'Gather' at Troutbeck

Romane Recalde speaking about her new business at Gather.
Natalia Zukerman


Romane Recalde speaking about her new business at Gather.
Hosted by Jason Klein and Sascha Lewis, an ongoing series called “Gather” at Troutbeck in Amenia brings together a curious crowd of local entrepreneurs, artists, and others with a story to tell for an intimate midday chat. On Thursday, Jan. 16, floral designer Romane Recalde, owner of the newly opened Le Jardin in Amenia, took center stage to share her journey from modeling in Miami to cultivating flowers in the Hudson Valley. Gather is a place to share stories, swap advice, and celebrate some of the unique businesses that make our area vibrant — all with a delicious lunch on the side. The gatherings are unconventional in the best way, with no agenda beyond good conversation and community building.
Recalde’s story isn’t just about creating a flower shop; it’s about a complete reinvention of self. “I hated Miami so much,” said the French-born Recalde, recalling her time in Florida before moving to New York. She worked as a model in New York, and eventually met her husband, James. Their pandemic escape to Turks and Caicos turned into a six-month stay, which in turn led them to Millbrook and finally to their home in Amenia, where Recalde’s connection to nature blossomed.
“We had all this land for the first time,” said Recalde, who started with a vegetable garden. “I had absolutely no idea what I was doing, but I did some research and found information about planting flowers to bring in pollinators. When I saw flowers bloom in my garden I was like, ‘Oh my God! This is what a flower is supposed to look like,’ laughed Recalde. “I became obsessed, and I knew the next year I wanted a flower farm.” In the spring, she began planting. “I signed up for the farmer’s market in Millerton and I didn’t even know if I would have flowers to sell. But I did! I figured it out.”

Recalde’s trajectory from hobbyist to business owner has come with its fair share of challenges, not least of which is the perishable nature of flowers. “Winter is definitely harder,” said Recalde, explaining how she imports flowers during the colder months while also nurturing seeds in a neighbor’s greenhouse. Despite these hurdles, the most rewarding part for her has been seeing the impact her flowers have on people. “It’s amazing to hear people say, ‘You don’t know how much this meant to me,’” she said, reflecting on the joy of seeing her arrangements in clients’ homes and weddings.
Klein, a board member of the Wassaic Project, co-founder of software development company ListenFirst, and a self-professed connector of creative minds, underscored the value of these conversations. “People here are doing such interesting things,” he said. “It’s a little funky because it’s in the middle of the day, so it definitely appeals to folks with weird schedules — usually people who are business owners or self-employed.” He’s hosted about five of these Gather sessions which have grown in attendance; this month’s event was sold out. “It’s a nice way to put a spotlight on something that’s exciting that might be hidden away,” he said, noting how the Gather series has allowed him to bring together a range of people — from business owners like Will Schenk, owner of the Cornwall Market who’s starting a chocolate business, to local political figures like Justin Potter.
Questions from attendees included how to juggle time and schedules as a business owner and how to deal with the seemingly shifting world of marketing and self-promotion. “Word of mouth has been amazing,” Recalde said as she shared that it’s been the community’s enthusiasm that has helped her new business take off. “Honestly, everybody has been so supportive and helpful,” she added, citing both Instagram and local chatter as key drivers in her success.
During the event, Eliot Wadsworth from White Flower Farm spoke briefly about continuing his family’s legacy, a perfect complement to the conversation about sustainability and the challenges of building a business in a small town.
Lauren Kemner, Troutbeck’s culture and commerce manager, said, “We love inviting people to Troutbeck, letting folks know that we’re open to the public. This program is such a great way to build community.”
D.H. Callahan
Dennis James plays the glass armonica in Colonial costume.
In the early 1760s, Benjamin Franklin was one of the most popular people in the world. The writer, printer, inventor and electricity pioneer was known throughout the British Colonies in America, as well as in Europe, as a respected intellectual and diplomat. While we know him as one of the Founding Fathers of the United States, he spent almost a third of his life in Europe. Eight of those years were spent in France, working to secure support from the French military during the Revolutionary War. But before that, he spent 18 years in England as a diplomatic representative from the colonies.
It was during that time when Franklin first witnessed a musician play a series of glass bowls by wetting his fingers and drawing them across the bowls’ rims. The sound was haunting and otherworldly — like nothing he, nor anyone else, had ever heard before. But as Franklin was transfixed by the sound, he saw what many great innovators see when witnessing something new: inefficiencies. The musician was moving all over the place, working far too hard to make these angelic sounds. So Franklin went about fixing the problem.
In 1761, Franklin commissioned an English glass blower to make him 36 glass bowls of specific diameters and thickness. He then mounted them on a rotating, lathe-like structure, interstacking the smaller bowls inside the openings of the larger ones. Now, instead of reaching all around a table, the musician could play the bowls in a style closer to a piano, simply by moving his fingers. Franklin called his new invention the armonica, after the Italian word for harmony, “armonia,” and was known to play it for friends and visitors.
For somebody whose name is synonymous with money, his face famously gracing the $100 bill, Franklin wasn’t quite as capitalistically minded as one might expect. He declined to patent the invention, instead allowing other instrument fabricators to make their own without paying him fees. Possibly due to his altruism, the armonica caught on, with pieces written for it by such compositional legends as Mozart and Beethoven.
Now, the instrument is coming to Great Barrington as part of the Berkshire Opera Festival. For its 10th anniversary, the festival is presenting “Lucia di Lammermoor” by Italian composer Gaetano Donizetti. The opera, which will be performed in its original Italian, is one of the most prominent works in the “bel canto” style. The term “bel canto” translates to “beautiful voice,” but today, the style can be best summed up as a more dramatic style, allowing performers to match their vocal tones to subjects or moods. This essentially lets the singers act with their voices through song.
The opera is most commonly performed with a flute solo, but the Festival chose to enlist the armonica, as was originally called for by Donizetti. To play it, BOF is bringing in multi-instrumentalist Dennis James, who has already demonstrated his armonica skills to Berkshire audiences at the American premiere of George Benjamin’s opera “Written on Skin” at Tanglewood in 2013.
“Lucia di Lammermoor” will run at the Mahaiwe Performing Arts Center in Great Barrington on Saturday, Aug. 22; Tuesday, Aug. 25; and Friday, Aug. 28. For tickets and more information, visit berkshireoperafestival.org/
Richard Feiner And Annette Stover
Jeremy Boviard, General Manager at the Moviehouse in Millerton.
There’s something special about sharing a story in a room full of other people.
— Jeremy Boviard
More than movies: Jeremy Boviard found his calling at The Moviehouse
Spend a few minutes talking with Jeremy Boviard about movies and you’re likely to forget what time it is.
Ask about a favorite film and he’ll happily explain the first time he saw it, how it was made and why it matters. One story leads to another. His enthusiasm is infectious. For Boviard, movies are far more than entertainment – they’re one of the best ways people connect.
That passion has made him the perfect steward of The Moviehouse in Millerton, where, as general manager, he has helped transform the nonprofit theater into a vibrant community gathering place.
“I like bringing people together to share something,” he said. “People come here to enjoy themselves, to learn about the world and themselves, and we’re here to facilitate and enhance that experience as much as possible.”
His path to The Moviehouse, however, wasn’t one he could have imagined.
Raised in Newton, Massachusetts, Boviard grew up immersed in musical theater and developed an early love of cinema. Some of his first memories involve movies. As a toddler, he insisted on watching “E.T.” before deciding the opening scenes were too scary. Today, it’s one of his all-time favorites. He also wore out a VHS recording of the television broadcast of “The Wizard of Oz,” commercials and all.
Cinema was a family affair. His mother, a preschool teacher, would even mail him Siskel and Ebert’s “thumbs up” and “thumbs down” movie reviews while he was away at summer camp, to keep him in the loop.
“I’ve always loved talking about movies,” he said.
After studying communications and media at Northeastern University, Boviard explored a variety of careers. Then, in 2016, his life took an unexpected turn.
He came to northwest Connecticut seeking treatment for alcoholism at Mountainside Treatment Center in Canaan, expecting to stay for only a month or two.
Instead, he found a new beginning.
Nearly a decade later, Boviard remains sober and speaks openly about the experience that changed his life.
“It’s a big part of my identity,” he said. “It’s more than not drinking or doing drugs; it’s about having integrity and being open to others.”
After completing treatment, he stayed in the area and joined the Mountainside staff, eventually becoming a client services lead during the height of the COVID-19 pandemic. The work was demanding, requiring compassion, flexibility and resilience.
“It helped me become — not the best version of myself, because I’m not perfect — but I feel stable and happy with my life in ways that 10 years ago I did not,” he said. “It’s the beginning of a lifelong journey.”
That same outlook shapes the way he approaches his work today.
When friends learned The Moviehouse was looking for a general manager after reopening in 2021, they immediately thought of Boviard. Running an independent movie theater had long been one of his dream jobs.
“It felt like a perfect fit,” he said, “and I am incredibly grateful for the opportunity that [Moviehouse Chair and Vice Chair] Chelsea Altman and David Maltby have given me.”
His days rarely look the same. He helps choose films, organizes special events, oversees fundraising and educational programs, manages staff schedules and payroll, orders supplies — and, if necessary, teaches new team members to change the soda fountain syrup, as he did in the middle of this interview: “There are plenty of moments where you’re doing a little bit of everything.”
He credits Assistant General Manager Tom Cloutier, Public Relations and Marketing Director Helen Seslowsky, and the rest of the team for creating a culture built on trust and teamwork.
“When I’m not here physically, I trust that the people who are here are handling everything well,” he said. “That’s a really good place to be.”

Under Boviard’s leadership, The Moviehouse has expanded well beyond first-run films. Trivia nights, filmmaker discussions, live performances, after-school filmmaking programs and community partnerships have become part of its identity.
His goal is to offer something streaming services can’t.
“There’s something special about sharing a story in a room full of other people,” he said.
In an age when so much entertainment is experienced alone, Boviard believes the real magic of the movies is not confined to the screen. It’s found in the shared experience of watching together, lights dimming and a community discovering, for a couple of hours, that great stories are better when they’re shared.
That commitment extends beyond the theater. As co-chair of the Millerton Business Alliance, Boviard helps organize community events, including free holiday movie screenings and Festival of Lights activities.
He says he still finds himself struck by the quiet beauty of the region he unexpectedly came to call home.
Asked what advice he would give his younger self, Boviard doesn’t talk about career success or favorite films.
Instead, he offered a lesson earned through experience.
“Life’s full of surprises, and things often won’t play out how you expect,” he said. “If you put your best foot forward, stay even-keeled and remain as realistically optimistic as possible, life will lead to some unexpectedly wonderful places.”

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D.H. Callahan
Justin Schwarz and Laura Kleger, founders and directors of Friday Arts.
On Saturday, Aug. 22, Friday Arts will open its new gallery in the Bantam Arts Factory.
In the summer of 2025, former Guggenheim Museum head of digital Laura Kleger and her husband, award-winning filmmaker Justin Schwarz, opened a gallery … kind of. When we usually think of galleries, we might conjure the image of white walls lined with art and littered with sculptures. Some of us might think outside the box and visualize barns and industrial towers, like at the Wassaic Project, or Millerton’s Re Institute. But Friday Arts, as Schwarz and Kleger called it, thought of the space as secondary.
To them, the main idea is to display and promote art and the artists who make it. In that endeavor, they’ve done a whole lot in a single year, including hosting 11 exhibitions, collaborating with 15 artists and producing eight original films, all without a permanent home. They’ve done it at a series of venues, both traditional galleries and unconventional art spaces, including a former dairy factory in Amenia.
In addition to these pop-up galleries, they’ve also hosted art shows online. It’s part of an ethos developed around the concept of making art more accessible to everyday people. To that end, they started the Friday Arts Editions, which features limited runs of sculptures and prints designed for consumption. “We think buying art by living artists is a vote for a certain kind of world — one where creative expertise, imagination and possibility are valued.”
While they plan to continue all these efforts, they’re adding their own gallery space to the mix. And much like their diverse venues of the past, this one is a bit of a mix. Yes, it has white walls like a traditional gallery, but it’s housed in an old switch factory and surrounded by working artists. Moving into a building with a history seems appropriate, as part of their mission statement as an arts group is to foster deeper dialogues with the stories behind the works they present. Part of those efforts come through in interviews with the artists themselves and the subsequent short films posted to their website.
“We often envision a version of our younger selves,” Kleger said, “living outside of a major art center, spending time with [the website] as a helpful resource to inform their own creative journey.”
Their first show, opening on Saturday, Aug. 22 is called “Second Cutting,” based on the second harvest of the summer and “the finer, denser growth a field yields after the ground has already been worked and then returned to.” The show will feature paintings by Rachael Catharine Anderson, Ryan Steadman and Annika Tucksmith, which will work in dialogue with the theme. Kleger and Schwarz will personally lead tours of the exhibition on the two Saturdays after its opening and will offer subsequent tours by appointment.
More information, including videos and contact information for appointments, can be found at friday-arts.com.
Natalia Zukerman
(From L to R) Jakob Kerr-Lucero (Jake), Charlotte Wise (Candy), Richie Crane (Joey), Brianna Vivace (Coco), and Vivian Burnham (Stage Manager) in rehearsal for Sharon Playhouse’s “Zombie Prom.”
Jonny is dead. He’s also still dating Toffee. And he has every intention of making it to the prom.
That’s the basic problem at the heart of “Zombie Prom,” the gloriously campy musical comedy coming to the Sharon Playhouse Aug. 21-23.
Set in a candy-colored 1950s high school, “Zombie Prom” has everything a vintage teen musical could want: a sweet girl, a rebellious bad boy, a terrifyingly strict principal, rock ’n’ roll, big dance numbers and enough adolescent angst to power a small town. It also has a dead boyfriend who refuses to let the grave interfere with his love life.
The show is the second annual production of the Sharon Playhouse’s Launchpad Company, a pre-professional program for theater artists ages 15 to 20. This year’s young cast comes from communities on both sides of the Connecticut-New York border, including Alex Wilbur of Lakeville as Eddie Flagrante, Carlo Desy of Fairfield as Jonny, Abby Callaway of Woodbury as Toffee and Callie Audia of Dover Plains as Miss Delilah Strict.

The musical, with music by Dana P. Rowe, lyrics by John Dempsey and a book by Dempsey and Hugh M. Murphy, premiered Off-Broadway in 1996. Sharon’s production has a particularly fun connection to that original run: Director DJ Salisbury was a member of the original Off-Broadway company. He also returns to the Sharon Playhouse, where he directed “42nd Street” in 2011. Michelle Lemon choreographs, and Eric Thomas Johnson is music director.
Expect catchy songs, big personalities, teenage melodrama, zombie shenanigans and enough high camp to make death look like a pretty good time. But underneath all the hairspray and grave dirt, “Zombie Prom” is also a coming-of-age story about love, friendship, refusing to become somebody you’re not and never letting something as minor as death get between you and true love.
“Zombie Prom” runs Aug. 21 and 22 at 7 p.m. and Aug. 23 at 3 p.m. at the Sharon Playhouse, 49 Amenia Road, Sharon. Tickets at sharonplayhouse.org
Jack Sheedy
The flood of 1955 was more than a natural disaster for Winsted, Connecticut. It was a defining event that changed the town forever, according to historian Hamish Lutris, who discussed the flood and its aftermath during a presentation Aug. 7 at the American Mural Project.
“For Winsted, this is really the operative event in their post-World War II history,” Lutris said. “Winsted, for better or worse, has never really been the same since that flood. Half of Main Street got kind of wiped out.”
Lutris’ presentation, “Inundated: Connecticut’s Great Flood of 1955,” was part of the American Mural Project’s “History After Hours” series. The program included sections of the PBS documentary “The Flood of ’55,” narrated by Charlie Bagley, a PowerPoint presentation created by Lutris and photo displays of the flood in Winsted, Unionville, Barkhamsted, New Hartford, Torrington and Canton.
About 75 people attended the event. When people attend a presentation about the flood of 1955, you might expect some of them to talk about how they survived it. But even some people whose homes were not flooded had stories about how it affected their lives.
New Hartford resident Corinne Rebillard said she grew up atop Highland Avenue in Torrington. On Aug. 19, 1955, she and her family were high above the flood, while fellow townspeople in the Naugatuck River Valley below felt its full fury.
“We had no destruction whatsoever,” Rebillard said. “But we lost power, and we had to go to the spring over by Wright’s barn (on Route 4), because we had no running water. I took a bath in a big tub on the patio.”
Of the 200 businesses on Main Street, 170 were destroyed, Lutris said. Contemporary accounts estimated the damage totaled more than $27 million in 1955 dollars, not including public and private utilities. Of the 87 people who died in Connecticut, seven were from Winsted.
It was a one-two punch by hurricanes Connie and Diane, which produced a total of 35 inches of rain, he said. To add insult to injury, Hurricane Ione in October, though lacking the force of Connie or Diane, caused another $20 million in damage and took 17 more lives in the state, he said.
Connecticut’s river systems are beneficial to farming and industry, but they also make the state susceptible to flooding, Lutris said. “We’ve got a lot of water, right? This, of course, is also what created the industrial state of Connecticut, and that is water power, right? And so what happens is, in the 1800s, we’re going to start taking advantage of all of this flowing water that’s going from the north, basically to the south, and that’s where we’re going to start putting factories,” he said.
But the flip side is the risk of flooding. The rains of Connie and Diane brought floods that wiped out 17 major bridges in Connecticut and even caused Winsted’s Highland Lake to overflow, carrying new and used cars from a dealership to float down onto Main Street, he said.
Lutris lives in Winchester and has taught history in several community colleges in Connecticut. He said he lectures on a variety of historical topics at libraries and historical societies and tries to bring history to life for his listeners. Dates of wars and deaths of kings are only the skeleton of history, he said. “You know when the Civil War was, but if you really want to know what it was like, read letters from soldiers,” he said.
Attending the event was Edward Bachman, who said he did not live in the area in 1955 but in 1963 bought a house in Pleasant Valley that had been through the flood. “Water came to the first floor and filled the crawl space with silt,” he said, based on stories he’d heard.
Paul Hart, a member of the Barkhamsted Historical Society, said he learned of a family who became trapped overnight on a bridge in Pleasant Valley. “Trees were coming down and slamming into the bridge,” he said. “They tried to cross to get out of Pleasant Valley, and it was washed out on the east side, and they came back to the west side, and it just washed out, trapping them on the bridge.”
In the December 2024 issue of “Squire’s Tavern Quarterly,” the newsletter of the Barkhamsted Historical Society, Hart writes, “Standing on the bridge, the water was up to their shins. The family was terrified before being rescued by boat the next day.”
AMP’s special photo exhibit, “Inundated: Connecticut’s Great Flood of 1955,” will be available for viewing with regular AMP admission Fridays and Saturdays 10 a.m. to 5 p.m. and Sundays noon to 5 p.m. through Aug. 29. The next “History After Hours” event will be Sept. 11, a live performance of “The Guys,” a one-act play presented by Herstory Theater.
American Mural Project is at 90 Whiting St., Winsted. For more information, visit americanmuralproject.org or call 860-379-3006.

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