon the ground.
—Lights should be no brighter than necessary and when possible controlled by dimmers, timers or motion sensors.
— Mostly importantly, outdoor lighting should be composed of warm colors, especially red light, rather the current use of harmful blue wavelength lights.
The second part of the talk featured Bachelder’s discussion of the “Constellations of the Northern Summer Sky.” . Bachelder started by asking who in the audience had observed the recent solar eclipse on April 8. An audience member stated that he observed the eclipse “but hadn’t travelled to see it.” Bachelder responded, “Luckily in this part of the country the eclipse was 97% observable so there was no need to go anywhere.”
Bachelder, an advocate of viewing the night sky with the naked eye, pointed to the constellations observable in our region and demonstrated how to navigate from The Big Dipper (observable in this region all year long) arcing down to the Constellation of Bootes (roughly the shape of an ice cream cone) to get one oriented in the summer night sky.
Bachelder explained that although we use the term “Constellation” as a standard, many star patterns are Asterisms. Asterisms are a star pattern that makes up part of a constellation or that include more than one constellation. An example of an asterism is the Big Dipper which is part of the constellation Ursa Major.
Bachelder, a classics major, is currently studying Persian star charts. She explained people in the audience are most likely familiar with Hellenic astronomy and the constellations named by the ancient Greeks (and their Latin counterparts). She introduced participants to the Persian named constellation, Al Thuraya, Al Thurya is a bright constellation, clearly visible to the human eye in the summer night sky, and is represented by a woman with outstretched arms.
Bachelder ended her presentation briefly discussing the need for governmental agencies to regulate exterior lighting. Currently, exterior lighting is rarely if ever, regulated by site plan.
Dark Sky Backpack
Tamara Gaskell, Director of Roeliff Jansen, located at 9091 Route 22 in Hillsdale, introduced a new acquisition to the library: The Dark Sky Explorer Backpack. The backpack, donated by the Mid-Hudson Chapter Adirondack Mountain Club (www.midhudsonadk.org) contains everything needed for exploring the night sky. The backpack, which can be checked out for 21 days by Mid-Hudson library card holders, contains: sky quality meter in pouch and plastic case with Globe at night card; night vision LED flashlight; night sky planisphere; book Let There Be Light, book Lights Out; and instructions and brochures.
Dancers from Pilobolus will perform at the NWCT Arts Council spring fundraiser on April 26 in Washington Depot, Conn.
On Saturday, April 26, the Northwest Connecticut Arts Council will host a special evening, Arts Connected, their spring fundraiser celebrating the power of creativity and community. Held at the Bryan Memorial Town Hall in Washington Depot from 5 to 8 p.m., this event brings together artists, performers, and neighbors for a magical night filled with inspiration, connection and joy.
Award-winning designer and arts advocate Diane von Furstenberg and her granddaughter Antonia Steinberg are honorary co-chairs of the event. Their shared love of the arts informs the spirit of the evening.
Antonia Steinberg, above, President of Bucks Rock Camp in New Milford that she first attended as a camper when she was ten years old. Antonia is co-chair, with her grandmother Diane Von Furstenberg of the NWCT Arts Council fundraiser.Provided
“As someone whose life was profoundly shaped by the arts — as a child at Buck’s Rock and now as President of its Board — I’ve seen firsthand the transformative power of the arts; how creative spaces can empower young people, build community, and nurture well-rounded problem solvers. That’s why I’m so honored to co-host the Northwest CT Arts Council Gala. Their work in supporting artists and cultural organizations across Connecticut is essential,” said Steinberg.
Von Furstenberg’s influence in fashion and culture, and Steinberg’s leadership at Buck’s Rock reflect the intergenerational impact of the arts,” said NWCT Arts Council board president Sunday Fisher. “Their participation underscores the power of creative expression as a defining force in our community.” Steinberg is the president of Buck’s Rock Camp, a non-profit performing and creative arts camp in New Milford that she first attended as a 10-year-old camper.
Diane Von Furstenberg, co-chair of NWCT Arts Council fundraiser.Provided
Steph Burr, executive director at NWCT Arts Council, added, “Events like Arts Connected are at the heart of what we do — bringing people together, lifting up artists, and reminding us of the essential role creativity plays in our lives. The Council works year-round to ensure the arts not only survive but thrive across our region.”
NWCT Arts Council is a nonprofit that serves as advocates for the arts. Through regranting efforts, public art support, legislative advocacy, and their regional events calendar, they work to ensure the arts are accessible and celebrated in every corner of their 25-town service area.
Burr continued, “The arts in Northwest Connecticut are vibrant, evolving, and deeply rooted in community. There’s a quiet but powerful creative pulse running through these hills — one that reflects the resilience, diversity, and passion of the people who call this region home. Over the past few years, artists and cultural organizations have navigated challenges with heart and determination, despite ongoing funding volatility. Through our advocacy and collaborative programming, we ensure the arts remain essential and accessible in our community.”
Highlights of the April 26 fundraiser include performances by Pilobolus, Sherman Chamber Ensemble, Ysanne Marshall & the Lotus Blues, hand pan musician Jeremy Driscoll, and a curated art exhibition, NW25 Gallery, featuring local artists. Sponsors Litchfield Distillery, Kent Falls Brewing Company, and Executive Cuisine catering will provide the food and drink.
Ticket prices are $125, open to guests 21 and older, available online at givebutter.com/artsconnected.For more information or to ask about sponsorship opportunities, email Katherine Pelletier at katherine@artsnwct.org or visit givebutter.com/artsconnectedsponsorship.
Arts Connected is made possible thanks to the generous support of sponsors; Antonia Steinberg is sponsoring all the artists for the event and Valiant Energy and Torrington Savings Bank are presenting the event.Additional sponsors include William Raveis Lifestyle Realty, Litchfield Magazine, Housatonic Heritage, Art Bank 7, Harney & Sons Teas, Aquarion Water, The Lost Fox Inn, George Home, NKYV Rituals, and Litchfield Distillery.
Lily Al-Nemri, founder and owner, and artistic director and painter Rudy Vavra at Tyte medispa and gallery in Millbrook.
The painter Rudy Vavra once created floor collages in Texas. You could, in theory, lie on them. Now, years later and much farther north, his work graces the walls of a medispa in Millbrook, New York where he also serves as the artistic director. You can still lie down, just not on the art. Instead, you might be undergoing an EmFace non-surgical facelift while surrounded by twenty-two of Vavra’s paintings.
The space, Tyte Medispa in Millbrook, is equal parts gallery and treatment center, the brainchild of Lily Al-Nemri, a medical aesthetician and now gallery owner. She also owns the nail salon, Bryte, down the street on Franklin Avenue. A few years ago, feeling she was outgrowing that space, she looked to expand and, just a few blocks away, found this rather sprawling maze of rooms with the gallery that now inhabits the grand central ballroom. “This used to be a gym,” she said. “It was way more than I was looking for, but I went for it.”
Vavra, a self-professed “painter’s painter,” has spent decades layering pigment in his barn-turned-studio in Milan, New York. “I find paintings as much as I make them,” he mused. “Some happen quickly, others are slow.” Of this latest collection, he said, “Some people call them busy. I think they’re slow.” His marks accumulate with a kind of devotional persistence, like petals left at a shrine. “A while ago, I saw a photographic image of a shrine,” Vavra said. “I don’t know if it was a Buddhist shrine or what, but there were colors on the ground all around it, and I realized they were the stains of flowers left in the worship. That’s very similar to the way I paint.”
The collection of paintings on view at Tyte — some as large as a shrine — are meditations on color, inviting the viewer to slow down. Or speed up. Whether viewers are activated or soothed by the images is neither Vavra’s intention nor within his control. Still, he said that watching people interact with the work has been a real treat. “Now that I have my paintings here, I get to see them all together,” he said. “It’s only when they’re all together that I see how they talk to each other. It’s interesting to see people come in and go to have a treatment and come out. It’s a very interesting connection.”
And what is the connection? What could be a disjointed pairing — aesthetics and aesthetic medicine — has become, improbably, a perfectly logical continuum. “They’re related in a sense,” Vavra said.
Aly Morrissey
Al-Nemri, a former radiologist who taught for over a decade at Westchester Community College, is no stranger to layering, precision, or the quiet rigor of care. Her incredible menu of services — Botox, body contouring, pelvic floor therapies — are the cutting edge of the industry. Of Vavra, Al-Nemri said, “I fell in love with his work, and we just hit it off.” It’s a kind of kismet that seems to hover over the place. Pilates mat classes take place twice a week in the main gallery space and both Al-Nemri and Vavra have loved watching clients pause, eyes caught by a stripe of cerulean or a vibrating cluster of brushstrokes. “Something will catch their eye,” said Vavra. “They’re looking for something in it.”
So, this gallery-meets-spa (or is it the other way around?) has plans. Vavra will be curating six shows a year. Laurie Adams’s photographs will be hung in June, a group show of local artists will share the space in July and August, and a Fall show will feature twenty women artists, which Vavra is eager to anchor with a piece by Judy Pfaff. “There’s nothing like this on this side of the county,” he said of the light drenched space. “It’s been a bit sleepier here. We want to wake it up.”
He means it kindly; sleep certainly has its place. But here in Millbrook, amid the low drone of machines designed to rejuvenate, something unexpected has emerged. Perhaps that’s what both Al-Nemri and Vavra are really after — not the quick fix or the final image, but the suspended moment, the long look. A face seen anew. A painting revealed slowly, in silence.
As for Vavra’s curatorial process? “I just unpack the paintings, lean them against the wall, and look,” he said. “Eighty percent of the time, they’re already where they’re supposed to be.”