
Owners Rebecca Grossman, left, and Lucas Smith of Ilse Coffee in North Canaan, Conn.
Photo by Natalia Zukerman
A very unique coffee experience is brewing at the Ilse coffeeshop on Railroad Street in North Canaan, Connecticut, in the old location of Jim’s Garage.
The light-filled and airy space is a testament to the dedication of its founders, Rebecca Grossman and Lucas Smith. About five years ago, Smith, while working at Provisions, the café at the White Hart Inn in Salisbury, encountered a coffee that forever changed his perspective on the beverage.
“Until then,” Smith explained, “coffee was just this harsh, bitter thing they put milk and sugar in just for caffeine. And then I had a cup of coffee that tasted kind of floral and tea-like, and it just blew my mind. I never knew coffee could taste like that. And then that was it.”
Originally from the Berkshires, Grossman was home on vacation from Holyoke when she and Smith met at the White Hart. Through Grossman, Smith connected with a coffee roasting company near her school and found himself learning the art of coffee roasting and the intricacies of the coffee world. When Grossman graduated, the couple moved back to Smith’s hometown of Westport, Connecticut, to help his mother open a restaurant in nearby Fairfield.
There, they rented a roasting machine and started their company by buying coffee, paper bags, and a few stickers. “We were working full-time at his mom’s restaurant,” said Grossman. “We barely had a day off, so we would work after hours. It was just the two of us for the first maybe two and a half years of the business.”
“We had $1,000 and a credit card,” laughed Smith.
“It was pretty naïve, honestly,” added Grossman. “I think most people start companies with a lot more money than we did. We just kind of went for it.”
They went for it, and it began to work for them. Soon, Grossman and Smith moved back to Canaan and opened Ilse, named after Smith’s grandmother. “This is kind of where the journey started,” Grossman mused, “so it’s a very cool coming home.”
They started out with mostly a wholesale, direct-to-consumer business on their website, opening the cafe space just eight months ago. They transformed the old garage into a bright and cozy spot for coffee lovers, an open concept space that showcases their entire production. This transparency also translates to their inspiring mission of quality and sustainability.
Their approach is both global and personal, sourcing beans from countries such as Ethiopia, Colombia, Honduras, Guatemala, Mexico, Kenya and Rwanda. Their focus is on supporting small farmers by establishing a practice of buying entire harvests. Grossman explained: “We buy from producers, and we really commit to them, which is a super important thing. We’ll buy their coffee every harvest.”
Smith added: “Coffee farmers have one harvest a year, sometimes two. We’ve been in business for five years, and there’s a number of producers that we’ve been working with for all of those five years, which is really cool.”
Meeting and creating sustainable relationships with the coffee producers is a goal of their business. Smith said, “Our whole focus is really working to establish connections and relationships with all the countries we source.” They explain that this connection has been easier in some countries than others. The couple was able to travel to Colombia last January, and plans to visit every year. “Other countries, it’s a little bit harder to establish relationships,” said Smith, “but it’s a goal for us to have those relationships everywhere that we source.”
The couple has a clear passion for coffee, which extends to their passion for education. Each bag of coffee that they sell has the origin story on the back, showcasing the name of the grower and the farm. Everything from the altitude to the variety of the seed itself to the flavor profile is listed on the bag. There’s also a cost breakdown, which adds to the transparent approach.
“We get asked all the time if our coffee is fair-trade, and we’re actually paying far above fair trade,” Smith explained. “Fair trade is a certification that provides the producer X amount above the stock market price for coffee. And so, we don’t trade coffee based on the stock market. At any given time, we’re paying usually about 200% above the fair-trade price for our coffee. So, you can look at any of our bags, you just turn it on the back, and you can see how much the producer got paid and how much we paid for the coffee.”
Grossman added: “A lot of the farmers that we’re buying from are in producer-led initiatives. So the producers are setting the price, which is super important.”
Grossman and Smith’s business practices are unique, and so too is their roasting style, which they describe as influenced by Nordic methods. There is a focus on bringing out the natural flavors, showcasing the coffee’s inherent qualities. Their favorite, preferred and recommended brewing method is a manual brew method using a Hario V60 pour-over that they sell in their shop. It brings out the flavors and “makes a really nice, clear cup,” said Grossman.
There’s a bit more construction planned in the space to have it “exactly like we want it,” said Smith, but once the renovation is complete, the couple wants to host events and coffee tastings, home brewing classes, and a “seed to cup” course. Said Smith, “Most people don’t even know that coffee’s a seed of a fruit. It’s not a bean.” He almost yells with wonder, “It’s a seed!”
Grossman added to his enthusiasm: “It’s an agricultural, seasonal product, grown in a fruit. Our coffee is seasonal and rotates throughout the year. I don’t think people are aware of that.” She said, “I know I certainly wasn’t before I got into coffee.”
Smith and Grossman’s story is one of passion, dedication, and a deep respect for coffee and the people who grow it. Starting with minimal resources, they’re excited to be able to grow alongside the small and supportive community of specialty coffee roasters in the area. “There’ve been hard moments, but it’s been amazing,” said Grossman. Smith added: “When we started the company, our big thing was helping people experience how great coffee can be. So if people actually want to see coffee in a different perspective rather than the way that they know it, then I think this would be a good place to come and check out.”
Dancers from Pilobolus will perform at the NWCT Arts Council spring fundraiser on April 26 in Washington Depot, Conn.
On Saturday, April 26, the Northwest Connecticut Arts Council will host a special evening, Arts Connected, their spring fundraiser celebrating the power of creativity and community. Held at the Bryan Memorial Town Hall in Washington Depot from 5 to 8 p.m., this event brings together artists, performers, and neighbors for a magical night filled with inspiration, connection and joy.
Award-winning designer and arts advocate Diane von Furstenberg and her granddaughter Antonia Steinberg are honorary co-chairs of the event. Their shared love of the arts informs the spirit of the evening.
Antonia Steinberg, above, President of Bucks Rock Camp in New Milford that she first attended as a camper when she was ten years old. Antonia is co-chair, with her grandmother Diane Von Furstenberg of the NWCT Arts Council fundraiser.Provided
“As someone whose life was profoundly shaped by the arts — as a child at Buck’s Rock and now as President of its Board — I’ve seen firsthand the transformative power of the arts; how creative spaces can empower young people, build community, and nurture well-rounded problem solvers. That’s why I’m so honored to co-host the Northwest CT Arts Council Gala. Their work in supporting artists and cultural organizations across Connecticut is essential,” said Steinberg.
Von Furstenberg’s influence in fashion and culture, and Steinberg’s leadership at Buck’s Rock reflect the intergenerational impact of the arts,” said NWCT Arts Council board president Sunday Fisher. “Their participation underscores the power of creative expression as a defining force in our community.” Steinberg is the president of Buck’s Rock Camp, a non-profit performing and creative arts camp in New Milford that she first attended as a 10-year-old camper.
Diane Von Furstenberg, co-chair of NWCT Arts Council fundraiser.Provided
Steph Burr, executive director at NWCT Arts Council, added, “Events like Arts Connected are at the heart of what we do — bringing people together, lifting up artists, and reminding us of the essential role creativity plays in our lives. The Council works year-round to ensure the arts not only survive but thrive across our region.”
NWCT Arts Council is a nonprofit that serves as advocates for the arts. Through regranting efforts, public art support, legislative advocacy, and their regional events calendar, they work to ensure the arts are accessible and celebrated in every corner of their 25-town service area.
Burr continued, “The arts in Northwest Connecticut are vibrant, evolving, and deeply rooted in community. There’s a quiet but powerful creative pulse running through these hills — one that reflects the resilience, diversity, and passion of the people who call this region home. Over the past few years, artists and cultural organizations have navigated challenges with heart and determination, despite ongoing funding volatility. Through our advocacy and collaborative programming, we ensure the arts remain essential and accessible in our community.”
Highlights of the April 26 fundraiser include performances by Pilobolus, Sherman Chamber Ensemble, Ysanne Marshall & the Lotus Blues, hand pan musician Jeremy Driscoll, and a curated art exhibition, NW25 Gallery, featuring local artists. Sponsors Litchfield Distillery, Kent Falls Brewing Company, and Executive Cuisine catering will provide the food and drink.
Ticket prices are $125, open to guests 21 and older, available online at givebutter.com/artsconnected.For more information or to ask about sponsorship opportunities, email Katherine Pelletier at katherine@artsnwct.org or visit givebutter.com/artsconnectedsponsorship.
Arts Connected is made possible thanks to the generous support of sponsors; Antonia Steinberg is sponsoring all the artists for the event and Valiant Energy and Torrington Savings Bank are presenting the event.Additional sponsors include William Raveis Lifestyle Realty, Litchfield Magazine, Housatonic Heritage, Art Bank 7, Harney & Sons Teas, Aquarion Water, The Lost Fox Inn, George Home, NKYV Rituals, and Litchfield Distillery.
Lily Al-Nemri, founder and owner, and artistic director and painter Rudy Vavra at Tyte medispa and gallery in Millbrook.
The painter Rudy Vavra once created floor collages in Texas. You could, in theory, lie on them. Now, years later and much farther north, his work graces the walls of a medispa in Millbrook, New York where he also serves as the artistic director. You can still lie down, just not on the art. Instead, you might be undergoing an EmFace non-surgical facelift while surrounded by twenty-two of Vavra’s paintings.
The space, Tyte Medispa in Millbrook, is equal parts gallery and treatment center, the brainchild of Lily Al-Nemri, a medical aesthetician and now gallery owner. She also owns the nail salon, Bryte, down the street on Franklin Avenue. A few years ago, feeling she was outgrowing that space, she looked to expand and, just a few blocks away, found this rather sprawling maze of rooms with the gallery that now inhabits the grand central ballroom. “This used to be a gym,” she said. “It was way more than I was looking for, but I went for it.”
Vavra, a self-professed “painter’s painter,” has spent decades layering pigment in his barn-turned-studio in Milan, New York. “I find paintings as much as I make them,” he mused. “Some happen quickly, others are slow.” Of this latest collection, he said, “Some people call them busy. I think they’re slow.” His marks accumulate with a kind of devotional persistence, like petals left at a shrine. “A while ago, I saw a photographic image of a shrine,” Vavra said. “I don’t know if it was a Buddhist shrine or what, but there were colors on the ground all around it, and I realized they were the stains of flowers left in the worship. That’s very similar to the way I paint.”
The collection of paintings on view at Tyte — some as large as a shrine — are meditations on color, inviting the viewer to slow down. Or speed up. Whether viewers are activated or soothed by the images is neither Vavra’s intention nor within his control. Still, he said that watching people interact with the work has been a real treat. “Now that I have my paintings here, I get to see them all together,” he said. “It’s only when they’re all together that I see how they talk to each other. It’s interesting to see people come in and go to have a treatment and come out. It’s a very interesting connection.”
And what is the connection? What could be a disjointed pairing — aesthetics and aesthetic medicine — has become, improbably, a perfectly logical continuum. “They’re related in a sense,” Vavra said.
Aly Morrissey
Al-Nemri, a former radiologist who taught for over a decade at Westchester Community College, is no stranger to layering, precision, or the quiet rigor of care. Her incredible menu of services — Botox, body contouring, pelvic floor therapies — are the cutting edge of the industry. Of Vavra, Al-Nemri said, “I fell in love with his work, and we just hit it off.” It’s a kind of kismet that seems to hover over the place. Pilates mat classes take place twice a week in the main gallery space and both Al-Nemri and Vavra have loved watching clients pause, eyes caught by a stripe of cerulean or a vibrating cluster of brushstrokes. “Something will catch their eye,” said Vavra. “They’re looking for something in it.”
So, this gallery-meets-spa (or is it the other way around?) has plans. Vavra will be curating six shows a year. Laurie Adams’s photographs will be hung in June, a group show of local artists will share the space in July and August, and a Fall show will feature twenty women artists, which Vavra is eager to anchor with a piece by Judy Pfaff. “There’s nothing like this on this side of the county,” he said of the light drenched space. “It’s been a bit sleepier here. We want to wake it up.”
He means it kindly; sleep certainly has its place. But here in Millbrook, amid the low drone of machines designed to rejuvenate, something unexpected has emerged. Perhaps that’s what both Al-Nemri and Vavra are really after — not the quick fix or the final image, but the suspended moment, the long look. A face seen anew. A painting revealed slowly, in silence.
As for Vavra’s curatorial process? “I just unpack the paintings, lean them against the wall, and look,” he said. “Eighty percent of the time, they’re already where they’re supposed to be.”