
Hecate Energy’s Matt Levin, center, discusses detail of the Shepherd’s Run project with Copake residents who attended an open house on April 3, 2024, in Hillsdale.
John Coston
Hecate Energy’s Matt Levin, center, discusses detail of the Shepherd’s Run project with Copake residents who attended an open house on April 3, 2024, in Hillsdale.
COPAKE — The proposal to build a 42-megawatt solar farm is coming into sharp focus this week as state legislators criticize the plan ahead of a decision due from Albany and an announcement from Hecate Energy LLC to hold a virtual open house for residents.
The pros and cons of Shepherd’s Run Solar Farm have been debated since 2017. Last spring the state denied Hecate’s application. In December, the company refiled, triggering a 60-day period for the state to respond. That clock runs out on Friday, Feb. 21. Hecate will hold its virtual open house on Wednesday, Feb. 19 at 4 p.m.
In the weeks since the new filing, comments for and against have been submitted by residents, groups, and recently by state legislators.
State Sen. Michelle Hinchey, D-41, who chairs the Agriculture Committee, wrote to Zeryai Hagos, executive director of the Office of Renewable Energy Siting, ORES, on Feb. 12, stating: “I have followed this issue closely over the past few years, and not only does this project pose significant risks to our environment and water supply, I believe Hecate has acted in bad faith throughout the process.
“It is hard for me to understand why ORES is still going through the review process with a proposal it has already found to be flawed and worthy of dismissal,” she wrote.
State Assemblymember Didi Barrett, D-106, who chairs the Energy Committee, wrote to Gov. Kathy Hochul on Feb. 5, expressing concerns “of many of my constituents, including the Town of Copake leadership.” Barrett noted to the governor that this was her third letter concerning the project since Hochul took office.
“It has been my experience that from the outset,” Barrett wrote, “Hecate has failed to act in good faith, neither communicated with or addressed the concerns of the Town leadership and community as a whole.
“As an example, the newest application still does not reflect the recommendations of the community-wide Craryville Gateway Working Group, which I served on for several years. The application also fails to take into consideration the Department of Environmental Conservation’s newly enacted wetland regulations.”
In her letter, Barrett quoted Hochul, who in a 2023 veto message said: “It is incumbent on renewable energy developers to cultivate and maintain strong ties to their host communities throughout the planning, siting, and operation of all large-scale projects.”
Hudson Mayor Kamal Johnson wrote about concerns the city’s Common Council cited in October 2024 about the safety of Hudson’s water supply. The Hudson Council adopted a resolution in opposition of the Shepherd’s Run project siting on the watershed of Taghkanic Creek, which supplies 100% of the water for the city.
“Unfortunately, we have not seen any evidence that the protection of the Taghkanic Watershed, and thus, Hudson’s water supply, or compliance with 10 NYCRR 109.1, has been addressed in Hecate’s application to ORES,” Johnson wrote. “We do not consider platitudes by the developer promising to rely on an Environmental Monitor (which Hecate appoints) to ‘promote avoidance of unpermitted wetland impacts’ a substitute for guaranteed assurances that no harm will come to Hudson’s water. We can point to examples of instances where water supplies have been negatively impacted by solar facilities, and if there’s even a chance that could happen to Hudson, it must be seriously addressed BEFORE any permit is issued.”
Sensible Solar for Rural New York, a group of citizens, this month reiterated its opposition to the project. Sara Traberman, of Sensible Solar, wrote: “It is clear that Hecate’s application fails to address extremely important potential impacts of this project, including wetland damage, risks to Hudson’s drinking water, and fire risks to the nearby Taconic Central School and Audubon Rheinstrom wildlife sanctuary. ORES should not grant it a permit.”
Friends of Columbia Solar, whose members are residents of the community who support Shepherd’s Run,has submitted supporting comment on the ORES website. Following Hecate’s refiling of the application, Dan Haas, representing the group, wrote:“What’s needed now is not more pointless delays, but as quick a start as possible towards the completion of a solar facility that will benefit not only the Town of Copake but, given the urgency of climate action, the planet Earth as well.”
The project has drawn more than 200 comments filed on the ORES website.
Hecate’s Matt Levine, senior director of development, said the newly submitted application includes changes based on community feedback. Some of them are: excluding battery storage; native tree and shrub planting to minimize sightlines for neighbors; extending and connecting local hiking trails and recreational and education opportunities; providing for sheep grazing and several other priorities discussed with residents.
Levine also stated in an email: “Hecate is committed to ensuring the Shepherd’s Run Solar Farm is built in way that preserves and protects the natural resources of Copake and the surrounding community. After extensive reviews covering every aspect of the project’s impact on the Taghkanic Creek Watershed, it is clear that building Shepherd’s Run will actually improve water quality — especially compared to current land use — as Troy Weldy from the Columbia Land Conservancy noted in a presentation to the Conservation Advisory Council in Hudson earlier this month.
“As our permit application moves forward, we will continue to engage with the community to ensure their concerns are incorporated so we can build a project that helps New York meet its clean energy goals while preserving and protecting the natural beauty of Columbia County. As I said in my letter to the community, the project has already been greatly improved by incorporating the feedback we have heard along the way.”
Town of Copake Supervisor Richard Wolf, who has regularly posted solar updates on the town’s website, updated the status at a Feb. 13 board meeting. In an interview he criticized Hecate.
“This belated invitation to a virtual meeting is another example of Hecate’s lack of engagement with the town, with the town’s people and it’s scheduled for midweek when they well know that weekenders won’t be here and anybody who is working may well not be available, anybody with children may not be available and the fact that they don’t have the courtesy to come and meet with the community in person is another indication of their approach to this entire matter.
“The timing, of course, right at the end of the 60-day period is further evidence,” Wolf said.
Dancers from Pilobolus will perform at the NWCT Arts Council spring fundraiser on April 26 in Washington Depot, Conn.
On Saturday, April 26, the Northwest Connecticut Arts Council will host a special evening, Arts Connected, their spring fundraiser celebrating the power of creativity and community. Held at the Bryan Memorial Town Hall in Washington Depot from 5 to 8 p.m., this event brings together artists, performers, and neighbors for a magical night filled with inspiration, connection and joy.
Award-winning designer and arts advocate Diane von Furstenberg and her granddaughter Antonia Steinberg are honorary co-chairs of the event. Their shared love of the arts informs the spirit of the evening.
Antonia Steinberg, above, President of Bucks Rock Camp in New Milford that she first attended as a camper when she was ten years old. Antonia is co-chair, with her grandmother Diane Von Furstenberg of the NWCT Arts Council fundraiser.Provided
“As someone whose life was profoundly shaped by the arts — as a child at Buck’s Rock and now as President of its Board — I’ve seen firsthand the transformative power of the arts; how creative spaces can empower young people, build community, and nurture well-rounded problem solvers. That’s why I’m so honored to co-host the Northwest CT Arts Council Gala. Their work in supporting artists and cultural organizations across Connecticut is essential,” said Steinberg.
Von Furstenberg’s influence in fashion and culture, and Steinberg’s leadership at Buck’s Rock reflect the intergenerational impact of the arts,” said NWCT Arts Council board president Sunday Fisher. “Their participation underscores the power of creative expression as a defining force in our community.” Steinberg is the president of Buck’s Rock Camp, a non-profit performing and creative arts camp in New Milford that she first attended as a 10-year-old camper.
Diane Von Furstenberg, co-chair of NWCT Arts Council fundraiser.Provided
Steph Burr, executive director at NWCT Arts Council, added, “Events like Arts Connected are at the heart of what we do — bringing people together, lifting up artists, and reminding us of the essential role creativity plays in our lives. The Council works year-round to ensure the arts not only survive but thrive across our region.”
NWCT Arts Council is a nonprofit that serves as advocates for the arts. Through regranting efforts, public art support, legislative advocacy, and their regional events calendar, they work to ensure the arts are accessible and celebrated in every corner of their 25-town service area.
Burr continued, “The arts in Northwest Connecticut are vibrant, evolving, and deeply rooted in community. There’s a quiet but powerful creative pulse running through these hills — one that reflects the resilience, diversity, and passion of the people who call this region home. Over the past few years, artists and cultural organizations have navigated challenges with heart and determination, despite ongoing funding volatility. Through our advocacy and collaborative programming, we ensure the arts remain essential and accessible in our community.”
Highlights of the April 26 fundraiser include performances by Pilobolus, Sherman Chamber Ensemble, Ysanne Marshall & the Lotus Blues, hand pan musician Jeremy Driscoll, and a curated art exhibition, NW25 Gallery, featuring local artists. Sponsors Litchfield Distillery, Kent Falls Brewing Company, and Executive Cuisine catering will provide the food and drink.
Ticket prices are $125, open to guests 21 and older, available online at givebutter.com/artsconnected.For more information or to ask about sponsorship opportunities, email Katherine Pelletier at katherine@artsnwct.org or visit givebutter.com/artsconnectedsponsorship.
Arts Connected is made possible thanks to the generous support of sponsors; Antonia Steinberg is sponsoring all the artists for the event and Valiant Energy and Torrington Savings Bank are presenting the event.Additional sponsors include William Raveis Lifestyle Realty, Litchfield Magazine, Housatonic Heritage, Art Bank 7, Harney & Sons Teas, Aquarion Water, The Lost Fox Inn, George Home, NKYV Rituals, and Litchfield Distillery.
Lily Al-Nemri, founder and owner, and artistic director and painter Rudy Vavra at Tyte medispa and gallery in Millbrook.
The painter Rudy Vavra once created floor collages in Texas. You could, in theory, lie on them. Now, years later and much farther north, his work graces the walls of a medispa in Millbrook, New York where he also serves as the artistic director. You can still lie down, just not on the art. Instead, you might be undergoing an EmFace non-surgical facelift while surrounded by twenty-two of Vavra’s paintings.
The space, Tyte Medispa in Millbrook, is equal parts gallery and treatment center, the brainchild of Lily Al-Nemri, a medical aesthetician and now gallery owner. She also owns the nail salon, Bryte, down the street on Franklin Avenue. A few years ago, feeling she was outgrowing that space, she looked to expand and, just a few blocks away, found this rather sprawling maze of rooms with the gallery that now inhabits the grand central ballroom. “This used to be a gym,” she said. “It was way more than I was looking for, but I went for it.”
Vavra, a self-professed “painter’s painter,” has spent decades layering pigment in his barn-turned-studio in Milan, New York. “I find paintings as much as I make them,” he mused. “Some happen quickly, others are slow.” Of this latest collection, he said, “Some people call them busy. I think they’re slow.” His marks accumulate with a kind of devotional persistence, like petals left at a shrine. “A while ago, I saw a photographic image of a shrine,” Vavra said. “I don’t know if it was a Buddhist shrine or what, but there were colors on the ground all around it, and I realized they were the stains of flowers left in the worship. That’s very similar to the way I paint.”
The collection of paintings on view at Tyte — some as large as a shrine — are meditations on color, inviting the viewer to slow down. Or speed up. Whether viewers are activated or soothed by the images is neither Vavra’s intention nor within his control. Still, he said that watching people interact with the work has been a real treat. “Now that I have my paintings here, I get to see them all together,” he said. “It’s only when they’re all together that I see how they talk to each other. It’s interesting to see people come in and go to have a treatment and come out. It’s a very interesting connection.”
And what is the connection? What could be a disjointed pairing — aesthetics and aesthetic medicine — has become, improbably, a perfectly logical continuum. “They’re related in a sense,” Vavra said.
Aly Morrissey
Al-Nemri, a former radiologist who taught for over a decade at Westchester Community College, is no stranger to layering, precision, or the quiet rigor of care. Her incredible menu of services — Botox, body contouring, pelvic floor therapies — are the cutting edge of the industry. Of Vavra, Al-Nemri said, “I fell in love with his work, and we just hit it off.” It’s a kind of kismet that seems to hover over the place. Pilates mat classes take place twice a week in the main gallery space and both Al-Nemri and Vavra have loved watching clients pause, eyes caught by a stripe of cerulean or a vibrating cluster of brushstrokes. “Something will catch their eye,” said Vavra. “They’re looking for something in it.”
So, this gallery-meets-spa (or is it the other way around?) has plans. Vavra will be curating six shows a year. Laurie Adams’s photographs will be hung in June, a group show of local artists will share the space in July and August, and a Fall show will feature twenty women artists, which Vavra is eager to anchor with a piece by Judy Pfaff. “There’s nothing like this on this side of the county,” he said of the light drenched space. “It’s been a bit sleepier here. We want to wake it up.”
He means it kindly; sleep certainly has its place. But here in Millbrook, amid the low drone of machines designed to rejuvenate, something unexpected has emerged. Perhaps that’s what both Al-Nemri and Vavra are really after — not the quick fix or the final image, but the suspended moment, the long look. A face seen anew. A painting revealed slowly, in silence.
As for Vavra’s curatorial process? “I just unpack the paintings, lean them against the wall, and look,” he said. “Eighty percent of the time, they’re already where they’re supposed to be.”