MILLERTON — The Village announced a leadership change at the Highway Department on Friday, Sept. 26, following the resignation of Superintendent Peter Dellaghelfa. Police Chief Joseph Olenik will step into the role, effective immediately, officials said.
Olenik will continue to serve as Police Chief.
The decision was made Friday, Sept. 26, during an emergency meeting of the Board of Trustees following Dellaghelfa’s resignation.
Mayor Jenn Najdek said the “amicable split” with Dellaghelfa was part of an ongoing annual employee review process, adding that turnover is not uncommon in small municipalities. She expressed her gratitude for Dellaghelfa’s service over the last four years.
The Board went into Executive Session on Aug. 26 and Sept. 9 for “matters leading to the appointment, employment, promotion, demotion, discipline, suspension, dismissal or removal of a particular person,” but village officials could not comment on the specifics of those discussions.
The leadership shift will allow the Village to “better respond to the changing needs of our residents and community,” announced the Board in a press release shared with The News. “The Mayor and Board are excited to see Joe expand his impact on Millerton and we’re confident this change will bring lasting improvements to operations, communications and community engagement.”
Police Chief Olenik, who will continue his leadership role within the Millerton Police Department, said he is looking forward to the added responsibilities.
“I am excited to help move the department forward and rebuild it after the devastating fire,” Olenik said. “I am also looking forward to working with the dedicated staff and helping the residents of Millerton by making needed changes and repairs.”
Though Olenik will assume additional responsibilities as he leads the Highway Department, the Millerton Police Department will continue to operate separately — but with the same shared goals of supporting the village community.
William J. Clark installs the leaf container he and his colleagues built. Leaves from the Village will be delivered to McEnroe’s Organic Farm for composting.Aly Morrissey
Mayor Najdek added that Olenik has extensive supervisory and administrative experience that, given the imminent need to rebuild the Highway Department building, will be critical. In addition to managing the upcoming construction, his first orders of business will include making sure the village is on track for leaf pick-up and snow removal, working to ensure the right equipment and personnel are in place.
Olenik held his first meeting with the Village Highway Department on Monday, Sept. 29 and discussed a new leaf container — built by Millerton’s Highway Department — that will support efforts to collect leaves. The leaves will then be turned over to McEnroe’s Organic Farm for composting. While the team configuration — which includes Jim Milton, William J. Clark, and Spencer Parks — will be new, Olenik said they are not strangers. “They’ve always helped me out and I’m looking forward to working with them more closely.”
The Board said in a statement the Village is in good hands moving forward. “Joe’s leadership style — hands-on, structured, and community-focused — makes him well suited to guide this department through the transition.”
Contemporary chamber musicians, HUB, performing at The Clark.
MASS MoCA is known for its 20th-century holdings spread throughout a sprawling complex of industrial brick buildings. Installations by Sol LeWitt and James Turrell have permanent homes there. Just down the road in Williamstown, the Clark features masterworks by Winslow Homer, Frederic Remington, John Singer Sargent and Claude Monet.
But what visitors might not immediately associate with those established names is how deeply both institutions invest in art happening right now.
On Saturday afternoon, a panel of young artists discussed their relationships with art, identity and technology as part of MASS MoCA’s “Technologies of Relation” exhibition, which opened that evening. The artists represented a broad range of cultural backgrounds, drawing on ancestry while exploring the future of art and technology.
The work itself ran the gamut: wax relief paintings, stained glass, interactive video and sculptural installations. One immersive piece automated the traditional Armenian practice of reading fortunes from coffee grounds. Particularly striking were Roopa Vasudevan’s hand-drawn QR codes and Taeyoon Choi’s large-scale weavings of binary code.
Opening the same night was Zora J. Murff’s “RACE/HUSTLE.” Through photographs, paintings and installations, Murff explores the wide-ranging and sometimes violent implications of being Black in America today. Each piece — whether confronting the rise of white supremacy or examining stereotypes imposed on Black communities — carries razor-sharp visual commentary designed to unsettle.
Pelenakeke Brown’s “Reverb” (detail) at Mass MoCA. D.H. Callahan
On Sunday, the Clark continued the contemporary thread. A small exhibition of work by Raffaella della Olga, titled “Typescript,” features intricate patterns created using a typewriter on varied paper surfaces. The effect seems almost impossible until viewers watch a video of della Olga loading her typewriter with 140-grit sandpaper and typing in a hypnotic rhythm. Though the typewriter is considered obsolete technology, she continues to find new applications for it, completing some of the works in recent months.
Next door in the Clark auditorium, HUB New Music performed works written specifically for its unusual instrumentation: violin, cello, clarinet and flute. While that combination may not stand out to casual listeners, relatively little classical repertoire exists for it. The ensemble regularly commissions composers to expand the possibilities.
The results were striking. From the opening notes of Francisco del Pino’s “Passacaglia,” the quartet’s command and layered repetition pulled unexpected emotion from the audience.
After three pieces came the world premiere of Daniel Wohl’s “Mirage,” a roughly 25-minute work accompanied by digital blips, static and electronic textures evoking radio transmissions and UFO lore. Hearing four virtuoso musicians extract entirely new sounds from traditional instruments echoed the weekend’s larger theme: old tools made new again.
Like della Olga’s typewriter, Vasudevan’s QR codes or Murff’s charged imagery, the performances demonstrated that contemporary art often grows from familiar materials — reimagined.
The old masters will always draw visitors to these institutions. But when living artists command equal attention, this quiet corner of the Berkshires feels less like the middle of nowhere and more like a creative epicenter.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his artist wife in West Cornwall, Connecticut.
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Ash Baldwin, senior administrative assistant at the North East Community Center, launched the weekly Craft Collective in July 2025.
“I’m the type of person who struggles to stay focused on projects,” said Ash Baldwin, NECC’s senior administrative assistant, who came up with the idea last summer. “I realized I work better when I’m with other people and when I have a dedicated time and space.”
The idea took shape after Baldwin found herself racing to finish a crocheted baby blanket for her sister’s baby shower.
Participants have already brought a range of projects to the group, from sewing and mending to creative repurposing – including one crafter who transformed an old shower curtain into kitchen valence curtains.
“The goal is really community and connection,” Baldwin said. “People can meet other crafters, swap tips, give feedback on projects – maybe even make a friend.”
Ash Baldwin displays a crocheted blanket.Photo by Aly Morrissey
Crafting, Baldwin said, offers a kind of mental reset. “It’s peaceful,” she said. “It quiets my mind and lets me focus on one thing at a time.”
Like many crafters, Baldwin admits to having yarn and unfinished projects scattered around her home, and says she tends to make gifts for others more than items for herself.
Though Baldwin has been crocheting since 2022, creativity has always been part of her life. Her mother sews, her grandmother crocheted, and she grew up surrounded by creative projects. Baldwin joked that her grandmother once “fully kidnapped” her American Girl doll to make custom clothes for it. She also describes herself as a longtime “band kid,” saying creative arts were woven into her childhood.
When she’s not organizing the Craft Collective, Baldwin works behind the scenes at NECC, handling administrative and fiscal operations, including service tracking for programs such as the food pantry.
The Craft Collective is held every Tuesday at 6 p.m. at 51 S Center St., Millerton. There is no cost to participate. For questions or to donate crafting supplies, contact Ash Baldwin at ash@neccmillerton.org or (518) 789-4259 ext. 132.
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