Trees begin to turn with the official start of autumn

A reddish hue develops along the ridgelines of the Northwest Corner as cold air begins to turn the leaves with the arrival of fall.
Nathan Miller

A reddish hue develops along the ridgelines of the Northwest Corner as cold air begins to turn the leaves with the arrival of fall.
Sunday, Sept. 22 marked the beginning of astronomical fall, and our trees are showing it.
Flecks of red, yellow, orange and gold dot the hillsides and maples wear mottled coats of green and fiery orange alongside the roadways. It’s certainly still the early stages of foliage season, but Kent Tree Warden Bruce Bennett said in a recent interview that this timing was not always the norm.
“I’ve been around for 70 years,” he said, explaining that fall color used to begin around Sept. 5 and peak near Sept. 21. That peak date has “slowly but surely moved almost a month” to mid-October, he said, as a product of warmer and later autumns resulting from climate change.
A late-September leaf change matches the pattern of recent fall seasons. Bennett said red maples are among the best indicators for when autumn arrives. “They’re always the first tree to start to change,” he said, further explaining that the red maple usually provides the most vibrant color — “some pretty good red and deep orange.”
Bennett maintained that while people tend to think of sugar maples as the star of our fall season, it’s actually the red maples that really make the show. However, this year, he has high hopes for the sugar maples: “when they have a good year, they’re spectacular, and it looks like this might be a good year for the sugar maples.”
Predicting a foliage season is notoriously difficult. Bennett said that while people often talk about dry or wet weather in the fall as indicative of how bright the colors will be, “no one really knows.” He explained that there are many other complicating factors that can alter foliage vibrancy, including weather going back to the previous year and beyond. He said that last year’s season was spectacular during a really dry year, while five years before that was equally striking, but during a very wet year.

Despite the uncertainties, Bennett said it will probably be another week or two before the region’s foliage reaches the 50% mark.
Further complicating things is the presence of disease in the region’s trees. Large numbers of maples this autumn have already had leaves shrivel up and turn brown, and in many cases have already fallen from the tree. Bennett explained that this is due to a common fungal disease called anthracnose that has proliferated in the canopy due to the unusually hot and humid summer.
While it will dampen the color by taking many of the brighter trees out of the picture, it is normally not harmful to the tree itself — the tree is simply shedding diseased leaves. Bennett said that leaves where the foliage is dense are the most affected as the fungus spreads by moisture. Well ventilated trees, such as those in clearings or more spacious forests, should remain free of the disease and produce their normal color.
Wake Robin Inn Innkeeper Michael Loftus upheld that these uncertainties and inconsistencies in the foliage season have caused any vestige of a foliage tourist season to largely disappear. “Is fall foliage even a ‘season’ anymore for our parts,” he asked. He said the fall was still a great season for the Inn, but due to group bookings for weddings or parents weekend visits for the region’s boarding schools, not foliage tourism.
Susan Sweetapple, owner of the Falls Village Inn, agreed that it can be hard to parse out the leaf peeping crowd from other types of autumn visitors, like parents weekend trips or events at Lime Rock Park, which has a busy program this season.
Other innkeepers felt that foliage tourism is alive and well in the region. John Ciliberto, manager at the White Hart Inn, maintained that “fall foliage will always be a reason to come to the Northwest Corner of Connecticut.” He maintained that leaf peeping, alongside other autumn-themed events such as Salisbury’s Fall Festival and Handmade Fair, causes a noticeable uptick in traffic from mid-September through the end of October.
Innkeeper Kevin Bosquet, who has been at the Interlaken Inn for 41 years, agreed that the region “absolutely” still has a foliage season. The season is enchanting, he said, especially for visitors from the cities who don’t have the same access to trees at home – “it takes everyone back to their childhood,” he said.
As for residents, the season is certainly here, and the trees show it. Bennett is confident that this year won’t disappoint for those who are willing to look for the beauty: “We always have a good fall,” he said, “it’ll be good.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org