![Rising demand for home elevators](https://millertonnews.com/media-library/ray-and-eve-pech-inside-their-sevaria-home-elevator-which-was-recently-installed-as-part-of-a-larger-renovation-project.jpg?id=52352010&width=1200&height=900)
Ray and Eve Pech inside their Sevaria home elevator, which was recently installed as part of a larger renovation project.
Debra A. Aleksinas
Ray and Eve Pech inside their Sevaria home elevator, which was recently installed as part of a larger renovation project.
Ray and Eve Pech were in their late 30’s when they built their dream house 40 years ago on the side of a mountain overlooking Ski Sundown.
The modest, 2,000-square-foot, vertically-designed home offered privacy, ample space for their young family, stunning scenery — and stairs galore.
“It’s on three levels because it’s on the side of a hill,” said Ray Pech, a retired lawyer who serves on the Northwestern Connecticut Transit District board of directors. “We fell in love with the tremendous views.”
As for the stairs, he said, “We really didn’t think a lot about it. The thought never occurred to us that the day would come when we wouldn’t be able to go up stairs forever.”
The Pechs are among the growing number of Baby Boomers who aren’t planning to sell because they like their homes and have decided to age in place.
During a 2020 expansion project, they retrofitted their home with an elevator so that in their Golden Years they could safely enjoy all levels of their home, and also make it easier for visiting friends with mobility problems and wheelchair bound relatives to visit without climbing stairs.
“We thought, 'how do we make this house so that we can stay here?' and that was the logical choice, even though we didn’t need it physically yet,” Pech explained. “But I guess it’s there when we need it.”
Elevators are no longer just a luxury. Connecticut is home to 823,529 people aged 60 or older, representing 23% of the state’s population, according to a Healthy Aging Data Report. For many seniors, assisted living is out of reach due to rising costs and health concerns, particularly post-pandemic. Caregiving, too, can be costly for those on limited incomes.
A challenging housing market is discouraging senior homeowners from selling their homes, so many aging Baby Boomers are choosing to stay put. But with age comes the inevitable potential for decline in mobility. Home elevators, and to a lesser degree, stair lifts, are solutions to this growing problem, according to industry experts.
Elevator Service Company, Inc., (ESCO) based in Torrington, currently has licenses to install lifts and elevators in Connecticut, Massachusetts, New York and Rhode Island, and installs more than 100 residential elevators annually, according to company officials.
“For the Northwest Connecticut area, towns that are most abundant in our installations would be closer to the New York border, as the square footage of private homes are larger and more frequented to owners who live there year around,” said Managing Director Mat Montgomery.
Over the past five years, Montgomery said he has noticed a change in the attitude that elevators are reserved for the wealthy. “Today, the elevator is a mainstay in the design of the home as building outward for most is challenging with limits in land.”
And while the market continues to grow, he said, the manufacturing for the type of equipment offered by ESCO is growing, too, “bringing down costs which allow us to put these units in every type of home, regardless of wealth.”
The cost to install a residential elevator varies according to layout of the home, the number of levels served and the elevator style, said the ESCO official.
“Our customers all have different needs and wants for their elevator, so the price range will vary with equipment and product offerings.” Generally speaking, he said, a two-story home prepped for an elevator shaft requiring two closets stacked on top of each other, “will spend about $45,000 on a new elevator for this shaftway. This is much cheaper than the price of some newer cars, making an elevator a low barrier to entry to having the to move around your home freely and safely for decades.”
That estimate does not include construction costs to house the unit.
Ray Pech said when he and his wife crunched the numbers, their elevator cost them the equivalent of about three years of rent in a “reasonably nice” senior living complex.
“For us it made sense financially” to stay put, said Pech. “We built the house and decided to redesign the house again in 2020, and the elevator was the instigation of it.” They enlarged their living and dining areas to make up for lost space on the third level where the elevator shaft took up one of the bedrooms.
For the Pechs, the idea was to make the elevator look as if it had always been in the house. It appears as an ordinary door off the living room. Ray Pech opened the door, then slid aside a safety gate leading to a well-lit, wood-paneled box elevator with a weight capacity of 1,000 lbs. and ample space for a wheelchair and another adult.
Once inside, he secured the gate, and with a push of a button, the elevator, which operates via a pulley chain, smoothly and quietly ascended to the upper level at a barely noticeable speed of 40 feet per minute.
Beyond function, elevators can also be aesthetically attractive in a home.
“We do need to hang some art in there,” Eve Pech said to her husband as the elevator door opened on its return to the main level.
Maxon Mills in Wassaic hosted a majority of the events of the local Upstate Art Weekend events in the community.
WASSAIC — Art enthusiasts from all over the country flocked to the Catskill Mountains and Hudson Valley to participate in Upstate Art Weekend, which ran from July 18 to July 21.
The event, which “celebrates the cultural vibrancy of Upstate New York”, included 145 different locations where visitors could enjoy and interact with art.
On Saturday, July 20, The Wassaic Project hosted numerous community events. Will Hutnick, the director of artistic programming, said “We’ve been a part of it since the beginning, this is the fifth year of UPAW.”
Most of the action was based at Maxon Mills, the seven-floor grain mill located in the heart of Wassaic. On exhibit was work from 30 artists, 18 of whom were past residents of The Wassaic Project. “Artists can come and do a residency here, meaning they live and work with one another for a couple months at a time,” Hutnick stated.
The first floor held work by Petra Szilagyi, who uses dirt and linseed oil to construct images of paranormal concepts, most of which include bats. They reflected that a recent trip to a fifth sense competition in Vietnam was the influence behind the exhibit.
Across the floor was Tiffany Smith’s interactive installation which incorporated plants and wicker chairs, all of which were objects associated with her Carribean upbringing. “The room being filled with plants is symbolic of hurricane prep which often included bringing the plants from outside into the house,” Smith said.
As visitors made their way up the narrow wooden stairs, music could be heard from behind the walls. The echoing music was Daniel Shieh’s installation, entitled Mother’s Anthem, which played a recording of the American Anthem in 30 languages. The languages ranged from Spanish and Italian to Navajo and Bengali.
Each floor was filled with artwork of all mediums, including painting, fibers, collage and photography. Rachel Bussières, who switched her concentration after watching the 2017 solar eclipse, uses varying light sources to produce lumen prints. During the wildfires, she recounted that she “made a new exposure each day to capture the changing air quality”.
Luciana Abait also incorporates the natural world into her pieces, instead using maps. An environmental activist originally from Argentina, Abait’s work highlights “environmental fragility, specifically the impacts it has on immigrants.” Her installation that is currently on display at Maxon Mills, takes the form of a mountain range built solely from maps of the US and Argentina.
Throughout the day, visitors could “Arm Wrestle 4 A Popsicle”. Winners had the choice of 3 playfully flavored trout-inspired popsicles - Nightcrawler, Power Bait, and Salmon Roe. Artist Katie Peck, who spent the day in costume as a rainbow trout, encouraged guests to step up and try their hand at an arm wrestle.
Shibori Indigo dyeing, group meditation, and dance workshops were open for community members of all ages as well.
While the daytime activities fostered appreciation of fixed art, a dance party until midnight at The Lantern Inn offered guests a space for performative art.
When describing the environment of The Wassaic Project, Smith emphasized, “It’s all community, it’s all love.”
A serene scene during the Garden Tour in Amenia.
AMENIA — The much-anticipated annual Amenia Garden Tour drew a steady stream of visitors to admire five local gardens on Saturday, July 13, each one demonstrative of what a green thumb can do. An added advantage was the sense of community as neighbors and friends met along the way.
Each garden selected for the tour presented a different garden vibe. Phantom’s Rock, the garden of Wendy Goidel, offered a rocky terrain and a deep rock pool offering peaceful seclusion and anytime swims. Goidel graciously welcomed visitors and answered questions about the breathtaking setting.
Amenia Finance Director Charlie Miller welcomed visitors to his Bog Hollow Road garden in Wassaic, a manicured expansive yard with well-placed garden beds framing a far-reaching view. He said he plans carefully each winter for the next spring’s improvement.
The organic, environmentally responsible Maitri Farm was next, a lesson in coordinating agriculture with natural balance. The farm stand and a walk among the greenhouses brought visitors together.
Near the center of Amenia was the garden of Polly Pitts-Garvin, offering a chance to visit a robust vegetable garden with raised beds to be envious of and a remarkable absence of any insects or usual vegetable garden problems.
At Chez Cheese, the vast garden acreage surrounding the 1850s historic home of Joan Feeney and Bruce Phillips in Millerton, visitors could begin at refreshment stations where walking tour maps of the 15-acre property were available. There were streams and ponds with docks, and a dozen bridges arranged around the landscape. In the 19th-century, the property had been the home of the Wilson Cheese Factory, inspiring the name of the estate.
The Amenia Garden Tour was supported this year by Paley’s Garden Center in Sharon.
Gary Dodson working a tricky pool on the Schoharie Creek, hoping to lure something other than a rock bass from the depths.
PRATTSVILLE, N.Y. — The Schoharie Creek, a fabled Catskill trout stream, has suffered mightily in recent decades.
Between pressure from human development around the busy and popular Hunter Mountain ski area, serious flooding, and the fact that the stream’s east-west configuration means it gets the maximum amount of sunlight, the cool water required for trout habitat is simply not as available as in the old days.
This is not a new phenomenon. It does seem to be getting worse, though.
Gary Dodson and I convened where the creek makes its final run into the Schoharie reservoir, part of the New York City water supply system, on a semi-broiling Thursday afternoon, July 11.
The goal was simple. Catch smallmouth bass, which abound in the lower section of the river.
This was hot stuff — as in an 80-degree water temperature.
The air temperature was actually slightly less at 77.
After negotiating the intensely slippery rocks, festooned with treacherous algae, the first major pool presented several difficulties, with a back eddy competing with a main flow and several large trees draped about the whole thing.
I hit on the simplest strategy, which was to flip a weighted attractor fly called a Tequilley into the start of the eddy so it would proceed slowly but steadily into the maelstrom, sinking all the while.
This worked. A proper adult smallmouth, with bronze coloring and vertical stripes, took the thing.
The point-and-shoot camera finally died, however, and I was not going to try to fumble my phone out for a nice but routine fish photo.
Why not?
Because I guarantee the fish would have made a sudden, last-moment bolt for freedom, causing me to drop the device into the drink.
Gary moved downstream while I continued trying to annoy the residents of the pool, succeeding a couple of times with different colored Wooly Buggers.
Then we all got bored and I moved off, where Gary was catching rock bass and cussing them out for not being something else. I have to admit, they are not the most compelling critters. Something about the red eyes.
This latest trip was dominated by extremely tedious and distasteful Harry Homeowner activities, but on both Wednesday and
Thursday mornings I prowled Woodland Valley Creek. By “morning” I mean “dawn,” because that was when the water temps were down to a barely acceptable 64.
I made the acquaintance of several stocked browns and of a handful of their wild cousins. The wild fish are smaller and nimbler.
The successful ploy was an Adams wet fly, size 16, drifted behind something big, like a Parachute Adams or Stimulator.