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Jon Suters, Dinuk Wijeratne, and Nick Halley. Photo by Jennifer Almquist
Every seat in the Great Hall of the Norfolk Library was full. The audience ranged from toddlers held in their parents’ arms to gray-haired couples eagerly waiting to experience the music of the Dinuk Wijeratne Trio. Percussionist Nick Halley, bassist Jon Suters and Dinuk Wijeratne on piano, spent the next hour dazzling the grateful crowd with original compositions, superb musicianship and stories that wove a theme of “home” throughout the evening.
To award-winning composer, conductor and pianist Wijeratne — who was born in Sri Lanka, raised in Dubai, educated in the UK and at Juilliard, and now lives in Ottawa — home is many places: “Dubai was a melting pot of South Asian and Middle Eastern culture. Simultaneously I was being trained as a Western musician. I heard Mozart’s Piano Concerto No. 21 randomly when I was 12, and then I was hooked. It was my first spiritual experience.”
Wijeratne began the performance by saying: “Home is an ephemeral window in time, and perhaps the bittersweet quality of home is when we suspect that window in time has passed. I wrote this piece, “Homecoming,” in 2015 as a commission for piano and oud for the opening of the Museum of Immigration in Halifax, Nova Scotia. It was also the year I gained my Canadian citizenship.”
Recalling the origins of his composition “Damascene,” which was performed by the trio in the library Nov. 13, Wijeratne smiled: “I had traveled with the great Syrian clarinetist, Kinan Azme. We spent a few magical days in his home city of Damascus. It was a very precious time; it seemed like time had stopped. We have all had that feeling when you are perfectly at home in a new, strange place. Is home a state of mind? Is it the people we love? Or is it purely geography?”
A world-renowned musician, Wijeratne made his Carnegie Hall debut in 2004 playing with Yo-Yo Ma and the Silk Road Ensemble. He has been described by The New York Times as “exuberantly creative”; the Toronto Star called him “an artist who reflects a positive vision of our cultural future”; and the Manitoba Chamber Orchestra referred to him as “a modern polymath.”
Wijeratne has conducted the Calgary Philharmonic and the Qatar Philharmonic in Doha. His work “Two Pop Songs on Antique Poems” won both the 2016 Canadian Juno award for Classical Composition of the Year and the 2016 East Coast Music Award for Classical Composition of the Year.
For percussionist Halley, the performance was a return home. When Norfolk Library director Ann Havemeyer introduced the threesome, she noted that the first time she heard Halley perform in the library, he was 10, singing Beatles songs with Chorus Angelicus, a children’s choir started in 1991 by his Grammy-award winning father, Paul Halley.
Halley smiled and said: “It is meaningful to be back in Norfolk, and to feel the warm embrace of this special community. It is heartening to see so many familiar, gorgeous faces, everyone aging so gracefully. And the fact that they took the time to come and hear us, to support the amazing work that Eileen [Fitzgibbons] and Ann [Havemeyer]and the others at the library are doing makes this sort of homecoming that much more encouraging.”
Fitzgibbons is the events coordinator and children’s librarian for the Norfolk Library, all of whose music and arts programs are funded by The Norfolk Library Associates, which started in 1974.
Halley and his young family now live in Halifax, Nova Scotia: “By the time I got to Halifax, Nova Scotia, in 2008, Dinuk was already ‘Halifamous’ and well on his way nationwide. So I heard a lot about him long before he showed up to a gig of mine. Of course, I was terrified of him at first, but soon discovered what a gentle, magnificent soul he is. Playing-wise, it was love at first sight: of course, being so rhythmically compelling along with everything else, his music is any drummer’s dream, but I think he even liked me right off the bat, too.”
In 2010 the young Halley founded Capella Regalis, a Canadian charity dedicated to training singers, which includes a boys choir, a girls choir, and a professional men’s choir, offering a free music education and performance program for children and young adults in Nova Scotia. In 2012, Halley was awarded the Queen Elizabeth II Diamond Jubilee Medal in recognition of his contribution to Canada and Nova Scotia through the arts. For the 2013-14 season, Halley was the host of CBC’s national radio program, “Choral Concert.”
When asked about his dreams, Halley mused: “In one sense, I’m living my dream with Capella Regalis. I just want to keep building it. We’ve started an endowment, for instance. I would like to take them to England. Bring some coals to Newcastle and such. There is so much music I love within that genre; we will never get through it in my lifetime. I want future generations of kids to continue encountering that world of beauty.”
Suters is as tall as his standing bass. He lives in New Marlborough, Massachusetts, with wife Samantha Halley (Nick Halley’s sister) and their children: “Each of my five children has been encouraged to play music and all of them have some facility with at least a couple of different instruments as well as vocalizing. We have homeschooled them all and music is a big part of our approach.”
Suters plays piano, guitar, string bass, cello, didgeridoo, banjo, mandolin, lute, violin, trombone, saxophone, drum set and percussion, and steel drums.
Suters has taught at Berkshire Country Day School, Indian Mountain School, Salisbury School, and Simon’s Rock of Bard College: “Teaching has enabled me to constantly go back to the fundamentals of music making and demonstrate and talk about them with students. I teach bass guitar, drums/percussion, keyboards, fiddle, brass instruments, and this has helped me to understand the relationships between the different instruments in an ensemble.”
When asked about his musical influences, Suters replied: “I am also a classical guitarist and grew up listening to my virtuoso piano prodigy brother play all the greats, so basically everyone from Bach to Scott Joplin, plus the usual rock influences: Jimi Hendrix, Led Zeppelin, classic jazz greats like Miles and Coltrane and more modern ones like Pat Metheny and Herbie Hancock. Brazilian composers and musicians like Villa Lobos, Garoto, Paulo Bellinati, African artists such as Youssou N’dour, Ali Farka Toure, and Indian musicians such as L Shankar, Talvin Singh, and Shakti.”
Suters has appeared on stage with James Taylor, Taj Mahal, Doctor John, Rickie Lee Jones, Martin Sexton, Madeleine Peyroux, Eugene Friesen, Paul Halley, Ed Mann (Frank Zappa) and Charles Neville of the Neville Brothers.
One evocative composition, “Chloe” by Wijeratne, is based on Italo Calvino’s book “Invisible Cities.” The composer illuminated the ideas behind the music: “Chloe reads like some bustling street scene, full of shady characters. There are twins wearing coral jewelry, a blind man with a cheetah on a leash — all very odd scenes. They don’t speak. When I read that the city of Chloe ‘has a voluptuous vibration to it,’ I knew I had to write this piece. Calvino wrote, “‘f everyone acted on their impulses, the carousel that is Chloe would come to a stop.’”
In each piece, the music flowed into the room like ocean waves, rhythmic and soothing, Wijeratne played piano with crystalline precision and emotion, the bass of Suters poured through the notes like honey. Halley’s wild percussions, played mostly with his fingers on drum kit, frame drums bendhir and riq specifically — “and the odd bells and whistles, doctoring up the kit with old shirts and weird stuff like that,” laughed Halley — provided the structure beneath the music. Playing together, the three musicians created an instinctual harmony in a language unspoken.
Composer and philosopher Wijeratne explained the spiritual origin of each of his compositions. “Lebanese/American Poet Kahlil Gibran, in a poem called ‘Upon Houses’ from his book ‘The Prophet’ describes the home not as an anchor, but as the mast of a ship. At first the home is a place for consolation, safety and comfort. Thereafter, home becomes the beginning of a journey of curious exploration. I find that to be a beautiful sentiment, so I wrote this piece I call, ‘Whose Windows are Songs and Silences.’”
The trio’s final piece ended with an immediate standing ovation. Half-asleep children and their parents and grandparents were clapping; the players held hands and bowed deeply. Fitzgibbons, who organized the event, felt the concert “was an exciting evening full of complex chords and improvisations... wrapped around with old friends and new.”
The combination of global musical traditions, jazz improvisation, poetry and literary influences, musicians at the top of their game, and the warm “welcome home” from the Norfolk community created an evening no one will easily forget.
Village of Millerton offices on Route 22
MILLERTON — On Monday, Feb. 10, a board meeting was held, largely centered on the impact of the Feb. 3 fire that destroyed the Village Water and Highway building located on Route 22. In addition to the loss of the building, vehicles, equipment and tools were also destroyed.
“If we go back to the cause, it is still undetermined,” said mayor Jenn Najdek, who stated foul play had been ruled out. She also confirmed the garage remained off-limits as the investigation is still ongoing.
Alongside the Mayor, village trustees expressed their concern regarding rumors as to the cause of the fire. According to trustee David Sherman, transparency with the public is key to distinguishing fact from fiction. “I think we should, through whatever releases we can make, make it abundantly clear what that status is so we can squelch these kinds of rumors that are oozing up in the community,” said Sherman.
The Village is working with Nordic Environment Finance Corporation, an independent cause and origin investigation company, to determine the cause of the blaze. According to Najdek, once the investigation is complete, investigators will greenlight the premises for entrance. Najdek also emphasized while investigators are working toward determining a cause, one may or may not be found, contingent on what the investigation yields.
According to Najdek, the Town of East Fishkill sent their engineer the morning of the fire to assist Village’s water operators in setting up a system to ensure drinking water would continue to flow. The village’s supply of drinking water has been continuously evaluated by the New York State Department of Environmental Conservation as well as the Board of health to ensure fitness for human consumption.
With one of the wells being destroyed in the fire, the Village’s water will be conditioned as required and pumped from well no. 1, known as the “doghouse,” to a holding tank as a temporary solution.
“Well no. 2 that was in the building, we can selectively demo around it, secure it, get a semi permanent structure,” Najdek said. “We don’t know what that’s going to be. There’s one hundred different solutions for that, and we will know more after this week.”
The Village trustees showed interest in an acting structure which resembles a “plug and play” system, where all water operating equipment will be housed. “We will be meeting with the engineer, the water operator and Pete [Dellaghelfa, Village’s Superintendent of Public Works], this week on-site and we will start looking for the immediate, short-term solution,” said Najdek.
Previously, the Millerton Water Department housed two 10-inch diameter wells in an unconsolidated aquifer that allowed filtration through 50 feet of sand and gravel. The water then gets pumped into an elevated holding tank, where it is treated and chlorinated before being distributed to residents.
Currently, well no. 1 is being operated by a generator while the power lines to the building are in the midst of being fixed. The intent of these lines, according to Najdek, is to potentially serve electricity to both of the wells and the baseball field lighting.
With the loss of vehicles and equipment, the village is hoping to be indemnified once insurance claims are settled. “We’ve incurred a lot of expenses so far,” Najdek said, explaining her confidence in village insurer New York Municipal Insurance Reciprocal. “I feel pretty good about them being able to handle our needs in a timely manner.”
The Village will have a three-month window to borrow vehicles or equipment as needed from the town, county or the state. “God forbid the county’s truck hits the bed, we can ask the state ‘Do you have any trucks that you could loan us?’” Najdek said.
The mayor requested the Highway and Police department compile a wish list of vehicles and equipment for immediate needs. The village hopes to avoid buying used trucks and equipment, hopefully avoiding any problems that come with them, said public works superintendent Dellaghelfa. “It’s not that I’m against used. I just want to see that the village is getting their money’s worth.”
Once Najdek has confirmation from the insurance company, the village will start moving forward with the “wish-lists” from both the Highway and Police Departments. At this time, patience is what’s needed most, explained Najdek. “For those who have never been through a fire, this is a marathon. It’s not a sprint,” she said. “Sometimes answers don’t come into the third mile or fourth mile. It’s not something where information comes quickly from insurance companies everyday, so there will potentially be no updates.”
The village’s state of emergency declaration, which went into effect the morning of the fire, remains in place.
During the meeting, trustee Sherman provided updates on where the village stands for the Community Development Block Grant. The village is planning to use this grant to replace a few sections of sidewalks which need improvement.
“Some things are going to require some engineering input to see how we can rebuild this area,” Sherman said. “The aim is to put some estimates together and have the board’s consideration for our next meeting to approve making a CDBG application for this 2025 year and keeping it with a total cost under the $200,000 level, which is the max.”
According to Sherman, the focus will be on the sidewalks near John Street, also known as Smith Court and North Center Street. The Village needs to submit its request for the grant by Monday, March 3, to be considered.
The Lakeville Journal and Millerton News are seeking young journalists for an educational internship program.
The six week program provides training in the everyday operations of a community weekly. Interns will learn the news-gatheringprocess from pitch to print through regular workshops with industry professionals on topics such as photography, libel and copy-editing.
Interns will also work closely with the papers’ staff. Editors will collaborate with interns to develop stories and provide feedback throughout the program. The papers’ reporters will take interns into the field for shadowing opportunities, teaching interviewing and photography in action.
By the end of the program, interns should be capable of reporting and writing a hard news story or feature fit for print, and should have an article clip and a photograph to start a reporting portfolio. Interns should finish the six-week program with an understanding of current community journalism best practices, interviewing techniques and news-writing skills.
Interested students can find the application online at lakevillejournal.com/education-internship-programs or on our social media accounts.
MILLERTON — On Monday, Feb. 10, a board meeting was held, largely centered on the impact of the Feb. 3 fire that destroyed the Village Water and Highway building located on Route 22. In addition to the loss of the building, vehicles, equipment and tools were also destroyed.
“If we go back to the cause, it is still undetermined,” said mayor Jenn Najdek, who stated foul play had been ruled out. She also confirmed the garage remained off-limits as the investigation is still ongoing.
Alongside the Mayor, village trustees expressed their concern regarding rumors as to the cause of the fire. According to trustee David Sherman, transparency with the public is key to distinguishing fact from fiction. “I think we should, through whatever releases we can make, make it abundantly clear what that status is so we can squelch these kinds of rumors that are oozing up in the community,” said Sherman.
The Village is working with Nordic Environment Finance Corporation, an independent cause and origin investigation company, to determine the cause of the blaze. According to Najdek, once the investigation is complete, investigators will greenlight the premises for entrance.Najdek also emphasized while investigators are working toward determining a cause, one may or may not be found, contingent on what the investigation yields.
According to Najdek, the Town of East Fishkill sent their engineer the morning of the fire to assist Village’s water operators in setting up a system to ensure drinking water would continue to flow. The village’s supply of drinking water has been continuously evaluated by the New York State Department of Environmental Conservation as well as the Board of health to ensure fitness for human consumption.
With one of the wells being destroyed in the fire, the Village’s water will be conditioned as required and pumped from well no. 1, known as the “doghouse,” to a holding tank as a temporary solution.
“Well no. 2 that was in the building, we can selectively demo around it, secure it, get a semi permanent structure,” Najdek said. “We don’t know what that’s going to be. There’s one hundred different solutions for that, and we will know more after this week.”
The Village trustees showed interest in an acting structure which resembles a “plug and play” system, where all water operating equipment will be housed. “We will be meeting with the engineer, the water operator and Pete [Dellaghelfa, Village’s Superintendent of Public Works], this week on-site and we will start looking for the immediate, short-term solution,” said Najdek.
Previously, the Millerton Water Department housed two 10-inch diameter wells in an unconsolidated aquifer that allowed filtration through 50 feet of sand and gravel. The water then gets pumped into an elevated holding tank, where it is treated and chlorinated before being distributed to residents.
Currently, well no. 1 is being operated by a generator while the power lines to the building are in the midst of being fixed. The intent of these lines, according to Najdek, is to potentially serve electricity to both of the wells and the baseball field lighting.
With the loss of vehicles and equipment, the village is hoping to be indemnified once insurance claims are settled. “We’ve incurred a lot of expenses so far,” Najdek said, explaining her confidence in village insurer New York Municipal Insurance Reciprocal. “I feel pretty good about them being able to handle our needs in a timely manner.”
The Village will have a three-month window to borrow vehicles or equipment as needed from the town, county or the state. “God forbid the county’s truck hits the bed, we can ask the state ‘Do you have any trucks that you could loan us?’” Najdek said.
The mayor requested the Highway and Police department compile a wish list of vehicles and equipment for immediate needs. The village hopes to avoid buying used trucks and equipment, hopefully avoiding any problems that come with them, said public works superintendent Dellaghelfa. “It’s not that I’m against used. I just want to see that the village is getting their money’s worth.”
Once Najdek has confirmation from the insurance company, the village will start moving forward with the “wish-lists” from both the Highway and Police Departments. At this time, patience is what’s needed most, explained Najdek. “For those who have never been through a fire, this is a marathon. It’s not a sprint,” she said. “Sometimes answers don’t come into the third mile or fourth mile. It’s not something where information comes quickly from insurance companies everyday, so there will potentially be no updates.”
The village’s state of emergency declaration, which went into effect the morning of the fire, remains in place.
During the meeting, trustee Sherman provided updates on where the village stands for the Community Development Block Grant. The village is planning to use this grant to replace a few sections of sidewalks which need improvement.
“Some things are going to require some engineering input to see how we can rebuild this area,” Sherman said. “The aim is to put some estimates together and have the board’s consideration for our next meeting to approve making a CDBG application for this 2025 year and keeping it with a total cost under the $200,000 level, which is the max.”
According to Sherman, the focus will be on the sidewalks near John Street, also known as Smith Court and North Center Street. The Village needs to submit its request for the grant by Monday, March 3, to be considered.
Gretchen Mol and Campbell Scott in a reading of “Love Letters” at the Sharon Playhouse
The Sharon Playhouse held a one night showing of the play “Love Letters” by A.R. Gurney on Saturday, Feb 15. The sold out, though only partially attended due to the weather, performance was held in the Bok Gallery and starred Gretchen Mol and Campbell Scott.
“Love Letters” is an epistolary play, meaning the story is conveyed through the letters exchanged between the two main characters: Melissa Gardener, played by Mol, and Andrew Makepeace Ladd III, played by Scott. The play begins at childhood and lasts until the characters are about sixty years old. With the performers reading letters back and forth, the staging is minimal—intimate lighting casts a warm glow over the two actors seated at a single table, where they remain for the entire performance. The Bok Gallery’s cozy setting enhances the play’s simplicity, making for an intimate and engaging experience.
Perhaps the most striking aspect of “Love Letters” is its pacing and flow, which Mol and Scott brought out fantastically. For the majority of the play, the actors simply trade lines back and forth as they read their letters. This back and forth is broken up through occasional bits of quick, heated exchanges, long monologues and gut wrenching silence as, for one reason or another, a character goes five or six letters without writing back. This difference in pacing is extremely effective, and ensures that the audience does not feel any sort of stagnation.
Of course this pacing methodology would mean nothing if not brought out and explored by the performers, who both tackled their respective roles with gusto. Gardener, played by Mol, is a very highly spirited individual who is often finding herself in trouble and living loose. Ladd on the other hand, played by Scott, is an English major who is quickly established as a bit more rigid and only able to accurately speak his mind through writing. As their lives develop and life’s many joys and tragedies hit them through the years, both performers brought out their personality shifts and outbursts wonderfully while ensuring they remained true to their original selves.
Although Gardener finds herself weary and lost as her art career fades and addiction rears its ugly head, Mol preserves a hint of the character’s former free-spirited playfulness in her letters. Despite becoming a Senator, traveling abroad, and starting a family, Scott balanced Ladd’s rigid and stiff demeanor with moments of openness in some of Ladd’s longer and more heartfelt letters. With a play so exposed and minimalistic, it lives and dies with its performers, and Mol and Scott certainly gave it life.
“Love Letters” at the Sharon Playhouse was a one night only performance, though “Sylvia”, also by Gurney, is slated for performance at the Playhouse August 29 to Sept 7.