
Having taken up ice fishing during his childhood days, Millerton resident Donald Tuncy took great pleasure in passing on the joys of ice fishing to his grandson, Hunter Horton. Photo submitted
MILLERTON — Millerton resident and ice fisherman Don Tuncy typically uses a cordless drill to drill a hole in the thick, solid and relentless ice of his hometown’s Indian Lake, starting off close to shore and working his way out. At that point, he said, he takes the end of his scoop tool to clean out the holes in the ice and uses the ruler attached at the end to measure the ice thickness. Then, after showing the patience few sportsmen know other than those who have so often brushed flakes of ice off their drill bits, he waits for hours for the fish to bite. It’s another typical, frigid January morning. And Tuncy waits. Fisherman often test the ice with tools like augers (which bore holes in the ground) or spud bars (a long piece of steel with a ruler at the end).
Tuncy has been ice fishing since he was about 9 years old. He recounted the days when he and his father used to walk down to Twin Lakes in Salisbury, Conn., where they would cut holes in the ice with an ax and then use an ice chisel. These days he ice fishes with his grandson, Hunter Horton.
When asked what sort of fish he usually catches in the chill of winter, he named a great variety, from sunfish and calico bass to perch, large mouth bass and pickerel, adding that the large mouth bass are very good eating this time of year.
“I think it’s a good sport if you start the kids out young,” Tuncy said. “You see a lot of women into ice fishing now, which is nice to see, and you can take your grandkids out, and it’s nice just to get out, to meet people and to have a good time.”
Nowadays, Tuncy said he goes ice fishing in a regular group of three to four people who go fishing together about two to three times a week, sometimes more. In between their fishing, he said they usually take a grill with them along with some hamburgers and hot dogs so they can have a nice toasty lunch on the ice.
It’s a socially distant sport that’s great for winter, according to the New York State Department of Environmental Services (DEC), which is encouraging local fisherman, both new and experienced, to try ice fishing while keeping safety in mind.
“From small local ponds to large lakes and reservoirs, New York has a tremendous array of ice fishing opportunities for anglers to experience close to home,” NYSDEC Commissioner Basil Seggos said in a recent press release. “Many fish species are active throughout the winter months and the fishing can be just as good as during the open water season. As always, before venturing onto the ice, DEC asks all anglers to make sure the ice is thick enough to fish safely.”
For those unfamiliar with the art of ice fishing, the DEC recommends that fisherman have 4 inches of solid clear ice for them to safely walk on, though the ice thickness can vary on water bodies and within the same water body, according to the DEC.
As a precautionary measure, fisherman should be aware of areas of moving water as well around boat docks and houses where dock bubblers (or de-icers) may be installed.
Other recommendations for safe ice fishing include fishing with a family member or friend, making sure to have a valid fishing license before heading out on the ice and even checking with the local bait and tackle shops to find out where the ice is safe and what kind of fish are swimming in the area. Fishing licenses are valid for one year from the date of purchase, and residents can find out more about how to procure a license by visiting the DEC website at www.dec.ny.gov.
With COVID-19 still a threat, the DEC has advised fisherman to stay 6 feet apart, wear their face masks when they can’t maintain social distancing, avoid sharing gear when possible, take out what they bring or place their trash in receptacles and respect one another and the resource where they’re fishing by providing space and practicing ethical angling. Additionally, fisherman are advised to exercise caution while on the ice and to make sure their licenses are current.
For more information on ice fishing, check out the DEC website at www.dec.ny.gov.
Dancers from Pilobolus will perform at the NWCT Arts Council spring fundraiser on April 26 in Washington Depot, Conn.
On Saturday, April 26, the Northwest Connecticut Arts Council will host a special evening, Arts Connected, their spring fundraiser celebrating the power of creativity and community. Held at the Bryan Memorial Town Hall in Washington Depot from 5 to 8 p.m., this event brings together artists, performers, and neighbors for a magical night filled with inspiration, connection and joy.
Award-winning designer and arts advocate Diane von Furstenberg and her granddaughter Antonia Steinberg are honorary co-chairs of the event. Their shared love of the arts informs the spirit of the evening.
Antonia Steinberg, above, President of Bucks Rock Camp in New Milford that she first attended as a camper when she was ten years old. Antonia is co-chair, with her grandmother Diane Von Furstenberg of the NWCT Arts Council fundraiser.Provided
“As someone whose life was profoundly shaped by the arts — as a child at Buck’s Rock and now as President of its Board — I’ve seen firsthand the transformative power of the arts; how creative spaces can empower young people, build community, and nurture well-rounded problem solvers. That’s why I’m so honored to co-host the Northwest CT Arts Council Gala. Their work in supporting artists and cultural organizations across Connecticut is essential,” said Steinberg.
Von Furstenberg’s influence in fashion and culture, and Steinberg’s leadership at Buck’s Rock reflect the intergenerational impact of the arts,” said NWCT Arts Council board president Sunday Fisher. “Their participation underscores the power of creative expression as a defining force in our community.” Steinberg is the president of Buck’s Rock Camp, a non-profit performing and creative arts camp in New Milford that she first attended as a 10-year-old camper.
Diane Von Furstenberg, co-chair of NWCT Arts Council fundraiser.Provided
Steph Burr, executive director at NWCT Arts Council, added, “Events like Arts Connected are at the heart of what we do — bringing people together, lifting up artists, and reminding us of the essential role creativity plays in our lives. The Council works year-round to ensure the arts not only survive but thrive across our region.”
NWCT Arts Council is a nonprofit that serves as advocates for the arts. Through regranting efforts, public art support, legislative advocacy, and their regional events calendar, they work to ensure the arts are accessible and celebrated in every corner of their 25-town service area.
Burr continued, “The arts in Northwest Connecticut are vibrant, evolving, and deeply rooted in community. There’s a quiet but powerful creative pulse running through these hills — one that reflects the resilience, diversity, and passion of the people who call this region home. Over the past few years, artists and cultural organizations have navigated challenges with heart and determination, despite ongoing funding volatility. Through our advocacy and collaborative programming, we ensure the arts remain essential and accessible in our community.”
Highlights of the April 26 fundraiser include performances by Pilobolus, Sherman Chamber Ensemble, Ysanne Marshall & the Lotus Blues, hand pan musician Jeremy Driscoll, and a curated art exhibition, NW25 Gallery, featuring local artists. Sponsors Litchfield Distillery, Kent Falls Brewing Company, and Executive Cuisine catering will provide the food and drink.
Ticket prices are $125, open to guests 21 and older, available online at givebutter.com/artsconnected.For more information or to ask about sponsorship opportunities, email Katherine Pelletier at katherine@artsnwct.org or visit givebutter.com/artsconnectedsponsorship.
Arts Connected is made possible thanks to the generous support of sponsors; Antonia Steinberg is sponsoring all the artists for the event and Valiant Energy and Torrington Savings Bank are presenting the event.Additional sponsors include William Raveis Lifestyle Realty, Litchfield Magazine, Housatonic Heritage, Art Bank 7, Harney & Sons Teas, Aquarion Water, The Lost Fox Inn, George Home, NKYV Rituals, and Litchfield Distillery.
Lily Al-Nemri, founder and owner, and artistic director and painter Rudy Vavra at Tyte medispa and gallery in Millbrook.
The painter Rudy Vavra once created floor collages in Texas. You could, in theory, lie on them. Now, years later and much farther north, his work graces the walls of a medispa in Millbrook, New York where he also serves as the artistic director. You can still lie down, just not on the art. Instead, you might be undergoing an EmFace non-surgical facelift while surrounded by twenty-two of Vavra’s paintings.
The space, Tyte Medispa in Millbrook, is equal parts gallery and treatment center, the brainchild of Lily Al-Nemri, a medical aesthetician and now gallery owner. She also owns the nail salon, Bryte, down the street on Franklin Avenue. A few years ago, feeling she was outgrowing that space, she looked to expand and, just a few blocks away, found this rather sprawling maze of rooms with the gallery that now inhabits the grand central ballroom. “This used to be a gym,” she said. “It was way more than I was looking for, but I went for it.”
Vavra, a self-professed “painter’s painter,” has spent decades layering pigment in his barn-turned-studio in Milan, New York. “I find paintings as much as I make them,” he mused. “Some happen quickly, others are slow.” Of this latest collection, he said, “Some people call them busy. I think they’re slow.” His marks accumulate with a kind of devotional persistence, like petals left at a shrine. “A while ago, I saw a photographic image of a shrine,” Vavra said. “I don’t know if it was a Buddhist shrine or what, but there were colors on the ground all around it, and I realized they were the stains of flowers left in the worship. That’s very similar to the way I paint.”
The collection of paintings on view at Tyte — some as large as a shrine — are meditations on color, inviting the viewer to slow down. Or speed up. Whether viewers are activated or soothed by the images is neither Vavra’s intention nor within his control. Still, he said that watching people interact with the work has been a real treat. “Now that I have my paintings here, I get to see them all together,” he said. “It’s only when they’re all together that I see how they talk to each other. It’s interesting to see people come in and go to have a treatment and come out. It’s a very interesting connection.”
And what is the connection? What could be a disjointed pairing — aesthetics and aesthetic medicine — has become, improbably, a perfectly logical continuum. “They’re related in a sense,” Vavra said.
Aly Morrissey
Al-Nemri, a former radiologist who taught for over a decade at Westchester Community College, is no stranger to layering, precision, or the quiet rigor of care. Her incredible menu of services — Botox, body contouring, pelvic floor therapies — are the cutting edge of the industry. Of Vavra, Al-Nemri said, “I fell in love with his work, and we just hit it off.” It’s a kind of kismet that seems to hover over the place. Pilates mat classes take place twice a week in the main gallery space and both Al-Nemri and Vavra have loved watching clients pause, eyes caught by a stripe of cerulean or a vibrating cluster of brushstrokes. “Something will catch their eye,” said Vavra. “They’re looking for something in it.”
So, this gallery-meets-spa (or is it the other way around?) has plans. Vavra will be curating six shows a year. Laurie Adams’s photographs will be hung in June, a group show of local artists will share the space in July and August, and a Fall show will feature twenty women artists, which Vavra is eager to anchor with a piece by Judy Pfaff. “There’s nothing like this on this side of the county,” he said of the light drenched space. “It’s been a bit sleepier here. We want to wake it up.”
He means it kindly; sleep certainly has its place. But here in Millbrook, amid the low drone of machines designed to rejuvenate, something unexpected has emerged. Perhaps that’s what both Al-Nemri and Vavra are really after — not the quick fix or the final image, but the suspended moment, the long look. A face seen anew. A painting revealed slowly, in silence.
As for Vavra’s curatorial process? “I just unpack the paintings, lean them against the wall, and look,” he said. “Eighty percent of the time, they’re already where they’re supposed to be.”