Thank you!
Your support is sustaining the future of local news in our communities.

Wassaic history reflected in restored kilns

AMENIA — At  an Amenia Town Board meeting on Aug. 4, there was a discussion about the town accepting a gift of the Wassaic Charcoal Kilns from the current owner, Eric Bommer. This brought about many questions, concerning maintenance, responsibility, uses and more.

The kilns, sometimes referred to as pits, look like giant stone beehives. At one time they were very hard to distinguish because of the trees and massive foliage that had grown up around them.

It was decided that the town attorney would look into the potential donation. The kilns’ caretaker, Bernie Leighton, worked for about six weeks to clear the brush. He also did masonry repairs and some major repairs. It was believed that without those repairs, in possibly a year or so, one of the walls might have gone to ruins.

Amenia Historical Society (AHS) member Jerry Strauss said at the Aug. 4 meeting, “An incredible job has been done. Tons of timber has been removed.”

The board expressed interest for a site visit to the kilns.

That visit took place on Thursday, Sept. 1. Prior to the visit, Leighton explained the history and the logistics of the kilns, with a great many pictures, from both before and after the work started.

The board’s visit was a positive one. A grant to Amenia  from the William T. Pomeroy Foundation in 1913 has helped pay for some costs, and a plaque announces the kilns’ historical significance.

Questions arose about the kilns being donated to the town, like what the maintenance and cost of upkeep will be.

But Leighton said that  the work  now being done equates to a full restoration and the kilns will need little maintenance for many years to come.

The original blast furnace is gone, and has been for many years. Rumor has it that some of the blast furnace materials were used to pave parts of Route 22.

The transfer of the kilns from Bommer to the town is still pending; many in the town have said they favor the idea. Amenia has a fair amount of historical sites, and the board likewise expressed interest in adding  the Wassaic Charcoal Kilns to its list of town-owned sites. It’s not only historical, said the AHS, it has a rough beauty, and a long saga as well.

Kiln history

In use until around the mid 1920s, the kilns were part of the Reed, Gridley & Co. Iron Works. Located on Deep Hollow Road in Wassaic, the hamlet of Wassaic was built around the wealth such kilns helped create. They produced as much as 8,000 tons of iron a year.

Such prosperity induced the Gail Borden Milk Company to open an operation in the hamlet and the Vanderbilts and Goulds to extend their railways north. The slow-burning process produced charcoal pig iron, or crude iron.

Gridley and Sons Iron Works was also known as the Deep Hollow Iron Factory and the Wassaic Furnace.

The pits are built of stone, 30 feet in diameter; the entrance to each is about 6 feet. Now that nearby trees and brush have been cleared, the kilns are easily seen. While they are a reminder of the hard work and enterprise they were originally a part of, they now offer a still and serene beauty.

The AHS has taken an interest in this project; if anyone has old photographs or information about the kilns they’ve asked to be contacted at the Town Hall. A cultural resources survey completed by Amenia in conjunction with the New York State Office of Parks, Recreation and Historic Preservation and Historical Perspectives, Inc. was done in 2014. It identified 11 charcoal hearths and logging roads that allowed charcoal to be brought out of the mountains to supply local furnaces.

The board has to determine if it will accept the transfer of the kilns; it’s leaning toward doing so. Go to www.ameniany.gov for details about the kilns, with photos by the caretaker.

Latest News

Original art, attainable prices

Original art, attainable prices

Kenise Barnes Fine Art presents “Cool & Collected ’26,” its annual exhibition celebrating the joy of collecting, featuring works priced under $2,000.

D.H. Callahan

There’s a corner of YouTube populated by real-time footage of high-dollar art sales from prestigious New York and London auction houses like Sotheby’s, Christie’s and Phillips. Hundreds of thousands of viewers routinely watch with rapt attention, popcorn and cocktails in hand, as recognizable pieces from art history make their way to the upper echelons of grossly unattainable hammer prices. Pieces can often start with opening bids of tens of thousands of dollars and work their way up to multiple millions. Bidding increments alone can grow to sums unattainable for the average American family in several lifetimes.

Kenise Barnes Fine Art in Kent, Connecticut, wants to help make fine art more accessible. The 2026 version of the gallery’s annual “Cool and Collected” exhibition is subtitled “The Gift Edit” and features dozens of works by fine artists at prices that are much more in reach than an art-world outsider might expect. More than 30 artists contributed pieces to the show. Almost all available works are priced under $2,000, with many below $500. The collection features paintings, drawings, collage and ceramics.

Keep ReadingShow less
Jennifer Terzian’s sanctuary for contemporary art
Jennifer Terzian, founder of Jennifer Terzian Gallery in Litchfield.
Provided
The gallery is really meant to create a very intimate relationship with the artist and the story behind their work.
—Jennifer Terzian

On a recent crisp, fall afternoon in Litchfield, Jennifer Terzian welcomed a steady stream of collectors, artists, and art-world insiders into her jewel box of an art space on South Street, just off the town’s manicured historic Green.

The occasion was an opening for Jenny Kemp, an artist noted for balancing fluidity and structure in her abstractions through repetition, variation, and gradual shifts in hue. Hers is exactly the kind of tactile, process-driven work Terzian champions at a subterranean space that feels less like a commercial art gallery and more like stumbling into an impeccably edited sanctuary of contemporary thought.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Peter Cusack is finding the eternal in North Canaan
Peter Cusack in his studio.
Provided

“I think art is the thing that allows us to feel there’s something in the universe that loves us,” said painter Peter Cusack in his new studio, a mid-19th-century stone church on Main Street in North Canaan.

For Cusack, art has always been a way of reaching toward something beyond the physical world. That sensibility runs through “Eternal: New, Recent, and Near Distant Paintings,” his upcoming exhibition in the church, a setting that seems an improbably good fit.

Keep ReadingShow less
Cowboy Junkies celebrate 40 years at the Mahaiwe

Cowboy Junkies celebrate 40 years together at the Mahaiwe Nov. 14

Heather Pollock

Now celebrating 40 years, Cowboy Junkies will perform Saturday, Nov. 14, at the Mahaiwe Performing Arts Center in Great Barrington, Massachusetts.

The band is celebrating its long career with a triple-vinyl retrospective album called “Open to Beauty,” featuring a selection of songs from 2000 onward, including material from its most recent release, “Such Ferocious Beauty.”

Keep ReadingShow less
Mike Selbach finds the extraordinary in everyday life
“R46 Interior” (2026). Solid cherry and acrylic, 21” x 26.75” x 0.75”
Provided

Subway stations may seem unlikely places to encounter the divine, but amid the rumble of trains, the crush of commuters and the cavernous underground passageways, Salisbury artist Mike Selbach finds moments of unexpected beauty.

In “Subway Saints,” his solo exhibition opening Thursday, Nov. 12 at the Warren Family Gallery at Berkshire School in Sheffield, Massachusetts, Selbach transforms ordinary commuters and familiar transit spaces into sacred moments.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.