Saving the Night Sky: Dark skies and light pollution

Roeliff Jansen Community Library has a Dark Sky Explorer Backpack that can be checked out for two weeks.
Provided

Roeliff Jansen Community Library has a Dark Sky Explorer Backpack that can be checked out for two weeks.
HILLSDALE — Susan P. Bachelder, a resident of Egremont, Massachusetts, and member of DarkSky International, gave a presentation “Saving the Night Sky: Dark Skies and Light Pollution” at the Roeliff Jansen Community Library on Thursday, May 2.
Bachelder began the discussion by reminding the audience to Save the Date of Aug. 12 when the Perseids meteor shower will occur. Bachelder noted that meteors are best observed after midnight, when the they are moving in the same direction as the Earth’s rotation.
Bachelder has been a member of DarkSky International (DarkSky.org) for more than 10 years. DarkSky, originally a small Arizona based nonprofit founded in 1988, has worked for more than 30 years to restore the night-time environment and protect communities and wildlife from light pollution.
Light pollution, defined as “the inappropriate or excessive use of outside artificial light,” is having serious environmental consequences for humans, wildlife and our climate.
DarkSky International is now comprised of more than 70 chapters worldwide. DarkSky International works to certify and help conserve starry sky parks, communities and other outdoor places. The group also certifies commercial, industrial and residential outdoor lighting with an aim to reduce light pollution by working with communities, governments and professionals to prioritize quality low impact, outdoor lighting.
The talk was comprised of two parts. First, the short film “Dark Sacred Night,” a 15 -minute overview created by filmmaker Jared Flesher for the Princeton University Department of Sustainability. The film features astrophysicist Gaspar Bakos and his quest to reduce light pollution by raising awareness of the dangers of light pollution on the Earth and its inhabitants.
Filmed on location at Princeton University and the Las Campanas Observatory in the southern reaches of Chile’s Atacama Desert, Bakos speaks of the necessity to direct lighting downward to protect the night sky.
According to Bakos, “80% of the U.S. has lost the vision of the Milky Way and light pollution has increased 50% over the last 25 years…due to the conversion to LED lighting.” While it has been observed that light pollution threatens many animal species, from migrating birds to hatchling turtles, the negative impact on humans is less well documented.
The interruption of natural sleep patterns in humans can easily be linked to light pollution. Bakos stated it has only been within the last 20 years that the effects of light pollution upon the Earth have only been studied. A 2016 study conducted on “Artificial Light at Night and Cancer” concluded “artificial light at night is significantly correlated for all forms of cancer including lung, breast, colorectal and prostate cancers individually.”
A 2020 study linked the “association of outdoor artificial lighting at night with mental disorders, including mood and anxiety disorders in adolescents.”
According to Bakos, 40% of outside lighting is wasted. Lights point up into the sky, wasting about $3 billion per year by converting carbon into photons. That is the equivalent of 21 million tons of carbon dioxide emitted every year. Bakos stated that light pollution goes unchallenged because the effects are generated far away from the source therefore there is a failure to connect the cause to the outcome.
According to Bakos, the solution to light pollution is simple.
— Exterior lighting should be useful, installed only when and where it is need.
— Lights should be shielded so they only shine down upon the ground.
—Lights should be no brighter than necessary and when possible controlled by dimmers, timers or motion sensors.
— Mostly importantly, outdoor lighting should be composed of warm colors, especially red light, rather the current use of harmful blue wavelength lights.
The second part of the talk featured Bachelder’s discussion of the “Constellations of the Northern Summer Sky.” . Bachelder started by asking who in the audience had observed the recent solar eclipse on April 8. An audience member stated that he observed the eclipse “but hadn’t travelled to see it.” Bachelder responded, “Luckily in this part of the country the eclipse was 97% observable so there was no need to go anywhere.”
Bachelder, an advocate of viewing the night sky with the naked eye, pointed to the constellations observable in our region and demonstrated how to navigate from The Big Dipper (observable in this region all year long) arcing down to the Constellation of Bootes (roughly the shape of an ice cream cone) to get one oriented in the summer night sky.
Bachelder explained that although we use the term “Constellation” as a standard, many star patterns are Asterisms. Asterisms are a star pattern that makes up part of a constellation or that include more than one constellation. An example of an asterism is the Big Dipper which is part of the constellation Ursa Major.
Bachelder, a classics major, is currently studying Persian star charts. She explained people in the audience are most likely familiar with Hellenic astronomy and the constellations named by the ancient Greeks (and their Latin counterparts). She introduced participants to the Persian named constellation, Al Thuraya, Al Thurya is a bright constellation, clearly visible to the human eye in the summer night sky, and is represented by a woman with outstretched arms.
Bachelder ended her presentation briefly discussing the need for governmental agencies to regulate exterior lighting. Currently, exterior lighting is rarely if ever, regulated by site plan.
Dark Sky Backpack
Tamara Gaskell, Director of Roeliff Jansen, located at 9091 Route 22 in Hillsdale, introduced a new acquisition to the library: The Dark Sky Explorer Backpack. The backpack, donated by the Mid-Hudson Chapter Adirondack Mountain Club (www.midhudsonadk.org) contains everything needed for exploring the night sky. The backpack, which can be checked out for 21 days by Mid-Hudson library card holders, contains: sky quality meter in pouch and plastic case with Globe at night card; night vision LED flashlight; night sky planisphere; book Let There Be Light, book Lights Out; and instructions and brochures.
Anthony Musso discusses his book “Hidden Treasures of the Hudson Valley” at the North East Historical Society’s annual meeting on Saturday, Nov. 15. The book centers on historical sites across the region with rich backgrounds and low ticket-prices for maximum accessbility.
MILLERTON — With his signature Brooklyn accent, sense of humor and wealth of knowledge, author and historian Anthony “Tony” Musso brought American Revolution history to life at the NorthEast-Millerton Library Annex in partnership with the North East Historical Society.
The talk marked Musso’s first speaking engagement at the Annex and coincided with the historical society’s annual meeting.
Musso guided attendees through an oral tour shaped by excerpts from his three-volume series, “Hidden Treasures of the Hudson Valley,” which together highlight 165 local historical sites that are rich in history and light on the wallet. Each book features 55 locations that are open to the public.
“I included places that fly under the tourists’ radar,” said Musso, addressing the crowd of more than 30 attendees. “Many of them are run by historical societies, so the added benefit is a free or nominal charge.”
His presentation began with Pawling’s Quaker Hill, where in 1740 a group of Quakers petitioned the Religious Society of Friends to build their own meeting house so they wouldn’t have to travel elsewhere to go to Sunday worship.
“It was kind of small,” Musso remarked of the original structure. “They ran into a problem within the first five years because they had so many people standing around, they couldn’t all get inside.” As a result, in 1767 the Quakers got permission to build a bigger meeting house just across the street.
“This one was a two-story structure with a wrap-around balcony where they could fit everybody inside.” Musso described an event in 1778 during a regular Sunday worship when three officers from the Continental Army came into the meeting house, sat respectfully in the back, and when the service came to a close they announced that they were going to commandeer the building.
“Nearby, George Washington led a large encampment of troops and they wanted to have this building be used as a medical hospital,” Musso said.
During the army’s occupation, the makeshift hospital was overseen by Dr. James Fallon, and many people referred to it as “Fallon’s Hospital.” Approximately 100 troops were treated there throughout its four months of winter operation.
“If you know anything about Quaker beliefs, pacifism is right at the top,” said Musso. “And although the military was not putting armament, cannons or munition in the building — it was for a humanitarian purpose — the Quakers abandoned the building as long as the army was there and found another building down the hillside.”
The Quakers also refused to provide the army with provisions, Musso said, which exacerbated harsh conditions that winter.
When the army left, the Quakers returned to the building and continued with their meetings and worship. Musso added that in 1932, the meeting house was acquired by the historical society of Quaker Hill and Pawling, and “that’s why the building is in such meticulous shape today.”
Musso went on to explain that while George Washington never stayed at encampment with his troops, he did commandeer a house for four months down the hill in the village of Pawling — the home of John Kane, who was originally a Patriot at the start of the American Revolution but switched sides and became a Loyalist.
From there, Musso expanded the tour to Westchester and Rockland counties, including the location where Benedict Arnold turned over the plans, layout and staffing for Fort Arnold to British spy John André — and the site where Andre was subsequently hanged.
As a seasoned historian, speaker and guide, Musso shared one of his tricks if he ever feels like his audience is losing interest. He brings up Hamilton the musical. “I don’t lie to people,” he jokes, “but I say, ‘I can’t prove this, but I’ve heard that some of the music from Hamilton was written here.’”
Though Musso didn’t delve into the rich history of North East’s Coleman Station during the presentation, Musso said it is one of the sites included in his books.
Musso has lived in LaGrange for 40 years, and his career has spanned decades at the post office, writing for the Poughkeepsie Journal, and authoring numerous nonfiction books. “I love the history of this area, and I’m not going to stop telling it anytime soon.”
North East Historical Society annual meeting
Other business from the North East Historical Society included acknowledgements of board members and volunteers. President Ed Downey expressed gratitude for the society’s partnership with the NorthEast-Millerton Library, noted that four members are up for re-election and shared that membership has increased by 54% over the last decade, now totaling 179 — among the highest of any historical society in Dutchess County.
Downey also highlighted ongoing digitization efforts, saying the goal is to “digitize and publish” the historic Millerton Telegram and 90 years of The Millerton News. Downey added that this is a costly project and relies heavily on donations to sustain the work.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.