Thank you!
Your support is sustaining the future of local news in our communities.

Community takes tour: Thorne Building Community Center Open House draws 350

Community takes tour: Thorne Building Community Center Open House draws 350
Saturday, May 28, found roughly 350 community members at the Thorne Building Community Center to see the changes taking place there. Note the large arched windows that let in an abundance of natural lighting. Easels held renderings of plans by Sloan Architects, hired by the Millbrook Community Partnership 501(c)3 nonprofit to do the renovations.
Photo by Judith O'Hara Balfe

MILLBROOK — The day may have been rainy, but the outlook was sunny as more than 350 community members toured the future Thorne Building Community Center (TBCC) on Saturday, May 28, some for the first time.

George Whalen, Oakeigh Thorne and others from the Millbrook Community Partnership (MCP), the 501(c)3 nonprofit behind the years-long project spoke of how much transforming the historic one-time high school means to the them, as did the response to the day’s event.

“The MCP, along with our many volunteers who assisted in the Open House Day, are delighted with the huge turnout, positive suggestions, and overwhelming enthusiasm received from the community for the TBCC. We hope the community will continue to stay updated by visiting our website: www.thornebuilding.org.”    

The building, which was given to the newly incorporated village of Millbrook in 1895, has been in a serious state of disrepair for many years. After no longer being used for educational purposes after 1962, it served as various venues over several years, but eventually was left to lay dormant.

During Saturday’s tour, its stately elegance was evident as its stripped-down brick walls were bare, the asbestos recently removed. It ‘s not hard to envision a finished project, which was what the tour was all about.

The first floor has an auditorium and stage that will allow for theater events and could also accommodate social engagements like weddings. There are plans for possibly an art gallery and some community work spaces too. Many large windows allow an abundance of natural light.

Plans for the second floor include possibly a dance studio, classrooms, a room for seminars and kitchen/catering space. S

The third floor might be designated for office space, and the basement offers many possibilities, including a culinary center and kitchen, recording studio, technology center and more.

Many of those who attended were back for the first time since high school at the Open House. Others, such as Lois Marder, have been back more recently for events like antique shows; she praised the MCP’s progress.

“After all these years it is delightful to see the elegant interior of this building and listen to all the stories that people recall,” she said.

Resident Irene Wing said she was just glad the building would be put to good use.

“I’m glad it will be returned to its former glory,” she said.

Resident John Kading celebrated his 94th birthday on Saturday. He recalled going to school at the Thorne Building and was glad to see old friends and former classmates on the tour to share memories with of their high school days in those very halls.

Whalen, Justice Betsy Shequine, Millbrook Mayor Tim Collopy and Patsy Pollack were among the many who volunteered to greet and guide the visitors on tours of the first floor. There were 14 volunteers in all, and the hundreds who showed up seemed to be impressed and delighted a the renovations thus far.

Latest News

Doug Tallamy’s work in progress: saving the planet one backyard at a time

Windacre, a 25-acre property in Millerton will be the site of “Work in Progress,” an afternoon with acclaimed entomologist, New York Times bestselling author and Homegrown National Park co-founder Doug Tallamy.

Provided

For nearly three decades, Doug Tallamy, a professor at the University of Delaware and co-founder of Homegrown National Park, has studied the intricate relationships between native plants, insects, birds and the ecosystems that sustain them. His books, including “Bringing Nature Home” and “Nature’s Best Hope,” have helped shift the conversation about conservation from something that happens primarily in parks and preserves to something ordinary people can practice on the land around them.

On Sunday, Oct. 4, Tallamy will bring that conversation to Windacre in Millerton for “Work in Progress: Toward Native Fields,” an outdoor gathering exploring both the possibilities and the complications of restoring private land for biodiversity.

Keep ReadingShow less
Ancram Center’s “A Number” doubles questions of identity

How would you feel if you found out you weren’t the only you — if there was an exact replica of you? What if you found out that you’d been cloned? Would you believe that you’re the real you? Would you suspect you might be a copy of the original? How could you be sure anything about your life was real? These are some of the questions posed in Caryl Churchill’s play “A Number,” opening at the Ancram Center for the Artson Oct. 1.

Churchill was born in London in 1938 and has been hailed by the theaterl world as one of the strongest voices of her time to take on sexual politics and feminist themes. Her works garner pointedly considered analysis from the highest levels of theatrical intellectualism. Basically, it’s about as far from “The Lion King” as you can get. While she’s experimented with dance theater in the past, “A Number” is much more stripped down, highlighting Churchill’s chosen themes and the skills of both actors on stage.

Keep ReadingShow less

Dispatches from the Farm

Dispatches from the Farm

Adamah Farm crew members planning out the day’s tasks on a late September day.

Janna Siller

“Dispatches from the farm” is a new, periodic column offering a firsthand look at the rhythms, challenges and rewards of farming through the eyes of a local farmer.

The thing about plants is that they can’t get up and move. When a storm like last weekend’s nor’easter threatens to roll through, you can’t just round everybody up and settle them safely on the sofa for movie night.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Pinchas Zukerman brings an all-Beethoven program to Hotchkiss

Pinchas Zukerman to perform at Hotchkiss Oct. 4

Cheryl Mazak

The passion, drama and energy of Beethoven will fill Katherine M. Elfers Hall at The Hotchkiss School on Oct. 4, when world-renowned violinist Pinchas Zukerman is joined by pianist Shai Wosner for a special recital.

The 4:30 p.m. program at the Esther Eastman Music Center will feature three of Beethoven’s celebrated violin sonatas: Violin Sonata No. 4 in A minor, Op. 23; Violin Sonata No. 5 in F major, Op. 24, “Spring”; and Violin Sonata No. 7 in C minor, Op. 30.

Keep ReadingShow less
Found Footage Festival brings laughs to The Triplex

Pickett and Prueher on stage.

Provided by Found Footage Festival

On Sunday, Oct. 4, the Found Footage Festival makes its way to the Triplex Theatre in Great Barrington with a treasure trove of lost and forgotten VHS tapes scraped from the piles of distant memories and discarded physical media.

The Found Footage Festival is a “celebration of the videos that time forgot” hosted by two Brooklyn-based comedy writers and childhood friends, Joe Pickett of The Onion and Nick Prueher of The Late Show.

Keep ReadingShow less
Luis Felber at home at Cornwall Music Bowl
Luis Felber at home at Cornwall Music Bowl
Luis Felber at home at Cornwall Music Bowl

Luis Felber is excited about creating in the Northwest Corner. Coming of age in the British countryside, all he wanted to do as a teen was move to London, the creative heartbeat of England. At 17, he started a band called the Eraserheads and went for it. Since then, he’s been in so many bands he struggles to list them all. But on Saturday, Oct. 3, he’ll be taking the stage at the Cornwall Music Bowl all by himself.

Felber has always felt more comfortable on stage than interacting with people. There’s a sense of purpose in being at a concert. Everybody in the room is there for the same reason: to witness the act of making music. So whether he’s on the stage or in the audience, he feels at home in a venue.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.