Thank you!
Your support is sustaining the future of local news in our communities.

DEC holds public hearing on areas struggling with climate leadership

HUDSON VALLEY — In conjunction with Catskill Mountainkeeper, a conservation and recreation group, the New York State Department of Environmental Conservation (DEC) asked Hudson Valley residents to share their thoughts about the draft disadvantaged communities (DAC) criteria at a virtual public hearing on Wednesday, June 29.

Beginning at noon, the virtual hearing was led by DEC Administrative Law Judge Michael Caruso. On behalf of the DEC and the New York State Energy Research & Development Authority (NYSERDA), Caruso called the event process “important.”

He explained the DEC, in partnership with NYSERDA, has held 11 such public hearings across the state to collect public input on the draft DAC criteria, and to advance its finalization. The goal is to help guide the implementation of the state’s Climate Leadership and Community Protection Act.

With representatives from environmental justice groups across the state and state agency representatives, Caruso said New York’s Climate Justice Working Group voted this past December to release the draft criteria to identify disadvantaged communities for the public to review.

The public comment period began in March and closed on Thursday, July 7. It may be viewed at www.climate.ny.gov. The criteria is based on geographic, public health, environmental hazards and socioeconomic factors.

Once approved, the data will be used to help meet the directives of the Climate Act relating to reducing pollution and greenhouse gas emissions, as well as informing regulatory impact statements and clean energy and energy efficient investments statewide.

DEC Office of Environmental Justice’s David Witt spoke about the New York Climate Act. He called it the nation’s most ambitious climate change legislation. Its goal is to reduce New York greenhouse gas emissions by 100% over 1990 levels by 2050, with an incremental target of at least a 40% reduction in greenhouse gases by 2030.

“By implementing the Climate Act, we will create opportunities to build a better future,” Witt said. “To ensure that this work also advances climate justice, the Climate Act mandates that at least between 35 to 40% of the benefits of NYS spending on clean energy accrue in disadvantaged communities”

He added “the identification and prioritization of disadvantaged communities and accounting for the benefits of cutting pollution and improving resilience is what makes our Climate Act a transformative law.”

To identify disadvantaged communities in New York, Witt said the Climate Justice Working Group used the act’s language to ID disproportionally burdened communities.

The group voted to include 45 indicators using data on environment hazards, climate change risk, public health issues, geography and socioeconomic factors like race, income, education level, unemployment rates and housing conditions.

He also said the DEC designations reflect the working group, its lived experiences and those who have lived in “historically overburdened and underfunded” communities.

While explaining how communities were tracked and identified, Witt said based on the criteria, 54% of households in the Mid-Hudson Valley region fall under the DAC criteria, with 46% found in geographically disadvantaged communities.

The hearing drew diverse thoughts and comments from  advocates for clean power and individuals with connections to the DEC. Many offered ways to make improvements.

Cal Trumann, a careers and education coordinator for New Yorkers for Clean Power, said the group broadly supports the criteria as identified.

“We encourage this working group and the DEC to accept ground truthing comments on an ongoing basis,” he said, “both to allow for more input than you may be able to receive during this limited period and because many areas are continuing to experience changing demographics.”

Trumann added his organization hopes the DEC will overlay the DAC map with a road map, so people can readily identify the boundaries of the disadvantaged communities.

Livingston Manor resident Taylor Jaffy shared her support for defining disadvantaged communities’ criteria. She said one big issue the DEC can capture moving forward is “creating more potential for some kind of buffer zone or other analysis that can capture the hazards that are in between census tracks, so we can capture more exposure between the census tracks.”

Latest News

Original art, attainable prices

Original art, attainable prices

Kenise Barnes Fine Art presents “Cool & Collected ’26,” its annual exhibition celebrating the joy of collecting, featuring works priced under $2,000.

D.H. Callahan

There’s a corner of YouTube populated by real-time footage of high-dollar art sales from prestigious New York and London auction houses like Sotheby’s, Christie’s and Phillips. Hundreds of thousands of viewers routinely watch with rapt attention, popcorn and cocktails in hand, as recognizable pieces from art history make their way to the upper echelons of grossly unattainable hammer prices. Pieces can often start with opening bids of tens of thousands of dollars and work their way up to multiple millions. Bidding increments alone can grow to sums unattainable for the average American family in several lifetimes.

Kenise Barnes Fine Art in Kent, Connecticut, wants to help make fine art more accessible. The 2026 version of the gallery’s annual “Cool and Collected” exhibition is subtitled “The Gift Edit” and features dozens of works by fine artists at prices that are much more in reach than an art-world outsider might expect. More than 30 artists contributed pieces to the show. Almost all available works are priced under $2,000, with many below $500. The collection features paintings, drawings, collage and ceramics.

Keep ReadingShow less
Jennifer Terzian’s sanctuary for contemporary art
Jennifer Terzian, founder of Jennifer Terzian Gallery in Litchfield.
Provided
The gallery is really meant to create a very intimate relationship with the artist and the story behind their work.
—Jennifer Terzian

On a recent crisp, fall afternoon in Litchfield, Jennifer Terzian welcomed a steady stream of collectors, artists, and art-world insiders into her jewel box of an art space on South Street, just off the town’s manicured historic Green.

The occasion was an opening for Jenny Kemp, an artist noted for balancing fluidity and structure in her abstractions through repetition, variation, and gradual shifts in hue. Hers is exactly the kind of tactile, process-driven work Terzian champions at a subterranean space that feels less like a commercial art gallery and more like stumbling into an impeccably edited sanctuary of contemporary thought.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Peter Cusack is finding the eternal in North Canaan
Peter Cusack in his studio.
Provided

“I think art is the thing that allows us to feel there’s something in the universe that loves us,” said painter Peter Cusack in his new studio, a mid-19th-century stone church on Main Street in North Canaan.

For Cusack, art has always been a way of reaching toward something beyond the physical world. That sensibility runs through “Eternal: New, Recent, and Near Distant Paintings,” his upcoming exhibition in the church, a setting that seems an improbably good fit.

Keep ReadingShow less
Cowboy Junkies celebrate 40 years at the Mahaiwe

Cowboy Junkies celebrate 40 years together at the Mahaiwe Nov. 14

Heather Pollock

Now celebrating 40 years, Cowboy Junkies will perform Saturday, Nov. 14, at the Mahaiwe Performing Arts Center in Great Barrington, Massachusetts.

The band is celebrating its long career with a triple-vinyl retrospective album called “Open to Beauty,” featuring a selection of songs from 2000 onward, including material from its most recent release, “Such Ferocious Beauty.”

Keep ReadingShow less
Mike Selbach finds the extraordinary in everyday life
“R46 Interior” (2026). Solid cherry and acrylic, 21” x 26.75” x 0.75”
Provided

Subway stations may seem unlikely places to encounter the divine, but amid the rumble of trains, the crush of commuters and the cavernous underground passageways, Salisbury artist Mike Selbach finds moments of unexpected beauty.

In “Subway Saints,” his solo exhibition opening Thursday, Nov. 12 at the Warren Family Gallery at Berkshire School in Sheffield, Massachusetts, Selbach transforms ordinary commuters and familiar transit spaces into sacred moments.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.