Preserving culture: a conversation at the Norfolk Library

Betsy Vorce and preservationist Edward F. Gerber, trustee of Historic New England.
Jennifer Almquist
Betsy Vorce and preservationist Edward F. Gerber, trustee of Historic New England.
At Norfolk Library on July 22, Vin Cipolla, President and CEO of Historic New England, and Melvin Chen, Director of Norfolk Chamber Music Festival discussed the rich tradition of music and arts festivals and their role in preserving culture.
Edward F. Gerber, a trustee of Historic New England, sponsors “Connecticut Preservation at Work,” a series of conversations with civic leaders, preservationists, and educators. Speaking to a full house, Gerber introduced Cipolla as, “a lifelong preservation and arts advocate protecting our cultural fabric.”
Cipolla has held leadership roles at the National Park Foundation, the Municipal Art Society of New York, David Geffen Hall at Lincoln Center, Fidelity Capital, the Institute of Contemporary Art in Boston, the National Trust for Historic Preservation, and has taught at Columbia.
Historic New England is the oldest, largest, independent preservation organization in the United States, with 38 history museums, farms and landscapes, and a collections center in Haverhill, Massachusetts that houses 1.5 million archival documents, plus 125,000 decorative arts objects. Cipolla shared plans for a “bold transformation” of their historic shoe manufacturing factories into Haverhill Center, a “cultural catalyst for the region that will reverberate internationally.”
Cipolla introduced Chen. “What I find spellbinding about chamber music is that connection, that warm intuitive partnership among musicians. Why is Norfolk important to artists and audience?”
Chen garnered global acclaim for his own musical performances, taught at Bard and was artistic director at Hotchkiss School Summer Portals. He received a doctorate in chemistry from Yale, and a double master’s degree from Juilliard in piano and violin.
Chen responded, “Norfolk is a small town, perhaps an unexpected place to have a major summer music festival. Early families Battell, Eldridge, Stoeckel had a vision for Norfolk. They commissioned architect Ehrick K. Rossiter in 1906 to build our Music Shed. Norfolk Chamber Music Festival is a natural outgrowth of that original vision.”
Ann Havemeyer, Director of the Norfolk Library and Vin Cipolla, President and CEO of Historic New England.Jennifer Almquist
Chen went on to say, “The important part of what we do is educating the next generation. When our young musicians arrive from around the world, I tell them they follow in the footsteps of great musicians who performed on our stage: Rachmaninoff, Caruso, Kreisler, Ralph Vaughn Williams, Percy Grainger, Samuel Coleridge-Taylor, and Sibelius.”
Vin Cipolla observed, “Something special happens in summer festivals that is irreplaceable in the field. Has the Norfolk experience affected your own music?”
Chen smiled. “It is rare in the life cycle of a professional musician to have the luxury of time to work on a piece. Here musicians delve deep, perform for an audience, then meet their audience.”
“At a time of much pressure,” observed Cipolla, “we are blessed with an abundance of festivals, yet we must be vigorous supporting them. What does preservation mean to you?”
Chen replied, “We are responsible for the programmatic preservation of the original spirit of Norfolk, while strengthening the current role of classical music in society. We have extraordinary talent here. I am optimistic that if we educators continue to encourage the creativity of young musicians and artists, people will be drawn to the arts and music.”
For more information on Historic New England Events visit: historicnewengland.org
Jim Archer of Elk Ravine Farm takes a seat on Billy the water buffalo on Wednesday, Sept. 10.
AMENIA — Jim Archer doesn’t look like a typical “influencer.” He doesn’t have a podcast and he doesn’t take jet-setting trips to Bali for advertising shoots.
But he has amassed a following of more than 100,000 people across his Instagram and TikTok accounts. Archer shows off his unique collection of farm animals and produces educational content about ecology and the environment all from Elk Ravine Farm, his property on Smithfield Valley Road in Amenia.
Archer bought the farm 30 years ago. He was living in Katonah, New York — where he grew up — and finding success as a contractor when he decided he wanted plenty of land in the country.
He bought the 90-acre property and spent 10 years prepping and building before he could move onto the farm. Then the real work could begin.
Archer has a passion for environmentalism and conservation that runs deep. His farm is under conservation easement with the Dutchess Land Conservancy, and the main goal of his operation is to raise livestock to aid in maintaining endangered habitats.
Archer raises Scottish Highlands cattle and Southeast Asian water buffalo because of their affinity for rugged terrain and dense, unappetizing foliage. They serve as all-natural weed-eaters, Archer said, going into habitats and eating plants that more typical livestock would avoid.
“They’re replacing an herbivore that has become extinct through millennia,” Archer said.
This strategy centers natural habitat management strategies rather than herbicides that could leach into water tables, potentially causing more harm to critters than the good that would come from removing invasive plants.
The water buffalo are especially fond of an invasive called phragmites — also known as common reed. These non-native plants form dense clods that choke out native species, according to the New York Invasive Species Information website, eventually killing all diversity in a wetland.
“Scottish highlanders don’t want to go where the footing is bad,” Archer said. “So I asked if we could proceed with Southeast Asian water buffalo and we’ve been working with them for about two years now.”
The operation is under expansion with 13 water buffalo and between 35 and 40 highlands cattle.
Archer’s environmental work is expensive, though, and he refuses to accept donations or even volunteer labor to help him with his operation. Instead, he sells educational tours of his Amenia farm to fund the conservation efforts. “I have to earn what I get,” Archer said.
Jim Archer keeps sheep, goats, pigs, emus, horses and a variety of fowl on his farm on Smithfield Valley Road in Amenia.
Archer has amassed a menagerie of animals at his 90-acre farm — all raised from adolescence by him and his fiancee — including pigs, sheep, highlands cattle, water buffalo, emus, goats, pheasants, horses, pigeons, ducks and peafowl.
Tourists start by meeting the highlands cattle, the animal that generally draws a group to the farm, Archer said. “Everybody wants to pet a fluffy cow.”
Archer’s tours put visitors in direct contact with nearly every animal on his farm, except for the horses. Those are just for pulling Archer’s restored stage coaches, including a re-creation horse-drawn ambulance — a hobby for him and his fiancée.
The experience can be overwhelming for some. “I get a lot of people that cry,” Archer said, because many of his visitors are urban or suburbanites with limited experience with animals, and the interactions can be moving.
“Somebody was suffering a loss of their partner,” Archer said. “They came here to see the animals to help through their grieving process. Billy, the water buffalo, was laying down so she sat down and he put his head in her lap. The whole time we were there — 30, 45 minutes — she was just there bonding with him.”
“Emus are dinosaurs,” Jim Archer said as he exposed the claw located on his emu’s wing.Nathan Miller
Nathan Miller
The most divisive animals on the property are the emus. Archer has five of them that live in an enclosure with some goats. The emus are curious and friendly, but they have a funny way of showing it. The birds have to explore things using beaks, leading to a lot of nibbling and pecking as visitors stand in the pen with them. Some people, understandably, find that a little annoying, Archer said.
Interested visitors can book tours through Archer’s website, www.elkravinefarm.com, or by texting 914-262-4737. A two-hour tour of the farm for a group of four people costs $250. An appointment is required to visit the farm.
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
Danielle Mailer with her 12 foot aluminum mountain lion outside of the Scoville Library.
On Saturday, Sept. 27, Salisbury Family Services (SFS) will hold a benefit dinner and barn dance, honoring artist Danielle Mailer. Taking place at Stillwater Farm in Salisbury, this festive fundraiser will feature cocktails, hors d’oeuvres, dinner, and lively barn dancing — all in support of the critical services SFS provides.
Founded in the mid-1930s during the Great Depression, Salisbury Family Services has been a lifeline for residents of Salisbury and the surrounding villages of Amesville, Lakeville, Lime Rock, and Taconic for nearly 90 years. What began as an effort by local women to mend clothes and provide food has evolved into a professional social service agency offering confidential support for housing, food, childcare, medical needs and more.
This year’s benefit celebrates Danielle Mailer, a nationally recognized visual artist and longtime local resident whose vibrant work and generous spirit have left a lasting impression on the Northwest Corner. Known for her bold, figurative style and large-scale public installations, Mailer has brought color and life to communities throughout Connecticut and beyond.
“I suspect that they honored me because they think I’ve given back to the community in various ways,” said Mailer from her studio in Goshen. Mailer just began her tenth year as a teacher at the Salisbury School. Prior to that, she taught at Indian Mountain School for 15 years. “So that’s, what? That’s 25 years of teaching in the community,” said Mailer with a laugh.
Alongside teaching, Mailer will also be honored for her artistic contributions to the area. If you’ve driven through Torrington and seen the undulating sea of fish on the backside of Staples (“Project Fishtales”) or delighted in her playful blue lion outside of the Scoville Library, you’ve seen her art do what it does best: transform public space into something personal and joyful.
Mailer has shown in major galleries, had retrospectives at the Mattatuck Museum in Waterbury, Connecticut, and helped shape The Tides of Provincetown, a traveling tribute to her hometown of Provincetown, Massachusetts. Currently, she’s getting ready for the unveiling of a large-scale ballerina she created for the Nutmeg Ballet Conservatory in Torrington on Oct. 3.
Some of Mailer’s work will be on view and for sale at the event on the 27th. Proceeds directly support the SFS’s ability to provide emergency assistance and essential services to those in need.
“I readily donate my art to lots of things because I think that’s something art can do — to support the different community events that are very necessary to keep the town humming, said Mailer. “And I am really flattered. It’s been really fun to be honored.”
For more information and to purchase tickets, visit www.salisburyfamilyservices.org