Pine Plains library to seek crucial budget increase

From left: Library director Alexis Tackett, intern Hannah Johnson, and library assistant Annie Mallozzi at the Pine Plains Free Library.
Photo by Elias Sorich

PINE PLAINS — Come November, voters in Pine Plains are likely to see a question on the ballot asking them to increase the budget of the Pine Plains Free Library. The library plans to ask for $166,900 through a mechanism called a Chapter 414 initiative, after a chapter of education law passed in 1995 that allows libraries to pursue voter-directed funding.
This will create a special library tax and assure that the library will get a certain amount of funding each year that is not subject to increase or decrease by the town. And if the library needs to increase its budget again, it will have to run another Chapter 414 initiative to do so.
Currently the library receives a budget of $99,500 from the town of Pine Plains which, after grants and fundraising, puts its total budget at $148,000. That amount, according to both Alexis Tackett, director of the library, and Claire Gunning, president of the library’s board of trustees, is inadequate to meet operating costs and community demand.
Already, the library is having to make use of funds set aside for emergencies, planned Americans With Disabilities Act-accessibility improvements, and community space upgrades to meet its operating costs. For this year alone, Tackett shared the library had to use $30,000 of that money to keep afloat.
Unless the library is able to secure an increase in funding, Tackett and Gunning indicated that it will have to undergo drastic changes to its hours, offerings, staff and programming in as little as three years. What that would look like, according to Tackett, is a reduction to 20 hours per week, becoming a single-staff library, and a slashing of programming.
These changes would result in the library’s failure to meet the New York state minimum standard, as well as the loss of its connection to the Mid-Hudson Library Association, both of which grant the library access to resources, databases and other amenities.
In the current phase of its initiative, the Pine Plains Free Library is collecting signatures of support, which must total at least 108 in order to make it to the ballot. To Gunning, at this stage, supporting the initiative is primarily about supporting the democratic process.
“Signing this does not guarantee you’re voting yes, it’s just saying that we get to vote on the question,” said Gunning. “But the hope is that we don’t break everybody’s heart. If the town keeps funding us in the same way, we won’t be able to continue to do our jobs. That’s the reality.”
A common necessity
Far from an uncommon step, according to Rebekka Smith-Aldrich, executive director of the Mid-Hudson Library System, over half of the libraries in the Mid-Hudson system use the Chapter 414 mechanism to get their funding. Those initiatives are successful roughly 95% of the time—and Smith-Aldrich has advised over 100 of them during the course of her 25 years at Mid-Hudson.
“I really worry about the libraries that don’t have voter directed funding,” said Smith-Aldrich. “We really see that the libraries that don’t have [it], they just fall behind every single year. When they’re able to make their case directly to the voters, and say, ‘Look, this is what community demand is for the library, this is how much it costs to do that work, do you find that reasonable?’ 97% of the time voters say, ‘Yeah, that makes a lot of sense to us.’”
The Pine Plains Free Library is one of only two libraries out of 26 in Dutchess County that do not have voter-directed funding. And though the library is not permitted to spend any money in pursuit of the initiative, putting its budget to a public vote represents a significant commitment of time and energy on the part of the all-volunteer board, and other volunteer groups like the Friends of the Pine Plains Library.
If they aren’t successful this year, Gunning stated they will just have to try again the next.
Regional success stories
The Clinton Community Library in Rhinecliff is close to Pine Plains in terms of its size and demographics, and in 2017 and 2022, it pursued voter-directed funding initiatives to roaring success. According to Carol Bancroft, director of the Clinton Community Library, those efforts were “a lot of work for the board and staff” but deeply necessary, as the library had previously gotten its funding through a “patchwork quilt” of grants, town funding and fundraising.
What that patchwork method meant for the Clinton Library was funding insecurity—when grants were depleted, the library would take a serious hit to its programming capacity.
Receiving $115,000 in 2017 and $149,800 in 2022 through voter-directed funding, the Clinton Library was able to ramp up its programming, build support and goodwill in the community, and solidify its role as a gathering space for the town. In 2017, 60% of voters voted “yes” on the initiative, and in 2022 that support increased to 73%, an indication of the success the community has viewed that first initiative as having.
To Bancroft, the Chapter 414 process is both both labor-intensive, and yet ultimately fulfilling: “As a director, it can be frustrating. But it’s also very democratic. You put it to your community, and if they see the value, they say yes.”
Rising costs
The necessity for a library to pursue a Chapter 414 initiative can arise from any number of regional challenges, but it often boils down to the common factor of rising costs. Though the town of Pine Plains increased the library’s budget in 2017, 2019 and 2022, the increases were relatively small (from $96,550 in 2021 to $99,500 in 2022)—and in the intervening time, the Pine Plains Free Library has seen a dramatic uptick in usage.
If that alone weren’t enough, the rising cost of inflation, wages and price-gouging from publishers on digital assets have all contributed mightily to the Pine Plains Free Library’s funding insecurity.
To purchase a physical book to be used in-perpetuity, the cost for a library runs at about $14. For a digital copy of that same book, that cost is often closer to $60, which might make sense if that digital copy could be used by multiple people at the same time. But that $60 buys only one digital copy. If a library wants to lend that ebook to more than one person at a time, it has to purchase another $60 digital copy.
And books are just the beginning of a library’s digital asset woes—programs like Microsoft Word and Adobe as well as access to academic magazines or databases are often only available through yearly digital subscriptions. Moreover, costs for physical materials have skyrocketed.
As an example, the library’s copier, which is in need of replacement, cost $2,500 before the pandemic—now the same model costs $6,000. Ink for that model has also gone up, from $300 to $600. According to Tackett, these inflated costs stack up quickly and mean that the library’s current funding is essentially “the same equivalent funding we were at in 2013.”
While the voter-directed budget increase is directed largely at stabilizing the library’s funding sources, Tackett also indicated that the amount that’s being asked for is intended to increase the library’s offerings to meet community demand.
“If it passes, what people will see is the increase in hours that they’ve been asking for, they’ll see an increase in materials that they’ve been asking for, both digitally and physical, and they’ll see more programs and services offered,” said Tackett.
By way of hours, Tackett’s hope is to increase from 32 hours per week to 40 and to keep the library open on Mondays, bringing its open days to six per week.
What good are libraries, anyway?
If you were to think of a library, chances are you might imagine the libraries of yore, stacked with books and silent reading. And while books have remained central to libraries, as times have changed, what a library must offer a community has evolved.
Along those lines, to Smith-Aldrich, they are perhaps better framed as centers of information: “I think there’s a common fallacy that that the role of libraries is changing. But I honestly think that the role of libraries has always been the same, which is to be an educational portal for folks to understand the world around them. The problem is how information has been monetized in our society, and libraries have been on the frontlines of defending people’s right to access.”
Beyond that, to Tackett, a library is also a place where community member can come to get access to centralized resources in times of needs: “If somebody comes in and says ‘my house burned down last night, and I don’t know what to do,’ I can probably list four organizations right off the bat to get them in contact with. Libraries are often the first safety net for people, which can start funneling them into all the other economic safety nets out there.”
To Gunning, the ways in which a library can serve as a foundation to a community are often connected to those basics of survival.
“Food insecurity exists in our town,” said Gunning. “People might still have a house over their head, but they’re worried about feeding their children. People can’t always afford to go and just get what they need, whether it’s mental health, or help filing a request, or leaning how to use their cell phone, or getting access to internet. During the pandemic, people would come and park in the parking lot at the library to use the internet. Those are real services that people need.”
Gunning also emphasized the degree to which a library is not only a resource for those in need, but also an amplifier for community. The Pine Plains Free Library provides a wide slate of programming, from story hours for children to tech assistance and tech literacy training, and any of the other 300-plus programs offered annually. When those programs exist, Gunning stated, people come together and communities remain connected.
The board of trustees are available to discuss the proposed Chapter 414 budget initiative and take signatures. They’ll keep collecting signatures until they get past the 108 mark, with a safety goal of 200.
If they’re able to secure the requisite support, the library will then begin a public information campaign, which will culminate in a public vote on the November 2023 ballot.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org