Exploring eco-science at the Cary Institute

The Cary Institute’s headquarters, the Tozer Ecosystem Science Building, at dawn.
Courtesy Cary Institute of Ecosystem studies/Photo by Seamus Payne


The Cary Institute’s headquarters, the Tozer Ecosystem Science Building, at dawn.
Cary Institute of Ecosystem Studies is well known in Millbrook and the area surrounding it for its 2,000 acres of nature walks, trails, ferns and plants as well as its many forums and presentations.
Over the past few years, the institute was completely renovated. There are new buildings clad in copper; a courtyard; and progressing nicely, a field of native pollinating plants.
What is most important about Cary, however, is what we don’t see: the work that goes on in labs, in fields and streams, not just in this area but across the world. President Joshua Ginsberg is justly proud that Cary is a force behind much of the research concerning important ecological issues of the day and how that research can impact local, state, federal and international laws and decisions.
It is difficult to prioritize Cary’s research and contributions to science and the environment; all of the projects are important.
Cary was founded in 1983 by Gene Likens, the co-discoverer of acid rain in North America. His research and experiments on precipitation and chemistry in streamwater, carried on in the 1960s at the Hubbard Brook Experimental Forest, became the foundation in shaping environmental legislation. He was an advisor to governors in New York, New Hampshire and Connecticut as well as advisor to a U.S. president and the author of 26 books and more than 600 scientific papers, and was awarded the National Medal of Science by President George W. Bush in 2001
His research strongly influenced the Clean Air Act Amendments of 1990, which greatly expanded federal control of toxic air pollutants. To this day, Cary is known for having the longest running continuous data set on acid rain.
Invasive insects
Cary was instrumental in taking the initiative on researching invasive forest pests that come into the U.S. by various means. The late Cary scientist Gary Lovett perceived the problem of invasive species early on; New York state had the more new invasive pests in their forests than any other — 62 types were discovered in the state. These pests, such as the Asian long-horned beetle, discovered in 1996 in Brooklyn, the hemlock woolly adelgid, the emerald ash borer and others, come in through international trade, in lumber and packaging and in live trees and plants.
Scientists sought to strengthen laws regarding the problem, and brought attention to it in highlighting the Agricultural Improvement Act of 2018. Yet the problem persists; just recently in this area, there was a huge problem with the spongy moth and the spotted lanternfly.
Lovett was concerned that not enough was being done and a set of science-based policies were developed, and recommendations made, to block the importation of insects and diseases brought in through international trade systems. Cary scientists, along with others, continues to work with legislators and through partnership to implement Tree-SMART Trade legislation.
A petition was started April 8, 2022, to ask Congress to do something about it. With Lovett and Cary Institute spearheading the petition, it was delivered with over 1,700 signatures to the House and Senate agricultural committees, requesting action be taken in the form of a congressional hearing on these invasive forest pests. On April 4, 2023, a bill was introduced to the Committee on Agriculture, Nutrition and Forestry for action by the Senate.
Foliage fans
Cary scientists understand the importance of trees in ecology. They are studying the impact of forest fires on our ecological system. They conduct research in the U.S. and around the world.
When rain forests below the equator are burned or plundered, we lose all the potential medicines and other undiscovered treasures that they’re hiding.
Trees produce shade, which cools temperatures, and they release water vapor through their leaves. This also helps cool the air. This has an effect on energy costs for the consumer. With three carefully placed trees, a homeowner can save $100-$250 yearly on energy costs, according to the U.S. Department of Energy.
Trees absorb carbon dioxide, releasing the oxygen back into the air and storing the carbon. This helps in reducing the effects of climate change. A mature tree can absorb 48 pounds of carbon dioxide and will provide oxygen in its place.
Animals also benefit from trees, as a source of both shelter and food. Trees produce fruits and nuts, as well as some spices, which we use daily, and provide lumber for building.
Water protection
Water is an element we can’t live without. Emma Rosi, recently retired from Cary, studied how failing wastewater infrastructure plays a part in polluting streams and creating antibiotic-resistant “superbugs.” Rosi’s research showed how prescription and illicit drugs that invade our waterways impact freshwater quality and the aquatic life it should support.
After earning her master’s and doctoral degrees at the University of Georgia, Rosi took on a leading role in the area of freshwater science and researching how emerging contaminants shape these systems. She has served on the U.S. Environmental Protection Agency’s Science Advisory Board.
Disease prediction
Joining the Cary Institute in 2014, Barbara Han got her doctorate in zoology from Oregon State University. Her research involves ecology, global health and computing, all of which she uses to predict outbreaks of new zoonotic diseases, the ones that jump from animals to humans. Of the many cases reported each year — over 1 billion — most can be attributed to zoonotic pathogens.
Han has partnered with collaborators at IBM and NASA on predicting global disease and has also helped the U.S. government and the World Health Organization to apply this specialized research to disease prevention.
Lyme prevention
Richard Ostfeld and Cary Institute partnered with Bard College, the Centers for Disease Control and Prevention, the New York State Department of Health and the Dutchess County Department of Behavioral and Community Health on The Tick Project, a five-year study that began in 2016 to find out if neighborhood-based prevention would have an effect on the amount of cases of Lyme and other tick-borne diseases were contracted.
Simple methods believed to be safe for the environment were used on both humans and pets. Twenty-four neighborhoods were chosen to participate, each consisting of 6 to 10 blocks. They used bait boxes to catch rodents and MET52 insecticide spray. The number of ticks in the yards with bait boxes was reduced to about half the usual number, while the spray had no effect on the number of ticks found. Neither method had an effect on people’s incidences with ticks, but pets’ diseases from tick-borne infection was lower by about 50% in yards using either the traps or the spray.
Cary is a nonprofit. Its website at caryinstitute.org includes forums, scientific papers, biographies and notes on its scientists as well as a place to donate.
Patrick L. Sullivan
This fish took a Wooly Bugger in basic black, with rubber legs. Always get the rubber legs.
Largemouth bass are not picky eaters. When engaged they usually dive and tug. Once in a while they leap. They are easily discouraged, however, and after a minute or two come meekly to the net.
Every August I shift gears and head to the ancestral HQ with no electricity, minimal plumbing and a warm-water lake chock-full of largemouth bass, not to mention smallmouth, perch, pickerel and panfish. The largemouth are the main attraction.
I used an antique rowboat for years. Then a canoe, which was awkward to manage solo, especially when the wind picked up.
Then I hit on a succession of inflatable pontoon and belly boats, powered by oars and/or swim fins, and there I have remained.
Did I forget to mention that no motors are allowed on this lake? Well, no motors are allowed, and it’s no good arguing that a small electric trolling motor couldn’t possibly hurt anything. Ask me how I know this.
It’s a quiet, rejuvenating few weeks. The phone gets enough signal on one end of the deck to receive messages and maybe make a call if the wind is right. If something comes up, it’s only 15 minutes to so-called civilization.
When not fishing, I read, visit assorted cousins, listen to baseball on the AM radio and/or stare blankly into the middle distance.
Bassing with a fly rod in still water is a different game than chasing trout in streams.
A medium-fast-action rod, 8 to 10 feet, in line weight 7 or 8 is the starting point. The flies are big, and the wind is constant, so the angler needs some power, tempered with a bit of finesse.
I usually bring two rods. One is rigged with a floating line with a heavy front taper for turning over surface flies such as poppers.
The other has either a sink-tip or intermediate line. The lake is not all that deep, and the Woolly Buggers, Clousers and other streamers are heavy. The idea is to stay out of the vegetation while getting close to where the lunkers are hunkered down.
I use short nylon leaders, 7.5 feet with 1X tippet out of the package, and modify them constantly with additional sections of fluorocarbon tippet, snaps and droppers.
Surface action is usually minimal during the day unless it’s overcast. The lake runs east-west, so the angler can track the midmorning and late-afternoon shadows and work those areas.
Or the angler can wait until about 6:30 p.m., when things start to pick up.
Or get out there at the crack of dawn, which is best if surface action is the goal.
For subsurface fishing, some experimentation is required to find the right combination of flies, leader and sink rate. The angler also has to decide whether to troll.
There are a few places where a dry-dropper rig is appropriate, the dry being an extremely buoyant popper with a piece of stout fluorocarbon tippet tied to the bend of the hook and something heavy and wiggly at the end, like a stonefly nymph with rubber legs. (Always get the rubber legs.)
If this sounds like a bobber, it’s because it is. Don’t tell anyone. The purists don’t like it.
A net with a long handle is necessary. There is no leverage when sitting in what amounts to a floating chair.
I do not bring my phone for fish pictures. I will drop it into the depths. Ask me how I know this.
Instead I bring a small point-and-shoot camera. These get lost too, but perversely I have better luck keeping the cheap gear safe than the expensive items.
Sunscreen is applied liberally and frequently. After 50-odd years of being outside, I now have to visit the dermatologist every so often to have my face edited, and I don’t enjoy it.
A baseball cap does nothing for the ears and neck. I have a hat with a wide brim and a vented top, so it doesn’t get too hot. It looks stupid, but this is an acceptable risk.
Finally, a word about the quarry. Largemouth bass are not picky eaters. When engaged they usually dive and tug. Once in a while they leap. They are easily discouraged, however, and after a minute or two come meekly to the net.
Smallmouth, not so much. These aren’t especially big, but every smallie I’ve ever met thought it was much bigger than it actually was. Expect acrobatics.
Perch usually grab my fly when I don’t want them to.

Panfish are everywhere. They are extremely cooperative. Chasing sunnies is a good way to get a newcomer started.
And then there are the pickerel. These are nasty fish. Very antisocial. I keep a pair of long-handled pliers handy to get the fly out of their mouths safely while admiring the large number of very sharp teeth. They will bite the pliers. Do not use your fingers. Again, ask me how I know this.
Upon release, it’s not unusual to observe the pickerel hanging around a few yards away, glaring and plotting hideous revenge.
So this is the August routine, occasionally leavened with a scramble into a brook trout stream if conditions allow.
It’s peaceful. Kind of boring, in a good way.
And then in the fall the game shifts back to rivers and streams for trout.

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Natalia Zukerman
Broadway is going way off Broadway when it heads outdoors for The Festival at Hutton Brickyards in Kingston Aug. 14-16, transforming the Hudson River waterfront into a three-day celebration of show tunes, stars and sing-alongs. The inaugural event features an all-star lineup including Audra McDonald, Kelli O’Hara, Renée Elise Goldsberry, Brian Stokes Mitchell and dozens more, along with a 30th anniversary celebration of the musical “Rent” featuring original cast members.
Hutton Brickyards is a former 19th-century brickyard transformed into a historic riverfront hotel and event destination spanning 100 acres along the Hudson. Beyond the nightly concerts, festivalgoers can expect campfire sing-alongs, dance parties, master classes, costume contests and a marketplace highlighting Hudson Valley food, drinks and artisans.
Three-day passes and more information are available at BroadwayFest.com.
Natalia Zukerman
The Crandell Theatre in 1948.
Originally built as an “atmospheric theater,” the Crandell was designed to transport audiences beyond the walls of the auditorium. Its sloped floor, proscenium arch, orchestra pit and balcony seating reflected the grandeur of early 20th-century movie palaces.
Crandell Theatre in Chatham has spent a century bringing stories to the big screen, and this December the historic theater will celebrate its 100th anniversary with a yearlong tribute to the films, filmmakers and community members who have helped keep it alive.
The celebration continues Sunday, Aug. 23, with a special screening of Martin Scorsese’s “The King of Comedy,” presented as part of the theater’s 100th Anniversary Series by Bill Kramer, CEO of the Academy of Motion Picture Arts and Sciences. Kramer will introduce the 1982 film, a darkly comic exploration of celebrity, obsession and the pursuit of fame.
The 100th Anniversary Series invites industry leaders and film experts to share movies that have influenced them and continue to inspire new generations of audiences.
“The King of Comedy” is a fitting selection for a theater whose own story is rooted in the enduring power of cinema. Built in 1926 by Chatham native Walter S. Crandell, the theater opened on Christmas Day of that year with the silent film “Michael Strogoff.” Designed by Glens Falls architect Louis L. Wetmore in the Spanish Renaissance style, the freestanding building quickly became a beloved fixture on Main Street.
Originally built as an “atmospheric theater,” the Crandell was designed to transport audiences beyond the walls of the auditorium. Its sloped floor, proscenium arch, orchestra pit and balcony seating reflected the grandeur of early 20th-century movie palaces. Sound equipment was added in 1929, allowing the theater to transition from silent films to “talkies.”
Over the decades, ownership changed hands, but the theater remained a gathering place for generations of moviegoers. In 2010, following the death of longtime owner Tony Quirino, the theater faced an uncertain future. Community members rallied to save it, with the Chatham Film Club raising approximately $600,000 to purchase the building and complete critical repairs.
The Crandell reopened as a nonprofit community theater in July 2010. In 2018, the organization officially adopted the theater’s name, bringing together its film programming, preservation efforts and annual FilmColumbia Festival under one mission: preserving the theater as a cultural anchor for Chatham and the surrounding region.
A major restoration and modernization project was completed in 2025, bringing the historic theater up to current standards while preserving its architectural character. The renovation included updates to the auditorium, projection systems and building infrastructure.
For former board member Carol Sadlon, the upcoming centennial represents both a celebration of the theater’s history and a testament to the community that has protected it.
“It has been an honor to serve on the Board of the extraordinarily unique Crandell Theatre, celebrating its 100th birthday this December,” Sadlon said. “Renovating the not-for-profit community theater has been a labor of love and commitment for all involved.”
Sadlon noted that the theater’s creation in 1926 reflected the optimism of the era, and that the same spirit continues today.
“Walter S. Crandell, successful Wall Street investor and native son of Chatham, built the 500-seat theater for a community of 3,000 people,” she said. “Thanks to an equally optimistic group of people, the Chatham Film Club, who purchased the theater in 2010, and a very generous community, the theater lives on to continue entertaining for future generations.”
The Crandell Theatre’s 100th Anniversary Series screening of “The King of Comedy” will take place Sunday, Aug. 23, at 4 p.m.
For tickets and more information, visit crandelltheatre.org.
Natalia Zukerman
MOMIX is one of the featured performers at this year’s Arts Connected fundraiser on Aug. 29.
The Northwest Connecticut Arts Council will celebrate the region’s vibrant arts community with Arts Connected 2026, its annual fundraising event, on Saturday, Aug. 29, from 5 to 8 p.m. at Buck’s Rock Camp in New Milford.
More than a fundraiser, Arts Connected is designed as a celebration of the artists, performers and organizations that make the Northwest Corner’s cultural landscape thrive. Guests can enjoy live music and performances, a curated gallery of artwork by regional artists, local food and drinks, and opportunities to connect with fellow arts supporters. Tickets include hors d’oeuvres, an open bar and all entertainment.

The evening will feature live plein air painting by artists from Plein Air Litchfield, performances by Our Culture Is Beautiful (OCIB), fire performer Cinderfella, and Susan Becker Aziz’s monumental humpback whale puppet, originally created for Paul Winter’s “Missa Gaia.” Guests will also have the opportunity to purchase artwork from a curated exhibition, with proceeds supporting the Arts Council’s mission to strengthen and promote the arts throughout Northwest Connecticut.
This year’s honorary host committee includes Meryl Streep, Diane von Furstenberg, Tim Daly, Téa Leoni, Maria Horn, Patti LuPone, Jack O’Brien, Sam Waterston and Paul Winter. Creative cocktail attire is encouraged, and attendance is limited. The event is open to guests 21 and older.
For more information or to purchase tickets, visit artsnwct.org

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