Thank you!
Your support is sustaining the future of local news in our communities.

‘The Time Traveler’s Wife’ Offers Different Versions of a Love Story And Its Lovers

Who sets the course when it comes to love? Do we truly have a choice in the people we fall in love with, or do forces beyond our means dictate where our hearts go?

These are the kinds of questions asked of readers through Audrey Niffenegger’s 2003 bestselling debut, “The Time Traveler’s Wife.” The novel offers a love story as sensational as it is untraditional. When art student Clare Abshire has a chance encounter with librarian Henry DeTamble, she’s thrilled to reconnect with the man she’s known since she was six years old; for Henry, it’s his first time meeting her. Diagnosed with a genetic abnormality called Chrono-Displacement Disorder, Henry is prone to slipping in and out of time against his will, frequently revisiting his past and connecting with his future wife throughout her childhood. Cherishing their moments of happiness and enduring the heartache and hardships of their unusual life, Clare and Henry strive to live as a normal married couple, while knowing their life can never be normal.

Niffenegger’s novel was adapted into a 2009 film starring Rachel McAdams and Eric Bana as Clare and Henry. Just this past May, the novel received a second adaptation as an HBO series starring Rose Leslie and Theo James. Sadly, the show’s viewers will only get to see half the story as “The Time Traveler’s Wife” was cancelled after one season.

Having reread sections of the book to prepare myself for watching its adaptations, I found the enchantment the story placed on me seven years ago was still intact. Today, I’d recommend the book as “an investment read,” not only because of the altering shifts in the lovers’ timelines but because it’s a story of love despite time and deserves the reader’s undivided attention.

While both adaptations succeeded in portraying the unpredictable nature of time travel, I couldn’t help comparing the distinct versions of Henry and Clare as portrayed in film and on TV. McAdams aced Clare’s unshakable devotion to her husband: Through her performance, I was brought to tears watching Clare’s heartache in carrying out a relationship that requires more waiting for someone than being with them. Rose Leslie, in the HBO version, channeled a fierce and frustrated Clare that, despite her passion for Henry, wonders whether it’s too late to change the future. In the video diaries she creates to document her love story, Leslie’s Clare evokes amusement in being married to a time traveler and weariness in loving someone who is frequently sent slipping through time — and leaving her behind.

Even with the multiple versions of Henry offered in the novel, my expectations of his portrayal were high. Bana’s Henry sparked my interest within minutes of the film beginning; while Theo James’ Henry convinced me only after the third episode. Whereas I envisioned Henry as a gallant gentleman, James’ Henry seemed more focused on survival. Where James was pragmatic and often brash, Bana was gentler,both with himself and in his interactions with his wife as a child.

Though I’ll admit the film adaptation followed the novel more closely (and chronologically), I can respect the artistic choices made in the series, which brought certain details to light to alert viewers of what’s to come.

Watching “The Time Traveler’s Wife” in 2022, I’ve noticed viewers have looked upon the story with unfavorable eyes, claiming that, in visiting his wife between ages 6 and 18, Henry was grooming her. And while I can’t deny the logic in this theory, still I ask what the protocol is for meeting your future spouse.

Another question I’ve heard is which person shaped the groundwork for the love story. Doesit start when Clare reconnects with Henry, or when Henry travels back to Clare’s childhood?

If these questions intrigue you, do as I did and visit all three versions.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.