Roadsides as runways: trend spotting invasive plants

Purple loosestrife as a roadside attraction.
Dee Salomon


Purple loosestrife as a roadside attraction.
I can’t help but notice the roadside plants while I am driving. This spring, after an otherwise violent brush cutting along Route 7, I spotted a large and glorious patch of trillium; the other day I noticed that the super-spreader Japanese stiltgrass has taken over the sides of a local thoroughfare that shall not be name-shamed. Roadside plants are both a seasonal timestamp and a leading indicator of what invasives we will soon be grappling with inside the boundaries of our own properties. A kind of drive-by trend spotting.
A new-ish umbellifer dotting the roadsides this summer, Wild parsnip, Pastinaca sativa, is a tall, fennel-shaped invasive that has, thankfully, now withered to a brown skeleton. For cyclists this summer it was a surprise, then a worry. Skin contact with the plant can cause burns and blistering welts. If it gets into the eye it can even cause blindness.
The plant that is currently engaging my peripheral vision from the road is purple loosestrife, Lythrum salicaria. By the time you read this it will be winding down its blossom and going to seed. One is forgiven for not taking this one seriously; with its skinny stems and distractingly vibrant flowers it is arm candy to the native goldenrod it often accompanies. I saw it in a bouquet at a dinner last week and thought that we should all be making purple loose strife bouquets in an effort to stop its spread. True to its name, this loosestrife is a troublesome invasive that bullies out native neighbors with a combination of its dense perennial rootstock and prolific seeder. According to the Connecticut Invasive Plant Working Group, a mature plant can produce more than 2.5 million seeds annually.
Purple loosestrife is most often seen in wetland areas; its seeds can germinate even after a couple of years spent under water. Cut it down to prevent the seeds from spreading; it is hard to pull out by the root. If you only have a few, consider using a shovel to dig out the roots, which you will need to do consistently over a few years. It does get better. Chemical control, especially in wetlands, is best left to a professional.
There have been attempts at biological control against purple loosestrife; four types of insects were approved for release in Connecticut years ago to slow down the plant’s spread including a leaf eating beetle and a root eating weevil. My sense was, over the last few years, populations of the invasive plant were declining. This year, perhaps due to the mild winter or the heavy rainfall, it seemed to be everywhere.
There are both native and invasive loosestrifes co-existing in our area so a quick lesson to help you distinguish between them. There is a smaller, paler purple-flowered native called Winged loosestrife, Lythrum alatum, that I have never seen here and would like to know if any readers have encountered the species nearby. If you have, please send me an email at dee@theungardener.com
The other three are all yellow-flowered. Yellow loosestrife, Lysimachia vulgaris, is the invasive type. Like its purple relative, it grows in full sun and prefers wetlands. The yellow flower has more of a golden hue than that of its native relatives, Fringed loosestrife, Lysimachia ciliata, and Whorled loosestrife Lysimachia quadrifolia. Both of these native plants have distinctly paler yellow flowers that are less abundant on the stem than they are with the invasive type. Fringed loosestrife is abundant on the banks of the Housatonic where we live but so is the invasive version which I admit to not identifying it in time to keep it from establishing a robust stand in an area where I cannot shovel out the roots without causing erosion to the area. I will keep cutting it and see how it responds.
Back to the earlier-mentioned Japanese stiltgrass. If you intend to eradicate this prolific plant now is your last opportunity before it spreads its seeds, which are emerging from its slender stems. Consider first the area where it resides. In meadows and lawns you will do well to pull it out rather than weed whack so that there is no chance of seeding. Be sure to get your fingers down near the ground before you tug as the stem is as thin as a thread and will easily break with the root still in the ground. Not a disaster but it does risk re-growth this fall. For large and dense swaths, a weed torch will work wonders so long as you use with caution and safety measures. Remember to use this method only after a rain or early in the morning when the dew is thick and fallen leaves are not easily flammable. Always have a fire blanket or other fire eradication system by you. Perhaps most importantly, to avoid stiltgrass infestation, ask your lawn care company to hose down their mowers before starting to mow your lawn. This time of year stiltgrass seed will travel on mowers from other people’s lawns to new spots.
The shrub and small tree called Burning bush, Euonymous alatus, is the next invasive plant to put on a show for us on the roadside runway with its brilliant bluish-red and then pink leaves trying to distract driving eyes. Don’t succumb – eyes on the road!
Dee Salomon ‘ungardens’ in Litchfield County.
Nathan Miller
MILLERTON — North East Town Council members have come under fire over plans to relocate town court service to Amenia’s Town Hall.
Town Justices Dennis Johnson and Casey McCabe sharply criticized the plans during public comment at a regular meeting of the Town Board on Thursday, June 11. Town Board members have been discussing a proposal that would allow for court proceedings to take place at Amenia Town Hall to save floor space in the new Town Hall.
The debate comes as North East prepares to relocate Town Hall from its current Maple Avenue location to a former Jehovah’s Witnesses Kingdom Hall on Route 22. The town purchased the approximately 4,500-square-foot building in 2023, with plans to renovate it into a new, fully accessible municipal complex. Town officials have said space constraints within the building have prompted discussions about whether a dedicated courtroom can be accommodated alongside other municipal offices.
The plans involve a proposed contract with the Town of Amenia that would allow use of its courtroom for North East Town Court proceedings. Court Clerk and justice offices would be located in the new Town Hall, located in a former Jehovah’s Witnesses hall on Route 22.
Johnson said he first heard of the plans from Town Supervisor Chis Kennan’s public comments at an Amenia Town Board meeting on June 4. North East Town Board members have been discussing the plans in public meetings since April.
Johnson expressed frustration over what he described as a lack of communication between the Town Board and the court.
“I don’t understand how it is that we got to this point,” Johnson said. “That neither of the justices had been consulted about this.”
Johnson described the multi-year process that went into designing the planned courtroom. He said the town’s court employees and justices had spent months working with the New York Office of Court Administration and designers to ensure the room would meet Americans with Disabilities Act and New York State standards.
Johnson defended courtroom plans, saying the space would be shared as the current courtroom in North East’s Town Hall on Maple Avenue currently is.
McCabe’s protests centered around courtroom organization and access to court records. She said it would be difficult for the court to adapt to unexpected circumstances if court records and documents were stored in North East while proceedings took place in Amenia.
She described the ongoing discussions among Town Board members as an unnecessary further expense, echoing pleas from Johnson that the justices be included in further plans for the town court.
Johnson and McCabe both described providing a town court in North East as a responsibility, saying that moving court proceedings out of town would be disenfranchising and unfair to residents and taxpayers.
Johnson and McCabe both declined to provide further comment.
“I gave my public comment,” Johnson said in response to further questions after the meeting.
Kennan clarified the town’s position following the meeting. He said the public comment at Amenia’s Town Board was an attempt to kickstart discussion with the town, not an official proposal.
He said Town Board members were exploring options for saving space at the new Town Hall. Kennan said court officials have insisted on a separation between the court and the Town Board.
“Justice Johnson has reminded me several times that the court is a separate unit of government and that the town has no role with the court,” Kennan said. “As I understand it, our only role is to find them space for their court clerk and for their courtroom.”
At the Amenia meeting, Kennan described requirements for the courtroom and associated infrastructure as “mind-boggling.” He said there are no laws requiring courts to be located within town limits and cited guidance from Dutchess County and New York that municipalities should be looking for opportunities to consolidate services.
Kennan said he has since reached out to the justices and expects to meet with them this week. He acknowledged that planning for the new Town Hall has taken considerable time, but expressed optimism that things can start getting underway soon.
“I am really looking forward to fitting out the former Jehovah’s Witnesses building as a really good, accessible Town Hall,” Kennan said. “It has taken too long — no question — but it will be a great location.”
Leila Hawken
Under the athletic field’s lights, the 60 members of the Millbrook High School Class of 2026 received their diplomas during a commencement ceremony on Friday, June 12.
MILLBROOK — A lengthy rain delay did little to dampen the spirits of the Millbrook High School Class of 2026 and the family and friends who gathered Friday for the school’s commencement ceremony.
The weather eventually cooperated, with a rainbow appearing over the field just before the procession began for the 60 seniors preparing to receive their diplomas.
Speeches offered advice and reflected on gratitude for teachers, administrators, staff and family, all contributing to the moment of transition from high school years to promising futures.
Principal Eric Seipp opened with welcoming remarks and thanks to all constituents within the school who had guided the Senior Class through their final year. He spoke of achievement and perseverance.
“Tonight is about transition,” Seipp told graduates. “The simplest message can be the most powerful,” he added. “You leave here with far more than a diploma. You will remember the people.”
“The world needs more people who choose kindness. How you treat others matters,” Seipp said.
Seipp noted that the Commencement would mark his final year as Principal of Millbrook High School, ending his eight-year tenure.
“It has been one of the greatest honors of my career to have served as your principal,” Seipp told the school community.

Millbrook Superintendent Caroline Hernandez-Pidala advised graduates to show empathy for others.
“Read more; ask more questions,” she said.
Guidance Counselor Thomas Chanowsky said that he is often asked how he can stay so positive.
“I am just happy to be here,” was Chanowsky’s response. “I hope I made a difference.”
Salutatorian Lydia Kascsak had totaled the number of days she had spent at high school at 1,374.
“Work hard and never stop learning,” she told classmates, while thanking the school’s constituent teachers, administrators and staff, and her parents.
Valedictorian Dylan Vasquez spoke with assurance, urging graduates to “make sure you feel.” He went on to thank the school’s constituents and ended by reading a reflective poem written by his mother before he was born.
The ceremony ended with presentation of the Class of 2026 to the Board of Education, followed by recessional music performed by the high school band under the direction of Daniel Dunninger.

Want more of our stories on Google? Click here to make us a Preferred Source.
Natalia Zukerman
Cohort 2026 members Abigail Horace, Adam Liccardi, Adrian Lynch, Cameo Brown, Chauncey Dozier, Claudette Grant, Erline Saintilet, Harmony Edwards, Kamayue Gomes, Mackenzie Colvin, Otis West, Shadre Domingo, TJ West and Tyeesha Keele-Kedroe and Blackshires’ leadership team John Lewis, Patrick Danahey, Dubois Thomas and Julie Haagenson gather at the Blackshires City Hall Fishbowl alongside Mayor Peter Marchetti and city officials Michael Obasohan, Brandon Gill, Katherine VanBramer, Heather Brazeau, Justine Dodds and Jesse Tobin McCauley.
When designer Abigail Horace joined the Blackshires Leadership Accelerator, she was looking for support as the founder of the Black Berkshires Social Club, which creates culturally grounded social spaces for Black and BIPOC residents in the region. What she found was something deeper: a community of peers invested in one another’s success.
“Finding Blackshires has been transformative,” Horace said. “Being a BIPOC founder in this region can feel isolating, and this community has changed that. They see my work, champion my business and have opened doors I couldn’t have opened alone.”
Horace is one of 13 fellows graduating from the Blackshires Leadership Accelerator on Juneteenth, June 19, at Ventfort Hall in Lenox. The free public ceremony marks the completion of a months-long civic and entrepreneurial leadership program created by the Blackshires Community Empowerment Foundation and R3SET Enterprises.
Founded in response to conversations among Berkshire County’s Black leaders about economic opportunity, representation and community development, Blackshires has grown into a BIPOC-led network focused on leadership development, economic empowerment and cultural equity. The organization’s flagship Leadership Accelerator combines civic engagement, entrepreneurship, storytelling, networking and project development to help participants turn ideas into action. Since its launch, the program has graduated more than 40 fellows and distributed more than $100,000 in grants and stipends.
The 2026 cohort includes entrepreneurs, educators, artists and community advocates whose projects address needs across the Berkshires.
Among them are Adrian Lynch of Stubborn Ibex Studios, Claudette Grant’s Reckless Optimism Women’s Circle, Erline Saintilet’s Caribbean-inspired food venture Carib In-Fusion, the Westside Crosswalk Remix Project led by Otis and Tajare West in Pittsfield, and Tyeesha Keele Kedroe’s Seen & Celebrated initiative, which promotes meaningful representation of Black and Brown children in early childhood classrooms.
For Horace, one of the program’s most important lessons has been recognizing the impact of her own work.
“Creating a network of BIPOC leaders and entrepreneurs has revealed something I didn’t fully see before: the real reach of my work and what it means in this community,” she said. “My peers look up to me, believe in me and show up for every milestone. That recognition has shifted how I understand my own impact and leadership.”
The Accelerator culminates with each fellow creating an Impact Charter, a blueprint for how their project will contribute to the community. Participants also take part in leadership retreats, workshops, civic forums and site visits throughout Berkshire County. The program was recognized by 1Berkshire with its 2023 Breaking the Mold Trendsetter Award.
John Lewis, president of the Blackshires Accelerator and CEO of R3SET Enterprises, said the program is designed to remove barriers and strengthen connections among emerging leaders.
“By removing barriers to success and encouraging a cooperative framework, the next generation of community leaders will be more connected and skilled in the ongoing development and revitalization of our community and its families,” Lewis said.
Horace said the experience has reinforced a simple but powerful lesson.
“Being a leader and entrepreneur can be isolating, but this group has shown me that I am not alone.”
The graduation ceremony will take place at Ventfort Hall, whose history includes its mid-20th-century role as Festival House, a guesthouse and cultural center that welcomed Black and Jewish visitors at a time when many area resorts maintained discriminatory restrictions. On Juneteenth, the mansion will provide a fitting backdrop for a celebration focused on leadership, community and the future of the Berkshires.
The Blackshires Leadership Accelerator Cohort 4 Graduation will be held Thursday, June 19, at Ventfort Hall Mansion and Gilded Age Museum in Lenox. Admission is free and open to the public.
Natalia Zukerman
Izzy Fitch at Battle Hill Forge in Wassaic.
I’m not really inventing anything new. I just tweak it a little bit.— Izzy Fitch
A steel praying mantis stands among garden accents at Battle Hill Forge in Wassaic, its folded forelegs ready for prayer and mischief in equal measure.
“She’s very nice,” said blacksmith, sculptor and Battle Hill Forge owner Izzy Fitch, patting the giant insect affectionately. Then he added, “Just don’t go out to dinner with her.”
The giant metal mantis, built by artist Jim Hackett, is now part of a summer contest Fitch devised. He’ll strap it to the roof rack of his car and drive it around. When people spot it, they can take a photo, post it on social media and tag @battlehillforge, @lakevillejournal and @themillertonnews. At the end of the contest, names will be drawn at random and gift certificates to Battle Hill Forge will be awarded.
“It’s just for fun,” said Fitch, whose work often blurs the boundaries between art, utility and play. “Who couldn’t use more fun these days?”
Fitch moves through his sprawling workshop spaces like an enthusiastic museum guide leading visitors through a collection he forgot he owned. Every few steps, something catches his attention. A hand-forged daffodil. A dragonfly. A prototype trellis. A powder horn his great-grandfather taught him to make. A concrete toad inherited from his grandmother.
“Oh, this is cool,” he says, veering off course.
A few minutes later:
“Oh, I forgot to show you this.”
Then:
“You want to see something really cool?”
The tour never quite follows a straight line.
Neither does Fitch.
Long before Battle Hill Forge became known for custom gates, garden structures and sculpture found everywhere from private estates to major cultural institutions, Fitch was a child building armor for toy animals.
“I had a Black Panther that was this big and I armored it,” he says, holding his hands a few inches apart. “I made all my little people and creatures, and I armored them all up and I made all the weapons for them.”
Fitch’s father was a logger. Tools were plentiful. Toys were not.
“He wouldn’t buy us toys really, so we would have to make our own.”
The family business, if there was one, was making things.

His great-grandfather was a master craftsman who made Windsor chairs in collaboration with his uncle, Bert Fitch. His father supplied the raw materials, Bert made the chairs, his great-grandfather carved the spindles. His relatives were renowned woodworkers. People would travel from far and wide to have his great grandfather make handles for them.
“I really learned a lot from spending time with my grandparents and my great-uncles,” he says.
Today, that inheritance is visible everywhere inside the forge.
Giant steel pumpkins wait beside elegant peony supports. Honeycomb sculptures support an endearing bee also made by Hackett. Giant orbs loom playfully. Metal mushrooms, used in classes Fitch teaches to children, line the windowsills.
Many are prototypes Some are commissions. Some exist simply because Fitch thought they might be fun to make.
“I just think of something cool,” he says. And then he makes it.
“Most of the metalworkers that I work with don’t want to talk to people,” he says. “They’re like, ‘Just tell us what you want. Give me the plans and I’ll make it.’”
Fitch is different. Part craftsman and part translator, he enjoys helping clients discover what they want before it exists.
Unless, of course, he’s distracted by a frog story.
The previous Battle Hill Forge location, in Millerton, included a small pond where Fitch often ate lunch.
“There was a dead mouse out there one time,” he recalls. “This frog was so clever. He would sit near the dead mouse and when flies came down, he would get a fly.”
He watched the frog for an entire lunch break.
The story arrived somewhere between explanations of Japanese patinas and custom railings.
It also explains a lot.Fitch notices everything: plants, insects, old tools, odd solutions, clever engineering tricks. His work is filled with observations gathered from gardens, forests, old European designs and conversations with other makers.
A peony support isn’t just a peony support. It’s an opportunity to improve something. A trellis isn’t just a trellis. Maybe it can come apart for shipping. Maybe it can help a plant grow differently. Maybe it can do something no one has considered before.
“I’m not really inventing anything new,” he says. “I just tweak it a little bit.”
After its beginning in Falls Village, moving to Millerton and eventually settling in Wassaic, Battle Hill Forge has become one of the region’s success stories. The shop is booked months in advance. Projects range from garden ornaments to monumental railings weighing hundreds of pounds. Designers seek him out. Gardeners collect his work.
Yet Fitch remains most animated when discussing collaboration.
The intern helping in the shop first met him as a student in one of his metalworking classes. Local glass artists add to his sculptures. Garden designers have helped refine his plant supports. For Burning Man this summer, he’s joining a team of fellow artists to build an installation featuring an oculus and a pair of metal sphinxes.
“We’ll have a little party,” he says.
The phrase could describe half the projects in the shop, especially the praying mantis. Technically, that sculpture belongs to Hackett.
“He makes all this cool stuff,” Fitch says. “I sell them for him because he’s one of those artists who doesn’t want to deal with the public.”
Fitch laughs.
“Which is totally smart.”
Outside, a dog wanders through the yard. A timber framer works next door. Metal rusts into beautiful shades of brown. New ideas wait in various stages of completion and there’s just a little magic around every corner.
To contact Battle Hill Forge, visit battlehillforge.com.
D.H. Callahan
Kent Barns was alive with art on Saturday, June 13, as three new shows opened at Peggy Mercury and Kenise Barnes Fine Art, featuring a variety of fascinating paintings and drawings from four local artists.
Peggy Mercury, which in just two years has earned a reputation for curating remarkable collections of fine beauty products and accessories, continues to find exciting art to complement its offerings. The new show, “Portraits,” features four pairs of paintings by Millerton-based artist Alexis England. The “portraits” she paints, however, feature some pretty unexpected sitters.
England chooses some undercelebrated species, including the tarantula, vampire bat and even the lobster, and gives them the treatment she feels they deserve on large canvases with bold, vibrant colors.
The pairings work as delightful foils, as England inverts her color palettes within each duo. The pinks of the elegant flamingo serve as the background for the imposing stoicism of its partner, the mandrill. In turn, the mandrill’s deep grays set a dark canvas from which the flamingo can pop, its feathers flourishing in the juxtaposition. The results tie the unexpected couplings together while allowing each species to maintain its own visual identity.
Just steps away, the gallery at Kenise Barnes Fine Art opened two distinct shows in one packed room. On one side hangs “Behind My Eyes” by artists Gregory Hennen and David Konigsberg, both of whom have been represented by Kenise Barnes Fine Art for more than 20 years.
Konigsberg takes everyday items and abstracts them to a point of detached familiarity, giving light as much importance as the objects themselves. Hanging nearby is a series of landscapes painted in oils that seem as texturally considered as they are compositionally. “Each piece,” Hennen said, “is about a landscape, not of a landscape, as it does not necessarily depict an exact site or location. Finished paintings are often composites of several images that have evolved from a realistic portrayal to a more simplistic interpretation.”
The other side of the room features drawings by Margot Glass. Like England, Glass celebrates the undercelebrated. Her work frequently depicts weeds and other “undesirable” species of flora in elevated media such as silverpoint and 14-karat goldpoint.
With this collection, titled “On This Fresh Morning,” the artist takes a more naturalistic approach, using black walnut ink that she makes herself from walnuts she collects on hikes and walks in western and central Massachusetts. The ink is a remarkably rich hue of brown, which Glass layers to create floral scenes filled with intricate natural details. While she includes more traditional beauties, such as blooming anemones and daisies, she also features underappreciated misfits including dandelions and garlic mustard.
Kent’s artistic footprint continues to expand, with at least five dedicated art galleries and boutiques contributing exceptional shows for art lovers throughout the Northwest Corner.
For a directory and gallery hours, visit kentbarnsct.com

Want more of our stories on Google? Click here to make us a Preferred Source.

Want more of our stories on Google? Click here to make us a Preferred Source.