Sharon Hospital: A rural hospital’s routine

Dr. Ron Santos, right, director of Sharon Hospital’s Emergency Department, reviews a patient chart with medical staff.
Photo by Debra A. Aleksinas


Editor’s note: Sharon Hospital’s plans to eliminate Labor and Delivery and substitute its Intensive Care Unit with a Progressive Care Unit have captured headlines for months. This story takes an overall look at the hospital’s services.
SHARON — A bloodcurdling wail from a young child in distress pierces the calm inside Sharon Hospital’s Emergency Department, drowning out the soft, rhythmic beeps of nearby monitors. Doctors and nurses are huddled around the lone patient on this weekday afternoon in one of the department’s 10 treatment rooms, which were filled to capacity the prior evening.
Dr. Ron Santos, who has served as director of the Emergency Department for 12 years, described the ED as a no-judgment zone, where all who enter are treated with equal doses of attention and care, whether they present in dire straits or for less-serious injuries or health issues.
“We’re here to help people when they think they are having an emergency,” said the physician. “We never want to minimize their concerns.”
The ED, which is staffed 24 hours per day, seven days a week, 365 days of the year and on average treats about 40 patients per day, is often the first point of contact between patients and the hospital.
But it is hardly the only department in the 78-bed, 250,000-square-foot, acute-care hospital providing services to the community. On average, about 250 people receive inpatient and outpatient services in a single weekday, according to hospital officials.
A walk through the departments
A recent late September tour, guided by President Christina McCulloch, offered insight into the daily operations of the
community hospital, from some of the traditional services available in the full-service community hospital, to new enhancements including a telehealth kiosk allowing virtual care for oncology, neurology and infectious diseases, enhanced stroke support and care, state of the art imaging and expanded senior behavioral health and women’s health services.
McCulloch walks and talks as she approaches the Labor and Delivery unit, where two of the department’s six beds are occupied. Except for the presence of a security guard outside the hallway leading to patient rooms, all is silent.
L & D, a year after plans to close were made public
Labor and Delivery, which sees less than one birth per day, has been a controversial topic since Sharon Hospital’s parent company, Nuvance Health, unveiled plans a year ago to shutter the maternity unit and transform Intensive Care into a Progressive Care Unit.
McCulloch said the “long-term goal is to have everything available for women’s health services outside of delivering babies, either here in Sharon, or to be able to connect people to services outside of our catchment area.”
Finances are the driver
Nuvance leadership maintains the cuts are financially necessary to remain open and stable in the long-term, and are needed to staunch the $41 million in red ink annually, a situation described as “unsustainable” in an independent analysis from the hospital consulting firm Stroudwater Associates.
Part of its transformative plan is boosting investments in key services tailored to the demographic it serves. Sharon Hospital’s service population is older than Connecticut and national averages.
Connecticut’s Office of Health Strategy (OHS) plans to hold a public hearing on Sharon Hospital’s application on Tuesday, Oct. 18, via Zoom.
“I am aware that Nuvance has increased its social media and written communication about Sharon Hospital, which had been non-existent for years,” noted Nancy Heaton, CEO of the Sharon-based Foundation for Community Health, which helped fund the Stroudwater report. “I know, too, that they have conducted many small community meetings in hopes of communicating directly with residents about their intentions.”
Heaton commended the hospital for its recruitment and retention of physicians, especially primary care physicians, to the area.
Telehealth initiative
Soft light streams though the window of a cozy room with a small, round table, two comfortable chairs facing a very big wall monitor. Located just inside the entrance to maternity, the area houses a new telehealth kiosk. The fully staffed set-up allows patients to make face-to-face virtual appointments with an oncologist, neurologist or infectious disease specialist.
McCulloch explained that the kiosk was installed in response to needs expressed by the community for access to specialty services.
The telehealth kiosk fills that gap, she said. “A person can make an appointment to see an oncologist, then have labs and testing done here, without having to leave Sharon.”
Transportation is a challenge in rural areas, made especially difficult in one with an aging demographic. Sharon Hospital’s patient service area straddles the remote Connecticut/New York border area comprising 41,573 residents.
Thirty-five percent of the hospital’s total service area population is from Connecticut and 65 percent is from New York.
Radiology, behavioral services
With a tap of a badge, the heavy double door swings open to the radiology/imaging department, where an average of 12 people visit daily. We are greeted by a smiling Ken DiVestea, the unit’s director. A patient is currently occupying the state-of-the art MRI machine, so that is off-limits to the tour, but DiVestea is excited to show off a high-tech 3-D imaging mammography unit.
The hospital recently invested in a new MRI machine, as well as a state-of-the art, 3-D mammography unit, the “gold standard” for detecting breast cancer, and DiVestea said he is awaiting delivery of a new bone density system in early 2023.
“We really are trying to offer everything we can to the community,” McCulloch said.
That includes expansion of the hospital’s senior behavioral services, she said.
“Historically we’ve had a 12-bed geriatric psychiatric unit, but now we have 17 beds,” she said, making the Sharon facility one of only three geriatric psych centers in the state, serving Massachusetts, New York and Connecticut.
Patients come from either extended care facilities, or Sharon Hospital’s ED, and stay overnight with most stays involving two weeks of intensive therapy and medication adjusting for individuals suffering from dementia, anxiety, depression, schizophrenia and a range of disorders affecting the elderly.
Wound center
Treating open wounds does not sound like the kind of job that fits everyone. But for the staff at the Outpatient Wound Center, helping patients change dressings and promote healing of wounds that are post-surgery or infected, or painful or difficult to heal, is all in a day’s work. “We love what we do!” said lead nurse Tracey Waite.
A daily average of 12 patients pass through the outpatient wound unit. This department comprises a team of doctors, nurses and therapists including Waite, Dr. Amy Tocco and Dora Proe at the unit’s front desk. They provide individualized treatment to help people, such as those with diabetes or vascular issues, return to their normal daily activities. The Wound Center’s three clinic rooms have seen an uptick in patients recently, attributed to Waite’s outreach efforts.
“I go around communicating with other providers, reminding them that we’re here,” said Waite.
Surgical services
Next, we arrive at the hospital’s Surgical Unit. Dr. Mustafa Ugurlu, a general surgeon who has headed the department for the past six years, has just concluded a meeting with Susan Strobino, the unit’s Licensed Practical Nurse (LPN). Strobino emerges from the office with an armload of surgical supplies, and Ugurlu takes a few minutes to reflect on a recent increase in elective surgeries.
“Good volume” is how Ugurlu described the pace of elective surgeries. The surgeon said patient feedback reveals they are willing to travel a little farther to receive a high level of care at a hospital that is not congested and where they don’t face excessive wait times to book appointments. About 35 people per day on average are inpatients at the hospital.
Rehab a busy place
A small, green bean bag is hurtling toward my feet as I enter the hospital’s Rehabilitation Department. Giggles erupt just around the corner, where a small boy is taking delight in tossing the bean-filled pouches down the hallway. Nearby, two patients are lying on benches awaiting the physical therapist’s healing touch, and another is performing stretching exercises under the guidance of staff. Tuesdays and Thursdays, according to staff, are especially “crazy busy,” when it’s not uncommon for 60 to 70 patients to be booked for services with physical, occupational and speech pathologists.
“We see patients who have orthopedic surgeries and injuries, neurological disorders like Parkinson’s disease and stroke, vestibular and balance disorders, swallowing and voice disorders, as well as children with developmental delays or orthopedic injuries,” according to Melissa Braislin, director of rehabilitation services and cardiac rehab.
The hospital’s rehab department also offers various support groups and activities to the public, including a Stroke Support Group, Total Joint Camp and an Arthritis Exercise Class. With the exception of the exercise class, those programs are free.
Braislin said the recent closing of Outpatient Physical Therapy at Geer Village Senior Community in North Canaan led to an influx of appointments. “We have seen an increase due to Geer PT closing,” said Braislin.
Graham Corrigan
Jorma Taccone, left, takes part in a Q&A before a screening of "Hot Rod" at Four Brothers Drive-In in Amenia on Aug. 31, 2023.
AMENIA — Four Brothers Drive-In will host a screening of the new dark comedy Over Your Dead Body on Thursday, Aug. 6, with director Jorma Taccone on hand for a pre-screening Q&A as part of a partnership with the Boondocks Film Society.
The film stars Samara Weaving and Jason Segel as a married couple. Each is secretly plotting to kill the other. Taccone, a North Canaan resident and founding member of the comedy troupe The Lonely Island, will discuss the film before the screening.
The event marks the third time Taccone has screened one of his films at Four Brothers, following presentations of Hot Rod and MacGruber. He first discovered the drive-in while passing through Amenia and later reached out to its owners about hosting a screening.
"The Four Brothers Drive-In is a delight on every level,” said Taccone. “I had never been to a drive-in movie theater before attending the screening of Hot Rod at Four Brothers. I will forever pat myself on the back for forcing John and Boondocks Film Society to play the movie there.”
Drive-in movie theaters like Four Brothers are a return to better days when people gathered together to celebrate life, community, art, and miniature golf. I'm a big fan.”
Jeff Palfini, a Boondocks co-founder alongside Cindy Heslin, says the Drive-In has been a perfect partner. Boondocks has hosted 15 events there, by Palfini’s count.
“It’s a well-oiled machine,” Palfini said. “And our audience loves it. They’re always asking when we’re going to do another movie at the Drive-In.”
In their nine years of operation, Boondocks Film Society has become a pillar of the local film community. Screenings have moved beyond the Northwest Corner into the Hudson Valley area, and programming has expanded to include premieres and Q&As, like the Over Your Dead Body event next week in Amenia.
Palfini said the film feels particularly well-matched to its venue. It’s set in the woods and “jump scares and a drive-in go hand-in-hand.”
But it all started in North Canaan.
Palfini said the re-opening of the Colonial Theatre in 2017 inspired their first screening — a little-known '90s film starring Johnny Depp, Faye Dunaway, and Jerry Lewis called Arizona Dream. “We decided early on that the way to get people out was to have the events be in a variety of places,” Palfini said. “Sometimes theatrical settings, and sometimes very non-traditional settings.”
Boondocks has emphasized that uniqueness by finding local food partners to create custom menus that referenced the films. The same goes for the playlists that welcome attendees — the music references the source material in a way that beckons audiences to a deeper understanding of the film.
Thus far, it’s been working. Palfini and his team aren’t looking to change things, despite the recent news that the Colonial Theatre is on the market. Palfini helps to manage the theater, but he says one of Boondocks strengths is their ability to be mobile. “Over the years, I think we made a smart decision in terms of the sustainability of this thing by making it a pop-up. It removes almost all of the financial pressure.”

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D.H. Callahan
Bernie Williams and his Band of Friends at Millbrook Winery in 2025.
Throughout the history of Major League Baseball, precious few greats have been considered five-tool players. New York Yankee Bernie Williams was one of them.
To be considered a five tool player, one must show exceptional proficiency in five categories: hitting for average, hitting for power, running bases, fielding and arm strength. But there’s another tool Williams possesses that didn’t make it to the back of his baseball card: his mastery of jazz guitar.
On Aug. 1 at Millbrook Winery, that elusive sixth tool will take center stage as Williams and his Band of Friends return to the Vineyard for a night of jazz, wine and possibly a baseball reference or two.
Williams is best known for his legendary career with the Yankees. During his 15 years with the Bronx Bombers, he won four World Series championships, four Gold Glove awards and one Silver Slugger award in 1998, the same year he won the American League batting title, making him the first player in history to win a Gold Glove, a batting title and a World Series in the same year. Oh yeah, he was also an MLB All-Star every year between 1997 through 2001.
But while his work on the field is well known to New Yorkers and the broader baseball world, he almost took the musical route through life.
Williams first picked up a guitar when he was just 8 years old and was immediately taken by the magic of music. He was so passionate about it that he attended a performing arts high school in his hometown of San Juan, Puerto Rico. By the time he made it to the big leagues, he was known as the guy with the guitar in the locker room.
That reputation soon reached the Yankees’ fan base, with commentators telling stories of Williams and his outfield teammate Paul O’Neill’s jam sessions. O’Neill set up a drum kit in a paint room at the old Yankee Stadium, and the two would play together through rain delays, sometimes getting visits from New York City’s musical greats while they waited to play ball. MSG Network, which aired Yankees games at the time, even ran a promotional ad featuring the two World Series champions jamming together on a blues riff in their batting practice uniforms.
But unlike O’Neill, whose drumming is a hobby at best, Williams is a serious musician. During an appearance with Paul Simon at a charity event, Simon surprised Williams and his band by playing “Mrs. Robinson,” a song they didn’t know and hadn’t practiced. But just a few lines in, Williams was taking solos and riffing on Simon’s choruses with expert musicianship.
While Williams’ music is the main draw for the event on Saturday, the relationship between the All-Star and the winery goes beyond the performance. The collaboration started in 2021, when Williams visited the vineyards and instantly connected with then-general manager Ian Bearup, bonding over baseball, music and wine. They quickly decided to team up and create a custom variety they call Bernie’s Blend. This year’s bottle, featuring art from Williams’ daughter, Beatriz, is a blend of Cabernet Sauvignon, Merlot and Cabernet Franc and will be released at the performance on Saturday night.
While the VIP ticket levels are all sold out, as of press time, bring-your-own-lawn chair spots are still available. The wine will be available at the vineyard and online throughout the year at millbrookwine.com.
Elena Spellman
If horses could speak, Hearn believes they would offer just one piece of advice: “They’d tell us to slow down.”
From feeding retired racehorses before sunrise to guiding veterans, grieving parents and troubled teenagers through equine-assisted therapy sessions, Deanna Hearn rarely has a quiet day. As founder of Lucky Orphans Horse Rescue in Dover Plains, she oversees the care of more than 40 sanctuary horses while leading a nonprofit whose mission extends far beyond animal rescue.
What began as a childhood love of horses has evolved into a place where healing runs in both directions — for horses and for people. By the time you leave Lucky Orphans, it becomes clear that this place isn’t really about horses. The horses are simply how it begins. For Hearn, every rescued horse represents something much larger: hope, resilience, healing and second chances. The organization’s mission, she says, is simple: “People helping horses heal people.”
Growing up in the Bronx, Hearn was captivated whenever she saw horses. Her grandfather, a Korean War veteran, had cared for military horses during the war. After returning home, he struggled with addiction, and the invisible wounds of military service. Through every difficult chapter of his life, however, one thing consistently brought him peace.
“Horses bring peace,” he told his granddaughter.
When Hearn was 11, after years apart, Hearn and her grandfather began spending weekends riding together. Less than a year later, he was diagnosed with pancreatic cancer. Before he died, he asked family members to help buy Hearn’s first horse — a stubborn paint horse that bit, kicked and frequently threw her off. She wanted to sell him. Her father refused.
“Every life has value,” he told her.
Looking back, Hearn says that lesson became the foundation of everything she would later build.
What began as a boarding stable in 2003 took a different direction after the Dutchess County SPCA asked Hearn to care for horses seized in cruelty cases. She soon realized that although Dutchess County had one of New York’s largest horse populations, there was no dedicated nonprofit equipped to care for neglected and abused horses. Lucky Orphans officially became a nonprofit in 2008.

Today, Hearn is quick to point out that Lucky Orphans is not simply a rescue.
“We’re a sanctuary,” she said.
Many of the more than 40 horses living there arrive with broken bones, chronic illnesses, heart conditions, missing eyes or other injuries that make them unsuitable for riding or adoption. Rather than rehabilitating and rehoming them, Lucky Orphans makes a lifetime commitment to every horse.
In 2013, Hearn became certified in equine-assisted psychotherapy, combining her lifelong relationship with horses and the lessons she learned from her grandfather to create programs for veterans, trauma survivors, children and families facing emotional challenges. The transformations she witnesses continue to surprise her. She recalls one woman who arrived convinced she would not fit in with a group of strangers. During the session, a horse quietly chose to follow her without a rope or commands. For the first time in years, the woman said she felt truly seen.
Another memory has stayed with Hearn ever since. A teenager in a juvenile probation program, wearing an ankle monitor and struggling with anger, entered a round pen with a horse. As his frustration grew, the horse moved farther away. When he finally calmed himself, the horse walked directly toward him and rested its head against his chest.
“I told him, ‘If you can control your energy, you can control the world around you,’” Hearn said.
Stories like these sustain her through the difficult realities of running a nonprofit. Operating the sanctuary costs roughly $52,000 each month, and Hearn lives on the property, where the work never truly ends. Veterinary bills, staffing, fundraising and the daily care of dozens of horses are constant concerns. Then someone returns years later and tells her that the horses changed their child’s life.
“That’s why I keep going,” she said.
Looking ahead, Hearn hopes more people discover what makes Lucky Orphans unique. The organization is expanding its community programming with educational visits, yoga sessions, horse encounters, volunteer opportunities and family events designed to reconnect people with horses and with one another.
Her vision is simple: to create a place where people slow down, reconnect and remember something modern life often makes us forget. If horses could speak, Hearn believes they would offer just one piece of advice.
“They’d tell us to slow down,” she said.
After spending an afternoon at Lucky Orphans, it’s hard to disagree.
For more information or to plan a visit, go to luckyorphans.org
Jennifer Almquist
A brass quintet at the Yale Music Shed at Weekend in Norfolk 2025.
Norfolk bursts with activity in midsummer with Weekend in Norfolk (WIN). An all-volunteer committee transforms the town with free public events for all ages. WIN 2026 begins Thursday, July 30, and runs through Sunday, Aug. 2.
Norfolk sculptor Jon Riedeman, the new head of Norfolk Artists and Friends (NAF), organized the group’s 19th annual art exhibition, featuring paintings, sculpture, photography and jewelry by area artists in the Art Barn on the grounds of the Norfolk Chamber Music Festival. Riedeman expanded the show this year by inviting artists from New Marlborough, Massachusetts, to participate. The exhibit opens with a reception Thursday, July 30, from 5 to 7 p.m.
Music fills the air throughout the weekend. On Thursday night, take in the Emerging Artists Series concert from 7:30 to 8:30 p.m. at the Music Shed, featuring the next generation of professional chamber musicians presented by the Norfolk Chamber Music Festival. Then enjoy Friday Night on the Green, a welcoming party with live performances and free food.
The Bistro at Infinity Music Hall is extending its hours from noon to 9 p.m. throughout Weekend, with live music during the day. Don’t miss the Yale Brass Quintet performing in front of the historic 1833 Opera House. In addition, Norbrook Brewery will host a tap takeover featuring its celebrated local brews.
The Sidewalk Sunday Street Fair fills Station Place and Robertson Plaza with local artists, authors and craftspeople selling directly to visitors. Open Studios invites the public into working galleries and private studios for live demonstrations and artist meet-and-greets. Food trucks will also be available at the street fair.
Guided and self-guided tours showcase Norfolk’s historic estates and Victorian homes, while Tiffany stained-glass tours let visitors view Louis Comfort Tiffany windows in local chapels. The Village Green hosts public weddings and vow renewals as part of the festival.
Choose from five garden tours offered Sunday, Aug. 2, from 11 a.m. to 4 p.m.
Outdoors, guided nature walks explore Barbour Woods, with birding treks for wildlife lovers. Great Mountain Forest opens its 90-year-old weather station to the public, and workshops cover fly-fishing and pollinator gardening.
Food traditions include a Blueberry Betty social and an old-fashioned ice cream social. On Friday, Saturday and Sunday, the IceBox Cafe is offering 50 cents off its signature freshly brewed iced chai. On Saturday, the cafe will serve buttermilk pancakes all day, complete with Great Mountain Forest syrup.
Kids’ programming features movie screenings, yoga on the grass and art workshops.
Visitors can begin their adventure at The Hub, 2 Station Place, where volunteer “WINbassadors” will hand out maps and schedules. Full event details and ticket information are available at weekendinnorfolk.org.

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