Thank you!
Your support is sustaining the future of local news in our communities.

Ambiguity favors the choice of Webutuck’s new mascot

Ambiguity favors the choice of Webutuck’s new mascot
The logo for the Webutuck Wildcats. Photo submitted

AMENIA —  “It could have been ugly,” admitted Webutuck Central School District Superintendent Ray Castellani. Unfunded mandates are never popular, and one that touches on nostalgia, personal history and habits can be even more unwelcome. But “we’re excited about the new changes to our name and mascot, and they’ve afforded us lots of communication and shown us the inventiveness of our students,” he explained.

Consonant with Castellani’s view, “rebranding a school district is tricky,” according to Webutuck coach and special education teacher Joe Lasaponara. “Until you delve into it, you don’t realize how complex it is.” As it turns out, the process has been an intriguing one for students, staff and the community, and promises to offer more opportunities for engagement as the longtime Webutuck Warriors find new expression as the Webutuck Wildcats.

The adoption of a new name and mascot, mandated by the New York State Board of Regents in 2022 and earlier, was in response to the 2010 Dignity for All Students Act, itself a response to findings that stereotypes perpetuated by some mascots, particularly those of Indigenous figures, negatively impacted minority students. It was reiterated more forcefully on April 18, 2023.

Fifty-five school districts statewide and 12 high schools in Long Island still need to make changes under the ruling; in Dutchess County, only Ketcham High School in Wappingers Falls has a mascot that remains to be changed, according to Webutuck’s public information officer Daniel Pietrafesa. All districts are now given until the end of the 2024-25 academic year to make all needed changes.

At Webutuck, the new mascot choice, unlike the original naming by a committee, has been very much in the hands of students, staff and community via interactive surveys and questionnaires on the district website in March of this year. In the most recent of them, several hundred members of those groups voted among five finalist names and chose Wildcats as the favorite.

The new design, depicting a wildcat hugging the word “Webutuck,” is simultaneously “cute, fierce, intimidating, as well as playful,” said Lasaponara. The usefulness of the name lies in its very ambiguity: “Wildcat” is a generic term that can refer to five or six species of fairly large cats, leaving the design teams with ample latitude as to colors and imagery.

This aspect has also led to some real collaboration, with various students’ input on paws, face and fur colors put together to achieve the most satisfying result. Most of them were students in Jessica Caeners’ digital design class. Their work then went to BSN, the equipment provider the district uses, for refinement in the digital design department.

As to the all-important attributes—the list of qualities the mascot represents—and converting current imagery and wording to the newly adopted design, the complete changeover will take some time. ”By October or November, we hope much of that will be done; the goal is Halloween,” added Lasaponara. The New York state deadline for the name change was July 1, but the state allows reasonable time for the remaining changes.

In terms of the cost to the district, “we’re in a good place,” averred Castellani, noting that without a football team, the need to replace lots of brand new equipment like helmets is absent; the color scheme of green, white and beige, consistent with the previous mascot, will also help keep expenditures down.

As to the uses of the new mascot, it appears likely that there will be a costume wearable by students to be present at games and such. With the previous mascot, often said to be Sassucus (or at least his profile), nobody could remember seeing a student or anyone dressed in that costume.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less
Marina Kotchoubey is taking care of business

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.