Hotchkiss Philharmonic returns Nov. 2

The Hotchkiss School will kick off its 2024-2025 Philharmonic season on Saturday, Nov. 2, with a special performance headlined by internationally acclaimed violinist Siqing Lu. The concert will start at 7 p.m. and will run till 8:30 p.m. in the Katherine M. Elfers Hall.

The Hotchkiss Philharmonic was established in 2018 by Barbara Walsh Hostetter (class of ‘77) and Amos Hostetter to provide gifted young musicians with an opportunity to perform alongside successful professionals. The concerts remain free and open to all community members—no registration required.

The November Philharmonic will be marked by a solo from influential Chinese violinist Siqing Lu. With over five decades of experience, Lu made history in 1987 as the first Asian violinist to win the prestigious International Paganini Violin Competition. He has since served as the first Chinese soloist-in-residence with the Melbourne Symphony Orchestra in 2019-2020 and has been a judge for numerous prestigious musical competitions. He is currently the Artistic Director of both the National Center for the Performing Arts May Festival in Beijing and the Siqing Lu Shenzhen Futian International String Festival.

At Hotchkiss, Lu will perform Max Bruch’s Violin Concerto No. 1 – one of the most popular violin concertos in solo violin repertoire.

Complementing Lu’s performance, Fabio Wirkowski, a head of the Hotchkiss visual and performing arts department and a founder of The Hotchkiss Philharmonic Orchestra, will conduct Tchaikovsky’s Romeo and Juliet and Mascagni’s Intermezzo from Cavalleria Rusticana, an Italian one act opera.

Hotchkiss student musicians, 22 in total, who are a part of the orchestra will play the two pieces along with local musical professionals and teachers.

The next performance as a part of the Philharmonic season will be orchestrated on April 3, 2025. The upcoming concert on Nov. 2 will mark the beginning of a season rich in musical excellence and inspiring performances at Hotchkiss.

Latest News

Juneteenth and Mumbet’s legacy

Sheffield resident, singer Wanda Houston will play Mumbet in "1781" on June 19 at 7 p.m. at The Center on Main, Falls Village.

Jeffery Serratt

In August of 1781, after spending thirty years as an enslaved woman in the household of Colonel John Ashley in Sheffield, Massachusetts, Elizabeth Freeman, also known as Mumbet, was the first enslaved person to sue for her freedom in court. At the time of her trial there were 5,000 enslaved people in the state. MumBet’s legal victory set a precedent for the abolition of slavery in Massachusetts in 1790, the first in the nation. She took the name Elizabeth Freeman.

Local playwrights Lonnie Carter and Linda Rossi will tell her story in a staged reading of “1781” to celebrate Juneteenth, ay 7 p.m. at The Center on Main in Falls Village, Connecticut.Singer Wanda Houston will play MumBet, joined by actors Chantell McCulloch, Tarik Shah, Kim Canning, Sherie Berk, Howard Platt, Gloria Parker and Ruby Cameron Miller. Musical composer Donald Sosin added, “MumBet is an American hero whose story deserves to be known much more widely.”

Keep ReadingShow less
A sweet collaboration with students in Torrington

The new mural painted by students at Saint John Paul The Great Academy in Torrington, Connecticut.

Photo by Kristy Barto, owner of The Nutmeg Fudge Company

Thanks to a unique collaboration between The Nutmeg Fudge Company, local artist Gerald Incandela, and Saint John Paul The Great Academy in Torrington, Connecticut a mural — designed and painted entirely by students — now graces the interior of the fudge company.

The Nutmeg Fudge Company owner Kristy Barto was looking to brighten her party space with a mural that celebrated both old and new Torrington. She worked with school board member Susan Cook and Incandela to reach out to the Academy’s art teacher, Rachael Martinelli.

Keep ReadingShow less
In the company of artists

Curator Henry Klimowicz, left, with artists Brigitta Varadi and Amy Podmore at The Re Institute

Aida Laleian

For anyone who wants a deeper glimpse into how art comes about, an on-site artist talk is a rich experience worth the trip.On Saturday, June 14, Henry Klimowicz’s cavernous Re Institute — a vast, converted 1960’s barn north of Millerton — hosted Amy Podmore and Brigitta Varadi, who elucidated their process to a small but engaged crowd amid the installation of sculptures and two remarkable videos.

Though they were all there at different times, a common thread among Klimowicz, Podmore and Varadi is their experience of New Hampshire’s famed MacDowell Colony. The silence, the safety of being able to walk in the woods at night, and the camaraderie of other working artists are precious goads to hardworking creativity. For his part, for fifteen years, Klimowicz has promoted community among thousands of participating artists, in the hope that the pairs or groups he shows together will always be linked. “To be an artist,” he stressed, “is to be among other artists.”

Keep ReadingShow less