Is stewardship of wildlife for you?

Bears are just one species that can do damage to property. Deer, rabbits, beavers and many others can also do damage. Photo courtesy of the Cary Institute of Ecosystem Studies

MILLBROOK — The Cary Institute of Ecosystem Studies recently presented a three-part video series entitled, “An Ecological Approach to Wildlife Stewardship,” helpful to those who want to live in line with nature.
Aired in three parts, on Sept. 30, Oct. 7 and Oct. 14, they can be viewed on the Cary Institute’s website, free of charge, and are a fascinating study of how to be at one with the natural world.
The first presentation was “Wildlife Ecology and Management,” which looked at life from an ecological perspective. Julie Hart, of the Dutchess Wildlife Conservancy and a former Cary Institute scientist, spoke of the region’s history, from being covered in ice from 8,000 to 12,000 years ago to its revitalization when erosion caused soil to form during the reforestation period. When people arrived and stripped the land, hunted the wildlife until in the mid 1800s, about 80% of the land had been cleared and many animals and other wildlife fled or nearly reached extinction. Since the 1950s and ‘60s, another reforestation has taken place, bringing back many forms of wildlife.
The series also discussed planning, and why it’s so important. It discussed animals to study when studying conservation. and its food sources. One food source may be fallen trees, or dead trees. Hart said if they are not too close to one’s home to be a danger, to let them stand. If fallen, let them lie. They provide shelter, nesting space and are a habitat for many insets that birds and other small animals eat.
Kaylee Resha, of the National Wild Turkey Federation (NWTF), agreed with Hart’s ideas and had her own information and advice, pointing out that the NWTF also studies other smaller animals. She agreed research should be done on animals, their habits and their needs. They said there’s inter-connectivity among all species of animals, plant life and humans, and a change in one impacts the others.
The Cary’s Mike Fargione spoke about the use of cameras in identifying wildlife and studying their behavior. He presented a video explaining the technical issues of using a trail camera.
The second workshop was about threats to wildlife. Unfortunately, Hart pointed out, most animals, insects and birds end their lives being eaten by other species, or even their own. Whenever change takes place, it can affect the availability of food, habitat or shelter. The harm it can cause to some species, or the good it can cause to others, can run the gamut.
The series addressed property management from an ecological view. It can entail actively working the land to create a specific habitat type. Nature can change vegetation over time. Property management can be used to create a desired wildlife habitat. In New York, this is important because there is a lack of timber harvesting causing a lack of age diversity in forests. Timber harvesting can help in thinning forests, allowing new growth, and possibly generating money, which can go back into the management process. With property management, a realistic goal is vital, as is research. Invasive plants and species can be eliminated or managed, as can pathogens and forest pests, but they all must be identified to be managed, as they can all constitute a threat to food, shelter and the safety of wildlife.
The third part of the series was mainly about how to live with wildlife, how to mitigate damage caused by wildlife and who the most obvious culprits might be. Fargione presented some very practical advice and information, like what damage do certain animals cause? How can the damage be controlled, eliminated or managed? He spoke of fencing of all types, what is allowed when it comes to hunting or trapping bear, deer, beavers and other animals. Pesticides were also covered in this section. Also mentioned, restrictions that may apply due to local ordinances or “good neighbor” policies. He also suggested applying controls early so wildlife doesn’t learn bad habits.
He said it is possible to live with nature and animals, to cohabitate with them, but it takes knowledge, willingness and most of all, a realistic plan for becoming a steward of wildlife.
Weatogue Stables has an opening: for a full time team member. Experienced and reliable please! Must be available weekends. Housing a possibility for the right candidate. Contact Bobbi at 860-307-8531.
Hector Pacay Service: House Remodeling, Landscaping, Lawn mowing, Garden mulch, Painting, Gutters, Pruning, Stump Grinding, Chipping, Tree work, Brush removal, Fence, Patio, Carpenter/decks, Masonry. Spring and Fall Cleanup. Commercial & Residential. Fully insured. 845-636-3212.
SNOW PLOWING: Be Ready! Local. Sharon/Millerton/Lakeville area. Call 518-567-8277.
PUBLISHER’S NOTICE: Equal Housing Opportunity. All real estate advertised in this newspaper is subject to the Federal Fair Housing Act of 1966 revised March 12, 1989 which makes it illegal to advertise any preference, limitation, or discrimination based on race, color religion, sex, handicap or familial status or national origin or intention to make any such preference, limitation or discrimination. All residential property advertised in the State of Connecticut General Statutes 46a-64c which prohibit the making, printing or publishing or causing to be made, printed or published any notice, statement or advertisement with respect to the sale or rental of a dwelling that indicates any preference, limitation or discrimination based on race, creed, color, national origin, ancestry, sex, marital status, age, lawful source of income, familial status, physical or mental disability or an intention to make any such preference, limitation or discrimination.

On Thursday, Oct. 30, from 5:30 to 7 p.m., the Norfolk Library will host a free public screening of “Tiananmen Tonight,” a film by Bestor Cram and Michael Streissguth about the 1989 student uprising in China and the daring coverage by Dan Rather and CBS. Director Cram will introduce the film.
A documentary filmmaker whose life was forged in the fire of Vietnam, where he served as a Marine, Cram earned the Navy Commendation Medal. He returned home to become a conscientious objector and leader of Vietnam Veterans Against the War. After working in the MIT Film Studies Program, he founded Northern Light Productions in Boston, producing media for museums, and has made more than 30 feature documentary films.
His credits include the 1995 Academy Award-winning documentary “Maya Lin: A Strong Clear Vision,” as well as “After Innocence and Wrestling with Angels: Playwright Tony Kushner.” His film “Unfinished Symphony,” premiered at the 2001 Sundance Film Festival.
JA: When did you begin telling stories?
BC: I began my filmmaking adventure as an organizer for Vietnam Veterans Against the War. I arranged for a group of filmmakers to document our march, which followed the ride of Paul Revere in reverse, a warning to folks to become patriots and oppose the war.
JA: How does our current political and moral dilemma, with journalism under fire, inform this film?
BC: The film is about a momentous event that became a defining example of how television journalism lived up to its promise, providing in-depth, ongoing reporting that enabled an audience to understand the evolution of a news story. It provides insight into the decisions journalists face in dealing with management, restrictive budgets, governmental impediments, and the dilemmas that arise when reporters become part of the news.
JA: What drew you to the story of Dan Rather and CBS in China?
BC: Dan Rather and his team were in a ratings fight, but more importantly, they were fighting to reestablish their reputation as the gold standard in TV journalism.
JA: How can we protect our free press?
BC: The bottom line rules capitalism. When corporations become owners of the press, they no longer view news as a public service but as another commodity on the balance sheet. I believe the best way to protect the free press is to limit who owns it.
JA: What is the role of the press, and of film, in truth-telling?
BC: The role of the press is to inform. The role of film is also to inform, but its format is essentially an editorial perspective. Telling the truth is more a process of what is chosen to be presented and its sources.
JA: How do you define bravery?
BC: Bravery is the notion of expressing oneself physically and intellectually based on one’s conscience, kind of a Henry David Thoreau ideal. Following the law is part of citizenship, but ensuring the justness of the law is also part of citizenship.
JA: Do you think China is more or less repressive now than in 1989?
BC: Economically, people are better off. But the price paid for not contesting the Chinese totalitarian regime is one of accepting the repression of free speech and the rewriting of history.
JA: What do you want people to take away from this film?
BC: Appreciation for the quality and courage of the journalists who reported Tiananmen, and a consideration of what is being done in TV journalism today. And a reexamination of the stand the Chinese took then as an inspiration for how movements today can shape change, knowing that there are consequences to be considered when dealing with governments.
JA: What is your current project?
BC: A feature documentary called “Not Your Average Citizen,” the story of Boris Nemtsov, leader of the Russian opposition and critic of Vladimir Putin, who was gunned down outside the Kremlin in February 2015. As Nemtsov often said, “Freedom comes at a high price.”
More at notyouraveragecitizen.com.
Register at norfolklibrary.org
Abstract artist Vincent Inconiglios' love and enthusiasm for color and form are evident all around him at his Falls Village studio, where he has worked for 25 years. He is surrounded by paintings large and small, woodcuts, photographs, collages and arrays of found objects.
The objects Inconiglios has found while out walking — in Falls Village, near his studio on Gansevoort Street in New York City, and in other places throughout the world — hold special importance to him. Appreciation of them, he says, comes from “seeing while exploring. I am always finding things.” His particular delight is finding objects that look like faces, many of which will be featured in the ArtWall show at the Hunt Library.
The found objects inspire him, are his “friends,” and serve as muses for his work. He has had some in his collection for more than 50 years. “I’ve always thought of them as parts of me.”
As he shows these objects and tells how he found them, his enthusiasm is contagious. It suggests a new way of looking at the world, even at the most mundane bits of debris.
The sheer volume of paintings and collages displayed in his Falls Village studio attests to his interest in form, color, and composition.
Inconiglios will bring his sense of play and love of discovery to his show, “Face Time,” opening at the Hunt Library in Falls Village on Oct. 25, with a reception from 5 to 7 p.m. It features faces in collages, photos, and found objects. The works will be on display until Nov. 21.
Inconiglios explained a little about his process. “If I am stuck,” he said, “I’ll cut something and put it down. One thing leads to another and forces me to focus.” Next month, in a workshop with children, he will share techniques like this that have guided him in his work.
The children, students at Lee H. Kellogg School in Falls Village, will create their own face collages. Inconiglio enjoys the spontaneity children bring to their creations and is eager to work with them.
On Nov. 13, Inconiglio will give an artist’s talk at 5:30 p.m. at Hunt Library.
He looks forward to feedback about “Face Time,” commenting, “I’d rather get bad feedback than no feedback.”
For more information, visit: huntlibrary.org/art-wall/.