Sharon Hospital: A rural hospital’s routine

Dr. Ron Santos, right, director of Sharon Hospital’s Emergency Department, reviews a patient chart with medical staff.
Photo by Debra A. Aleksinas

Editor’s note: Sharon Hospital’s plans to eliminate Labor and Delivery and substitute its Intensive Care Unit with a Progressive Care Unit have captured headlines for months. This story takes an overall look at the hospital’s services.
SHARON — A bloodcurdling wail from a young child in distress pierces the calm inside Sharon Hospital’s Emergency Department, drowning out the soft, rhythmic beeps of nearby monitors. Doctors and nurses are huddled around the lone patient on this weekday afternoon in one of the department’s 10 treatment rooms, which were filled to capacity the prior evening.
Dr. Ron Santos, who has served as director of the Emergency Department for 12 years, described the ED as a no-judgment zone, where all who enter are treated with equal doses of attention and care, whether they present in dire straits or for less-serious injuries or health issues.
“We’re here to help people when they think they are having an emergency,” said the physician. “We never want to minimize their concerns.”
The ED, which is staffed 24 hours per day, seven days a week, 365 days of the year and on average treats about 40 patients per day, is often the first point of contact between patients and the hospital.
But it is hardly the only department in the 78-bed, 250,000-square-foot, acute-care hospital providing services to the community. On average, about 250 people receive inpatient and outpatient services in a single weekday, according to hospital officials.
A walk through the departments
A recent late September tour, guided by President Christina McCulloch, offered insight into the daily operations of the
community hospital, from some of the traditional services available in the full-service community hospital, to new enhancements including a telehealth kiosk allowing virtual care for oncology, neurology and infectious diseases, enhanced stroke support and care, state of the art imaging and expanded senior behavioral health and women’s health services.
McCulloch walks and talks as she approaches the Labor and Delivery unit, where two of the department’s six beds are occupied. Except for the presence of a security guard outside the hallway leading to patient rooms, all is silent.
L & D, a year after plans to close were made public
Labor and Delivery, which sees less than one birth per day, has been a controversial topic since Sharon Hospital’s parent company, Nuvance Health, unveiled plans a year ago to shutter the maternity unit and transform Intensive Care into a Progressive Care Unit.
McCulloch said the “long-term goal is to have everything available for women’s health services outside of delivering babies, either here in Sharon, or to be able to connect people to services outside of our catchment area.”
Finances are the driver
Nuvance leadership maintains the cuts are financially necessary to remain open and stable in the long-term, and are needed to staunch the $41 million in red ink annually, a situation described as “unsustainable” in an independent analysis from the hospital consulting firm Stroudwater Associates.
Part of its transformative plan is boosting investments in key services tailored to the demographic it serves. Sharon Hospital’s service population is older than Connecticut and national averages.
Connecticut’s Office of Health Strategy (OHS) plans to hold a public hearing on Sharon Hospital’s application on Tuesday, Oct. 18, via Zoom.
“I am aware that Nuvance has increased its social media and written communication about Sharon Hospital, which had been non-existent for years,” noted Nancy Heaton, CEO of the Sharon-based Foundation for Community Health, which helped fund the Stroudwater report. “I know, too, that they have conducted many small community meetings in hopes of communicating directly with residents about their intentions.”
Heaton commended the hospital for its recruitment and retention of physicians, especially primary care physicians, to the area.
Telehealth initiative
Soft light streams though the window of a cozy room with a small, round table, two comfortable chairs facing a very big wall monitor. Located just inside the entrance to maternity, the area houses a new telehealth kiosk. The fully staffed set-up allows patients to make face-to-face virtual appointments with an oncologist, neurologist or infectious disease specialist.
McCulloch explained that the kiosk was installed in response to needs expressed by the community for access to specialty services.
The telehealth kiosk fills that gap, she said. “A person can make an appointment to see an oncologist, then have labs and testing done here, without having to leave Sharon.”
Transportation is a challenge in rural areas, made especially difficult in one with an aging demographic. Sharon Hospital’s patient service area straddles the remote Connecticut/New York border area comprising 41,573 residents.
Thirty-five percent of the hospital’s total service area population is from Connecticut and 65 percent is from New York.
Radiology, behavioral services
With a tap of a badge, the heavy double door swings open to the radiology/imaging department, where an average of 12 people visit daily. We are greeted by a smiling Ken DiVestea, the unit’s director. A patient is currently occupying the state-of-the art MRI machine, so that is off-limits to the tour, but DiVestea is excited to show off a high-tech 3-D imaging mammography unit.
The hospital recently invested in a new MRI machine, as well as a state-of-the art, 3-D mammography unit, the “gold standard” for detecting breast cancer, and DiVestea said he is awaiting delivery of a new bone density system in early 2023.
“We really are trying to offer everything we can to the community,” McCulloch said.
That includes expansion of the hospital’s senior behavioral services, she said.
“Historically we’ve had a 12-bed geriatric psychiatric unit, but now we have 17 beds,” she said, making the Sharon facility one of only three geriatric psych centers in the state, serving Massachusetts, New York and Connecticut.
Patients come from either extended care facilities, or Sharon Hospital’s ED, and stay overnight with most stays involving two weeks of intensive therapy and medication adjusting for individuals suffering from dementia, anxiety, depression, schizophrenia and a range of disorders affecting the elderly.
Wound center
Treating open wounds does not sound like the kind of job that fits everyone. But for the staff at the Outpatient Wound Center, helping patients change dressings and promote healing of wounds that are post-surgery or infected, or painful or difficult to heal, is all in a day’s work. “We love what we do!” said lead nurse Tracey Waite.
A daily average of 12 patients pass through the outpatient wound unit. This department comprises a team of doctors, nurses and therapists including Waite, Dr. Amy Tocco and Dora Proe at the unit’s front desk. They provide individualized treatment to help people, such as those with diabetes or vascular issues, return to their normal daily activities. The Wound Center’s three clinic rooms have seen an uptick in patients recently, attributed to Waite’s outreach efforts.
“I go around communicating with other providers, reminding them that we’re here,” said Waite.
Surgical services
Next, we arrive at the hospital’s Surgical Unit. Dr. Mustafa Ugurlu, a general surgeon who has headed the department for the past six years, has just concluded a meeting with Susan Strobino, the unit’s Licensed Practical Nurse (LPN). Strobino emerges from the office with an armload of surgical supplies, and Ugurlu takes a few minutes to reflect on a recent increase in elective surgeries.
“Good volume” is how Ugurlu described the pace of elective surgeries. The surgeon said patient feedback reveals they are willing to travel a little farther to receive a high level of care at a hospital that is not congested and where they don’t face excessive wait times to book appointments. About 35 people per day on average are inpatients at the hospital.
Rehab a busy place
A small, green bean bag is hurtling toward my feet as I enter the hospital’s Rehabilitation Department. Giggles erupt just around the corner, where a small boy is taking delight in tossing the bean-filled pouches down the hallway. Nearby, two patients are lying on benches awaiting the physical therapist’s healing touch, and another is performing stretching exercises under the guidance of staff. Tuesdays and Thursdays, according to staff, are especially “crazy busy,” when it’s not uncommon for 60 to 70 patients to be booked for services with physical, occupational and speech pathologists.
“We see patients who have orthopedic surgeries and injuries, neurological disorders like Parkinson’s disease and stroke, vestibular and balance disorders, swallowing and voice disorders, as well as children with developmental delays or orthopedic injuries,” according to Melissa Braislin, director of rehabilitation services and cardiac rehab.
The hospital’s rehab department also offers various support groups and activities to the public, including a Stroke Support Group, Total Joint Camp and an Arthritis Exercise Class. With the exception of the exercise class, those programs are free.
Braislin said the recent closing of Outpatient Physical Therapy at Geer Village Senior Community in North Canaan led to an influx of appointments. “We have seen an increase due to Geer PT closing,” said Braislin.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org