The garden is dead, long live the garden

Bowman’s Root in Page Dickey’s garden.
Dee Salomon
Bowman’s Root in Page Dickey’s garden.
It is indisputable that we are moving toward a new garden aesthetic. I would even go one step further to propose that gardening’s "man over nature" ethos — which has a classic exemplar in the formal gardens of Versailles — is now over. Nature reminds us, with greater frequency and intensity, that she is in control, and we are beginning to come to terms with the reality that it is a fool’s game to try to tame her.
As you think about your spring planting plans, slide into a new mindset. Let’s call it "human abetting nature." This mindset finds beauty less in rigorous planting schemes and more in the creation of habitats. The aesthetic associated with this new mindset is, thankfully, more forgiving — not so much the baggy dress to the tailored suit, but a looser beauty that can still be shaped or contained in ways we find pleasing.
As with many of our choices these days, mindfulness is the first step. Where are you planting?
And what are you planting there? When planting at the edge of the woods and in her fields, writer and garden designer Page Dickey will only plant natives. Here she has incorporated American hornbeam, Carpinus caroliniana, redbud, Cercis canadensis and gray dogwood, Cornus racemosa. In her book "Uprooted," Dickey writes about her experience moving from a home where she crafted and tended an intricate garden to her current home in Falls Village with acres of woodland, fields and fen. Instead of working to transform the land into something else, she now listens to the land and responds to nurture it.
This new mindset does not mean that aesthetics are less important than before; rather, the aesthetic has shifted. In Dickey’s garden beds that surround her house, she mixes non-natives with native perennials, such as her favorite Bowman’s Root, Gillenia trifoliata (The Cornwall Garden Club native plant sale will offer Bowman’s Root plants among other native perennials Saturday, May 25, in West Cornwall. cornwallgardenclub.org)
Among Dickey’s favorite native shrubs are Fothergilla, Clethra alnifolia, gray dogwood, Cornus racemosa, and the American cranberrybush viburnum, Viburnum trilobum. She also used Viburnum lentago, called nannyberry, in place of adding more lilac, that had originally tempted her, for a hedgerow along a rough track on her property. From "Uprooted": “Surely I could plant something with more to offer, a plant that would enrich our wild habitat.” I can attest to the beauty of this native tree which grows at the edges of our marsh. It can get as tall as 15 feet and has a wide spread if given the space and light. Flowers in spring, nutritious berries for birds in fall.
Deborah Munson is one of our area’s top horticulturalists and landscape designers, who happily admits that her approach to garden design changed over the past decade: “In an ecologically driven garden/landscape I love a wilder and much freer style where there is little to no delineation between the wild and cultivated landscape and incorporating natives as often as possible; a landscape that over time can find its own way, being nudged occasionally by the human hand, often planted to allow the plants to drive the design, allowing self-sowing and covering ground.” One of her favorite native plant combinations is “shadblow, Amelanchier arborea underplanted with our native foam flower, Tiarella cordifolia and miterwort, Michella diphylla is a favorite combo. Add some snowdrops and white daffodils if you’re not a ‘native only’ purist.”
Out with precision edging. Out with yards of trucked-in mulch covered beds: “We can often create our own mulch on site by composting leaves and other garden debris as well as using plants as a living mulch. One should be aware that trucking in products can often bring new diseases and pests.”
Key to our new mindset, Munson reminds us, is "learning about a plant’s behavior… i.e. invasives (don’t plant) or colonizers (be careful what you ask for.) Is it a generalist, a plant that will grow almost any condition or specialist; for example, a plant that will only grow in wetlands or only in well drained acidic conditions?”
Many of Dickey's and Munson’s favorite native plants — from Redbud to Shadblow to Clethra, Sweet Fern, Viburnum Lentago and Anenome Canadensis — will be available from the Northwest Conservation District annual plant sale. You can preorder at nwcd.org and attend April 19-21 at Goshen fairground.
More on spring plant selection in next month’s column. If you have any questions regarding spring planting, please send them to dee@theungardener.com
Dee Salomon “ungardens” in Litchfield County.
Author and cartoonist Peter Steiner signed books at Sharon Summer Book Signing last summer.
The 27th annual Sharon Summer Book Signing at the Hotchkiss Library of Sharon will be held Friday, Aug. 1, from 4:45 to 7:30 p.m.; Saturday, Aug. 2, from 10 a.m. to 4:30 p.m.; and Sunday, Aug. 3, at noon.
Friday’s festivities will honor libraries and the power of the written word. In attendance will be 29 locally and nationally recognized authors whose books will be for sale. With a wide array of genres including historical fiction, satire, thrillers, young adult and non-fiction, there will be something for every reader.
The event will include a selection of hors d’oeuvres and drinks, followed by eight festive author dinners where writers will read and discuss their work one-on-one with attendees.
Saturday will feature a new Page to Plate program that merges the literary and culinary worlds. Just as writing is a practice of patience and love, so too is the art of cooking. Cookbooks and food writing make cooking teachable to those excited to learn and celebrate the art of a perfect meal.
Through a combination of demonstrations and conversations, acclaimed cookbook authors and chefs will cover a variety of delicious topics. Highlights include a discussion with Chris Morocco, food director of “Bon Appetit” magazine and “Epicurious.” Sharon resident and chef Jessie Sheehan will demonstrate recipes from her cookbook “Salty, Cheesy, Herby, Crispy Snackable Bakes: 100 Easy-Peasy, Savory Recipes for 24/7 Deliciousness.”
With the combination of vetted recipes and thorough discussion from food experts, attendees are sure to leave knowing how to cultivate the ultimate act of service: the gift of a full stomach.
Sunday will be brunch at a private Sharon residence hosted by Graham Klemm and Cody O’Kelly to celebrate author Carolyn Klemm and her cookbook “Culinary Collection: Favorite Country Recipes.”
For more information and to purchase tickets, visit hotchkisslibraryofsharon.org
All proceeds support the programs at The Hotchkiss Library of Sharon.
Ukraine Emergency Fundraiser at The Stissing Center in 2022 raised over $120,000 for Sunflower of Peace.
The spirit of Ukraine will be on display at the Stissing Center in Pine Plains on Sunday, July 27. Beginning at 5 p.m., the “Words to America from Ukraine” fundraiser is set to showcase the simultaneous beauty of Ukrainian culture and the war-time turmoil it faces, all the while fundraising in support of Ukrainian freedom.
“Words to America from Ukraine” aims to remind and spread awareness for the suffering that often gets forgotten by those who live in comfortable worlds, explained Leevi Ernits, an organizer for the event. “We are trying to make an attempt to remind people that we are human, and we are connected with human values,” she said. “With very few words, poetry can express very deep values.”
Sponsored by the Town of Stanford, Friends of Ukraine, L.E. Design LLC, Bartelby & Sage, Oblong Books and Borshch of Art, the fundraiser will host the recitation of war-time Ukrainian poetry. Readings will include the works of Vasyl Sagaydak, Oksana Lutsyshyna, Serhiy Zhadan, Victoria Amelina, Marjana Savka, Ostap Slyvynsky, and Mariana Harahonych.
“Poems are fishhooks into our souls,” added Mark Lagus, another event organizer, explaining why poetry was chosen for the main event.
Guests will also enjoy a performance by Ukrainian Village Voices, a New York City- based band dedicated to preserving and promoting traditional Ukraining Folk music. The evening will also feature speakers Jed Sunden and Maria Genkin, along with a live auction. Food and drink will be provided by Bartelby & Sage, a sustainable, local and female-owned company.
All ticket proceeds, bids, and donations will go directly to Razom for Ukraine, a U.S.-based nonprofit. Razom, meaning “together” in Ukrainian, has the mission of “contributing to the establishment of a secure, prosperous and democratic Ukraine,” through “creating, inspiring, and collaborating on initiatives that motivate people to think, partner and do.”
Tickets, donation opportunities, and more information are all available by visiting www.wordsfromukraine.org
Celebrating its 45th year, the Grumbling Gryphons will perform at HVRHS Friday, Aug. 1, at 7 p.m.
The Grumbling Gryphons Traveling Children’s Theater is preparing to celebrate its 45th year — not with fanfare, but with feathers, fabric, myth, chant, and a gala finale bursting with young performers and seasoned artists alike.
The Gryphons’ 2025 Summer Theater Arts Camp begins July 28 and culminates in a one-night-only performance gala at Housatonic Valley Regional High School on Friday, Aug. 1 at 7 p.m. Founder, playwright, and artistic director, Leslie Elias has been weaving together the worlds of myth, movement and theater for decades.
“We’re a touring company that is participatory,” Elias said with her trademark storytelling cadence. “Even when there’s no pre-performance workshop, it’s still participatory. Always.”
Founded in 1980 “in a little basement apartment on the lower east side with co-founder Vanessa Roe,” said Elias,Grumbling Gryphons (recipients of the 2003 Connecticut Governor’s Arts Award) has long occupied a unique niche: part performance troupe, part educational outreach, part community ritual. Whether dramatizing Greek myths, Native American legends, or original tales about bees and bogs, the company’s ethos centers on inclusion, transformation, and hands-on engagement.
This summer’s camp offers children ages six and up five fast-paced days of storytelling, acting, mask-making, and rehearsal. The first three days will take place at Elias’s own home studio — a tucked-away space filled with costumes, puppets, and instruments — before moving into full performance prep mode.
“In the ideal world, we would have more time,” she laughed. “It’s a lot of pressure to be performing for the public after five days. But we’re going to do our best.”
The gala performance, she explained, is a kind of theatrical mosaic — scenes and excerpts from Grumbling Gryphons’ vast repertoire, some showcasing seasoned adult performers and others giving campers center stage. The cast will include returning campers, newcomers, and guest artists drawn from the Gryphons’ decades-spanning circle of collaborators including mask maker and artist Ellen Moon.
“We’re still figuring out exactly what we’ll do,” said Elias, “but it’s kind of like a smorgasbord… a celebration. And it’s open — if anybody wants to get their kids involved, or even volunteer, we welcome you.”
Photo provided
Elias’s own theater background winds through early improvisational schools, Viennese dance traditions, and experimental spaces like Henry Street Settlement. As a child on Long Island, she studied with jazz pianist Ivan Fiedel and dancer Rosalind Fiedel, eccentric mentors who nurtured her taste for the surreal and spontaneous.
“Mr. Fiedel was a character,” she recalled. “He would smoke a cigar… and take the cigar in his ear and the smoke would come out the other end. I don’t know how he did it.”
Elias built Grumbling Gryphons with this sense of magic — not as a traditional company, but as a living, evolving story in itself. Whether working with preschoolers or middle-schoolers, audiences in botanical gardens or historic town halls, the Gryphons invite kids to become creators — to chant, to improvise, to embody archetypes from ancient lore or environmental parables.
And that’s what this summer’s camp and gala are all about. “It’s more than theater,” Elias said. “It’s myth, poetry, movement — it’s about building self-esteem, imagination. It’s about transformation.”
For more information, to register a child for the 2025 Summer Theater Camp, or to inquire about volunteering, visit grumblinggryphons.org
Attendees practive brushstrokes led by calligraphy teacher Debby Reelitz.
Calligrapher Debby Reelitz came to the David M. Hunt Library to give a group of adults and children an introduction to modern calligraphy Thursday, July 17.
Reelitz said she was introduced to calligraphy as a youngster and has been a professional calligrapher and teacher for more than 25 years.
She said there is no age barrier to learning the basics. “Once children can hold a pen or pencil, they can do it.”
Reelitz said her 5th-grade teacher introduced her to the art.
Then her mother pressed her into service doing the lettering for “4-H certificates and gift cards.”
Reelitz handed out a sampler and blank sheets of paper and then turned to the easel for demonstration purposes.
She noted that the letters (I,T,H,L,E and F) on the top row of the sampler were not alphabetically arranged.
Rather, they comprised a “latter family” of similar shapes.
Soon enough the entire group of six adults and three children were concentrating and turning out decent versions of the letters
Reelitz alternately demonstrated and encouraged the novices.
“Remember, this is not an instant gratification skill.”