County’s pheasant bounty; voter registration record; teacher job action
From the archives: Nov. 7, 2024
From the archives: Nov. 7, 2024
The following excerpts from The Millerton News were compiled by Kathleen Spahn, Vivian Sukenik, Nancy Vialpando and Rhiannon Leo-Jameson of the North East-Millerton Library.
November 2, 1933
‘Pheasant Season Opens with Bang’; The pheasant season opened literally with a bang, followed by many more bangs at daybreak on Monday morning when scores of khaki clad hunters began their annual invasion of the area populated by the now much pursued feathered denizens. The fusillade is to continue for six days, ending at sunset Saturday night. The pheasants, on whom open warfare was declared without so much as a warning, were in a general retreat within a few minutes after the bombardment began Monday morning, many of the feathered gentry falling before well aimed hunters’ bullets.
With the opening of the season on pheasants Monday, the hunting season is now in full swing. Dutchess County is experiencing one of the best hunting seasons in many years with game more plentiful. Because of private breeders and game clubs, pheasants are more abundant throughout the county than ordinarily.
‘Registration in Dutchess Sets Record’; Exceeds Total Number of Eligible Voters for 1932, Previous High Mark
Dutchess County has established an all time registration record this year with 1,919 more persons eligible to vote Nov. 1 than in 1932, which was the greatest previous registration . The records of the commissioners of electron disclosed that 57,026 registered for the presidential election last year, while this year the total registration for the county is 58,965.
Although an “off;” or local year, the total registration this year exceeds by 4,453 the 1928 registration when the Smith-Hoover campaign stirred up considerable political activity in the county. In that year, the city of Poughkeepsie set an all-time record of 18,000 voters.
When personal and non-personal registration ended Oct. 21, a check-up disclosed that both Poughkeepsie and Beacon dropped a trifle below their 1932 registrations, with only seven out of twenty-four election districts exceeding last year’s mark, while only two districts in Beacon surpassed the 1932 registration. Forty-one of the remaining fifty-five election districts in the county, all of which are located in townships, have increased registration totals. SOme townships and districts reported several hundred new voters having been added to the enrollment…
The town of North East has a registration of 866 in the first district and 751 in the second this year, representing a total increase of 132 over 1932. The town of Amenia has a registration increase of 253 this year, and the town of Dover has an increase of 198 registered voters over last year for the election on Nov. 7…
‘Dutchess Celebrates Birthday’; Anniversary Observed by Historical Society Wednesday; Fitting Pragram [sic]
The 250th birthday of Dutchess County was observed yesterday with a fitting program arranged by the Dutchess County Historical Society. A meeting at the county court house in the morning and a luncheon at the Nelson House at noon comprised the formal observance.
Originally The Duchess’ County, the County continues to spell its name with a “t” at the age of 250, although the letter does not really belong in the name. The county was named after Mary Beatrice d’Este of Modena, and was one of the original counties of the Province of New York. It was almost exclusively settled by Indains, and there were not more than three or four white people dwelling within its boundaries by 1700.
The Duchess for whom the county was named was Italian by birth, daughter of the Duke of Modena and second wife of James Stuart of England from 1685 until her husband as from 1673 till 1685 and Queen of England from 1685 until her husband as James II, was deposed in 1688 and fled into exile. Mary Beatruce’s life was eventful and tragic. She was married at fifteen to a man thirty years older than herself, lived in an alien county and was involved in turbulent political and religious disturbances, finally fleeing into exile with her baby son.
November 7, 1974
‘Webutuck Teachers Cut Extracurricular Activities’; Webutuck teachers pressed their job action one step further this week calling for a stoppage of “all non paying extracurricular activities and all voluntary duties until a new contract is negotiated.”
The Webutuck Teachers Association also stated that effective Monday this week, high school teachers would leave the school building at 3:45 p.m. and primary school teachers would leave at 3:30 p.m.
In a letter sent to Webutuck school administrators from the teachers association, the association stated: “you are fully aware of the present situation of the Webutuck Teachers Association in regard to their lack of current contract.
“At this time we find that we are being forced to adhere to the existing binding contractual agreement. According to the agreement, the teachers shall leave school every day at 3:45 from the high school building, and 3:30 from the elementary and primary school.
“At this time we also are stopping all nonpaying [sic] extracurricular activities and all voluntary duties until a new contract is negotiated.”
Kiau Loi, chairman of the teachers association negotiation committee, stated that the boycott is on activities not in the old teachers’ contract, which expired this past June 30, 1973. These include such activities as teachers participating in dances,
‘Halloween No Longer Fun’; (Letter from the Editor)
Halloween is longer fun. The merry pranksters have disappeared and abusive, irresponsible vandals have taken over.
In Millerton well over $3000 [sic] damage [sic] was done to five different stores and a fire was set. B-B guns and wrist rockets with steel marbles were the weapons used by the brash infiltrators.
Although these metal pellets penetrated only one section of the large display windows at Delson’s, the Village Toggery, J.B. Reed’s and Barnard’s Florists, the entire window must be replaced. In freezing weather the relatively small hole and air pressure will force the whole window to crack.
Although the fire on John Street was minor, the fire company had to be on the scene and thus its attention was directed away from any other possible emergency.
In another incident a man guarding a store was forced to dodge B-B pellets. A friendly jest is one thing, but physical abuse is another. It was also reported that apples were thrown through windows of village residences.
Shaving cream, soap, and tissue paper are harmless tools that allow kids to break the rules innocently one night a year. But heavy artillery is not amusing and no one should be proud of committing crimes like vandalism, arson or assault.
Millerton thought it would do a favor for the revellers and set the curfew for 9 p.m. on Halloween, Armenia had a 7 p.m. curfew and no trouble. Next year Millerton will know better.
November 4, 1999
‘Wind Whammy’; High gusts of wind brought down this enormous tree branch into the front yard of Basil and Maha Gabriel on Highland Street Tuesday. Mr. Gabriel’s Chevy Blazer was seriously damaged, but no one was hurt. Mrs. Gabriel and her son Matthew were at home at the time. Neighbor Mary Ann Sullivan saw the huge limb come crashing down. It took out electrical, phone and cable service for the Gabriels. The family praised both the Millerton Fire Department for guarding the live wires and Central Hudson for its help.
Aly Morrissey
Robin Wall Kimmerer inspired the audience with her grassroots initiative “Plant, Baby, Plant,” encouraging restoration, native planting and care for ecosystems.
Robin Wall Kimmerer, the bestselling author of “Braiding Sweetgrass” and a member of the Citizen Potawatomi Nation, urged a sold-out audience at the Cary Institute of Ecosystem Studies on Friday, March 13, to rethink humanity’s relationship with the natural world through gratitude, reciprocity and responsibility.
Introduced by Cary Institute President Joshua Ginsberg, Kimmerer opened the evening by greeting the audience in Potawatomi, the native language of her ancestors, and grounding the talk in a practice of gratitude.
“Gratitude is the doorway to reciprocity,” Kimmerer said.
Kimmerer, also a mother, botanist and professor, said that Indigenous wisdom does not have to be at odds with Western science, but rather it can help humans reframe the way they understand the Earth.
She also reflected on the personal journey that led to her lifelong commitment to promoting a lens of Indigenous wisdom in Western science. As a young woman entering the field of botany — then largely dominated by men — she said her path in academia was not always welcoming as a female Native scientist.
“It has been a lifelong journey,” she said. “I was born a botanist.”
Throughout the lecture, Kimmerer described how Indigenous ecological knowledge — rooted in observation, experience and ethical responsibility — can complement scientific inquiry and help solve today’s environmental crises.
She pointed to global data showing that about 80 percent of the planet’s remaining biodiversity is found on lands stewarded by Indigenous peoples, many of whom remain under threat from continued colonization and development.
A central theme of the evening was the concept of the “Honorable Harvest,” a code of practical ethics that governs what humans take from the natural world. Its principles include never taking the first one, always asking permission, taking only what is needed, minimizing harm and giving something back.
“Science is a great way to listen for the answer,” Kimmerer said, referring to the practice of asking permission of the natural world and paying attention to ecological limits.
By the end of the talk, Kimmerer turned to the question she said she hears most often: “What can I do?”
Her answer included a call to reciprocity and action. She urged audience members to consider their own “human gifts” and how those gifts might be used in service of the Earth. For example, Kimmerer said she uses her own gift of storytelling to distill complex information and inspire people to think differently about the living world.
“The Earth asks us to change,” she said.
Kimmerer left the audience with a call to action through her latest initiative. In contrast to the slogan “drill, baby, drill,” she said she has helped launch “plant, baby, plant,” a grassroots initiative that encourages people to support the living world through restoration, native planting and care for ecosystems.
D.H. Callahan
"There is no better feeling than working through something with your own brain and your own hands." —Melissa Gamwell
In an age of automation, Melissa Gamwell is keeping the human hand alive.
The Cornwall, Connecticut-based calligrapher is practicing an art form that’s been under attack by machines for nearly 400 years, and people are noticing. For proof, look no further than the line leading to her candle-lit table at the Stissing House Craft Feast each winter. In her first year there, she scribed around 1,200 gift tags, cards, and hand drawn ornaments.
Each piece makes a gift, a note or even a Christmas tree seem more personal, more considered, and more connected to humanity. Since then, demand for her personalized, hand-lettered tags, ornaments and cards has only grown, appearing in mailboxes across the region and at shops like the Cornwall Whale and Marton & Davis in Chatham, New York. Her precision is remarkable, and to watch her create these one-of-a-kind pieces is an art all unto itself.
In recent months, we’ve seen a deluge of stories on digital replacement. Data managers, bankers and even therapists are being replaced by computer programs in mass waves of layoffs. But what many still find surprising about the proliferation of nonhuman competitors in the job market is how it’s affecting the arts. Illustrators, animators, photographers, musicians and even on-screen actors are being supplanted by bots touted as “artificial intelligence agents.”
But calligraphy — and handwriting in general — has been in the crosshairs of mechanical progress for centuries. There was a time, if you can believe it, when writing anything required ink, paper and sometimes even a living, breathing human scribe. No typewriters, no word processors, no voice-to-text programs.
Then came Gutenberg’s printing press. Sure, it changed the world for the better, ensuring a greater distribution of ideas, and helping spark some of the most important political movements in history. But it also marked one of the first moments when technology replaced the artistic work of the human hand. Over the centuries, printers, designers and technologists have continued to innovate. Today, with Photoshop or Illustrator, an entire universe of alphabets exists, from ornate and embellished to precise and futuristic — all designed to replace the human hand.

Yet, despite this centuries-long assault from technology, Gamwell has found her own way to thrive. Largely self-taught, she combines her drawing and industrial design background with an old-school New England childhood in Maine that involved “very tangible, hands-on, creative problem-solving using many materials.” Raised by “parents who loved antiquarian books, often filled with hand-written dedications,” hers was the kind of upbringing in which “traditional practices were cherished and flaunted” — a time and place with “hand-painted lettering on churches, street signage, the stones in beautiful churchyard cemeteries, and log books.”
Those early impressions have stayed with her, heightening her appreciation of sometimes overlooked details.
“There’s so much ephemera floating around with traces of beautiful handwriting to see everywhere, even now in Connecticut,” she said.
Even in a digital age, she keeps technology at a distance.
“You will not find ChatGPT on my phone, and you will usually not find my phone on me,” she said. Instead, she opts for a notebook, a scrap of paper or the back of a receipt. Sometimes, she goes even further, gathering black walnuts from trees on her property to make the specialized ink for her practice.
Gamwell’s approach to her craft is also philosophical. “There is no better feeling than working through something with your own brain and your own hands, even if you find it less exemplary than you would hope. And it only uses the water you’re already consuming. Do you need to convey an idea? Draw it, however horrific or childish. Write it, even if you never learned proper grammar — because you’ve always had programs do it,” she said.
“Sometimes I think that everything I like is ‘historic’ but it’s really that I just find more value in the traditional methods, which are still alive and well, and desperately in need of stewards for the future.”
After nearly 400 years of pressure, it’s encouraging to see handwriting — an art form that once seemed destined for obsolescence — still thriving, one careful stroke at a time. And thanks to Gamwell, perhaps there’s a new generation of observers, collectors and future calligraphers ready to carry it forward.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his wife, artist Lane Arthur, in West Cornwall, Connecticut.

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Natalia Zukerman
The cast of “The Addams Family” from Northwest Regional School District No. 7 with Principal Kelly Carroll from Ann Antolini Elementary School in New Hartford at Botelle Elementary in Norfolk.
Nearly 50 students from across the region are helping bring the delightfully macabre world of “The Addams Family” to life in Northwestern Regional School District No. 7’s upcoming production. The student cast and crew, representing the towns of Barkhamsted, Colebrook, New Hartford and Norfolk, will stage the musical March 27 and 28 at 7 p.m., with a 2 p.m. matinee on March 29 in the school’s auditorium in Winsted.
Based on the iconic characters created by Charles Addams, the musical follows Wednesday Addams, who shocks her famously eccentric family by falling in love with a perfectly “normal” young man. When his parents come to dinner at the Addams’ mansion, two very different families collide, leading to an evening of secrets, surprises and unexpected revelations about love and belonging.
For director Ann DeCerbo, the show’s mix of humor, spectacle and heart made it an ideal choice for a high school production.
“It’s funny and a little spooky, but underneath that it’s really about family, acceptance and learning to embrace what makes us unique,” she said.
The large cast and crew also made the musical a good fit for the school’s thriving theater program.
“What’s impressed me most is the level of commitment,” DeCerbo said. “These students are balancing school, sports, work, family, lessons, driver’s ed. The list goes on and on. But they show up ready to work and to support each other.”
Senior Gustavo Zurita stars as Gomez Addams opposite Ivy Wallace as Morticia. The cast also includes Kaileigh Grant as Wednesday and Domonic Salz as her love interest Lucas Beineke, along with Maribelle Roach as Uncle Fester, Violet Swanson as Alice Beineke, Levi Swanson as Mal Beineke, Krystal Janak as Grandma Addams, Lorelai DeCerbo as Pugsley Addams and Juan Pablo Urbina Labarrere as Lurch.
Behind the scenes, students are also responsible for set construction, lighting, sound, costumes and stage management, essential elements in creating the Addams family’s famously eerie home.
“We started by really embracing the color palette for the show,” said DeCerbo. “Black and white with very purposeful pops of color. This is the biggest set we’ve had on the NWR7 stage in as long as I can remember.”
While the story is packed with humor and gothic charm, DeCerbo said its message resonates strongly with teenagers.
“High school can be a time when people feel pressure to fit in and meet external expectations,” she said. “This show does a great job of showcasing how much we all have in common while also celebrating individuality.”
That spirit, she added, is part of what makes theater such an important space for students.
“One of the things I appreciate most about theater is that it offers a really welcoming environment where students feel comfortable being exactly who they are,” she said.
Ultimately, DeCerbo hopes audiences come ready to laugh and leave with a reminder that every family has its quirks.
“First and foremost, I hope they have fun,” she said. “But beyond that, I hope audiences leave with a reminder that families and communities don’t have to look the same to work. There’s a lot of joy in celebrating what makes people unique.”
Robin Roraback
Garth Kobel, Art Wall Chair, Mary Randolph, Frank Halden, Ruth Giumarro, Project Chair, Maria Bulson, Barbara Lobdell, Sherry Newman, Elizabeth Frey-Thomas, Donna Heinz around “The Green Man.”
In honor of National Quilt Day, a tradition established in 1991, Hunt Library’s second annual quilt show, “Quilts of Many Colors,” will open Saturday, March 21, with a reception from 5 to 7 p.m. The quilts, made by members of the Hunt Library Quilters, will be displayed through April 17. All quilts will be for sale, and a portion of each sale goes to the library.
At the center of the exhibit is a quilt the Hunt Library Quilters collaborated on called the “Quilt of Many Colors,” inspired by Dolly Parton’s song”Coat of Many Colors.” Each member of the Hunt Library Quilters made two to four 10-inch squares for the twin-size quilt, with Gail Allyn embroidering “The Green Man” for the center square. The Green Man, a symbol of rebirth, is also a symbol of the library, seen carved in stone at the library’s entrance. One hundred percent of the sale of this quilt benefits the library.
Ruth Giumarro, who led the Hunt Library Quilters in this project, explained that the quilting group started last year with the theme “Playing With Art,” which was inspired by children’s book illustrator Eric Carle. Giumarro said, “We had so much fun last year that everyone said, ‘Let’s do it again!’”
“This has been exciting,” said Giumarro. “We started off small with seven people. This year more people came, and there are more who want to come.” The range of experience varies from none to years of sewing and quilting. All are welcome; be a resident of Falls Village is not required.
“It’s all practice,” explained Giumarro, who has been sewing since she was in seventh grade. “Getting a straight line is hardest.”
On March 6, the quilters gathered at Hunt Library to bring their own creations for the show and admire the finished “Quilt of Many Colors.” After looking at each other’s quilts and pricing them, they celebrated with cake.
The Hunt Library is located at 63 Main St. in Falls Village. More information is available at huntlibrary.org
Aly Morrissey
Benjamin Sprague, left, Nolan Howard, center, and Holden Slater conduct a Q&A with community members that came to watch their short documentary films after a filmmaking workshop at the Millerton Moviehouse on Thursday, March 12.
MILLERTON — Students from the Webutuck Central School District screened their five-minute documentaries at The Moviehouse Thursday, March12, showing off their newly acquired skills to an audience of friends, family and community members.
The films — written, directed, shot and edited by the students themselves with guidance from local filmmakers — were the culmination of a two-day student filmmaking bootcamp held earlier this month.
Nolan Howard, Benjamin Sprague and Holden Slater created short documentaries featuring two well-known Main Street businesses, Candy-O’s and Oblong Books, after learning filmmaking fundamentals and conducting interviews with the business owners.
The students worked over the course of a Saturday and Sunday from 9 a.m. to 1 p.m., an impressively short amount of time to write, shoot, edit and produce a complete five-minute documentary.
Local filmmakers Alix Diaconis — a freelance video editor, videographer and photographer based in Millerton — and Brian Gersten, an award-winning documentary filmmaker and editor, guided the students through the filmmaking process.
“We had a clear game plan,” she said, adding that students and faculty spent around an hour on pre-production, then an hour shooting. “Everything was mapped out ahead of time.”
Diaconis said she was largely hands off with her student.
“He edited the entire film himself.”
Jeremy Boviard, the general manager of The Moviehouse, put into context how impressive the student work was.
“What these students accomplished is really difficult, especially considering they did it in just a handful of hours,” Boviard said. “It speaks not only to their filmmaking potential, but also to the value of putting in the hard work and seeing the rewards of it.”
Ninth grader Nolan Howard, who loved his previous filmmaking bootcamp so much that he returned again, said he was inspired by the direction to create real stories people can relate to. Taking the storytelling element to heart, he decided to infuse a Jurassic Park theme into his documentary.
“It inspired me to create a very interesting storyline from an actual movie and put it into a documentary,” Nolan said.
The students edited on iPads using iMovie.
“It showed me how to be a better filmmaker and learn through trials and tribulations,” he added.
Darrin Butland, who teaches arts and media in Webutuck’s EBIS, said he announces the opportunity to students each year.
“Over the years, quite a few students have stepped up, which is great,” Butland said. “Hopefully this will give our students a spark — that creativity piece — and future projects will come from it.”
Butland said it was a gratifying experience as a teacher.
“Nolan has really come out of his shell over the past two years,” he said. “Seeing him speak tonight was huge for him. The other boys were the same way. Watching that kind of confidence grow through this program means everything.”
Aaron Howard, father of student filmmaker Nolan Howard, said he didn’t get a sneak peek of his son’s film, but he knew it was a five-minute documentary about Oblong Books.
“I thought the film was great,” Howard said. “I loved that Nolan put his own creativity and sense of humor into it, but he still covered the important details of the business.”
Howard said he believes the offering at The Moviehouse is a great opportunity for local students.
“To really open up students’ eyes to what it takes and to gain an appreciation for the entertainment industry — and how much time it takes to make a film — is really excellent,” he said.
Boviard said the event was part of The Moviehouse’s ongoing efforts to expand educational community programming.
“Having students involved in this kind of environment is really exciting,” Boviard said. He added that he enjoyed hearing a Webutuck teacher comment during the Q&A session about the students’ public speaking and her excitement to bring that confidence back into the classroom.
“It’s a great benefit because public speaking is something you might not immediately associate with making a film, but it’s such an important skill,” he said.
Diaconis’ work includes HBO and Magnolia Network’s Beach Cottage Chronicles, projects for ESPN and Vox Media, and award-winning films including the Brooklyn Film Festival Audience Award-winning Are You Glad I’m Here.
Gersten’s work has screened at major festivals and appears on platforms including Netflix, HBO, PBS, Amazon Prime, and Peacock. His editing credits include the acclaimed documentary Searching for Mr. Rugoff and Enter the Slipstream.
“I never had an opportunity like this growing up,” Gersten said. “It’s pretty rare for an area like this to offer something like this, especially a free program for middle schoolers. It’s amazing that the Moviehouse is providing this opportunity, and we’re hoping to spread the word.”

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