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Marietta Whittlesey
Elena Spellman
When writer and therapist Marietta Whittlesey moved to Salisbury in 1979, she had already published two nonfiction books and assumed she would eventually become a fiction writer like her mother, whose screenplays and short stories were widely published in the 1940s.
“But one day, after struggling to freelance magazine articles and propose new books, it occurred to me that I might not be the next Edith Wharton who could support myself as a fiction writer, and there were a lot of things I wanted to do in life, all of which cost money.” Those things included resuming competitive horseback riding.
Over time, through a career that has spanned writing, emergency medical service and clinical psychology, Whittlesey has built a psychotherapy practice in the Northwest Corner focused on evidence-based treatment for trauma, chronic pain and performance anxiety. Drawing on specialized training in EMDR, a trauma-focused therapy, and clinical hypnosis, she works with clients whose symptoms have often not responded to traditional talk therapy.
Whittlesey grew up in New York City and attended Chapin, an all-girls school widely regarded as one of the best in the country. “I hated it — 12 years of total lack of agency left a mark — but I got a great classical education. Recently, I visited for the first time in more than 30 years and found a delightfully changed school — one I wish I could attend right now,” she laughed.
She studied psychology as an undergraduate at New York University, where she worked in the lab of Dr. Jay Weiss, a MacArthur Fellowship recipient at Rockefeller University and later at the New York State Psychiatric Institute.
After moving to Salisbury, Whittlesey joined the Salisbury Volunteer Ambulance as an EMT and found work writing radio and television spots at the University of Connecticut Health Center in Farmington. That led to a 30-year freelance career writing continuing medical education programs for physicians, often ghostwriting first drafts of journal articles.
“I learned a lot of medicine that way and learned how to speak and write like a doctor, which is essential.” At the same time, she continued to write and co-author nonfiction books. “But after a couple of decades, the 80-hour workweeks and the insane pressure got to me.”

She enrolled in a master’s program in psychology at Capella University, one of the first accredited online universities. “This worked perfectly for me because I could continue to earn a living as a writer during the day.”
After graduating with a Master of Science in clinical psychology, she decided not to pursue a doctorate.
“I am a good autodidact, and I decided I’d rather learn clinical techniques like EMDR and hypnotherapy than do another round of stats and write a dissertation.”
EMDR, or Eye Movement Desensitization and Reprocessing, is a form of psychotherapy most commonly used to help people process and heal from trauma and other distressing life experiences.
After completing a 3,000-hour internship at the former Community Mental Health Affiliates in Lakeville, she opened a private practice in Lakeville. She now works from an office near Sharon Hospital, where she has a general psychotherapy practice. She has a particular interest in treating disorders of appearance, ranging from body dysmorphic disorder to alopecia areata and severe scarring.
Whittlesey is certified by the EMDR International Association in eye movement desensitization and reprocessing.
The therapy follows a specific protocol using bilateral stimulation — through eye movements, pulsars or audio — to help process traumatic memories associated with PTSD.
“So many people have never heard of EMDR, yet it is such a powerful clinical tool — not just for treating trauma, for which it was originally employed, but now with protocols for eating disorders, phobias, anxiety and many other issues. It is considered one of the top evidence-based treatments for trauma by the World Health Organization, the American Psychiatric Association and the Department of Veterans Affairs.”
Whittlesey treats many clients with chronic pain, often stemming from medically unexplained symptoms. Unlike traditional talk therapy — which has an important place, she said — EMDR can sometimes help patients feel significantly better even after a single session.
Rarely are more than six to 10 sessions needed to process traumas such as car accidents, violence or childhood neglect that can lead to a diagnosis of complex PTSD.
“Clinical hypnosis is also very helpful in treating chronic pain, as well as anxiety and addictions. I like to teach people self-hypnosis to use on their own. It has been an extremely useful tool for me throughout my life as a writer with deadlines and as a rider facing a jump course.”
Whittlesey has also launched a performance coaching business, Partners in Performance, where she helps clients overcome performance anxiety. Recent clients have included a golfer with “the yips,” a rider recovering from a bad fall, a teacher accepting an award and a woman studying for a dental hygienist exam.
Asked about future plans, Whittlesey’s eyes lit up as she described upcoming training in Deep Brain Reorienting, a new treatment with some similarities to EMDR.
Whittlesey has a profile on Psychology Today and can be reached at 860-397-5296 or mwlpcllc@gmail.com.
Elena Spellman is a recent Northwest Corner transplant. She is a Russian native and grew up in the Midwest. In addition to writing, she teaches ESL and Russian.
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Artist Peter Gerakaris in his studio in Cornwall.
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Opening Jan. 17 at the Cornwall Library, Peter Gerakaris’ show “Oculus Serenade” takes its cue from a favorite John Steinbeck line of the artist’s: “It is advisable to look from the tide pool to the stars and then back to the tide pool again.” That oscillation between the intimate and the infinite animates Gerakaris’ vivid tondo (round) paintings, works on paper and mosaic forms, each a kind of luminous portal into the interconnectedness of life.
Gerakaris describes his compositions as “merging microscopic and macroscopic perspectives” by layering endangered botanicals, exotic birds, aquatic life and topographical forms into kaleidoscopic, reverberating worlds. Drawing on his firsthand experiences trekking through semitropical jungles, diving coral reefs and hiking along the Housatonic, Gerakaris composes images that feel both transportive and deeply rooted in observation. A musician as well as a visual artist, he describes his use of color as vibrational — each work humming with what curator Simon Watson has likened to “visual jazz.”

At the heart of the exhibition is a four-foot-diameter hand-painted “Orchid Oculus Tondo,” surrounded by four hand-embellished prints and a shimmering cut-glass mosaic. The central painting conjures a dreamlike cosmos where endangered St. Lucian parrots glide through oversized tropical orchids and foliage. Built through a “call-and-response process” that allows drips, spills and chance encounters to remain visible, the work is alive with motion and improvisation. In the depths of winter, “Oculus Serenade” offers a kind of visual warmth, a reminder of the beauty, fragility and music of the natural world.
“Oculus Serenade: Artwork by Peter D. Gerakaris” runs Jan. 17 through Feb. 28 at the Cornwall Library. An artist’s reception will be held Saturday, Jan. 17, from 4 to 6 p.m. Registration is requested at cornwalllibrary.org/events/.
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Schlock and awful: Rothrock
Jan 13, 2026
Cynthia Rothrock and Steve McQueen's son saunter purposefully in "Martial Law."
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A while back, the Bad Cinema desk was investigating two movies, “Martial Law” and the imaginatively-titled “Martial Law II: Undercover,” both starring a shortish, incredibly fit and rather cheerful-looking woman: Cynthia Rothrock.
Looking into it a bit more, we found that Rothrock has over 80 movie credits and has been a martial arts superstar for decades. So why isn’t she a household name?
Because she’s not named Bruce Lee or Jackie Chan.
It’s an outrage, and we’re gonna do something about it.
In “Martial Law” (1990), Rothrock and Chad McQueen (Steve’s son) are cops and David Carradine is the evil kung fu-practicing international car thief. We’re talking fun with pizza, the most annoying snitch in cinema history, and a compelling visual discourse on the inadvisability of stealing cars at night from a well-lit dealership located on a busy highway. No gratuitous nekkidity, which really isn’t a problem here, as nobody wants to see any of these people nekkid.
Chad is replaced by Jeff Wincott for the sequel, “Martial Law II: Undercover” (1991). This is much rougher stuff, not least because it has a “sex scene” involving Billy Drago. A kung fu villain runs an expanding underworld empire from the kind of bar you can’t get into without a double-breasted suit and a ponytail. There are large, grunting lackeys, a bit of gratuitous nekkidity, and Rothrock delivering swift justice while clad head to toe in teal.

“Yes, Madam” (1985) is Rothrock’s debut, as Carrie Morris, a Scotland Yard inspector in Hong Kong to help Inspector Ng (Michelle Yeoh) do something about a piece of errant microfilm. There is an exceptionally unconvincing dubbing of a British accent for Rothrock, who strongly resembles American Olympian Mary Lou Retton — except Retton didn’t do kung fu. The movie makes no sense, which is OK because it’s short. Plus, Rothrock delivers her trademark scorpion kick to some hapless goon’s forehead, which is worth the price of admission.
“City Cops” (1989):Here our heroine is FBI agent “Inspector Cindy,” who comes to Hong Kong to fight crime in warehouses, alleys, office buildings and airports. Featuring the spectacular Receptionist’s Desk Roll. We also get a comical cop duo, a martinet police superintendent, and an extended opening riff on gender that would be impossible to make today.

“Undefeatable” (1993) was directed by Godfrey Ho, the Jess Franco of the East, and despite Ho’s Hacko di Tutti Hacki status, this movie actually has a story and makes sense. Rothrock plays Kristi, who participates in illegal fights to earn enough money to get her sister through med school. Meanwhile, Anna dumps her psycho husband, Stingray, who fights on the same underground circuit as Kristi — but he’s a lunatic and has a mullet.
Anyhoo, there is a lot of plot involving a couple of cops and Kristi’s dorky gang, and none of it matters because at the end Kristi and the cop subdue Stingray in extremely gory, horrible and entertaining fashion. And then everybody goes to college.
“Black Creek” (2025): Rothrock produced, co-wrote and starred in this crowdfunded Western, in which she plays a tough woman who rides into town to find her family has been destroyed by the local bad guy, played by the late Richard Norton. You could make a 15-minute reel of Rothrock and Norton kicking each other over the years, so this is a fitting coda. (Norton died in March 2025.) It seems Rothrock spent most of the budget on sets, lighting and costumes, figuring the writing would only get in the way of the story. So it’s heavy on the fighting, and anyone who thinks kung fu and Westerns don’t mix deserves a scorpion kick to the noggin.
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