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Nurit Koppel brings one-woman show to Stissing Center
Writer and performer Nurit Koppel
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In 1983, writer and performer Nurit Koppel met comedian Richard Lewis in a bodega on Eighth Avenue in New York City, and they became instant best friends. The story of their extraordinary bond, the love affair that blossomed from it, and the winding roads their lives took are the basis of “Apologies Necessary,” the deeply personal and sharply funny one-woman show that Koppel will perform in an intimate staged reading at Stissing Center for Arts and Culture in Pine Plains on Dec. 14.

The show humorously reflects on friendship, fame and forgiveness, and recalls a memorable encounter with Lewis’ best friend — yes, that Larry David ­— who pops up to offer his signature commentary on everything from babies on planes to cookie brands and sports obsessions.

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The trouble in the sugar maples

A stand of trees in the woods.

Dee Salomon

Did you notice that some sugar maples lost their leaves far earlier this fall than others, missing out on the color parade? The leaves wilted from dull yellow to brown in August before falling off in early September. Where we live, it has happened for several years to a few older maples near the house.

I called two arborists to get as accurate a diagnosis as possible by phone and received two opinions on the issue, both involving fungal pathogens. Skip Kosciusko, a West Cornwall arborist, diagnosed the problem as verticillium wilt, which he says has reached pandemic levels among the area’s sugar maples. “It looks like we have climate conditions that prevent the really cold air from settling in the winter. Cold is helpful in killing the fungus deep inside the tree.” Verticillium wilt enters through the roots and blocks the tree’s vascular system, preventing water from reaching the leaves. It will most often kill the tree, especially young or poorly maintained ones.

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Family and fabrication: a daughter’s eye on her architect mother’s life

Director Yael Melamede and her mother Ada Karmi Melamade in ‘Ada: My Mother the Architect.’

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When “Ada: My Mother the Architect” arrives at the Millerton Moviehouse this weekend, it may not immediately seem like your typical holiday fare. But looks can be deceiving. As the title suggests, director Yael Melamede has made her mother’s extraordinary architectural achievements the subject of a documentary. Ada Karmi Melamade is a mother of three, a central figure of Israel’s contemporary Bauhaus design, and a trailblazer for women who has reached dizzying professional heights over the course of a long and storied career.

What the title leaves unsaid, however, is the difficult personal choices the architect had to make along the path to success. Motherhood couldn’t always take priority — and while all’s well that ends well in this stirring portrait of family and fabrication, that underlying tension elevates what might have otherwise become a study in monotonous adulation.

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