Ecology Success Stories: A Cary Fellow’s optimism

With the ban of DDT, the bald eagle has come back from 417 nesting pairs in 1963 to 71,400 nesting pairs and was removed from the Endangered Species List in 2007.
Seaq68 via Pixabay

With the ban of DDT, the bald eagle has come back from 417 nesting pairs in 1963 to 71,400 nesting pairs and was removed from the Endangered Species List in 2007.
MILLBROOK — In today’s world of climate change worry, Peter Groffman, research fellow at the Cary Institute of Ecosystem Studies in Millbrook, gave a lecture of hope for the future of the environment.
Groffman “studies urban ecology and how climate change alters microbial processes that support plant growth and air and water quality.” He is the president-elect of the Ecological Society of America and teaches at the City University of New York and Brooklyn College.
He began with the example of how the bald eagle has made a comeback.
Groffman said, “When I was a kid, there were no bald eagles.” In 1963, in the lower forty-eight states, there were 417 nesting pairs of eagles. That has grown to 71,400 nesting pairs.
The cause of the eagle’s dwindling population was traced to the pesticide DDT. DDT is not “directly toxic” to bald eagles, but when used to spray an area of mosquitoes to combat diseases such as malaria, it washed into streams. There it got on insects living in the water. These insects were eaten by bigger insects, who in turn were eaten by fish, who were then eaten by bigger fish, and these fish were eaten by bald eagles.
“In each stage of the food chain, the DDT is bio-accumulated,” said Groffman and in the eagles, the DDT caused their eggshells to be thin. So, thin that when the parent eagles sat on the nest, they crushed the eggs and the babies died.
“How did they figure this out?” asked Groffman. He said, “You need to know something about birds, something about fish, something about hydrology and microbiology, and you had to understand the connection between the different parts of the landscape.”
Scientist Rachel Carson (author of “Silent Spring”) put this all together and the solution was to ban DDT.
Groffman stressed the steps in solving any ecological problem: Identify the problem, find a solution, get the solution implemented (which is not always easy to accomplish), and track the success.
He said it was important that different branches of science work together and realize the “connectivity of soil, water, air, insects, fish and birds.”
Groffman talked about acid rain next. “Acid rain is a very clear success story.” Acid rain comes from “the burning of fossil fuels, particularly coal.”
When coal is burned it gives off sulfur and nitrogen which combine to form sulfuric acid, and this comes to earth in precipitation and makes streams acidic and has a “negative impact” on animals, plants, and fish. It can cause “dead lakes” where fish and vegetation die.
To solve this problem, he said, “an understanding of chemistry, fish, atmospheric chemistry and hydrology” was needed.
The solution was to “get sulfur out of coal” which happened with the Clean Air Act of 1990. In tracking this solution, scientists found that there is much less acidity in water and soil and plants and organisms are recovering.
Another area of success has been noticed with eutrophication of bodies of water. Fertilizers used to grow crops can wash into streams and pollute them. This can cause algae to grow, die and decompose. The bacteria causing the decomposition “sucks the oxygen out” of the water which then has no oxygen and fish and vegetation die.
Scientists found that phosphorus was causing this problem. The solution was the Clean Water Act of 1972 which “removed phosphorus from detergents” and helped manage “sources of pollutants in the landscape”.
The result is cleaner water in rivers, streams, and lakes.
Groffman stated they’ve learned that today’s problems require a new way of doing science in which “We need everybody on board.” As with the solution of the bald eagles, many disciplines of science need to work together.
Groffman explained that implementing solutions can be difficult. “If we propose solutions that are a real pain in the neck for people, they’re not going to do them. If they don’t do it, we back slide.”
In France, one of the leading nations in fighting climate change, there was recently resistance to a New Green Energy Tax on fuel. Yellow vest protesters took to the streets to make their displeasure known. Groffman said that “how solutions affect people is important to consider.”
Increases in the use of solar energy and wind energy in the last couple of decades are positive signs in the fight against global warming.
Groffman mentioned that there is criticism that the Clean Air Act, Clean Water Act, and action on global warming were delayed by governmental agencies wanting more research done. The International governmental Panel on Climate Change (IPCC) has been recommending actions such as lowering carbon energy use and behavioral and lifestyle changes since the 1970’s and in the 1990’s declared that action needed to be taken with no more delays.
The last stage in finding solutions to ecological problems is an important one: tracking the success for any “wobbles” or “squeals” which may indicate the solution is failing or having problems.
Groffman said that current challenges are climate change and Pharmaceuticals and Personal Care Products (PPCP’s). Drugs and microplastics in PPCP’s are dumped down drains, get into sewers, and into water systems. But he declared, “I’m going to argue that science is evolving to meet these problems.”
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org