AMENIA — Spectators gathered at Keane Stud in Amenia Sunday, Oct. 6 to watch the $125,000 Grand Prix final at the Silo Ridge Masters showjumping competition.
Brian Moggre, of Flower Mound, Texas, took home the prize money and a champagne soaked jacket Sunday afternoon.
Moggre rode 15-year-old gelding Vivre Le Reve around the ring, receiving no penalty points in the first round.
Four riders competed in a tie-breaking jump-off: Sloane Coles of Virginia; Darragh Kenny, representing Ireland; Daniel Bluman, representing Israel; and Moggre, the champion of the weekend.
The show jumping competition was the first of its kind at the expansive Keane Ranch. Pedro Torres, owner of the farm and racecar driver, said the ring finished construction just days before the event started on Thursday, Oct. 4.
Torres said a horse show had been a long-time dream for him and Judy Garofalo-Torres, his wife. They built Keane Stud so Garofalo-Torres could train show jumpers. Torres said there are a lot of show jumpers local to the Northeast U.S. and there’s demand for more competitions in the region. Silo Ridge Masters also serves as a fundraising event for the Silo Ridge Community Foundation and the Amenia-Wassaic Community Organization.
Speckled colors on the ridges of the Amenia valley provided a scenic backdrop for the four-day long event. Visitors remarked on the location, saying the views from the top of the hill were breathtaking.
Anticipation began to build as representatives of regional press organizations were invited to Media Day on Thursday, Oct. 3. Reporters met riders and their horses, some from area and regional stables and others coming from countries whose flags circled the competition rink.
Caroline Mawhinney of Wellington, Florida, competed in the $125,000 Grand Prix class at Silo Ridge Masters on Carsey Z, an 11 year old Belgian warmblood. The rider ranked 14th at the international competition in the scenic Harlem Valley.Nathan Miller
The Silo Ridge Masters event marks the first year of a local equestrian center joining the competitive Hudson Valley Show Jumping circuit for their fall calendar. An equestrian training program led by Judy Garofalo-Torres is included in the programs at the Keane Stud Farm in Amenia. Silo Ridge served as a sponsor for the show jumping competition. The proceeds would benefit the Silo Ridge Foundation and the Amenia Wassaic Community Organization.
Student riders were the feature of the day on Oct. 3, putting their horses through their paces as they confidently jumped the obstacles and kept to good form. Many of the students’ adult riding coaches would be competing into the weekend, in preparation for the finals on Sunday.
This year the competition would be a 3-star show, explained Lindsay Brock, press officer, noting that shows can be up to 5 stars. The differing levels determine the height and difficulty of the obstacles being jumped and the size of the prize purse.
Warmblood horses are ideal for jumping events, due to their hardy nature and temperament.
Already planning for next year, Brock said that Silo Ridge would like to go to 5 stars.
Christian Coyle of Christian Coyle Show Stables, Sherman, Connecticut, originally from Ireland, had horses and riders competing in the event. He said that he has been involved with competitive show jumping for 40 years and was pleased that the Silo Ridge event was relatively close by.
One of Coyle’s riders, Camellia Ford was once a student at Kent School, studying under Michael Page. Ford said she would be riding 9-year-old Jetties. She added that all horses turn a year older each January, rather than being fussy about their actual birth month.
“It’s a matter of trust between horse and rider,” Ford said about building the essential relationship. “It’s a partnership with the horse, with another sentient being,” explained Tiffany Foster, competing from her home stables in Vancouver, British Columbia. She operates an equestrian training center and most often brings some of her students to compete in show jumping competitions.
A three-time Olympian, Foster is ranked as the world’s top female rider in the sport, although she said that she is ranked 21st among all riders. The 20 who rank higher are all men she explained.
“We’re all here because we love horses,” Foster said. “It’s a physical thing; it’s hard on your body,” she added in speaking about the demands of competitive show jumping.
Foster rode “Northern Light” during Sunday’s final Grand Prix competition.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”
Visitors to the American Mural Project.Sky Johnson
Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”
Sky Johnson
Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
