Pine Plains library to seek crucial budget increase

From left: Library director Alexis Tackett, intern Hannah Johnson, and library assistant Annie Mallozzi at the Pine Plains Free Library.
Photo by Elias Sorich

PINE PLAINS — Come November, voters in Pine Plains are likely to see a question on the ballot asking them to increase the budget of the Pine Plains Free Library. The library plans to ask for $166,900 through a mechanism called a Chapter 414 initiative, after a chapter of education law passed in 1995 that allows libraries to pursue voter-directed funding.
This will create a special library tax and assure that the library will get a certain amount of funding each year that is not subject to increase or decrease by the town. And if the library needs to increase its budget again, it will have to run another Chapter 414 initiative to do so.
Currently the library receives a budget of $99,500 from the town of Pine Plains which, after grants and fundraising, puts its total budget at $148,000. That amount, according to both Alexis Tackett, director of the library, and Claire Gunning, president of the library’s board of trustees, is inadequate to meet operating costs and community demand.
Already, the library is having to make use of funds set aside for emergencies, planned Americans With Disabilities Act-accessibility improvements, and community space upgrades to meet its operating costs. For this year alone, Tackett shared the library had to use $30,000 of that money to keep afloat.
Unless the library is able to secure an increase in funding, Tackett and Gunning indicated that it will have to undergo drastic changes to its hours, offerings, staff and programming in as little as three years. What that would look like, according to Tackett, is a reduction to 20 hours per week, becoming a single-staff library, and a slashing of programming.
These changes would result in the library’s failure to meet the New York state minimum standard, as well as the loss of its connection to the Mid-Hudson Library Association, both of which grant the library access to resources, databases and other amenities.
In the current phase of its initiative, the Pine Plains Free Library is collecting signatures of support, which must total at least 108 in order to make it to the ballot. To Gunning, at this stage, supporting the initiative is primarily about supporting the democratic process.
“Signing this does not guarantee you’re voting yes, it’s just saying that we get to vote on the question,” said Gunning. “But the hope is that we don’t break everybody’s heart. If the town keeps funding us in the same way, we won’t be able to continue to do our jobs. That’s the reality.”
A common necessity
Far from an uncommon step, according to Rebekka Smith-Aldrich, executive director of the Mid-Hudson Library System, over half of the libraries in the Mid-Hudson system use the Chapter 414 mechanism to get their funding. Those initiatives are successful roughly 95% of the time—and Smith-Aldrich has advised over 100 of them during the course of her 25 years at Mid-Hudson.
“I really worry about the libraries that don’t have voter directed funding,” said Smith-Aldrich. “We really see that the libraries that don’t have [it], they just fall behind every single year. When they’re able to make their case directly to the voters, and say, ‘Look, this is what community demand is for the library, this is how much it costs to do that work, do you find that reasonable?’ 97% of the time voters say, ‘Yeah, that makes a lot of sense to us.’”
The Pine Plains Free Library is one of only two libraries out of 26 in Dutchess County that do not have voter-directed funding. And though the library is not permitted to spend any money in pursuit of the initiative, putting its budget to a public vote represents a significant commitment of time and energy on the part of the all-volunteer board, and other volunteer groups like the Friends of the Pine Plains Library.
If they aren’t successful this year, Gunning stated they will just have to try again the next.
Regional success stories
The Clinton Community Library in Rhinecliff is close to Pine Plains in terms of its size and demographics, and in 2017 and 2022, it pursued voter-directed funding initiatives to roaring success. According to Carol Bancroft, director of the Clinton Community Library, those efforts were “a lot of work for the board and staff” but deeply necessary, as the library had previously gotten its funding through a “patchwork quilt” of grants, town funding and fundraising.
What that patchwork method meant for the Clinton Library was funding insecurity—when grants were depleted, the library would take a serious hit to its programming capacity.
Receiving $115,000 in 2017 and $149,800 in 2022 through voter-directed funding, the Clinton Library was able to ramp up its programming, build support and goodwill in the community, and solidify its role as a gathering space for the town. In 2017, 60% of voters voted “yes” on the initiative, and in 2022 that support increased to 73%, an indication of the success the community has viewed that first initiative as having.
To Bancroft, the Chapter 414 process is both both labor-intensive, and yet ultimately fulfilling: “As a director, it can be frustrating. But it’s also very democratic. You put it to your community, and if they see the value, they say yes.”
Rising costs
The necessity for a library to pursue a Chapter 414 initiative can arise from any number of regional challenges, but it often boils down to the common factor of rising costs. Though the town of Pine Plains increased the library’s budget in 2017, 2019 and 2022, the increases were relatively small (from $96,550 in 2021 to $99,500 in 2022)—and in the intervening time, the Pine Plains Free Library has seen a dramatic uptick in usage.
If that alone weren’t enough, the rising cost of inflation, wages and price-gouging from publishers on digital assets have all contributed mightily to the Pine Plains Free Library’s funding insecurity.
To purchase a physical book to be used in-perpetuity, the cost for a library runs at about $14. For a digital copy of that same book, that cost is often closer to $60, which might make sense if that digital copy could be used by multiple people at the same time. But that $60 buys only one digital copy. If a library wants to lend that ebook to more than one person at a time, it has to purchase another $60 digital copy.
And books are just the beginning of a library’s digital asset woes—programs like Microsoft Word and Adobe as well as access to academic magazines or databases are often only available through yearly digital subscriptions. Moreover, costs for physical materials have skyrocketed.
As an example, the library’s copier, which is in need of replacement, cost $2,500 before the pandemic—now the same model costs $6,000. Ink for that model has also gone up, from $300 to $600. According to Tackett, these inflated costs stack up quickly and mean that the library’s current funding is essentially “the same equivalent funding we were at in 2013.”
While the voter-directed budget increase is directed largely at stabilizing the library’s funding sources, Tackett also indicated that the amount that’s being asked for is intended to increase the library’s offerings to meet community demand.
“If it passes, what people will see is the increase in hours that they’ve been asking for, they’ll see an increase in materials that they’ve been asking for, both digitally and physical, and they’ll see more programs and services offered,” said Tackett.
By way of hours, Tackett’s hope is to increase from 32 hours per week to 40 and to keep the library open on Mondays, bringing its open days to six per week.
What good are libraries, anyway?
If you were to think of a library, chances are you might imagine the libraries of yore, stacked with books and silent reading. And while books have remained central to libraries, as times have changed, what a library must offer a community has evolved.
Along those lines, to Smith-Aldrich, they are perhaps better framed as centers of information: “I think there’s a common fallacy that that the role of libraries is changing. But I honestly think that the role of libraries has always been the same, which is to be an educational portal for folks to understand the world around them. The problem is how information has been monetized in our society, and libraries have been on the frontlines of defending people’s right to access.”
Beyond that, to Tackett, a library is also a place where community member can come to get access to centralized resources in times of needs: “If somebody comes in and says ‘my house burned down last night, and I don’t know what to do,’ I can probably list four organizations right off the bat to get them in contact with. Libraries are often the first safety net for people, which can start funneling them into all the other economic safety nets out there.”
To Gunning, the ways in which a library can serve as a foundation to a community are often connected to those basics of survival.
“Food insecurity exists in our town,” said Gunning. “People might still have a house over their head, but they’re worried about feeding their children. People can’t always afford to go and just get what they need, whether it’s mental health, or help filing a request, or leaning how to use their cell phone, or getting access to internet. During the pandemic, people would come and park in the parking lot at the library to use the internet. Those are real services that people need.”
Gunning also emphasized the degree to which a library is not only a resource for those in need, but also an amplifier for community. The Pine Plains Free Library provides a wide slate of programming, from story hours for children to tech assistance and tech literacy training, and any of the other 300-plus programs offered annually. When those programs exist, Gunning stated, people come together and communities remain connected.
The board of trustees are available to discuss the proposed Chapter 414 budget initiative and take signatures. They’ll keep collecting signatures until they get past the 108 mark, with a safety goal of 200.
If they’re able to secure the requisite support, the library will then begin a public information campaign, which will culminate in a public vote on the November 2023 ballot.
Millerton News
Elena Spellman
In a barn on Maple Avenue in Great Barrington, Kathy Reisfeld merges two unlikely worlds: wealth management and yoga, teaching clients and students alike how stability — financial and emotional — comes from practice.
Her life sits at an intersection many assume can’t exist: high finance and yoga. One world is often reduced to greed, the other to “woo-woo” stretching. Yet in conversation, she makes both feel grounded, less like opposites and more like two languages describing the same human need for stability.
On one floor of her barn are yoga mats and the steady rhythm of breath. On the other are computer screens, market charts and conversations about retirement plans and portfolio diversification. For Reisfeld, founder of Berkshire Wealth Group in Great Barrington, these are two sides of a single practice.
“At the end of the day, you’re just dealing with people,” she said. “Whether we’re talking about financial stability or mental stability, it’s kind of all the same thing.”
Reisfeld has spent nearly 30 years in finance, building a client-centered advisory practice that eventually led her to go independent. But her relationship with money began long before her career.
When her mother became ill during Reisfeld’s childhood, finances tightened. It wasn’t poverty, she said, but it was constrained enough to teach her how money — or its lack — can dictate the terms of one’s life. That lesson took on a deeper meaning as she watched her mother remain in a difficult marriage without full financial independence. “Money represented autonomy,” she said. “Freedom.”
In college, Reisfeld initially majored in physics, drawn to systems and structure. But an economics class shifted her direction. Markets, she realized, were systems too — not only mathematical, but deeply human.
After graduating, she landed an internship with a financial adviser and gradually discovered a profession that combined curiosity, problem-solving and relationship-building.
“The more I learned, the more I kind of wanted to get involved,” she said.
Over time, she realized she wasn’t interested in chasing predictions; she was interested in guiding people through uncertainty.
Over nearly three decades, she has watched the industry evolve. It has moved, she believes, from selling products to offering advice — a shift toward aligning compensation with clients’ best interests.
She’s candid about the stereotypes that cling to finance: that it’s driven by greed and full of money-hungry people. Those people exist, she said, but they aren’t the majority.
“It’s kind of like the few bad apples ruining it for everyone.”
At its best, she believes, the work is quieter and more meaningful than its reputation suggests.

Yoga entered her life in 2001, when she was living in New York City and training as a marathon runner.
“I was, like, very anti-yoga,” she admitted with a laugh.
But once she tried it, something shifted. A workshop with Nancy Gilgoff, the first American woman to travel to India to study Ashtanga yoga, “blew my mind open,” she said, revealing yoga as something far larger than poses or stretching.
What began as a physical complement to her running became a doorway into something deeper.
“Ashtanga means eight limbs,” Reisfeld explained. “The physical practice is just the entry point.”
The overlap she sees between yoga and investing is patience. Both practices demand discipline through fluctuation — the ups and downs, the good days and bad days, and the willingness to keep showing up.
In yoga philosophy, she points to the stilling of the mind. In investing, that becomes tuning out the noise — the headlines that spike fear or euphoria, the endless predictions that feel authoritative and rarely land cleanly.
After almost three decades in a traditionally male-dominated industry, Reisfeld has learned to move comfortably in rooms where she was often one of the few women present.
Asked what it was like starting out as a woman in finance, she smiled.
“The lines for the restroom were shorter.”
The humor reflects her temperament. She began her career at 21, and mentorship was not always easy to find. But finance, like yoga, rewards consistency. Ultimately, she built her business through steady growth.
For Reisfeld, yoga is fundamentally about integration. Money is no exception. It shapes how we live, the choices we make and the freedoms we have. Ignoring it doesn’t make it disappear. It only makes it harder.
Now rooted in the Berkshires, advising clients and teaching yoga classes from the same barn, Reisfeld’s work feels less like two careers and more like one philosophy.
When asked what she hopes people feel after spending time with her — whether reviewing a portfolio or finishing a yoga session — her answer is immediate.
“More confident,” she said. “Less stressed. More optimistic about their future.”
For more information or to book an appointment, visit berkshirewealthgroup.com
Kathy Reisfeld, Branch Owner
250 Maple Ave, Great Barrington, MA 01230
845-263-3996
Securities offered through Raymond James Financial Services, Inc. Member FINRA/SIPC.
Berkshire Wealth Group is not a registered broker/dealer and is independent of Raymond James Financial Services, Inc.
Investment advisory services offered through Raymond James Financial Services Advisors, Inc.
Elena Spellman is a Client Service Associate at Berkshire Wealth Group

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Dee Salomon
A partially mowed meadow in early spring provides habitat for wildlife while helping to keep invasive plants in check.
Love it or hate it, there is no denying the several blankets of snow this winter were beautiful, especially as they visually muffled some of the damage they caused in the first place.There appears to be tree damage — some minor and some major — in many places, and now that we can move around, the pre-spring cleanup begins. Here, a heavy snow buildup on our sun porch roof crashed onto the shrubs below, snapping off branches and cleaving a boxwood in half, flattening it.
The other area that has been flattened by the snow is the meadow, now heading into its fourth year of post-lawn alterations. A short recap on its genesis: I simply stopped mowing a half-acre of lawn, planted some flowering plants, spread little bluestem seeds and, far less simply, obsessively pluck out invasive plants such as sheep sorrel and stilt grass. And while it’s not exactly enchanting, it is flourishing, so much so that I cannot bring myself to mow.
I have doubts:If I mow in the spring, would I kill all the overwintering insects? If I mow after the first frost, as suggested in a 2017 paper by the esteemed Kim Stoner, Ph.D., on the Connecticut AgriculturalExperiment Station website, would I lose the seed heads of yarrow, rattlesnake master and black-eyed Susan that birds are supposed to feed on in the winter?Paralyzed by indecision, I have not been able to bring myself to do even a partial cut.
I took a poll at a recent party attended by horticulturalists, environmentalists and garden experts. There was a consensus that early spring is indeed the best time to mow — early, before the ground-nesting birds like woodcock start nesting.I then called Mike Nadeau, whom I consider a meadow master of the Northwest Corner, and he concurred, following the Xerces Society meadow-mowing guidelines: mow in early spring when dandelions are in bloom.
“Xerces Society says this is the time most insects have hatched out of hollow stems and is between bird migrations.”
Nadeau’s experience has borne this out.
“I stress not to mow in fall because a dormant meadow is a haven for winter critters of all ilk.Birds use dormant plants for nesting materials, eat seeds, refuge — not to mention the other mammalian life that benefits from a meadow. An argument that has worked for me to discourage fall mowing is to describe a dormant meadow, with its myriad seed heads and foliage, as kinetic sculpture, especially with snowfall.It’s a beauty all its own.”
Nadeau mows a third to a half of a meadow each year, ideally using a flail mower, which chops vegetation into small pieces, helping foliage to resprout. The unmowed portion is left as a refuge for the animals that get evicted from their homes in the mowed area.
Stoner agrees with Mike to divide up the meadow and mowing different sections at different times. And she validates my mowing trepidation.
“There’s no perfect time. Any time you mow, you will be disturbing the habitat of some creature. If you don’t mow, you will have invasive plants creeping in, and eventually you will have trees,” she said.
“Best thing is to think about what your goals are — what creatures do want to encourage in your meadow? Then set the time of mowing to protect and enhance the habitat for those creatures.”
Additionally, Nadeau suggests that mown paths should be rerouted at least every two years to prevent rhizomatous grasses from establishing, which can grow into meadow edges and look unsightly. And the window is short:
“It’s too late to mow when spring birds arrive in earnest and new meadow growth is taller than 6 inches.”
Lights Out!
One of my favorite meadow benefits are the hundreds of fireflies that emerge in June. I am grateful for the lack of artificial light from neighbors (save for one house across the river with a persistent outside night light), so these creatures can shine brightly — and securely.
The organization DarkSky International relays the effect outdoor lights can have on fireflies: an almost 50% decrease in flashes per minute, which affects courtship behavior and mating success, according to two studies they cite on its website,darksky.org.
There, you can also get the lowdown on the devastating effects even one outdoor light can have on birds, amphibians, insects and mammals.The organization provides educational materials that explain the issue, making it easier to bring it up to neighbors and friends — which I will soon try with the house across the river.
Dee Salomon ungardens in Litchfield County.
Jack Sheedy
Playwright Cinzi Lavin, left, poses with Kathleen Kelly, director of ‘A Goodnight Kiss.’
Litchfield County playwright Cinzi Lavin’s “A Goodnight Kiss,” based on letters exchanged between a Civil War soldier and the woman who became his wife, premiered in 2025 to sold-out audiences in Goshen, where the couple once lived. Now the original cast, directed by Goshen resident Kathleen Kelly, will present the play beneath the gold dome of Connecticut’s Capitol in Hartford as part of the state’s America250 commemoration — marking what organizers believe may be the first such performance at the Capitol.
“I don’t believe any live performances of an actual play (at the Capitol) have happened,” said Elizabeth Conroy, administrative assistant at the Office of Legislative Management, who coordinates Capitol events.
When Lavin inquired about staging the production there, “they were very excited about it,” she said.
The performance, to take place April 1, is being sponsored by the Connecticut League of Women Voters. Organizers said the Capitol setting offers a fitting backdrop for a story rooted in American history and civic life.
“A Goodnight Kiss” is a dramatic reading drawn from letters exchanged between Sgt. Maj. Frederick Lucas (David Macharelli) and Sarah Jane “Jennie” Wadhams (Olivia Wadsworth). Fred wrote from battlefields, while Jennie wrote from the peaceful confines of Goshen. Together, their letters trace a gradually deepening romance and how the couple overcame objections by Jennie’s father, John Marsh Wadhams, and finally married in 1867.
“I just found it adorable that (Jennie’s father) was going to make sure she got the right kind of husband, which is why Fred had such a hard time,” Kelly said.
BroadwayWorld reviewer Sean Fallon called the play “the most romantic love story I have ever seen acted out on stage.”
The letters were first brought to light in the 2002 book “Fred and Jennie: A Civil War Love Story” by the late Ernest B. Barker, a Goshen resident and descendant of both the Lucas and Wadhams families. The Barker family discovered Fred’s letters in the Wadhams homestead and Jennie’s letters in a house once owned by a Lucas family member. The correspondence is now housed at the Connecticut Museum of Culture and History in Hartford.

Kelly said presenting the story through letters poses a challenge because the actors rarely interact onstage. During rehearsals, she had the performers face one another while reading their letters aloud. “It was just like magic happened,” she said.
Lavin said the play “tells the story of what truly makes America great, what made America great then, and what still makes it great, which is devotion to duty, service to others, integrity and treasuring freedom.”
David Macharelli, who portrays Fred, said, “Charting (Fred’s) course from enthusiastic young recruit gushing with admiration for the new technology of 19th-century warfare to a man crashing into the reality of war is a reminder that even the noblest of causes demand sacrifice, and that sacrifice is often borne by innocents.”
Olivia Wadsworth said of portraying Jennie, “It’s actually a little dizzying to think about. Two people, more than a hundred years ago, sent private letters to one another, and now their love story is being shared in a performance at the state Capitol.”
The performance will take place April 1 at 2 p.m. in Room 310 of the Capitol at 210 Capitol Ave., Hartford. The event is free and open to the public with advance registration at https://bit.ly/4usa9b7. Arrangements for guests with special requirements may be made by emailing Lisa Del Sesto at admin@lwvct.org or calling 203-288-7996. Parking on Capitol grounds is limited, but additional parking is available nearby at the Legislative Office Building, 300 Capitol Ave.
Robin Roraback
Yonah Sadeh, Falls Village filmmaker and curator of David M. Hunt Library’s new VideoWall.
The David M. Hunt Library in Falls Village, known for promoting local artists with its ArtWall, is debuting a new feature showcasing filmmakers. The VideoWall will premiere Saturday, March 28, at 6 p.m. with a screening of two short films by Brooklyn-based documentary filmmaker and animator Imogen Pranger.
The VideoWall is the idea of Falls Village filmmaker Yonah Sadeh, who also serves as curator. “I would love the VideoWall to become a place that showcases the work of local filmmakers, and I hope that other creatives in the area will submit their work to be shown,” he said.
After the screening of the two films, “Mail Myself to You” and “Circle, Circle Square,” Pranger and Sadeh will discuss filmmaking and answer questions.
Of Pranger, Sadeh said, “She has a strong visual voice as a director, and both of these films are great examples of a blend of documentary and experimental filmmaking.”

Pranger described her approach to filmmaking. “I have always approached the visual arts from an interdisciplinary, multimedia perspective.” This approach was a reason why animation was particularly appealing to Pranger as she began exploring the possibilities of filmmaking.
“I particularly fell in love with the tactility of hand-drawn and painted animation and the ways in which it can be used in tandem with analog 16-millimeter film. Stop-motion animation holds the unique power to bring inanimate objects to life, something that became crucial to my practice of archival documentary filmmaking. I appreciate the sense of play that is encouraged in the medium of animation and find great joy in exploring new avenues and possibilities within the medium,” she continued.
At the core of Pranger’s films, she hopes to capture the joy and intimacy of human connection that blossoms through engagement with material and creative process.
After the opening event, the films will remain available to view at any time on the VideoWall screen in the library stacks. “The screen will always be on and ready for anyone to use,” Sadeh said. The installations will last three to four months.
Sadeh added, “Each installation will begin with a public screening at the library, followed by a talkback with the filmmaker.”
Filmmakers can contact Sadeh at huntartwall@gmail.com for information about submitting films for consideration. Visit huntlibrary.org/art-wall for a schedule of ArtWall and VideoWall events, which are free and open to the public.

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