State denies Shepherd’s Run 60MW solar project

State denies Shepherd’s Run 60MW solar project
Farmland vista where the proposed 880-acre, 60 megawatt Shepherd’s Run Solar Farm is planned along Route 23 at the entryway to the rural hamlet of Copake. Opponents say the project, big enough to power the equivalent of 15,000 homes annually, would detract from the scenic farmland community.
Photo by John Coston

COPAKE — The state approved the Town of Copake’s motion to dismiss last week, ending Hecate Energy LLC’s bid to build a 60-megawatt solar farm, known as Shepherd’s Run, at the at the intersection of Routes 23 and 7.

The executive director of state Office of Renewable Energy Siting (ORES), Houtan Moeveni, issued a decision Tuesday, Feb. 6, following a month of legal filings that were triggered after it became known that Hecate had lost control of a parcel of land that had been part of the proposal.

“The Town’s motion to dismiss the application is granted, and the application is denied without prejudice to Hecate’s submission of a new application for a modified project,” Moeveni wrote in his decision.

“The ball’s back in Hecate’s court,” said Richard Wolf, supervisor of the Town of Copake.

Approximately 75 residents attended a town board meeting on Thursday, Feb. 8 to hear about the state’s decision. Wolf said many urged the town to stay the course in seeking the best possible solution for renewable energy in Copake.

“This is not over,” he told residents.

Hecate Energy could not be reached for comment.

Last August, ORES had issued a notice of “complete application” and the project was on track until it became apparent that the company had lost access to the 60-acre parcel.

That parcel, initially included in the project, would have hosted up to 20% of the farm’s solar panels, and provide for a “laydown area” and road access to adjacent parcels. The project footprint spans 880 acres with a solar array covering about 220 acres.

The Town of Copake filed with the ORES office seeking dismissal of Hecate’s application based on the new information and claiming that a redesign of the project is required.

Hecate Energy responded in a filing in late January that the company planned to submit a revised application, and would reduce the generating capacity of Shepherd’s Run from 60MW to 42MW as a result of the loss of the 60-acre parcel.

In that filing, Diane Sullivan, a senior vice president of environmental and permitting at Hecate Energy, said that the company planned to submit a revised plan within 60 days. Hecate also argued that Moaveni had leeway to “proceed in ways not addressed by the ORES staff response.” The agency’s staff, citing Executive Law 94-c, disagreed that there was a way to proceed, as Hecate said in its filing “without requiring an unnecessary, time consuming and potentially complex full withdrawal and resubmission of an entirely new application.”

Moeveni’s decision noted the law’s “efficient, equitable, and predictable process for the expeditious review of major renewable energy facilities […] without compromising environmental protection and community participation.

“Departing from that process to address Hecate’s own mistake is unsupportable as a matter of law, and would adversely impact the integrity of the Executive Law 94-c.”

Sensible Solar for Rural New York, a group of citizens opposed to the project, concurred with the town’s motion to dismiss Hecate’s application.

Latest News

Juneteenth and Mumbet’s legacy

Sheffield resident, singer Wanda Houston will play Mumbet in "1781" on June 19 at 7 p.m. at The Center on Main, Falls Village.

Jeffery Serratt

In August of 1781, after spending thirty years as an enslaved woman in the household of Colonel John Ashley in Sheffield, Massachusetts, Elizabeth Freeman, also known as Mumbet, was the first enslaved person to sue for her freedom in court. At the time of her trial there were 5,000 enslaved people in the state. MumBet’s legal victory set a precedent for the abolition of slavery in Massachusetts in 1790, the first in the nation. She took the name Elizabeth Freeman.

Local playwrights Lonnie Carter and Linda Rossi will tell her story in a staged reading of “1781” to celebrate Juneteenth, ay 7 p.m. at The Center on Main in Falls Village, Connecticut.Singer Wanda Houston will play MumBet, joined by actors Chantell McCulloch, Tarik Shah, Kim Canning, Sherie Berk, Howard Platt, Gloria Parker and Ruby Cameron Miller. Musical composer Donald Sosin added, “MumBet is an American hero whose story deserves to be known much more widely.”

Keep ReadingShow less
A sweet collaboration with students in Torrington

The new mural painted by students at Saint John Paul The Great Academy in Torrington, Connecticut.

Photo by Kristy Barto, owner of The Nutmeg Fudge Company

Thanks to a unique collaboration between The Nutmeg Fudge Company, local artist Gerald Incandela, and Saint John Paul The Great Academy in Torrington, Connecticut a mural — designed and painted entirely by students — now graces the interior of the fudge company.

The Nutmeg Fudge Company owner Kristy Barto was looking to brighten her party space with a mural that celebrated both old and new Torrington. She worked with school board member Susan Cook and Incandela to reach out to the Academy’s art teacher, Rachael Martinelli.

Keep ReadingShow less
In the company of artists

Curator Henry Klimowicz, left, with artists Brigitta Varadi and Amy Podmore at The Re Institute

Aida Laleian

For anyone who wants a deeper glimpse into how art comes about, an on-site artist talk is a rich experience worth the trip.On Saturday, June 14, Henry Klimowicz’s cavernous Re Institute — a vast, converted 1960’s barn north of Millerton — hosted Amy Podmore and Brigitta Varadi, who elucidated their process to a small but engaged crowd amid the installation of sculptures and two remarkable videos.

Though they were all there at different times, a common thread among Klimowicz, Podmore and Varadi is their experience of New Hampshire’s famed MacDowell Colony. The silence, the safety of being able to walk in the woods at night, and the camaraderie of other working artists are precious goads to hardworking creativity. For his part, for fifteen years, Klimowicz has promoted community among thousands of participating artists, in the hope that the pairs or groups he shows together will always be linked. “To be an artist,” he stressed, “is to be among other artists.”

Keep ReadingShow less