Pine Plains library to seek crucial budget increase

From left: Library director Alexis Tackett, intern Hannah Johnson, and library assistant Annie Mallozzi at the Pine Plains Free Library.
Photo by Elias Sorich


PINE PLAINS — Come November, voters in Pine Plains are likely to see a question on the ballot asking them to increase the budget of the Pine Plains Free Library. The library plans to ask for $166,900 through a mechanism called a Chapter 414 initiative, after a chapter of education law passed in 1995 that allows libraries to pursue voter-directed funding.
This will create a special library tax and assure that the library will get a certain amount of funding each year that is not subject to increase or decrease by the town. And if the library needs to increase its budget again, it will have to run another Chapter 414 initiative to do so.
Currently the library receives a budget of $99,500 from the town of Pine Plains which, after grants and fundraising, puts its total budget at $148,000. That amount, according to both Alexis Tackett, director of the library, and Claire Gunning, president of the library’s board of trustees, is inadequate to meet operating costs and community demand.
Already, the library is having to make use of funds set aside for emergencies, planned Americans With Disabilities Act-accessibility improvements, and community space upgrades to meet its operating costs. For this year alone, Tackett shared the library had to use $30,000 of that money to keep afloat.
Unless the library is able to secure an increase in funding, Tackett and Gunning indicated that it will have to undergo drastic changes to its hours, offerings, staff and programming in as little as three years. What that would look like, according to Tackett, is a reduction to 20 hours per week, becoming a single-staff library, and a slashing of programming.
These changes would result in the library’s failure to meet the New York state minimum standard, as well as the loss of its connection to the Mid-Hudson Library Association, both of which grant the library access to resources, databases and other amenities.
In the current phase of its initiative, the Pine Plains Free Library is collecting signatures of support, which must total at least 108 in order to make it to the ballot. To Gunning, at this stage, supporting the initiative is primarily about supporting the democratic process.
“Signing this does not guarantee you’re voting yes, it’s just saying that we get to vote on the question,” said Gunning. “But the hope is that we don’t break everybody’s heart. If the town keeps funding us in the same way, we won’t be able to continue to do our jobs. That’s the reality.”
A common necessity
Far from an uncommon step, according to Rebekka Smith-Aldrich, executive director of the Mid-Hudson Library System, over half of the libraries in the Mid-Hudson system use the Chapter 414 mechanism to get their funding. Those initiatives are successful roughly 95% of the time—and Smith-Aldrich has advised over 100 of them during the course of her 25 years at Mid-Hudson.
“I really worry about the libraries that don’t have voter directed funding,” said Smith-Aldrich. “We really see that the libraries that don’t have [it], they just fall behind every single year. When they’re able to make their case directly to the voters, and say, ‘Look, this is what community demand is for the library, this is how much it costs to do that work, do you find that reasonable?’ 97% of the time voters say, ‘Yeah, that makes a lot of sense to us.’”
The Pine Plains Free Library is one of only two libraries out of 26 in Dutchess County that do not have voter-directed funding. And though the library is not permitted to spend any money in pursuit of the initiative, putting its budget to a public vote represents a significant commitment of time and energy on the part of the all-volunteer board, and other volunteer groups like the Friends of the Pine Plains Library.
If they aren’t successful this year, Gunning stated they will just have to try again the next.
Regional success stories
The Clinton Community Library in Rhinecliff is close to Pine Plains in terms of its size and demographics, and in 2017 and 2022, it pursued voter-directed funding initiatives to roaring success. According to Carol Bancroft, director of the Clinton Community Library, those efforts were “a lot of work for the board and staff” but deeply necessary, as the library had previously gotten its funding through a “patchwork quilt” of grants, town funding and fundraising.
What that patchwork method meant for the Clinton Library was funding insecurity—when grants were depleted, the library would take a serious hit to its programming capacity.
Receiving $115,000 in 2017 and $149,800 in 2022 through voter-directed funding, the Clinton Library was able to ramp up its programming, build support and goodwill in the community, and solidify its role as a gathering space for the town. In 2017, 60% of voters voted “yes” on the initiative, and in 2022 that support increased to 73%, an indication of the success the community has viewed that first initiative as having.
To Bancroft, the Chapter 414 process is both both labor-intensive, and yet ultimately fulfilling: “As a director, it can be frustrating. But it’s also very democratic. You put it to your community, and if they see the value, they say yes.”
Rising costs
The necessity for a library to pursue a Chapter 414 initiative can arise from any number of regional challenges, but it often boils down to the common factor of rising costs. Though the town of Pine Plains increased the library’s budget in 2017, 2019 and 2022, the increases were relatively small (from $96,550 in 2021 to $99,500 in 2022)—and in the intervening time, the Pine Plains Free Library has seen a dramatic uptick in usage.
If that alone weren’t enough, the rising cost of inflation, wages and price-gouging from publishers on digital assets have all contributed mightily to the Pine Plains Free Library’s funding insecurity.
To purchase a physical book to be used in-perpetuity, the cost for a library runs at about $14. For a digital copy of that same book, that cost is often closer to $60, which might make sense if that digital copy could be used by multiple people at the same time. But that $60 buys only one digital copy. If a library wants to lend that ebook to more than one person at a time, it has to purchase another $60 digital copy.
And books are just the beginning of a library’s digital asset woes—programs like Microsoft Word and Adobe as well as access to academic magazines or databases are often only available through yearly digital subscriptions. Moreover, costs for physical materials have skyrocketed.
As an example, the library’s copier, which is in need of replacement, cost $2,500 before the pandemic—now the same model costs $6,000. Ink for that model has also gone up, from $300 to $600. According to Tackett, these inflated costs stack up quickly and mean that the library’s current funding is essentially “the same equivalent funding we were at in 2013.”
While the voter-directed budget increase is directed largely at stabilizing the library’s funding sources, Tackett also indicated that the amount that’s being asked for is intended to increase the library’s offerings to meet community demand.
“If it passes, what people will see is the increase in hours that they’ve been asking for, they’ll see an increase in materials that they’ve been asking for, both digitally and physical, and they’ll see more programs and services offered,” said Tackett.
By way of hours, Tackett’s hope is to increase from 32 hours per week to 40 and to keep the library open on Mondays, bringing its open days to six per week.
What good are libraries, anyway?
If you were to think of a library, chances are you might imagine the libraries of yore, stacked with books and silent reading. And while books have remained central to libraries, as times have changed, what a library must offer a community has evolved.
Along those lines, to Smith-Aldrich, they are perhaps better framed as centers of information: “I think there’s a common fallacy that that the role of libraries is changing. But I honestly think that the role of libraries has always been the same, which is to be an educational portal for folks to understand the world around them. The problem is how information has been monetized in our society, and libraries have been on the frontlines of defending people’s right to access.”
Beyond that, to Tackett, a library is also a place where community member can come to get access to centralized resources in times of needs: “If somebody comes in and says ‘my house burned down last night, and I don’t know what to do,’ I can probably list four organizations right off the bat to get them in contact with. Libraries are often the first safety net for people, which can start funneling them into all the other economic safety nets out there.”
To Gunning, the ways in which a library can serve as a foundation to a community are often connected to those basics of survival.
“Food insecurity exists in our town,” said Gunning. “People might still have a house over their head, but they’re worried about feeding their children. People can’t always afford to go and just get what they need, whether it’s mental health, or help filing a request, or leaning how to use their cell phone, or getting access to internet. During the pandemic, people would come and park in the parking lot at the library to use the internet. Those are real services that people need.”
Gunning also emphasized the degree to which a library is not only a resource for those in need, but also an amplifier for community. The Pine Plains Free Library provides a wide slate of programming, from story hours for children to tech assistance and tech literacy training, and any of the other 300-plus programs offered annually. When those programs exist, Gunning stated, people come together and communities remain connected.
The board of trustees are available to discuss the proposed Chapter 414 budget initiative and take signatures. They’ll keep collecting signatures until they get past the 108 mark, with a safety goal of 200.
If they’re able to secure the requisite support, the library will then begin a public information campaign, which will culminate in a public vote on the November 2023 ballot.
Graham Corrigan
Jorma Taccone, left, takes part in a Q&A before a screening of "Hot Rod" at Four Brothers Drive-In in Amenia on Aug. 31, 2023.
AMENIA — Four Brothers Drive-In will host a screening of the new dark comedy Over Your Dead Body on Thursday, Aug. 6, with director Jorma Taccone on hand for a pre-screening Q&A as part of a partnership with the Boondocks Film Society.
The film stars Samara Weaving and Jason Segel as a married couple. Each is secretly plotting to kill the other. Taccone, a North Canaan resident and founding member of the comedy troupe The Lonely Island, will discuss the film before the screening.
The event marks the third time Taccone has screened one of his films at Four Brothers, following presentations of Hot Rod and MacGruber. He first discovered the drive-in while passing through Amenia and later reached out to its owners about hosting a screening.
"The Four Brothers Drive-In is a delight on every level,” said Taccone. “I had never been to a drive-in movie theater before attending the screening of Hot Rod at Four Brothers. I will forever pat myself on the back for forcing John and Boondocks Film Society to play the movie there.”
Drive-in movie theaters like Four Brothers are a return to better days when people gathered together to celebrate life, community, art, and miniature golf. I'm a big fan.”
Jeff Palfini, a Boondocks co-founder alongside Cindy Heslin, says the Drive-In has been a perfect partner. Boondocks has hosted 15 events there, by Palfini’s count.
“It’s a well-oiled machine,” Palfini said. “And our audience loves it. They’re always asking when we’re going to do another movie at the Drive-In.”
In their nine years of operation, Boondocks Film Society has become a pillar of the local film community. Screenings have moved beyond the Northwest Corner into the Hudson Valley area, and programming has expanded to include premieres and Q&As, like the Over Your Dead Body event next week in Amenia.
Palfini said the film feels particularly well-matched to its venue. It’s set in the woods and “jump scares and a drive-in go hand-in-hand.”
But it all started in North Canaan.
Palfini said the re-opening of the Colonial Theatre in 2017 inspired their first screening — a little-known '90s film starring Johnny Depp, Faye Dunaway, and Jerry Lewis called Arizona Dream. “We decided early on that the way to get people out was to have the events be in a variety of places,” Palfini said. “Sometimes theatrical settings, and sometimes very non-traditional settings.”
Boondocks has emphasized that uniqueness by finding local food partners to create custom menus that referenced the films. The same goes for the playlists that welcome attendees — the music references the source material in a way that beckons audiences to a deeper understanding of the film.
Thus far, it’s been working. Palfini and his team aren’t looking to change things, despite the recent news that the Colonial Theatre is on the market. Palfini helps to manage the theater, but he says one of Boondocks strengths is their ability to be mobile. “Over the years, I think we made a smart decision in terms of the sustainability of this thing by making it a pop-up. It removes almost all of the financial pressure.”

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D.H. Callahan
Bernie Williams and his Band of Friends at Millbrook Winery in 2025.
Throughout the history of Major League Baseball, precious few greats have been considered five-tool players. New York Yankee Bernie Williams was one of them.
To be considered a five tool player, one must show exceptional proficiency in five categories: hitting for average, hitting for power, running bases, fielding and arm strength. But there’s another tool Williams possesses that didn’t make it to the back of his baseball card: his mastery of jazz guitar.
On Aug. 1 at Millbrook Winery, that elusive sixth tool will take center stage as Williams and his Band of Friends return to the Vineyard for a night of jazz, wine and possibly a baseball reference or two.
Williams is best known for his legendary career with the Yankees. During his 15 years with the Bronx Bombers, he won four World Series championships, four Gold Glove awards and one Silver Slugger award in 1998, the same year he won the American League batting title, making him the first player in history to win a Gold Glove, a batting title and a World Series in the same year. Oh yeah, he was also an MLB All-Star every year between 1997 through 2001.
But while his work on the field is well known to New Yorkers and the broader baseball world, he almost took the musical route through life.
Williams first picked up a guitar when he was just 8 years old and was immediately taken by the magic of music. He was so passionate about it that he attended a performing arts high school in his hometown of San Juan, Puerto Rico. By the time he made it to the big leagues, he was known as the guy with the guitar in the locker room.
That reputation soon reached the Yankees’ fan base, with commentators telling stories of Williams and his outfield teammate Paul O’Neill’s jam sessions. O’Neill set up a drum kit in a paint room at the old Yankee Stadium, and the two would play together through rain delays, sometimes getting visits from New York City’s musical greats while they waited to play ball. MSG Network, which aired Yankees games at the time, even ran a promotional ad featuring the two World Series champions jamming together on a blues riff in their batting practice uniforms.
But unlike O’Neill, whose drumming is a hobby at best, Williams is a serious musician. During an appearance with Paul Simon at a charity event, Simon surprised Williams and his band by playing “Mrs. Robinson,” a song they didn’t know and hadn’t practiced. But just a few lines in, Williams was taking solos and riffing on Simon’s choruses with expert musicianship.
While Williams’ music is the main draw for the event on Saturday, the relationship between the All-Star and the winery goes beyond the performance. The collaboration started in 2021, when Williams visited the vineyards and instantly connected with then-general manager Ian Bearup, bonding over baseball, music and wine. They quickly decided to team up and create a custom variety they call Bernie’s Blend. This year’s bottle, featuring art from Williams’ daughter, Beatriz, is a blend of Cabernet Sauvignon, Merlot and Cabernet Franc and will be released at the performance on Saturday night.
While the VIP ticket levels are all sold out, as of press time, bring-your-own-lawn chair spots are still available. The wine will be available at the vineyard and online throughout the year at millbrookwine.com.
Elena Spellman
If horses could speak, Hearn believes they would offer just one piece of advice: “They’d tell us to slow down.”
From feeding retired racehorses before sunrise to guiding veterans, grieving parents and troubled teenagers through equine-assisted therapy sessions, Deanna Hearn rarely has a quiet day. As founder of Lucky Orphans Horse Rescue in Dover Plains, she oversees the care of more than 40 sanctuary horses while leading a nonprofit whose mission extends far beyond animal rescue.
What began as a childhood love of horses has evolved into a place where healing runs in both directions — for horses and for people. By the time you leave Lucky Orphans, it becomes clear that this place isn’t really about horses. The horses are simply how it begins. For Hearn, every rescued horse represents something much larger: hope, resilience, healing and second chances. The organization’s mission, she says, is simple: “People helping horses heal people.”
Growing up in the Bronx, Hearn was captivated whenever she saw horses. Her grandfather, a Korean War veteran, had cared for military horses during the war. After returning home, he struggled with addiction, and the invisible wounds of military service. Through every difficult chapter of his life, however, one thing consistently brought him peace.
“Horses bring peace,” he told his granddaughter.
When Hearn was 11, after years apart, Hearn and her grandfather began spending weekends riding together. Less than a year later, he was diagnosed with pancreatic cancer. Before he died, he asked family members to help buy Hearn’s first horse — a stubborn paint horse that bit, kicked and frequently threw her off. She wanted to sell him. Her father refused.
“Every life has value,” he told her.
Looking back, Hearn says that lesson became the foundation of everything she would later build.
What began as a boarding stable in 2003 took a different direction after the Dutchess County SPCA asked Hearn to care for horses seized in cruelty cases. She soon realized that although Dutchess County had one of New York’s largest horse populations, there was no dedicated nonprofit equipped to care for neglected and abused horses. Lucky Orphans officially became a nonprofit in 2008.

Today, Hearn is quick to point out that Lucky Orphans is not simply a rescue.
“We’re a sanctuary,” she said.
Many of the more than 40 horses living there arrive with broken bones, chronic illnesses, heart conditions, missing eyes or other injuries that make them unsuitable for riding or adoption. Rather than rehabilitating and rehoming them, Lucky Orphans makes a lifetime commitment to every horse.
In 2013, Hearn became certified in equine-assisted psychotherapy, combining her lifelong relationship with horses and the lessons she learned from her grandfather to create programs for veterans, trauma survivors, children and families facing emotional challenges. The transformations she witnesses continue to surprise her. She recalls one woman who arrived convinced she would not fit in with a group of strangers. During the session, a horse quietly chose to follow her without a rope or commands. For the first time in years, the woman said she felt truly seen.
Another memory has stayed with Hearn ever since. A teenager in a juvenile probation program, wearing an ankle monitor and struggling with anger, entered a round pen with a horse. As his frustration grew, the horse moved farther away. When he finally calmed himself, the horse walked directly toward him and rested its head against his chest.
“I told him, ‘If you can control your energy, you can control the world around you,’” Hearn said.
Stories like these sustain her through the difficult realities of running a nonprofit. Operating the sanctuary costs roughly $52,000 each month, and Hearn lives on the property, where the work never truly ends. Veterinary bills, staffing, fundraising and the daily care of dozens of horses are constant concerns. Then someone returns years later and tells her that the horses changed their child’s life.
“That’s why I keep going,” she said.
Looking ahead, Hearn hopes more people discover what makes Lucky Orphans unique. The organization is expanding its community programming with educational visits, yoga sessions, horse encounters, volunteer opportunities and family events designed to reconnect people with horses and with one another.
Her vision is simple: to create a place where people slow down, reconnect and remember something modern life often makes us forget. If horses could speak, Hearn believes they would offer just one piece of advice.
“They’d tell us to slow down,” she said.
After spending an afternoon at Lucky Orphans, it’s hard to disagree.
For more information or to plan a visit, go to luckyorphans.org
Jennifer Almquist
A brass quintet at the Yale Music Shed at Weekend in Norfolk 2025.
Norfolk bursts with activity in midsummer with Weekend in Norfolk (WIN). An all-volunteer committee transforms the town with free public events for all ages. WIN 2026 begins Thursday, July 30, and runs through Sunday, Aug. 2.
Norfolk sculptor Jon Riedeman, the new head of Norfolk Artists and Friends (NAF), organized the group’s 19th annual art exhibition, featuring paintings, sculpture, photography and jewelry by area artists in the Art Barn on the grounds of the Norfolk Chamber Music Festival. Riedeman expanded the show this year by inviting artists from New Marlborough, Massachusetts, to participate. The exhibit opens with a reception Thursday, July 30, from 5 to 7 p.m.
Music fills the air throughout the weekend. On Thursday night, take in the Emerging Artists Series concert from 7:30 to 8:30 p.m. at the Music Shed, featuring the next generation of professional chamber musicians presented by the Norfolk Chamber Music Festival. Then enjoy Friday Night on the Green, a welcoming party with live performances and free food.
The Bistro at Infinity Music Hall is extending its hours from noon to 9 p.m. throughout Weekend, with live music during the day. Don’t miss the Yale Brass Quintet performing in front of the historic 1833 Opera House. In addition, Norbrook Brewery will host a tap takeover featuring its celebrated local brews.
The Sidewalk Sunday Street Fair fills Station Place and Robertson Plaza with local artists, authors and craftspeople selling directly to visitors. Open Studios invites the public into working galleries and private studios for live demonstrations and artist meet-and-greets. Food trucks will also be available at the street fair.
Guided and self-guided tours showcase Norfolk’s historic estates and Victorian homes, while Tiffany stained-glass tours let visitors view Louis Comfort Tiffany windows in local chapels. The Village Green hosts public weddings and vow renewals as part of the festival.
Choose from five garden tours offered Sunday, Aug. 2, from 11 a.m. to 4 p.m.
Outdoors, guided nature walks explore Barbour Woods, with birding treks for wildlife lovers. Great Mountain Forest opens its 90-year-old weather station to the public, and workshops cover fly-fishing and pollinator gardening.
Food traditions include a Blueberry Betty social and an old-fashioned ice cream social. On Friday, Saturday and Sunday, the IceBox Cafe is offering 50 cents off its signature freshly brewed iced chai. On Saturday, the cafe will serve buttermilk pancakes all day, complete with Great Mountain Forest syrup.
Kids’ programming features movie screenings, yoga on the grass and art workshops.
Visitors can begin their adventure at The Hub, 2 Station Place, where volunteer “WINbassadors” will hand out maps and schedules. Full event details and ticket information are available at weekendinnorfolk.org.

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