My hour with a medium

My hour with a medium
Kia Hellman Photo submitted

The Northwest Corner was in full autumnal regalia and still decked out for Halloween when I arrived at the home of Kia Hellman, self-described “psychic medium/intuitive advisor,” for my first session, so it’s possible that my feeling of the house’s peaceful, understated witchiness came entirely from my imagination.

Hellman, a native of the Northwest Corner, has a warm, limpid face. We sat in her sunlit office, a comfortable, easy space painted sky blue. Cloudy white sheepskins and macramé instead of the psychic-of-your-imagination red velvet curtains; a clean white desk instead of a round, draped table dedicated to a shadowy crystal ball.

Of course we all have guides and the spirits of those who have passed on, she said, naming the entities that many psychics and mediums choose to channel. 

“But I prefer to go straight to source — I find it’s just clearer that way,” she said.

Hellman explained that she meditates on her clients before each of her sessions, and even though she knows only their names, images will arrive from which she can often start the conversation.

She described three prompting images for me: a strict, taskmaster-type older woman with a stick; a child (me?) rolling joyfully down a grassy hill; and friends chattering over candlelight — all of which felt surprisingly resonant, and provided ample structure for our wandering conversation.

In many ways my hour with Hellman felt more like a warm and supportive life-coaching session — a sort of spiritual talk therapy — than what I’d imagined a session with a psychic would be like.

At first I was annoyed by the persistent occurrence of what appeared to be non sequiturs, such as a shift from our discussion of my book project to the necessity of engaging in more embodied creative practice, for instance: “When you dance, you push away the hard, enforcer energy that gets in the way of your expression,” she said.

It was these moments, when she offered unprompted suggestions, that I found most woo-woo (dancing is the path to writing more freely?).

Feeling like she was just filling the silence, I’d interrupt, injecting pointed questions about my most pressing anxieties: my new job and my love life — it will be about ten months before I’m able to verify either of Hellman’s predictions on these fronts.

It was only afterwards that I realized that the meandering streams of thought she’d been navigating in those unprompted spaces were among the most resonant and precise of our interview — only my roommate knows anything about the joy I derive from dancing in our kitchen. Should I return, I intend to stay quieter, and listen with more open ears to the answers for which I didn’t know to look.

Latest News

Where the mat meets the market

Where the mat meets the market

Kathy Reisfeld

Elena Spellman

Reisfeld has spent nearly 30 years in finance, building a client-centered advisory practice that eventually led her to go independent. But her relationship with money began long before her career.

When her mother became ill during Reisfeld’s childhood, finances tightened. It wasn’t poverty, she said, but it was constrained enough to teach her how money — or its lack — can dictate the terms of one’s life. That lesson took on a deeper meaning as she watched her mother remain in a difficult marriage without full financial independence. “Money represented autonomy,” she said. “Freedom.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

To mow or not to mow?

To mow or not to mow?

A partially mowed meadow in early spring provides habitat for wildlife while helping to keep invasive plants in check.

Dee Salomon

Love it or hate it, there is no denying the several blankets of snow this winter were beautiful, especially as they visually muffled some of the damage they caused in the first place.There appears to be tree damage — some minor and some major — in many places, and now that we can move around, the pre-spring cleanup begins. Here, a heavy snow buildup on our sun porch roof crashed onto the shrubs below, snapping off branches and cleaving a boxwood in half, flattening it.

The other area that has been flattened by the snow is the meadow, now heading into its fourth year of post-lawn alterations. A short recap on its genesis: I simply stopped mowing a half-acre of lawn, planted some flowering plants, spread little bluestem seeds and, far less simply, obsessively pluck out invasive plants such as sheep sorrel and stilt grass. And while it’s not exactly enchanting, it is flourishing, so much so that I cannot bring myself to mow.

Keep ReadingShow less
Capitol hosts first-ever staging of Civil War love story

Playwright Cinzi Lavin, left, poses with Kathleen Kelly, director of ‘A Goodnight Kiss.’

Jack Sheedy

Litchfield County playwright Cinzi Lavin’s “A Goodnight Kiss,” based on letters exchanged between a Civil War soldier and the woman who became his wife, premiered in 2025 to sold-out audiences in Goshen, where the couple once lived. Now the original cast, directed by Goshen resident Kathleen Kelly, will present the play beneath the gold dome of Connecticut’s Capitol in Hartford as part of the state’s America250 commemoration — marking what organizers believe may be the first such performance at the Capitol.

“I don’t believe any live performances of an actual play (at the Capitol) have happened,” said Elizabeth Conroy, administrative assistant at the Office of Legislative Management, who coordinates Capitol events.

Keep ReadingShow less
Hunt Library launches VideoWall for filmmakers

Yonah Sadeh, Falls Village filmmaker and curator of David M. Hunt Library’s new VideoWall.

Robin Roraback

The David M. Hunt Library in Falls Village, known for promoting local artists with its ArtWall, is debuting a new feature showcasing filmmakers. The VideoWall will premiere Saturday, March 28, at 6 p.m. with a screening of two short films by Brooklyn-based documentary filmmaker and animator Imogen Pranger.

The VideoWall is the idea of Falls Village filmmaker Yonah Sadeh, who also serves as curator. “I would love the VideoWall to become a place that showcases the work of local filmmakers, and I hope that other creatives in the area will submit their work to be shown,” he said.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.