When cellist, composer and filmmaker Christopher Hoffman moved into the former home of Rex Brasher in Amenia in August 2023, he didn’t arrive with a plan to make an album about the painter and ornithologist who once lived there. But once he began to learn about the home’s former inhabitant — about his attention to land, to birds, to work done slowly and with devotion — he started to compose. “Rex,” Hoffman’s solo cello album (releases Jan. 16, 2026) is not a portrait of Brasher so much as an echo of a person, a place and a way of seeing the world.
Brasher (pronounced “brazier”) was born in Brooklyn in 1869, the son of a stockbroker whose passion for birds left a lifelong mark. After his father’s death, Brasher vowed to paint every bird in North America, and to do it from life. He eventually created more than 1,200 works, depicting birds with a precision and intimacy that bordered on obsession. Working largely outside the art world, Brasher lived on 116 wooded acres he called Chickadee Valley, where he painted, wrote and published his monumental 12-volume “Birds and Trees of North America.”
Rex Brasher at his home in Chickadee Valley.Provided
Founded in 2008 to preserve Brasher’s legacy and promote bird and habitat conservation through art, the Rex Brasher Association became an early point of connection for Hoffman, who composed and performed an original piece at the 2023 Rex Brasher Symposium just months after moving into Brasher’s former home. After many years in Brooklyn, Hoffman and his family had been looking for a change when they were shown the 116-acre property by association board member and architect Matthew Schnepf, who shared the history of the land and of Brasher himself.
“We’re the first renters outside of Rex’s family,” Hoffman said, explaining that the house is rented as part of an agreement to maintain the estate. Upon moving in, Hoffman dug deeper, purchasing the two-volume set of “Birds and Trees of North America” and immersing himself in Brasher’s world. Around the same time, and at the encouragement of composer, saxophonist and flutist Henry Threadgill, Hoffman debuted his first solo project at Tomeka Reid’s Chicago Jazz String Summit, planting the seed for the 13-track album that he then composed, recorded, mixed and mastered in Brasher’s home. The RBA (Rex Brasher Association) was equally supportive of the finished work, granting Hoffman permission to use Brasher’s artwork for the album, including the swallow-tailed kite painting that appears on the vinyl packaging. “You open up the record and the whole painting is right there,” said Hoffman.
‘Swallow Tail Kite’ by Rex BrasherProvided
Though birds are central to the record’s spirit, Hoffman deliberately avoided literal birdsongs. Instead, the cello is layered into dense soundscapes that suggest rather than illustrate. “There are tracks with tons of layered stuff where I guess you could hear bird sounds if you wanted to,” he said. Brasher’s refusal to accept approximation — destroying paintings when feathers didn’t look right — mirrored Hoffman’s own instincts as a musician. Tracks were built, discarded, rebuilt. Nothing stayed unless it felt true.
For Hoffman, “Rex” became a kind of reckoning. Though Hoffman has begun noticing birds with new intensity, using the Merlin bird app to identify some 30 species on the grounds, he says Brasher’s acuity still feels out of reach. “Even with binoculars, I still can’t see the details he was seeing.”
The album will be released Jan. 16 on Out of Your Head Records. Composed for acoustic and electric cello, the record reflects the solitude and intensity that shaped both Brasher’s vision and Hoffman’s process. “This guy was working so hard,” said Hoffman of Brasher. “And it was like, ‘Alright, Chris, get it together. Make the solo record you’re afraid to make.’”
To listen and purchase the album, go to: https://christopherhoffman.bandcamp.com/album/rex
Kate Farrar at Foxtrot Farm
Flowers are the hallmark of the business, with a rotating rainbow of colors each season. You can find species like lisianthus and heirloom chrysanthemums — Farrar’s current favorite — and a range of in-season foliage like vines and fennel fronds that are used to accent bouquets.
“It can change the entire vibe of a bouquet,” she said. In addition to flowers, Farrar grows select fruits and vegetables, like raspberries and kale. Each year, she adds more native plants to support her regenerative, pesticide-free farming model. Because she doesn’t use chemicals, Farrar relies on the robust ecosystem of insects, birds, and native predators attracted by those plantings.
While soil health is the foundation of her regenerative model, she said creating a diverse ecosystem is just as important. “I think regenerative farming is not only amending the soil for your crops, but improving the quality of the soil,” Farrar said. “And beyond that, it’s about creating an ecosystem where things can thrive.”
Each season, Foxtrot offers its products through several business models. Flowers are available wholesale to florists and other businesses, arrangements are available for weddings and special events, and a pick-your-own membership is available for local residents.
Farrar also offers a community-supported agriculture program — commonly known as a CSA — for customers seeking a steady supply of locally grown blooms. Participants can pay through a seasonal lump sum, in installments, or on a sliding scale.
Farrar spent a decade farming for other people throughout the Hudson Valley before she decided to take the next step in her career. She didn’t want to do it without land security, so when an opportunity arose to purchase land in Stanfordville with a friend, she felt that the timing was right.
The 2021 season focused on cover-cropping and infrastructure, while 2022 marked her first production year.
A science and art
Farrar said she initially focused on flowers because they offered the highest return per square foot, but she stayed with them because she loves them.
While the farm is her livelihood, she views Foxtrot as not just a business and a science, but an art. “I get to be playful with the work, and it’s a straightforward way to tie art into agriculture,” Farrar said, reflecting on her dual English and photography major at a liberal arts college.
Her senior thesis involved photographing people in agriculture. “I hadn’t gotten my hands dirty yet, but I was already drawn to it,” Farrar said.
By Aly Morrissey
From grief to growth
Farrar’s mother died when she was a senior in college, and she found herself navigating intense grief at a pivotal moment in her young adult life.
A friend brought her to a farm to get her connected with the land and, for Farrar, it was a light-bulb moment. “It reminded me that there was a spaciousness beyond deadlines and tests,” she said. Farrar described that experience as cathartic. “That was the moment I realized I didn’t just want to observe the land through photography, I wanted to work with it.”
Today, as Foxtrot enters a new growing season, Farrar is excited to be expanding. After operating largely as a one-woman farm with some part-time seasonal help, she is looking forward to hiring a full-time employee for the fifth growing season.
Winter craft event on Jan. 18
Foxtrot Farm will host a winter craft event on Saturday, Jan. 18, from 11 a.m. to 1 p.m. at Vitsky Bakery in Wassaic. Farrar said she chose to host the crafting event as a way to stay relevant and connected with the community during the winter months. “Collaging is a low-pressure activity, and it gets you out of ‘productivity brain’ and into something more meditative,” she said. Attendees will be able to enjoy conversation and add some color to the cold, winter months through the floral dreamscape collaging event. Farrar will also share more information about Foxtrot’s CSA. The event is free and open to the public.
Millerton Fire Company crews directing traffic as they waited for a tow truck large enough to haul the wrecked box truck away from a crash site on Route 44 just south of the entrance to the Millerton Gun Club on Friday, Jan. 9.
Details of the incident were limited as emergency crews worked at the scene. Roger said a box truck and a passenger car were the two vehicles involved, but additional information was not immediately available.
A box truck involved in a crash with a passenger vehicle blocking a lane of traffic on Route 44 outside the Village of Millerton on Friday, Jan. 9. Millerton Fire Company crews directed traffic around the truck until just before 2 p.m. when a tow truck arrived from East Fishkill.Photo by Nathan Miller
The passenger car was towed from the scene by about 1:45 p.m. A heavy-duty tow truck from East Fishkill arrived shortly thereafter to remove the box truck.
The disabled box truck blocked a lane of traffic on Route 44 just outside of the village, causing significant delays for motorists and prompting many to take a detour on Mill Road to avoid the congestion.
"It takes a minute," Roger said. "We don't have any large vehicle tow companies nearby."
