‘Stranger Things’ And the Return Of Kate Bush’s ‘Running up that Hill’

Three horrified kids cower in a graveyard, as their redheaded friend is jolted upward in the air, ragged with terror.
This is a scene from the fourth season of the Netflix production “Stranger Things.” The teen horror hit is the number one English-language program on Netflix. Each episode averaged $30 million to produce. And it’s had a radical impact on the public; for instance, its emphasis on Dungeons & Dragons (D&D) has contributed to the board game’s newly popular presence.
“Stranger Things” started with four best friends fighting otherworldly horrors in their small-town home of Hawkins, Ind., in the 1970s. Now, the group of youngsters has grown to a team of 13, navigating the ’80s and battling the same sci-fi freaks — specifically, the supernatural foes originate from the Upside Down, a twisted parallel world.
In the season three finale, Max (the floating redhead mentioned above) witnessed her half-brother, Billy, die in a fight scene.
In season four, Max and her pals are freshmen, rattled from their past in the Upside Down and nervous about confronting the banal trials of high school.
It is Max who suffers the most. She plugs herself into headphones, isolates herself from her friends, and settles into headaches and nightmares that keep her from being able to come to grips with Billy’s death.
When teens in Hawkins suddenly start having visions of trauma and are then possessed by uncanny forces that hang them in the air, with their limbs at impossible angles, Max knows she’s next.
Working to stop the scourge, Max’s friends discover a solution. Music, they learn, reaches parts of the brain that words alone can not.
Max’s friend Lucas fastens headphones to her ears as she floats in the air, possessed by a monster from the Upside Down. Kate Bush’s popular 1985 song, “Running up That Hill (Deal with God),” helps her remember moments with her friends. She runs to freedom as Bush sings, “I’d be running up that road, I’d be running up that hill, I’d be running up that building.”
Like D&D, the series has made a new hit of Bush’s song. Although a cult favorite in its day, it never topped number 30 on the Billboard Hot 100. After it was featured on “Stranger Things,” the song returned to the Billboard charts at number 8, and was number 1 on the iTunes chart, thanks to the show’s huge audience.
The song also reflects the show’s focus on true loyalty. Bush sings, “If I only could, I’d make a deal with God, and I’d get him to swap our places.” This group of friends risks life and loss for each other.
Perhaps part of the reason for this series’ enormous popularity is that the plot builds allusions to other beloved works of science fiction.
As teens battle grotesque creatures that even grownups in lab coats can’t destroy, there are references to “The Lord of the Rings” and multiple Stephen King classics, like “Carrie” and “It.”
There might even be a nod to the Neal Stephenson novel “Snow Crash.” One of the “Stranger Things” friends, Argyle, works at Surfer Boy Pizza, which delivers fresh pies in a strict 30 minutes. Stephenson’s hero does the same; it’s how the action in the novel starts.
Besides calling to triumphs of science fiction, the season is winning in other places.
There’s a new character, Eddie, proving to be popular because of his bad-boy cover. Underneath, he cradles a sensitive love for guitar music.
Steve and Nancy’s recent flirtation is also stirring the “Stranger Things” fanbase. It’s hinting at a provocative love triangle between the two and another teen, Jonathan.
Besides the graveyard with Max’s stint in floating possession, there are other creative scenes in the recent season making it an engrossing watch. The characters’ adventures take place in the haunted Creel family home, the hideout lake shack, and Russia.
Will’s interest in painting is also far from a slight hobby. His rolled-up painting that he carries through episodes is frustratingly mysterious — until the conclusion of the show.
And speaking of the conclusion, there’s more in store. Brothers Matt and Ross Duffer, who created “Stranger Things,” are expanding the universe. The seven episodes of season four, volume one, clock in at 9 hours and 7 minutes.
And volume two, which was released on July 1, has one episode (number 9) that lasts two hours and 30 minutes.
“Stranger Things” is available on Netflix.
This is a developing story. Updates will be made as more information becomes available.
MILLERTON — Northern Dutchess Paramedics, the private emergency medical service provider contracted by North East, Amenia and Dover, is set to be acquired by Empress EMS, Town Supervisor Chris Kennan said at a special workshop meeting of the town board on Tuesday evening, Aug. 26.
Kennan shared what he called “breaking news” shortly after calling the meeting to order.
“We just learned that Northern Dutchess Paramedics has entered into a sales agreement with Empress, which serves most of Dutchess County,” he announced at the start of the meeting, which was originally scheduled to fine-tune zoning language for the town's commercial district.
Empress EMS is part of PatientCare EMS Solutions, a provider of emergency medical services that operates throughout the country under several brands, including Sunstar Paramedics, Med Fleet Ambulance, FleetPlus and School of EMS. PatientCare is owned by A+M Capital Partners, a private equity firm based in Greenwich, Connecticut, which provides the company with financial backing and corporate oversight.
Kennan said he received a call from NDP owner Ed Murray with the news on Friday.
In a phone call with The News on Wednesday morning, Aug. 27, NDP Chief Operating Officer Mark Browne confirmed that while the acquisition “is on-schedule to happen,” the paperwork is not yet final.
While a potential shift in ownership could bring a variety of changes to North East and Millerton, including EMS response time, cost and the health and safety of the community, Supervisor Kennan said he received a verbal indication that Empress would honor the town’s existing contract with NDP, which was renewed for three years in December.
In 2025, the town is paying $511,558 for contracted services with NDP and the cost is expected to increase to $746,345 by 2027.
“In the short term, we should not be impacted by this change,” Kennan said. He added that the current contract with NDP has a stipulation that any new owner must honor the existing contract.
The news comes after Kennan and other towns have criticized the high costs of emergency medical services, which makes up a sizable chunk of the town’s budget and burdens taxpayers. Along with the Association of Towns, Kennan has urged New York Governor Kathy Hochul to sign a bill that has passed in the Senate and the Assembly and would exempt EMS services from the state’s property tax cap, giving local governments more flexibility to manage costs and sustain their EMS programs.
The bill would allow municipalities to better respond to EMS price hikes in their budgets, but it otherwise does not address those rising costs or poorer-than-typical service in rural communities like North East, Amenia and Dover.
Based in Yonkers, Empress EMS has a hub in Poughkeepsie and operates in Dutchess, Westchester, Rockland, Ulster, Putnam, Sullivan and Orange counties, as well as the Bronx. The company’s acquisition of NDP marks its continued expansion north – in 2021 Empress purchased EMStar and Mobile Life, pushing its way deeper into the Hudson Valley.
In January, Dutchess County Executive Sue Serino announced that Empress won the bid to become the primary provider of supplemental EMS services, a move made by the county in an effort to address long wait times for 911 calls. While successful in more densely populated areas, rural areas like North East, Amenia and Dover saw no visits from the supplemental services in quarter two of 2025.
According to the 2025 second quarter EMS report published by Dutchess County, all but one town in the county is serviced by either NDP or Empress. The merger would make Empress the sole EMS provider in the county except for the City of Beacon.
While there is no confirmed timeframe for the transition of ownership, Kennan said NDP owner Ed Murray indicated it was “moving quickly.”
While playing outside in the early post-pandemic days, Berkshire Busk! founder Eugene Carr had an epiphany: why not expand the idea of performing on the street (aka busking)into a full-fledged festival in Great Barrington?
As an entrepreneur and cellist, Carr envisioned a well-organized jamboree featuring regional talent, including musicians, acrobats, storytellers, fire-eaters, and more. He formed a team, connected with local businesses and the town of Great Barrington, and launched Berkshire Busk! in 2021. Since then, Berkshire Busk! has grown into a summer staple for Great Barrington.
In the summer of 2024, over 25,000 people experienced Berkshire Busk!. The festival is free to the public, provides a big boost to local businesses, and spectators can tip performers.
Busking takes place all over the world, either organized by individual performers or via busking festivals. Artists like The Roots, Tracy Chapman, Phoebe Bridgers, and Old Crow Medicine Show have all cut their teeth performing on the street.
General Manager Carli Scolforo is a Berkshire native with a love of music and writing. She can often be seen roaming the streets of Great Barrington, making sure everything’s in order, and serves as the festival’s face on social media.
“This year is the fifth anniversary of Berkshire Busk!, and it’s been an amazing summer,” said Scolforo. “We were able to welcome back a lot of our favorite performers, and bring in some new experiences as well. After getting rained out last year, we were able to host our first outdoor movie night in partnership with The Triplex Cinema and the Boondocks Film Society.”
Scolforo added, “This summer, we also introduced our first Open Mic Night, hosted by local recording artist and music producer Jackson Whalan. We were really pleased with the turnout of talent. The sheer amount of talent that’s hidden within an hour or so drive of Great Barrington always astounds us.”
Local businesses sponsor various busking spots, like the Berkshire Money Management Stage in the parking lot between the Triplex Cinema and Mama Lo’s BBQ. Typically, buskers bring their own amplification, while there are few spots — such as Berkshire Mountain Distillery in Sheffield — provide power.
Berkshire Busk! will end its season with a fireworks display on its last night on Saturday, Aug. 30.
Berkshire Busk! is endorsed by the Select Board of the Town of Great Barrington and is entirely supported by sponsorship fees from companies and organizations, as well as philanthropic donations from granting organizations, individuals and the Town of Great Barrington.
It operates under a fiscal sponsorship agreement with the Nonprofit Center of the Berkshires and participates in Mass Cultural Council’s Card to Culture program — in collaboration with the Department of Transitional Assistance, the Department of Public Health’s WIC Nutrition Program, the Massachusetts Health Connector, and hundreds of organizations — by making cultural programming accessible to those for whom cost is a participation barrier.
For more information, visit: berkshirebusk.com
What if the dog onstage was played by a person? That’s the delightful twist in A.R. Gurney’s “Sylvia,” opening at the Sharon Playhouse on Aug. 29. In this clever and heartfelt comedy, the title character — a stray pup who disrupts the lives of a married couple — is portrayed not in costume but by an actor who brings insight, charm, and chaos to the role.
Stepping into Sylvia’s paws is Jen Cody, who is returning to the Sharon Playhouse in a starring role for her third year in a row, ready to bring this spirited dog to life. She’s joined by Jonathan Walker as Greg, the middle-aged man smitten with his new four-legged friend, and Jennifer Van Dyck as Kate, his wife, whose patience and identity are tested by Sylvia’s sudden presence in their home.
Directed by Colin Hanlon, this production balances elements of comedy and emotional depth. Gurney’s script may be filled with laughs but at its core, “Sylvia” explores loyalty, companionship, and how love sometimes arrives in unexpected forms. The play premiered Off-Broadway in 1995 and has since become an audience favorite for its wit, warmth, and originality.
Rounding out the cast is Sienna Brann, taking on a trio of roles that highlight the play’s comic versatility. The design team includes Christopher and Justin Swader (scenic), Kathleen DeAngelis (costumes), Bobbie Zlotnik (wigs), Wheeler Moon (lighting), and Graham Stone (sound), ensuring the story is grounded in a fully realized world, albeit one occasionally seen from a dog’s point of view.
Performances run through Sept. 7 at the Sharon Playhouse. For tickets and more information, visit sharonplayhouse.org.