It’s hard to find the correct word to use when describing Otto Penzler’s relation to America’s greatest mystery novels and thrillers.
The first expression that pops into my mind is “the god of …” but that would probably make him roll his eyes. So maybe “impresario” works better, even if it doesn’t fully capture his importance and the reverence with which his name is treated, especially among voracious fans of crime fiction, and especially among such fans who have lived in New York City and shopped at Penzler’s Mysterious Bookshop in SoHo.
To continue the religious theme, the bookstore is the temple over which Penzler presides. From it (and his love of and encyclopedic knowledge of the genre) grew the Mysterious Press, which publishes detective fiction (including 20th-century American icons such as Donald Westlake, James Ellroy and Ed McBain).
Anyone looking for the perfect holiday gift for a mystery fan need only search for Otto Penzler anthologies online; there is even a collection called, “The Big Book of Christmas Mysteries.” I know, because I own a copy.
Although he mostly lives in New York City, Penzler is also frequently up here at the house in Kent, Conn., that he built in the 1980s (with a giant library that at one point housed 60,000 books — he auctioned most of them off a year ago).
Sadly, when he is up here in Litchfield County, Penzler says he is usually at home, reading manuscripts and sifting through wonderful tales that are worthy of inclusion in an anthology.
So you’re unlikely to fulfill your dream (well, my personal dream) of finding him alone at a coffee shop and plonking down to discuss your favorite mystery tales.
However, a rare opportunity to meet Penzler in person is coming up this weekend when he interviews mystery author Gregory Galloway in a live and Zoom event on Saturday, Nov. 13, at 6 p.m.
Galloway, a resident of Cornwall, Conn., is a relative newcomer to crime fiction, with three novels including the brand new “Just Thieves,” which starts off with the memorable line: “We didn’t know how it happened, but when we woke up there was a dead horse in the street in front of the hotel.” And, as they say, from there you’re off to the races (but no, this is not a racehorse-themed Dick Francis tale).
Galloway’s writing has been described as a combination of George V. Higgins, Patricia Highsmith and David Mamet. I found “Just Thieves” to have a strong feeling of Georges Simenon and especially his Inspector Maigret police procedurals. These are stories that are less about explosions and chase scenes and more about psychology and worldview — told in this novel by the two thieves for whom the book is named.
Does Otto Penzler think Galloway is destined to join the ranks of America’s greatest mystery writers? I guess I’ll find out when I join the Zoom on Saturday.
For those who want to come in person, this will be the final opportunity to spend time in the cozy little boutique that has been home to the House of Books on Main Street in Kent for the past couple years, while extensive renovations were done to the (actual) home of House of Books. The date of the Grand Opening and Big Reveal for the return to 10 North Main in Kent was just announced: It will be Saturday, Nov. 27, just in time for holiday book shopping.
To reserve a space for the in-person conversation between OttoPenzler and Gregory Galloway, or to sign up for the Zoom (and to get details on the return to 10 North Main), go to https://houseofbooksct.com.
One of the entries in this year’s Community Day Scarecrow Contest, Ichabod Hiccup, at left, seems to be particularly enjoying the solo performance of Wil Greenstreet, whose strolling pop-up saxophone performances delighted visitors to the village on Saturday, Sept. 20. For more photos, turn to Page A8.
A popular feature of the Millbrook Library lawn area was a carpet of children’s books being given away for free. Appealing to little Julien Gulbrandsen, 3, of Pleasant Valley was the story of a pancake, being read by her mother Lauren Gulbrandsen. It is likely that the little book went home with them.Photo by Leila Hawken
Family fun and community were the order of the long-planned Community Day, on Saturday, Sept. 20, as village turned out to welcome visitors from throughout the region for a day of activities, contests, parades, displays, sales and the joy of being together.Photo by Leila Hawken
Top row, left to right, Caroline Kinsolving, Christopher McLinden, Dana Domenick, Reid Sinclair and Director Hunter Foster. Bottom row, left to right, Will Nash Broyles, Dick Terhune, Sandy York and Ricky Oliver in Agatha Christie’s “The Mousetrap.”
Opening on Sept. 26, Agatha Christie’s legendary whodunit “The Mousetrap” brings suspense and intrigue to the Sharon Playhouse stage, as the theater wraps up its 2025 Mainstage Season with a bold new take on the world’s longest-running play.
Running from Sept. 26 to Oct. 5, “The Mousetrap” marks another milestone for the award-winning regional theater, bringing together an ensemble of exceptional local talent under the direction of Broadway’s Hunter Foster, who also directed last season’s production of “Rock of Ages." With a career that spans stage and screen, Foster brings a fresh and suspense-filled staging to Christie’s classic.
The Playhouse’s casting includes Dana Domenick of Falls Village who leads the cast as Mollie Ralston, the newlywed innkeeper with a secret. Reid Sinclair of Norfolk plays Giles, her husband and partner in hospitality — and maybe in something more sinister. Will Nash Broyles from Lakeville plays the eccentric and enigmatic Christopher Wren, and Sandy York of Sharon will play the role of the imperious Mrs. Boyle. Dick Terhune (Litchfield), Caroline Kinsolving (Salisbury), Ricky Oliver (Pawling), and Christopher McLinden (also Lakeville) round out the cast as the play’s increasingly suspicious guests — and one very determined detective.
As always, Sharon Playhouse has gathered a top-tier creative team to match its cast. The Swader brothers (Christopher and Justin) return with their signature scenic designs, while Kathleen DeAngelis’s costumes and Bobbie Zlotnik’s wigs promise to anchor us firmly in postwar England, even as the plot spirals into timeless psychological suspense. Lighting by Wheeler Moon and sound design by Graham Stone will help turn the cozy theater into a stage crackling with tension.
If you’ve never seen “The Mousetrap,” here’s what you need to know: it’s the murder mystery that truly defined the genre. Premiering in London’s West End in 1952 and still running strong over 30,000 performances later, Christie’s ingenious puzzle unfolds in a snowbound manor house where everyone has something to hide, and no one is safe from suspicion. Its final twist is famously kept secret by audiences — a tradition of theatrical discretion that only deepens the sense of shared experience.
“The enduring success of ‘The Mousetrap’ lies in its suspense, yes, but also in its structure,” said the Playhouse’s Artistic Director Carl Andress. “It’s a masterclass in storytelling. And with Hunter Foster leading this incredible cast of local artists, we know our audiences are in for an evening of mystery, laughter, and yes, plenty of gasps.”
Tickets are available now at SharonPlayhouse.org.
