Thank you!
Your support is sustaining the future of local news in our communities.

An uplifting list of environmental trends

Did you know that spreading rock dust on a farmer’s field helps capture carbon into the soil and helps farmers use less (synthetic, oil-derived) fertilizers? It all starts with the fact that there is more carbon, including CO2, locked up in the soil than in the entire atmosphere. Plants depend on carbon in the soil as their building blocks. Apply crushed silicate rock (quarry dust) and you sequester carbon, in the soil. The calcium and magnesium in the rock capture CO2 in the air and lock it into the soil. Better plants, reduced atmospheric CO2.

What to do with that old mine shaft? Turn it into a battery. Put a huge weight, maybe 100 tons, on an elevator system down those abandoned mine shafts. Use excess daylight power or atomic energy to raise the weight by powering the lift generator, drop the weight, spinning a generator in reverse and you have power. In some ways better than a hydroelectric batteries (dam), the mine lift system can produce fast electricity, balancing supply, or slow release — all of these instantly controlled. The gravity formula is E=MGH.

Concrete is a major pollution source for CO2. Now, imagine if you could reduce the amount of concrete needed for each concrete block, each concrete pour, yet maintain volume and strength? 

That’s what several companies are doing in Europe. Taking factory ash, waste from coal burning, wood burning, and other processed residue, they mix the ash with a little water, then add CO2 taken from the air — all in a sealed container. Exothermic reaction results as all the CO2 is chemically bonded with the ash and the end results are hard little knobs or pellets of aggregate to be mixed with cement to make concrete. Lighter, easier to mold, these are the building blocks of tomorrow — using the waste ash and excess CO2 thereby reducing global CO2 and waste in landfills.

The problem with nuclear energy — whether fission or fusion (soon coming to a power grid near you) — is the danger of pressurized-water reactors to heat normal water to then drive turbines to make electricity. If something goes wrong with the contaminated radioactive water pressurized pipes you have massive explosive energy resulting in 3 Mile Island, Chernobyl or the Fukushima disaster. 

Yes, it was that water, steam pressure, that caused the breakouts. Now scientists have found that they can use salt instead. Never explosive as steam, the salt melts into a lava-like flow, transferring energy through special alloy tubes to the water turbines. Something goes wrong? The whole thing is contained, never leaking beyond the actual building.

And last, biochar or black gold, as it is being called. If you make your own charcoal in a sealed container using all your bio waste (yes, kitchen waste, grass cuttings, straw, fast-growing bamboo, torn-down building materials), you end up with charcoal. Place that in the soil and you are locking in — and fertilizing — up to 6% of all human CO2 emissions. And, what’s even better, you are building the soil back, growing more food.

 

Writer Peter Riva, a former resident of Amenia Union, now resides in New Mexico.

The views expressed here are not necessarily those of The Millerton News and The News does not support or oppose candidates for public office.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.