Home is where the heart is

Jon Suters, Dinuk Wijeratne, and Nick Halley. Photo by Jennifer Almquist
Every seat in the Great Hall of the Norfolk Library was full. The audience ranged from toddlers held in their parents’ arms to gray-haired couples eagerly waiting to experience the music of the Dinuk Wijeratne Trio. Percussionist Nick Halley, bassist Jon Suters and Dinuk Wijeratne on piano, spent the next hour dazzling the grateful crowd with original compositions, superb musicianship and stories that wove a theme of “home” throughout the evening.
To award-winning composer, conductor and pianist Wijeratne — who was born in Sri Lanka, raised in Dubai, educated in the UK and at Juilliard, and now lives in Ottawa — home is many places: “Dubai was a melting pot of South Asian and Middle Eastern culture. Simultaneously I was being trained as a Western musician. I heard Mozart’s Piano Concerto No. 21 randomly when I was 12, and then I was hooked. It was my first spiritual experience.”
Wijeratne began the performance by saying: “Home is an ephemeral window in time, and perhaps the bittersweet quality of home is when we suspect that window in time has passed. I wrote this piece, “Homecoming,” in 2015 as a commission for piano and oud for the opening of the Museum of Immigration in Halifax, Nova Scotia. It was also the year I gained my Canadian citizenship.”
Recalling the origins of his composition “Damascene,” which was performed by the trio in the library Nov. 13, Wijeratne smiled: “I had traveled with the great Syrian clarinetist, Kinan Azme. We spent a few magical days in his home city of Damascus. It was a very precious time; it seemed like time had stopped. We have all had that feeling when you are perfectly at home in a new, strange place. Is home a state of mind? Is it the people we love? Or is it purely geography?”
A world-renowned musician, Wijeratne made his Carnegie Hall debut in 2004 playing with Yo-Yo Ma and the Silk Road Ensemble. He has been described by The New York Times as “exuberantly creative”; the Toronto Star called him “an artist who reflects a positive vision of our cultural future”; and the Manitoba Chamber Orchestra referred to him as “a modern polymath.”
Wijeratne has conducted the Calgary Philharmonic and the Qatar Philharmonic in Doha. His work “Two Pop Songs on Antique Poems” won both the 2016 Canadian Juno award for Classical Composition of the Year and the 2016 East Coast Music Award for Classical Composition of the Year.
For percussionist Halley, the performance was a return home. When Norfolk Library director Ann Havemeyer introduced the threesome, she noted that the first time she heard Halley perform in the library, he was 10, singing Beatles songs with Chorus Angelicus, a children’s choir started in 1991 by his Grammy-award winning father, Paul Halley.
Halley smiled and said: “It is meaningful to be back in Norfolk, and to feel the warm embrace of this special community. It is heartening to see so many familiar, gorgeous faces, everyone aging so gracefully. And the fact that they took the time to come and hear us, to support the amazing work that Eileen [Fitzgibbons] and Ann [Havemeyer]and the others at the library are doing makes this sort of homecoming that much more encouraging.”
Fitzgibbons is the events coordinator and children’s librarian for the Norfolk Library, all of whose music and arts programs are funded by The Norfolk Library Associates, which started in 1974.
Halley and his young family now live in Halifax, Nova Scotia: “By the time I got to Halifax, Nova Scotia, in 2008, Dinuk was already ‘Halifamous’ and well on his way nationwide. So I heard a lot about him long before he showed up to a gig of mine. Of course, I was terrified of him at first, but soon discovered what a gentle, magnificent soul he is. Playing-wise, it was love at first sight: of course, being so rhythmically compelling along with everything else, his music is any drummer’s dream, but I think he even liked me right off the bat, too.”
In 2010 the young Halley founded Capella Regalis, a Canadian charity dedicated to training singers, which includes a boys choir, a girls choir, and a professional men’s choir, offering a free music education and performance program for children and young adults in Nova Scotia. In 2012, Halley was awarded the Queen Elizabeth II Diamond Jubilee Medal in recognition of his contribution to Canada and Nova Scotia through the arts. For the 2013-14 season, Halley was the host of CBC’s national radio program, “Choral Concert.”
When asked about his dreams, Halley mused: “In one sense, I’m living my dream with Capella Regalis. I just want to keep building it. We’ve started an endowment, for instance. I would like to take them to England. Bring some coals to Newcastle and such. There is so much music I love within that genre; we will never get through it in my lifetime. I want future generations of kids to continue encountering that world of beauty.”
Suters is as tall as his standing bass. He lives in New Marlborough, Massachusetts, with wife Samantha Halley (Nick Halley’s sister) and their children: “Each of my five children has been encouraged to play music and all of them have some facility with at least a couple of different instruments as well as vocalizing. We have homeschooled them all and music is a big part of our approach.”
Suters plays piano, guitar, string bass, cello, didgeridoo, banjo, mandolin, lute, violin, trombone, saxophone, drum set and percussion, and steel drums.
Suters has taught at Berkshire Country Day School, Indian Mountain School, Salisbury School, and Simon’s Rock of Bard College: “Teaching has enabled me to constantly go back to the fundamentals of music making and demonstrate and talk about them with students. I teach bass guitar, drums/percussion, keyboards, fiddle, brass instruments, and this has helped me to understand the relationships between the different instruments in an ensemble.”
When asked about his musical influences, Suters replied: “I am also a classical guitarist and grew up listening to my virtuoso piano prodigy brother play all the greats, so basically everyone from Bach to Scott Joplin, plus the usual rock influences: Jimi Hendrix, Led Zeppelin, classic jazz greats like Miles and Coltrane and more modern ones like Pat Metheny and Herbie Hancock. Brazilian composers and musicians like Villa Lobos, Garoto, Paulo Bellinati, African artists such as Youssou N’dour, Ali Farka Toure, and Indian musicians such as L Shankar, Talvin Singh, and Shakti.”
Suters has appeared on stage with James Taylor, Taj Mahal, Doctor John, Rickie Lee Jones, Martin Sexton, Madeleine Peyroux, Eugene Friesen, Paul Halley, Ed Mann (Frank Zappa) and Charles Neville of the Neville Brothers.
One evocative composition, “Chloe” by Wijeratne, is based on Italo Calvino’s book “Invisible Cities.” The composer illuminated the ideas behind the music: “Chloe reads like some bustling street scene, full of shady characters. There are twins wearing coral jewelry, a blind man with a cheetah on a leash — all very odd scenes. They don’t speak. When I read that the city of Chloe ‘has a voluptuous vibration to it,’ I knew I had to write this piece. Calvino wrote, “‘f everyone acted on their impulses, the carousel that is Chloe would come to a stop.’”
In each piece, the music flowed into the room like ocean waves, rhythmic and soothing, Wijeratne played piano with crystalline precision and emotion, the bass of Suters poured through the notes like honey. Halley’s wild percussions, played mostly with his fingers on drum kit, frame drums bendhir and riq specifically — “and the odd bells and whistles, doctoring up the kit with old shirts and weird stuff like that,” laughed Halley — provided the structure beneath the music. Playing together, the three musicians created an instinctual harmony in a language unspoken.
Composer and philosopher Wijeratne explained the spiritual origin of each of his compositions. “Lebanese/American Poet Kahlil Gibran, in a poem called ‘Upon Houses’ from his book ‘The Prophet’ describes the home not as an anchor, but as the mast of a ship. At first the home is a place for consolation, safety and comfort. Thereafter, home becomes the beginning of a journey of curious exploration. I find that to be a beautiful sentiment, so I wrote this piece I call, ‘Whose Windows are Songs and Silences.’”
The trio’s final piece ended with an immediate standing ovation. Half-asleep children and their parents and grandparents were clapping; the players held hands and bowed deeply. Fitzgibbons, who organized the event, felt the concert “was an exciting evening full of complex chords and improvisations... wrapped around with old friends and new.”
The combination of global musical traditions, jazz improvisation, poetry and literary influences, musicians at the top of their game, and the warm “welcome home” from the Norfolk community created an evening no one will easily forget.
Long-term town employees were recognized at the Town Board meeting on Thursday, June 12. Honorees pictured with Town Supervisor Leo Blackman, were Judy Carlson, Office Manager at the Town Garage, center, for her 35 years of service to the town and Megan Chamberlin, current Highway Superintendent, for 20 years.
AMENIA — Acknowledging the many years of service accumulated by town employees, the Town Board paused to honor that service at its meeting on Thursday, June 12.
“Thank you for making a difference,” said Town Supervisor Leo Blackman in recognizing Judy Carlson, Office Manager at the town garage, for her 35 years of service.
“Megan’s job is not an easy one,” Blackman said, honoring Megan Chamberlin, current Highway Superintendent who has served the town for 20 years.
Also among those honored was Town Clerk Dawn Marie Klingner for 20 years of service as Court Clerk.
Maureen Moore, Court Clerk, was also honored in absentia for her 20 years of town service.
In anticipation of the celebration of the 250th anniversary of the start of the American Revolution in 2026, new historic markers are appearing at each of the local cemeteries where Revolutionary War veterans are buried. Unveiling the new marker at Amenia Union Cemetery on Saturday, June 21, were left to right, Town Historian Betsy Strauss, Jim Middlebrook representing the regional chapter of the Sons of the American Revolution, and Gail Seymour, President of the Union Cemetery Association.
AMENIA — One by one, new historic markers are appearing at local cemeteries where Revolutionary War dead are buried. On Saturday, June 21, community members gathered to see a new marker unveiled at Amenia Union Cemetery on Leedsville Road.
A tent provided welcome shade for the attendees and refreshments as about 30 residents gathered for the unveiling and to share stories of local history with one another.
As with the first historic market installation at the Old Amenia Burying Ground, held in April, Amenia Union Cemetery graves of Revolutionary War veterans had been marked with American flags in advance.
Jim Middlebrook, representing the Columbia Mid-Hudson chapter of the Sons of the American Revolution, attended along with other members of his chapter. Speaking before the unveiling, Middlebrook said that the historic marker project had begun in August 2024, and included a detailed process to certify the names on the graves.
Middlebrook described the work of the William C. Pomeroy Foundation of Syracuse whose mission is to promote “pride of place” by providing grants in support of installing historic markers and plaques nationwide to honor patriots for their service. Active now in seven or eight states, Middlebrook said, the foundation will soon add Connecticut and Massachusetts to the list.
The new Amenia Union marker honors “at least five veterans of the American Revolution interred between 1787 and 1810,” although Town Historian Betsy Strauss lists six veterans buried in the cemetery. The sixth, Gerhard Winegar, whose burial had been in 1781 could not fully satisfy the certification standards.
Strauss provided the following listing of six names:
Col. Colbe Chamberlain, 1739-1796
Capt. William Chamberlain, 1745-1810
Lieut. Samuel Snyder, 1712-1808
Gerhard Winegar, 1750-1781
Ensign Henry Winegar, 1723-1787
Capt. William Young, 1747-1806
Bee Bee the clown, face painters and a community wide scavenger hunt are among the activities planned for the Millerton Street Fair in Downtown Millerton on Saturday, June 28.
MILLERTON — The Millerton News, in partnership with the North East Community Center (NECC) and the Millerton Business Alliance, is hosting its first Street Fair on Saturday in a celebration of the town.
Rain or shine from 10 a.m. to 2 p.m, the fair will bring together local nonprofits and businesses, with live music, entertainment, kids’ activities, local eats, and family fun in Veterans Park, in front of the Millerton Inn, and beyond.
“The Millerton Street Fair will celebrate everything we love about this community — its spirit, its dedication to service and its creative energy,” said James Clark, publisher and CEO of The Millerton News.
Local nonprofits will showcase their work and impact, including Climate Smart Millerton, Eddie Collins Memorial Park, North East Historical Society, Townscape, Tri-Corner FEED, Village of Millerton, and the Webutuck Elementary School.Participating businesses include Bes, Little Red Bird Studio, NBT, The Elephant’s Tusk, and many more.Local retail and dining establishments will be open with special promotions. NECC’s Farmer’s Market will run during the event.
Among the planned festivities are live music from John Stey and the Resilience Brass Band, performances from Bee Bee the Clown, face painting by students from Webutuck High School, and a community-wide scavenger hunt for kids.Other kids’ activities include egg and spoon races, and a “touch-a-truck” open house at the firehouse.The Irondale Schoolhouse will be hosting a special exhibit, and the North East-Millerton Library will be offering signups for the Summer Reading Program, a science show from 11 a.m. to 12 p.m., lawn games, and a cookie cook-off.
For more information, go to millertonnews.com/street-fair.
The Nine Partners Road Quaker Meetinghouse, built in 1780, will be the site of two summer lectures sponsored by the Millbrook Historical Society.
MILLBROOK — Long in the planning, the Millbrook Historical Society has announced that it is sponsoring two lectures in observance of the 250th anniversary of the American Revolution. Both lectures relating to Quaker history are to be held in the historic Quaker Meeting House on Nine Partners Road.
For the first talk, scheduled for Sunday, June 29, at 2 p.m., the historical society has invited Sarah Gronningsater, Professor of History at the University of Pennsylvania, to talk on “Quakers, Anti-slavery, and the American Revolution.” The topic will explore the role that New York’s Quakers, especially in the Hudson Valley, played in the rise of the anti-slavery movement that followed the American Revolution.
The second talk, scheduled for Sunday, July 27, at 2 p.m., invites Carl Lounsbury of the College of William and Mary and Colonial Williamsburg to speak on the architecture of the Nine Partners Meetinghouse. His talk is titled, “Nine Partners Meetinghouse Plan: A New Form in the Hudson Valley.” Expert in early American architecture, Lounsbury’s talk will compare Nine Partners with other later houses of worship in New York and New England.
Both lecture events will be held at the 1780 brick Nine Partners Quaker Meetinghouse in Millbrook. An earlier meetinghouse on the site had burned. The building has remained largely unchanged since the 18th century.
Given the age of the structure, handicapped access is limited and there are no rest room facilities.
Visitors should enter through the cemetery gate entrance.
The lectures are free and open to all, supported by a grant from the county and offered as part of Dutchess County’s participation in the nation’s 250th anniversary commemoration.