Everything You Want To Know About Audiobooks

Peter Lerman, who now sports a full beard, will talk about the art and commerce of audiobooks on Aug. 31. Photo from www.lermanvo.com

If you want to hear Peter Lerman’s raspy, folksy delivery as an accomplished audiobooks narrator you can easily go to his website at www.lermanvo.com. There he promises “the truth and nothing but the truth” — as he specializes in nonfiction (and has done the audio recording for nearly 100 books).
But his audiobook delivery is beside the point, at least for the purposes of Lerman’s in-person presentation by the Kent Memorial Library on Tuesday, Aug. 31, at 6 p.m. in the reading room.
Lerman’s talk will cover all aspects of audiobook conception, production and distribution. He will begin with who buys and listens to audiobooks, how they listen and why. He will explain how audiobooks are produced and he will talk about ways to self-publish an audiobook.
Business topics touched upon will be the economics of production and distribution as well as industry trends, historic performance and future outlook.
Lerman is a member of the Screen Actors Guild and the Audio Publishers Association, is an Audible Approved Narrator and a winner of an AudioFile Magazine Earphones Award.
This talk is free and open to the public; masks are required.
One of the entries in this year’s Community Day Scarecrow Contest, Ichabod Hiccup, at left, seems to be particularly enjoying the solo performance of Wil Greenstreet, whose strolling pop-up saxophone performances delighted visitors to the village on Saturday, Sept. 20. For more photos, turn to Page A8.


Top row, left to right, Caroline Kinsolving, Christopher McLinden, Dana Domenick, Reid Sinclair and Director Hunter Foster. Bottom row, left to right, Will Nash Broyles, Dick Terhune, Sandy York and Ricky Oliver in Agatha Christie’s “The Mousetrap.”
Opening on Sept. 26, Agatha Christie’s legendary whodunit “The Mousetrap” brings suspense and intrigue to the Sharon Playhouse stage, as the theater wraps up its 2025 Mainstage Season with a bold new take on the world’s longest-running play.
Running from Sept. 26 to Oct. 5, “The Mousetrap” marks another milestone for the award-winning regional theater, bringing together an ensemble of exceptional local talent under the direction of Broadway’s Hunter Foster, who also directed last season’s production of “Rock of Ages." With a career that spans stage and screen, Foster brings a fresh and suspense-filled staging to Christie’s classic.
The Playhouse’s casting includes Dana Domenick of Falls Village who leads the cast as Mollie Ralston, the newlywed innkeeper with a secret. Reid Sinclair of Norfolk plays Giles, her husband and partner in hospitality — and maybe in something more sinister. Will Nash Broyles from Lakeville plays the eccentric and enigmatic Christopher Wren, and Sandy York of Sharon will play the role of the imperious Mrs. Boyle. Dick Terhune (Litchfield), Caroline Kinsolving (Salisbury), Ricky Oliver (Pawling), and Christopher McLinden (also Lakeville) round out the cast as the play’s increasingly suspicious guests — and one very determined detective.
As always, Sharon Playhouse has gathered a top-tier creative team to match its cast. The Swader brothers (Christopher and Justin) return with their signature scenic designs, while Kathleen DeAngelis’s costumes and Bobbie Zlotnik’s wigs promise to anchor us firmly in postwar England, even as the plot spirals into timeless psychological suspense. Lighting by Wheeler Moon and sound design by Graham Stone will help turn the cozy theater into a stage crackling with tension.
If you’ve never seen “The Mousetrap,” here’s what you need to know: it’s the murder mystery that truly defined the genre. Premiering in London’s West End in 1952 and still running strong over 30,000 performances later, Christie’s ingenious puzzle unfolds in a snowbound manor house where everyone has something to hide, and no one is safe from suspicion. Its final twist is famously kept secret by audiences — a tradition of theatrical discretion that only deepens the sense of shared experience.
“The enduring success of ‘The Mousetrap’ lies in its suspense, yes, but also in its structure,” said the Playhouse’s Artistic Director Carl Andress. “It’s a masterclass in storytelling. And with Hunter Foster leading this incredible cast of local artists, we know our audiences are in for an evening of mystery, laughter, and yes, plenty of gasps.”
Tickets are available now at SharonPlayhouse.org.