Ungardening in January: Seeds

Straw mulch over seeds protects a meadow planting. New growth will be augmented with plugs in Spring.
Jacque Schiller
Straw mulch over seeds protects a meadow planting. New growth will be augmented with plugs in Spring.
It is time to think about seeds for spring planting and time to plant seeds that require overwintering to break their dormancy and germinate in the spring. That is my January project, planting the native seeds collected mostly from my garden, the meadow and the woods. I will use the tried-and-true method, re-using plastic gallon jugs which I have saved for this purpose. I cut around the jug, four inches from the bottom, leaving about an inch of the plastic attached so that it hinges open. The bottom is filled with soil and dotted with seed, then I tape the top to the bottom to create a kind of greenhouse. These can be left outside until it starts to warm up, and the tops can then be removed. Be sure to label the jugs in a way that will not succumb to the elements – even Sharpie ink can fade over the winter. I use a wood plant label stake inside the container before I seal it up as well as a tag sealed with clear tape attached to the outside.
I’m also planting seeds directly into the ground in the meadow. The meadow was not mowed last year so there is an excess of grass and thatch covering the soil. I decided to use the propane weed torch to selectively burn the grass where I want to plant the seed. I waited for a morning after a big rain to start this experiment. Holding the torch steady in one spot for a few seconds created an approximately 5-inch patch of char and bare soil. I then used my boot to push back a bit of the newly uncovered topsoil. Onto this moist exposed soil I pressed a few seeds and then covered it lightly with the soil I had pushed back. My foot tamped it down gently and then I loosely covered the patch with some dry grass. With help, I was able to create about forty of these bare patches into which I planted seeds from six different native plants suited to the sandy riparian soil.
We ‘started’ the meadow three years ago on about an acre of land across the stream from our house simply by not mowing it anymore. We had no idea what would grow. And when it did, it was not impressive; mostly non-native weedy plants took over: sheep sorrel, hawkweed and several non-native grasses. But also some promising signs – a few yarrow, horsetail, evening primrose and wild strawberry. The following year, after a June mow, we planted little bluestem seeds, mostly as they did not need the overwintering that perennials typically require to germinate; they grew in well. Last spring I spent way too long pulling out the sheep sorrel and planting partridge pea seeds. Over the season I added a few more flowering perennials: Rattlesnake master, Eryngium yuccifolium, Culver’s root Veronicastrum, Bienial Gaura, Gaura Oenothera. From these and a few more species I had enough seed to spare for this planting experiment.
On New Years Day I was chatting with Jacque Schiller -about seeds- at a mellow afternoon party in North Cornwall. Jacque had planted a small meadow in the area where the septic system of their house which had been replaced. She relayed how she spread seeds- a wildflower seed mix specifically for Connecticut from Urban Farmer - last August after the septic work was complete and planned to augment with native plugs this spring. When I got home, I went on the Urban Farmer website to look at the details of the seed mix she used. I was sad and not surprised to see that about 70% of seeds in this particular mix is from non-native species. The company does offer a native mix for the Northeast which is found alongside the other seeds on offer but does not make a distinction between native and non-native seed for the state-specific mixes.
I asked Jacque if she thought her meadow was comprised of native plants; yes, she had. Her error is a common one; I too have bought plants thinking that they were native when they were not. Not all wildflowers are native, of course, but the nomenclature and the way they are sometimes marketed can be confusing to people whose intentions are to plant native. So why is it done? I suspect the wildflower species included in the CT mix are showier than the native alternatives. And perhaps even hardier, as there are fewer animals that eat them or their pollen or reproduce on them. Consumers want aesthetic success, and non-natives can do that but they do not deliver on preserving the native habitat and food chain for native insects, birds and even mammals. Moral here: Buy seeds from reliable sources such as native plant specialists. Exchange seeds with people you trust. Read labels well.
If you are looking for native seeds, there will be a native seed exchange Jan. 25 from noon to 3 p.m in the Munger Barn at The Dudley Farm North Guilford, Conn. Organized by national organization The Wild Ones, the event is a bit far away; but will be a worthwhile trip. For more information, go to mountainlaurel.wildones.org/news/
Dee Salomon ‘ungardens’ in Litchfield County.
Author and cartoonist Peter Steiner signed books at Sharon Summer Book Signing last summer.
The 27th annual Sharon Summer Book Signing at the Hotchkiss Library of Sharon will be held Friday, Aug. 1, from 4:45 to 7:30 p.m.; Saturday, Aug. 2, from 10 a.m. to 4:30 p.m.; and Sunday, Aug. 3, at noon.
Friday’s festivities will honor libraries and the power of the written word. In attendance will be 29 locally and nationally recognized authors whose books will be for sale. With a wide array of genres including historical fiction, satire, thrillers, young adult and non-fiction, there will be something for every reader.
The event will include a selection of hors d’oeuvres and drinks, followed by eight festive author dinners where writers will read and discuss their work one-on-one with attendees.
Saturday will feature a new Page to Plate program that merges the literary and culinary worlds. Just as writing is a practice of patience and love, so too is the art of cooking. Cookbooks and food writing make cooking teachable to those excited to learn and celebrate the art of a perfect meal.
Through a combination of demonstrations and conversations, acclaimed cookbook authors and chefs will cover a variety of delicious topics. Highlights include a discussion with Chris Morocco, food director of “Bon Appetit” magazine and “Epicurious.” Sharon resident and chef Jessie Sheehan will demonstrate recipes from her cookbook “Salty, Cheesy, Herby, Crispy Snackable Bakes: 100 Easy-Peasy, Savory Recipes for 24/7 Deliciousness.”
With the combination of vetted recipes and thorough discussion from food experts, attendees are sure to leave knowing how to cultivate the ultimate act of service: the gift of a full stomach.
Sunday will be brunch at a private Sharon residence hosted by Graham Klemm and Cody O’Kelly to celebrate author Carolyn Klemm and her cookbook “Culinary Collection: Favorite Country Recipes.”
For more information and to purchase tickets, visit hotchkisslibraryofsharon.org
All proceeds support the programs at The Hotchkiss Library of Sharon.
Ukraine Emergency Fundraiser at The Stissing Center in 2022 raised over $120,000 for Sunflower of Peace.
The spirit of Ukraine will be on display at the Stissing Center in Pine Plains on Sunday, July 27. Beginning at 5 p.m., the “Words to America from Ukraine” fundraiser is set to showcase the simultaneous beauty of Ukrainian culture and the war-time turmoil it faces, all the while fundraising in support of Ukrainian freedom.
“Words to America from Ukraine” aims to remind and spread awareness for the suffering that often gets forgotten by those who live in comfortable worlds, explained Leevi Ernits, an organizer for the event. “We are trying to make an attempt to remind people that we are human, and we are connected with human values,” she said. “With very few words, poetry can express very deep values.”
Sponsored by the Town of Stanford, Friends of Ukraine, L.E. Design LLC, Bartelby & Sage, Oblong Books and Borshch of Art, the fundraiser will host the recitation of war-time Ukrainian poetry. Readings will include the works of Vasyl Sagaydak, Oksana Lutsyshyna, Serhiy Zhadan, Victoria Amelina, Marjana Savka, Ostap Slyvynsky, and Mariana Harahonych.
“Poems are fishhooks into our souls,” added Mark Lagus, another event organizer, explaining why poetry was chosen for the main event.
Guests will also enjoy a performance by Ukrainian Village Voices, a New York City- based band dedicated to preserving and promoting traditional Ukraining Folk music. The evening will also feature speakers Jed Sunden and Maria Genkin, along with a live auction. Food and drink will be provided by Bartelby & Sage, a sustainable, local and female-owned company.
All ticket proceeds, bids, and donations will go directly to Razom for Ukraine, a U.S.-based nonprofit. Razom, meaning “together” in Ukrainian, has the mission of “contributing to the establishment of a secure, prosperous and democratic Ukraine,” through “creating, inspiring, and collaborating on initiatives that motivate people to think, partner and do.”
Tickets, donation opportunities, and more information are all available by visiting www.wordsfromukraine.org
Celebrating its 45th year, the Grumbling Gryphons will perform at HVRHS Friday, Aug. 1, at 7 p.m.
The Grumbling Gryphons Traveling Children’s Theater is preparing to celebrate its 45th year — not with fanfare, but with feathers, fabric, myth, chant, and a gala finale bursting with young performers and seasoned artists alike.
The Gryphons’ 2025 Summer Theater Arts Camp begins July 28 and culminates in a one-night-only performance gala at Housatonic Valley Regional High School on Friday, Aug. 1 at 7 p.m. Founder, playwright, and artistic director, Leslie Elias has been weaving together the worlds of myth, movement and theater for decades.
“We’re a touring company that is participatory,” Elias said with her trademark storytelling cadence. “Even when there’s no pre-performance workshop, it’s still participatory. Always.”
Founded in 1980 “in a little basement apartment on the lower east side with co-founder Vanessa Roe,” said Elias,Grumbling Gryphons (recipients of the 2003 Connecticut Governor’s Arts Award) has long occupied a unique niche: part performance troupe, part educational outreach, part community ritual. Whether dramatizing Greek myths, Native American legends, or original tales about bees and bogs, the company’s ethos centers on inclusion, transformation, and hands-on engagement.
This summer’s camp offers children ages six and up five fast-paced days of storytelling, acting, mask-making, and rehearsal. The first three days will take place at Elias’s own home studio — a tucked-away space filled with costumes, puppets, and instruments — before moving into full performance prep mode.
“In the ideal world, we would have more time,” she laughed. “It’s a lot of pressure to be performing for the public after five days. But we’re going to do our best.”
The gala performance, she explained, is a kind of theatrical mosaic — scenes and excerpts from Grumbling Gryphons’ vast repertoire, some showcasing seasoned adult performers and others giving campers center stage. The cast will include returning campers, newcomers, and guest artists drawn from the Gryphons’ decades-spanning circle of collaborators including mask maker and artist Ellen Moon.
“We’re still figuring out exactly what we’ll do,” said Elias, “but it’s kind of like a smorgasbord… a celebration. And it’s open — if anybody wants to get their kids involved, or even volunteer, we welcome you.”
Photo provided
Elias’s own theater background winds through early improvisational schools, Viennese dance traditions, and experimental spaces like Henry Street Settlement. As a child on Long Island, she studied with jazz pianist Ivan Fiedel and dancer Rosalind Fiedel, eccentric mentors who nurtured her taste for the surreal and spontaneous.
“Mr. Fiedel was a character,” she recalled. “He would smoke a cigar… and take the cigar in his ear and the smoke would come out the other end. I don’t know how he did it.”
Elias built Grumbling Gryphons with this sense of magic — not as a traditional company, but as a living, evolving story in itself. Whether working with preschoolers or middle-schoolers, audiences in botanical gardens or historic town halls, the Gryphons invite kids to become creators — to chant, to improvise, to embody archetypes from ancient lore or environmental parables.
And that’s what this summer’s camp and gala are all about. “It’s more than theater,” Elias said. “It’s myth, poetry, movement — it’s about building self-esteem, imagination. It’s about transformation.”
For more information, to register a child for the 2025 Summer Theater Camp, or to inquire about volunteering, visit grumblinggryphons.org
Attendees practive brushstrokes led by calligraphy teacher Debby Reelitz.
Calligrapher Debby Reelitz came to the David M. Hunt Library to give a group of adults and children an introduction to modern calligraphy Thursday, July 17.
Reelitz said she was introduced to calligraphy as a youngster and has been a professional calligrapher and teacher for more than 25 years.
She said there is no age barrier to learning the basics. “Once children can hold a pen or pencil, they can do it.”
Reelitz said her 5th-grade teacher introduced her to the art.
Then her mother pressed her into service doing the lettering for “4-H certificates and gift cards.”
Reelitz handed out a sampler and blank sheets of paper and then turned to the easel for demonstration purposes.
She noted that the letters (I,T,H,L,E and F) on the top row of the sampler were not alphabetically arranged.
Rather, they comprised a “latter family” of similar shapes.
Soon enough the entire group of six adults and three children were concentrating and turning out decent versions of the letters
Reelitz alternately demonstrated and encouraged the novices.
“Remember, this is not an instant gratification skill.”