The garden is dead, long live the garden

Bowman’s Root in Page Dickey’s garden.
Dee Salomon
Bowman’s Root in Page Dickey’s garden.
It is indisputable that we are moving toward a new garden aesthetic. I would even go one step further to propose that gardening’s "man over nature" ethos — which has a classic exemplar in the formal gardens of Versailles — is now over. Nature reminds us, with greater frequency and intensity, that she is in control, and we are beginning to come to terms with the reality that it is a fool’s game to try to tame her.
As you think about your spring planting plans, slide into a new mindset. Let’s call it "human abetting nature." This mindset finds beauty less in rigorous planting schemes and more in the creation of habitats. The aesthetic associated with this new mindset is, thankfully, more forgiving — not so much the baggy dress to the tailored suit, but a looser beauty that can still be shaped or contained in ways we find pleasing.
As with many of our choices these days, mindfulness is the first step. Where are you planting?
And what are you planting there? When planting at the edge of the woods and in her fields, writer and garden designer Page Dickey will only plant natives. Here she has incorporated American hornbeam, Carpinus caroliniana, redbud, Cercis canadensis and gray dogwood, Cornus racemosa. In her book "Uprooted," Dickey writes about her experience moving from a home where she crafted and tended an intricate garden to her current home in Falls Village with acres of woodland, fields and fen. Instead of working to transform the land into something else, she now listens to the land and responds to nurture it.
This new mindset does not mean that aesthetics are less important than before; rather, the aesthetic has shifted. In Dickey’s garden beds that surround her house, she mixes non-natives with native perennials, such as her favorite Bowman’s Root, Gillenia trifoliata (The Cornwall Garden Club native plant sale will offer Bowman’s Root plants among other native perennials Saturday, May 25, in West Cornwall. cornwallgardenclub.org)
Among Dickey’s favorite native shrubs are Fothergilla, Clethra alnifolia, gray dogwood, Cornus racemosa, and the American cranberrybush viburnum, Viburnum trilobum. She also used Viburnum lentago, called nannyberry, in place of adding more lilac, that had originally tempted her, for a hedgerow along a rough track on her property. From "Uprooted": “Surely I could plant something with more to offer, a plant that would enrich our wild habitat.” I can attest to the beauty of this native tree which grows at the edges of our marsh. It can get as tall as 15 feet and has a wide spread if given the space and light. Flowers in spring, nutritious berries for birds in fall.
Deborah Munson is one of our area’s top horticulturalists and landscape designers, who happily admits that her approach to garden design changed over the past decade: “In an ecologically driven garden/landscape I love a wilder and much freer style where there is little to no delineation between the wild and cultivated landscape and incorporating natives as often as possible; a landscape that over time can find its own way, being nudged occasionally by the human hand, often planted to allow the plants to drive the design, allowing self-sowing and covering ground.” One of her favorite native plant combinations is “shadblow, Amelanchier arborea underplanted with our native foam flower, Tiarella cordifolia and miterwort, Michella diphylla is a favorite combo. Add some snowdrops and white daffodils if you’re not a ‘native only’ purist.”
Out with precision edging. Out with yards of trucked-in mulch covered beds: “We can often create our own mulch on site by composting leaves and other garden debris as well as using plants as a living mulch. One should be aware that trucking in products can often bring new diseases and pests.”
Key to our new mindset, Munson reminds us, is "learning about a plant’s behavior… i.e. invasives (don’t plant) or colonizers (be careful what you ask for.) Is it a generalist, a plant that will grow almost any condition or specialist; for example, a plant that will only grow in wetlands or only in well drained acidic conditions?”
Many of Dickey's and Munson’s favorite native plants — from Redbud to Shadblow to Clethra, Sweet Fern, Viburnum Lentago and Anenome Canadensis — will be available from the Northwest Conservation District annual plant sale. You can preorder at nwcd.org and attend April 19-21 at Goshen fairground.
More on spring plant selection in next month’s column. If you have any questions regarding spring planting, please send them to dee@theungardener.com
Dee Salomon “ungardens” in Litchfield County.
On Saturday, Sept. 6, from 12 to 5 p.m., Rock Steady Farm in Millerton opens its fields once again for the third annual Farm Fall Block Party, a vibrant, heart-forward gathering of queer and BIPOC farmers, neighbors, families, artists, and allies from across the Hudson Valley and beyond.
Co-hosted with Catalyst Collaborative Farm, The Watershed Center, WILDSEED Community Farm & Healing Village, and Seasoned Delicious Foods, this year’s party promises its biggest celebration yet. Part harvest festival, part community reunion, the gathering is a reflection of the region’s rich agricultural and cultural ecosystem.
Rooted in justice and joy, the event will feature over 25 local vendors and organizations, live performances, healing workshops, family-friendly activities (yes, there’s a bouncy castle), and abundant local food. And while the festivities are certainly reason enough to show up, organizers remind us the purpose runs deeper.
“This isn’t just a party. It’s a place to build the kind of relationships that keep our food system alive,” said Maggie Cheney, Rock Steady’s co-founder and worker-owner. “We’re creating space where farmers, growers, families, and community organizers can connect, celebrate, and support one another.”
Proceeds from the event support Rock Steady’s POLLINATE program for queer and trans BIPOC beginning farmers, as well as Catalyst Collaborative Farm’s food justice initiatives. With sliding-scale tickets from $5 to $250, the organizers aim to make the event accessible to all, including free entry for children under 12 and volunteer options for those who want to pitch in.
For those who’ve attended before, it’s a welcome return. For newcomers, it may just feel like coming home.
More info and tickets: rocksteadyfarm.com/farm-block-party
Waterlily (8”x12”) made by Marilyn Hock
It takes a lot of courage to share your art for the first time and Marilyn Hock is taking that leap with her debut exhibition at Sharon Town Hall on Sept. 12. A realist painter with a deep love for wildlife, florals, and landscapes, Hock has spent the past few years immersed in watercolor, teaching herself, failing forward, and returning again and again to the page. This 18-piece collection is a testament to courage, practice and a genuine love for the craft.
“I always start with the eyes,” said Hock of her animal portraits. “That’s where the soul lives.” This attentiveness runs through her work, each piece rendered with care, clarity, and a respect for the subtle variations of color and light in the natural world.
After painting in oils earlier in life, Hock returned to art when she retired from working as a paralegal with a goal: to learn watercolor. It wasn’t easy.
“Oils and watercolor are opposites,” she explained. “With oils, you build your darks first. In watercolor, if you do that, you’re in trouble.” She studied online, finding instructors whose approach clicked, and adapted to the delicacy of the medium.
“When I’m working, everything else falls away,” she said. “It doesn’t matter what’s going on in life. While I’m painting, time disappears.”
Her studio, formerly a home office, is now her sanctuary and the pieces in this exhibition are the result of three years of that devoted studio work. While this is her first full public show, Hock previously tested the waters at a small fundraiser at Noble Horizons, where one of her pieces sold. That experience — and the consistent encouragement from her family, especially her husband — pushed her to pursue a full exhibition. With gentle encouragement from her husband and family, Hock reached out to the Town Hall’s curator, Zelina Blagden. “My husband kept saying, ‘You’re as good as all those other people out there, why not show your work?’” And so, here it is.
All paintings in the show are for sale, though Hock admits a few are priced high — not because of their size or complexity — but because she’s not quite ready to let them go. “There are a couple I’ve priced high because I’m not sure I want to part with them. But we’ll see,” she laughed. “It would be nice to support the habit a little bit.”
As for aspiring artists or anyone hesitating to begin something creative, Hock’s advice is simple: “Go for it. If it fails, toss it in the basket and start over.”
The exhibit will be on view at Sharon Town Hall through Oct. 31 with an opening reception on Sept. 12 from 5:30 to 7:30 p.m. Light refreshments will be served.
Carissa Unite, general manager of Oblong Books in Millerton.
Carissa Unite of Millerton, began working at Oblong Books 16 years ago as a high schooler. She recently celebrated her eight-year anniversary as the general manager.
Unite’s journey at Oblong began even before she applied for her first position.An avid reader from a young age, she was a frequent customer at the store. During those years, Unite bonded with a former employee who encouraged her to apply for a position after connecting over their shared love of reading.
As a teenager, Unite enjoyed reading Ellen Hopkins, John Green and Ann Brashares. With the busyness of adulthood, she now favors the convenience of audio books. In the past year, however, she has made it a point to read more physical books.
With a preference for contemporary fiction, she raved about “Atmosphere” by Taylor Jenkins Reid. The story, set in the 1980s, follows two women who become astronauts at a time when women were not widely accepted in the field. A beautiful love story emerges between the two characters. Unite described the writing as sensational and commended Reid’s ability to tackle complex themes without them being muddied.
Unite has developed a deep appreciated for classic literature. Her two favorites are “Giovanni’s Room” by James Baldwin and “The Picture of Dorian Gray” by Oscar Wilde. She was amazed by the philosophical nature of both words and the way their dialogue challenged her perspective.
In an effort to read beyond her preferred genre, she recommends the following:
“Some Desperate Glory,” by Emily Tesh, “Midnight Rooms,” by Donyae Coles and “Clear” by Carys Davies.
For Unite, the beauty of reading lies in its power to develop perspective, empathy, and compassion. Through books, readers learn that everyone is fighting different battles and no two stories are the same. She encourages people to choose kindness because you never know what someone else is facing.
Above all, reading brings Unite peace. If offers transcendence to another world, a pause from outside noise, and for Unite, it is where she feels most at home.
For anyone hesitant to being reading, Unite suggests: just do it! Read 10 pages a day and find the book that speaks to you. Any Oblong staff member would be happy to offer recommendations.
Oblong is located at 26 Main St., in Millerton and 6422 Montgomery St. in Rhinebeck.