It’s hard to find the correct word to use when describing Otto Penzler’s relation to America’s greatest mystery novels and thrillers.
The first expression that pops into my mind is “the god of …” but that would probably make him roll his eyes. So maybe “impresario” works better, even if it doesn’t fully capture his importance and the reverence with which his name is treated, especially among voracious fans of crime fiction, and especially among such fans who have lived in New York City and shopped at Penzler’s Mysterious Bookshop in SoHo.
To continue the religious theme, the bookstore is the temple over which Penzler presides. From it (and his love of and encyclopedic knowledge of the genre) grew the Mysterious Press, which publishes detective fiction (including 20th-century American icons such as Donald Westlake, James Ellroy and Ed McBain).
Anyone looking for the perfect holiday gift for a mystery fan need only search for Otto Penzler anthologies online; there is even a collection called, “The Big Book of Christmas Mysteries.” I know, because I own a copy.
Although he mostly lives in New York City, Penzler is also frequently up here at the house in Kent, Conn., that he built in the 1980s (with a giant library that at one point housed 60,000 books — he auctioned most of them off a year ago).
Sadly, when he is up here in Litchfield County, Penzler says he is usually at home, reading manuscripts and sifting through wonderful tales that are worthy of inclusion in an anthology.
So you’re unlikely to fulfill your dream (well, my personal dream) of finding him alone at a coffee shop and plonking down to discuss your favorite mystery tales.
However, a rare opportunity to meet Penzler in person is coming up this weekend when he interviews mystery author Gregory Galloway in a live and Zoom event on Saturday, Nov. 13, at 6 p.m.
Galloway, a resident of Cornwall, Conn., is a relative newcomer to crime fiction, with three novels including the brand new “Just Thieves,” which starts off with the memorable line: “We didn’t know how it happened, but when we woke up there was a dead horse in the street in front of the hotel.” And, as they say, from there you’re off to the races (but no, this is not a racehorse-themed Dick Francis tale).
Galloway’s writing has been described as a combination of George V. Higgins, Patricia Highsmith and David Mamet. I found “Just Thieves” to have a strong feeling of Georges Simenon and especially his Inspector Maigret police procedurals. These are stories that are less about explosions and chase scenes and more about psychology and worldview — told in this novel by the two thieves for whom the book is named.
Does Otto Penzler think Galloway is destined to join the ranks of America’s greatest mystery writers? I guess I’ll find out when I join the Zoom on Saturday.
For those who want to come in person, this will be the final opportunity to spend time in the cozy little boutique that has been home to the House of Books on Main Street in Kent for the past couple years, while extensive renovations were done to the (actual) home of House of Books. The date of the Grand Opening and Big Reveal for the return to 10 North Main in Kent was just announced: It will be Saturday, Nov. 27, just in time for holiday book shopping.
To reserve a space for the in-person conversation between OttoPenzler and Gregory Galloway, or to sign up for the Zoom (and to get details on the return to 10 North Main), go to https://houseofbooksct.com.
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On Thursday, Oct. 30, from 5:30 to 7 p.m., the Norfolk Library will host a free public screening of “Tiananmen Tonight,” a film by Bestor Cram and Michael Streissguth about the 1989 student uprising in China and the daring coverage by Dan Rather and CBS. Director Cram will introduce the film.
A documentary filmmaker whose life was forged in the fire of Vietnam, where he served as a Marine, Cram earned the Navy Commendation Medal. He returned home to become a conscientious objector and leader of Vietnam Veterans Against the War. After working in the MIT Film Studies Program, he founded Northern Light Productions in Boston, producing media for museums, and has made more than 30 feature documentary films.
His credits include the 1995 Academy Award-winning documentary “Maya Lin: A Strong Clear Vision,” as well as “After Innocence and Wrestling with Angels: Playwright Tony Kushner.” His film “Unfinished Symphony,” premiered at the 2001 Sundance Film Festival.
JA: When did you begin telling stories?
BC: I began my filmmaking adventure as an organizer for Vietnam Veterans Against the War. I arranged for a group of filmmakers to document our march, which followed the ride of Paul Revere in reverse, a warning to folks to become patriots and oppose the war.
JA: How does our current political and moral dilemma, with journalism under fire, inform this film?
BC: The film is about a momentous event that became a defining example of how television journalism lived up to its promise, providing in-depth, ongoing reporting that enabled an audience to understand the evolution of a news story. It provides insight into the decisions journalists face in dealing with management, restrictive budgets, governmental impediments, and the dilemmas that arise when reporters become part of the news.
JA: What drew you to the story of Dan Rather and CBS in China?
BC: Dan Rather and his team were in a ratings fight, but more importantly, they were fighting to reestablish their reputation as the gold standard in TV journalism.
JA: How can we protect our free press?
BC: The bottom line rules capitalism. When corporations become owners of the press, they no longer view news as a public service but as another commodity on the balance sheet. I believe the best way to protect the free press is to limit who owns it.
JA: What is the role of the press, and of film, in truth-telling?
BC: The role of the press is to inform. The role of film is also to inform, but its format is essentially an editorial perspective. Telling the truth is more a process of what is chosen to be presented and its sources.
JA: How do you define bravery?
BC: Bravery is the notion of expressing oneself physically and intellectually based on one’s conscience, kind of a Henry David Thoreau ideal. Following the law is part of citizenship, but ensuring the justness of the law is also part of citizenship.
JA: Do you think China is more or less repressive now than in 1989?
BC: Economically, people are better off. But the price paid for not contesting the Chinese totalitarian regime is one of accepting the repression of free speech and the rewriting of history.
JA: What do you want people to take away from this film?
BC: Appreciation for the quality and courage of the journalists who reported Tiananmen, and a consideration of what is being done in TV journalism today. And a reexamination of the stand the Chinese took then as an inspiration for how movements today can shape change, knowing that there are consequences to be considered when dealing with governments.
JA: What is your current project?
BC: A feature documentary called “Not Your Average Citizen,” the story of Boris Nemtsov, leader of the Russian opposition and critic of Vladimir Putin, who was gunned down outside the Kremlin in February 2015. As Nemtsov often said, “Freedom comes at a high price.”
More at notyouraveragecitizen.com.
Register at norfolklibrary.org
Abstract artist Vincent Inconiglios' love and enthusiasm for color and form are evident all around him at his Falls Village studio, where he has worked for 25 years. He is surrounded by paintings large and small, woodcuts, photographs, collages and arrays of found objects.
The objects Inconiglios has found while out walking — in Falls Village, near his studio on Gansevoort Street in New York City, and in other places throughout the world — hold special importance to him. Appreciation of them, he says, comes from “seeing while exploring. I am always finding things.” His particular delight is finding objects that look like faces, many of which will be featured in the ArtWall show at the Hunt Library.
The found objects inspire him, are his “friends,” and serve as muses for his work. He has had some in his collection for more than 50 years. “I’ve always thought of them as parts of me.”
As he shows these objects and tells how he found them, his enthusiasm is contagious. It suggests a new way of looking at the world, even at the most mundane bits of debris.
The sheer volume of paintings and collages displayed in his Falls Village studio attests to his interest in form, color, and composition.
Inconiglios will bring his sense of play and love of discovery to his show, “Face Time,” opening at the Hunt Library in Falls Village on Oct. 25, with a reception from 5 to 7 p.m. It features faces in collages, photos, and found objects. The works will be on display until Nov. 21.
Inconiglios explained a little about his process. “If I am stuck,” he said, “I’ll cut something and put it down. One thing leads to another and forces me to focus.” Next month, in a workshop with children, he will share techniques like this that have guided him in his work.
The children, students at Lee H. Kellogg School in Falls Village, will create their own face collages. Inconiglio enjoys the spontaneity children bring to their creations and is eager to work with them.
On Nov. 13, Inconiglio will give an artist’s talk at 5:30 p.m. at Hunt Library.
He looks forward to feedback about “Face Time,” commenting, “I’d rather get bad feedback than no feedback.”
For more information, visit: huntlibrary.org/art-wall/.
