The Apocalypse Is Good For You

The Apocalypse Is Good For You

Why are we drawn to post-apocalypse stories? One theory is that shows of social chaos and survival prepare us better for the fearful time we live in and that fans of such stories are better able to cope with anxiety.

So turn off the news, cut down on your meds and watch these two very different and exceptional shows.

‘Station Eleven’

Fans of “The Leftovers,” in which 2% of the world’s population disappears, will appreciate this new HBO miniseries, in which almost everyone is killed by a flu that “explodes like a neutron bomb over the surface of the earth.” Patrick Somerville created both, this one based on a 2014 novel by Emily St. John Mandel.

The story opens with Jeevan, an EMT trainee, rescuing Kirsten, a child actress, and taking her to his brother’s apartment high over the city of Chicago, where they seal themselves off from infection and the collapse of the city. Himash Patel plays Jeevan, and Matilda Lawler plays Kirsten, in one of the finest performances I’ve seen by a child actor.

Then the action moves forward 20 years, where an older Kirsten (Mackenzie Davis) leads a troupe of actors who travel among survivor settlements to perform Shakespeare.

Along the way you’ll be rewarded with some stunning and unforgettable passages, such as episode five, where a settlement of survivors in an airport terminal watches the arrival of a flight of sick passengers; will they disembark? Or episode nine, when Jeevan is attacked by a wolf and ends up assisting in a rough and improvised birthing center.

“Station Eleven” received rapturous reviews; I don’t disagree, but you will have to pay close attention as the story jumps among three time periods. There are some disturbing scenes, but you’ll see more Shakespeare than violence, maybe too much for someone like me with thriller genes. Be assured that the emphasis is not on the pandemic, but on a rebirth of art and the bonds that connect the survivors.

Stream on HBO Max.

‘Wall-E’

As a one-time science fiction editor, I’m occasionally asked for my favorite sci-fi movies. Some are surprised when I mention “Wall-E” in the same breath as “2001: A Space Odyssey” or “Blade Runner.” The animation wizards at Pixar have made many memorable films, but this is their most ambitious and original and in my view the best.

Hundreds of years into the future, our environmental recklessness has turned Earth into a giant trash heap. Wall-E is a garbage bot who tidies up his tiny corner of the planet during the day and at night inserts a tape into a dusty Betamax and watches “Hello, Dolly.” He has cute binocular eyes and is quite huggable, but there’s no one to hug him except for his sidekick, a cockroach. One day a probe bot named Eve lands in search of life. She’s been sent from the huge starship where humans have escaped into an orgy of luxury.  The two bots have a magnetic attraction, and when Eve returns to the ship, Wall-E hitches a ride; much action ensues.

I love many things about “Wall-E.” It’s an almost Chaplinesque silent film with little dialogue.  It’s a charming love story. Although Earth is a grim and desolate mess, the ending offers hope for its future. Its only human star is my favorite character actor (and an old personal friend) Fred Willard. And the music is playful fun: from “Put on Your Sunday Clothes” to Louis Armstrong’s “La Vie en Rose” — to Strauss’s “Thus Spake Zarathustra,” in a nod to Kubrick and one of the great openings in film history. I guarantee 97 enjoyable minutes for the entire family. Don’t skip the end credits.

Stream on Disney; rent on Amazon, YouTube.

Latest News

Juneteenth and Mumbet’s legacy

Sheffield resident, singer Wanda Houston will play Mumbet in "1781" on June 19 at 7 p.m. at The Center on Main, Falls Village.

Jeffery Serratt

In August of 1781, after spending thirty years as an enslaved woman in the household of Colonel John Ashley in Sheffield, Massachusetts, Elizabeth Freeman, also known as Mumbet, was the first enslaved person to sue for her freedom in court. At the time of her trial there were 5,000 enslaved people in the state. MumBet’s legal victory set a precedent for the abolition of slavery in Massachusetts in 1790, the first in the nation. She took the name Elizabeth Freeman.

Local playwrights Lonnie Anderson and Linda Rossi will tell her story in a staged reading of “1781” to celebrate Juneteenth, ay 7 p.m. at The Center on Main in Falls Village, Connecticut.Singer Wanda Houston will play MumBet, joined by actors Chantell McCulloch, Tarik Shah, Kim Canning, Sherie Berk, Howard Platt, Gloria Parker and Ruby Cameron Miller. Musical composer Donald Sosin added, “MumBet is an American hero whose story deserves to be known much more widely.”

Keep ReadingShow less
A sweet collaboration with students in Torrington

The new mural painted by students at Saint John Paul The Great Academy in Torrington, Connecticut.

Photo by Kristy Barto, owner of The Nutmeg Fudge Company

Thanks to a unique collaboration between The Nutmeg Fudge Company, local artist Gerald Incandela, and Saint John Paul The Great Academy in Torrington, Connecticut a mural — designed and painted entirely by students — now graces the interior of the fudge company.

The Nutmeg Fudge Company owner Kristy Barto was looking to brighten her party space with a mural that celebrated both old and new Torrington. She worked with school board member Susan Cook and Incandela to reach out to the Academy’s art teacher, Rachael Martinelli.

Keep ReadingShow less
In the company of artists

Curator Henry Klimowicz, left, with artists Brigitta Varadi and Amy Podmore at The Re Institute

Aida Laleian

For anyone who wants a deeper glimpse into how art comes about, an on-site artist talk is a rich experience worth the trip.On Saturday, June 14, Henry Klimowicz’s cavernous Re Institute — a vast, converted 1960’s barn north of Millerton — hosted Amy Podmore and Brigitta Varadi, who elucidated their process to a small but engaged crowd amid the installation of sculptures and two remarkable videos.

Though they were all there at different times, a common thread among Klimowicz, Podmore and Varadi is their experience of New Hampshire’s famed MacDowell Colony. The silence, the safety of being able to walk in the woods at night, and the camaraderie of other working artists are precious goads to hardworking creativity. For his part, for fifteen years, Klimowicz has promoted community among thousands of participating artists, in the hope that the pairs or groups he shows together will always be linked. “To be an artist,” he stressed, “is to be among other artists.”

Keep ReadingShow less