
Youth jumpers rested before launching from the 20-meter hill on Saturday morning.
Riley Klein
Youth jumpers rested before launching from the 20-meter hill on Saturday morning.
Salisbury Winter Sports Association’s (SWSA) 98th annual Jumpfest was a resounding success.
The three-day winter tradition went off without a hitch.
Friday’s opening night under the lights began with high expectation in the air as cars slowly filled the parking field next to Indian Cave Road. Car headlights guided everyone to a ticket booth, but from there on the way to Satre Hill was a footlighted walk through the dark.
Muffled voices could be overheard talking excitedly about what was to come, and parents kept track of children who wanted to run ahead.
The scene at Jumpfest was like a stage-lit happening. There were EMS trucks at the ready flanked by food and beverage setups. Twin bonfires lighted the scene and provided warmth. A booming voice over the loudspeaker keep everybody on schedule as the evening events unfolded, beginning with Target jumping at 7 p.m. for a couple of dozen contenders.
“On the hill,” was the cry from the observation post near the bottom of the jump, signaling that a jumper was on the way down.
Cowbells added to the mix and even triggered some happy revelers to yell out “More cowbell,” in a reference to the “Saturday Night Live” comedy sketch with Will Ferrell and Christopher Walken.
The Target Jump, viewed as a warm-up run to the main event on Sunday, was won by Cooper Dodds of Lebanon, New Hampshire, who hit the paint at 65 meters. Dodds won $500 in prize money donated by the Churchill family.
After some time assembling their getups and sledding rigs, several teams competed in the Human Dog Sled Race, a 200-yard round-trip course that typically results in some wipeouts at the turn.
Hooting and hollering and bent-over laughing punctuated the sidelines as onlookers watched, hoisting a brewski or hot toddy for their favorite team.
By 10 p.m., the voice on the loudspeaker called it a night and thanked the hundreds who came on opening night.
Saturday’s full menu of events was met with blue skies and crisp winter air. Youth jumping began on the 20-meter hill with contestants ranging in age from 5 to 17.
More cowbell rattling filled the air as each jumper prepared for launch. Cheers and applause erupted as the young athletes soared.
The cook shack crew and Low-N-Slow food truck served up fresh meals to attendees and hungry athletes as the first round of competition wrapped up.
Jumpers climbed the 30-meter tower next for the final Jumpfest from that particular launch. A capital campaign to replace the wood jump with a steel tower is underway and a new K30 ramp will be built in the coming year.
The Salisbury Invitational followed for an afternoon of high-flying competition on the Big Hill. Crowds grew larger for the premiere contest of the day and surrounded the landing zone beneath the 65-meter jump.
Pallet-fueled bonfires kept spectators warm as the sun slipped beneath the tree line and shade set in at Satre Hill. Beer, wine and hot toddies helped fight the cold, too.
Once the jumping was complete, Saturday’s festivities ended with the Snow Ball at the Grove in Lakeville.
Sunday afternoon was sunny and pleasant without much wind. Spectators who opted for muck boots were vindicated, as the ground by the various food and merchandise stands was thoroughly muddy.
Joe Geraghty and Vanessa O’Connor were doing good business selling SWSA merchandise. Geraghty said he would consider it a successful day if he came in with five bins of goods and left with one, and was on track for that result.
Anna Pattison at the cook shack confirmed what a reporter suspected — the SWSA bratwurst, with or without fried onions or sauerkraut, was the big seller.
A pickup truck on loan from the town crew stood ready to take ski jumpers back up the hill. One by one, an endless series of youngsters, sleek in their jumping clothing, piled in the pickup bed with their skis until it seemed impossible to get any more in.
But it wasn’t. “Somebody carry this kid in their lap,” said a man, hoisting a diminutive skier up and in.
Before the trial jumps began, the call went out on the loudspeaker for measurers. Mat Kiefer stood facing a circle of volunteers, advising those new to the experience to buddy up with veterans.
Outside the immediate Satre Hill area, the parking lot was completely jammed and people were parking wherever they could, including Railroad Street.
Jumpfest 2024 was well attended with roughly 600 guests on Friday, 1,400 guests on Saturday, and 1,350 guests on Sunday. Additionally, an estimated 1,000 children under age 12 took part in the weekend fun at Satre Hill.
Dancers from Pilobolus will perform at the NWCT Arts Council spring fundraiser on April 26 in Washington Depot, Conn.
On Saturday, April 26, the Northwest Connecticut Arts Council will host a special evening, Arts Connected, their spring fundraiser celebrating the power of creativity and community. Held at the Bryan Memorial Town Hall in Washington Depot from 5 to 8 p.m., this event brings together artists, performers, and neighbors for a magical night filled with inspiration, connection and joy.
Award-winning designer and arts advocate Diane von Furstenberg and her granddaughter Antonia Steinberg are honorary co-chairs of the event. Their shared love of the arts informs the spirit of the evening.
Antonia Steinberg, above, President of Bucks Rock Camp in New Milford that she first attended as a camper when she was ten years old. Antonia is co-chair, with her grandmother Diane Von Furstenberg of the NWCT Arts Council fundraiser.Provided
“As someone whose life was profoundly shaped by the arts — as a child at Buck’s Rock and now as President of its Board — I’ve seen firsthand the transformative power of the arts; how creative spaces can empower young people, build community, and nurture well-rounded problem solvers. That’s why I’m so honored to co-host the Northwest CT Arts Council Gala. Their work in supporting artists and cultural organizations across Connecticut is essential,” said Steinberg.
Von Furstenberg’s influence in fashion and culture, and Steinberg’s leadership at Buck’s Rock reflect the intergenerational impact of the arts,” said NWCT Arts Council board president Sunday Fisher. “Their participation underscores the power of creative expression as a defining force in our community.” Steinberg is the president of Buck’s Rock Camp, a non-profit performing and creative arts camp in New Milford that she first attended as a 10-year-old camper.
Diane Von Furstenberg, co-chair of NWCT Arts Council fundraiser.Provided
Steph Burr, executive director at NWCT Arts Council, added, “Events like Arts Connected are at the heart of what we do — bringing people together, lifting up artists, and reminding us of the essential role creativity plays in our lives. The Council works year-round to ensure the arts not only survive but thrive across our region.”
NWCT Arts Council is a nonprofit that serves as advocates for the arts. Through regranting efforts, public art support, legislative advocacy, and their regional events calendar, they work to ensure the arts are accessible and celebrated in every corner of their 25-town service area.
Burr continued, “The arts in Northwest Connecticut are vibrant, evolving, and deeply rooted in community. There’s a quiet but powerful creative pulse running through these hills — one that reflects the resilience, diversity, and passion of the people who call this region home. Over the past few years, artists and cultural organizations have navigated challenges with heart and determination, despite ongoing funding volatility. Through our advocacy and collaborative programming, we ensure the arts remain essential and accessible in our community.”
Highlights of the April 26 fundraiser include performances by Pilobolus, Sherman Chamber Ensemble, Ysanne Marshall & the Lotus Blues, hand pan musician Jeremy Driscoll, and a curated art exhibition, NW25 Gallery, featuring local artists. Sponsors Litchfield Distillery, Kent Falls Brewing Company, and Executive Cuisine catering will provide the food and drink.
Ticket prices are $125, open to guests 21 and older, available online at givebutter.com/artsconnected.For more information or to ask about sponsorship opportunities, email Katherine Pelletier at katherine@artsnwct.org or visit givebutter.com/artsconnectedsponsorship.
Arts Connected is made possible thanks to the generous support of sponsors; Antonia Steinberg is sponsoring all the artists for the event and Valiant Energy and Torrington Savings Bank are presenting the event.Additional sponsors include William Raveis Lifestyle Realty, Litchfield Magazine, Housatonic Heritage, Art Bank 7, Harney & Sons Teas, Aquarion Water, The Lost Fox Inn, George Home, NKYV Rituals, and Litchfield Distillery.
Lily Al-Nemri, founder and owner, and artistic director and painter Rudy Vavra at Tyte medispa and gallery in Millbrook.
The painter Rudy Vavra once created floor collages in Texas. You could, in theory, lie on them. Now, years later and much farther north, his work graces the walls of a medispa in Millbrook, New York where he also serves as the artistic director. You can still lie down, just not on the art. Instead, you might be undergoing an EmFace non-surgical facelift while surrounded by twenty-two of Vavra’s paintings.
The space, Tyte Medispa in Millbrook, is equal parts gallery and treatment center, the brainchild of Lily Al-Nemri, a medical aesthetician and now gallery owner. She also owns the nail salon, Bryte, down the street on Franklin Avenue. A few years ago, feeling she was outgrowing that space, she looked to expand and, just a few blocks away, found this rather sprawling maze of rooms with the gallery that now inhabits the grand central ballroom. “This used to be a gym,” she said. “It was way more than I was looking for, but I went for it.”
Vavra, a self-professed “painter’s painter,” has spent decades layering pigment in his barn-turned-studio in Milan, New York. “I find paintings as much as I make them,” he mused. “Some happen quickly, others are slow.” Of this latest collection, he said, “Some people call them busy. I think they’re slow.” His marks accumulate with a kind of devotional persistence, like petals left at a shrine. “A while ago, I saw a photographic image of a shrine,” Vavra said. “I don’t know if it was a Buddhist shrine or what, but there were colors on the ground all around it, and I realized they were the stains of flowers left in the worship. That’s very similar to the way I paint.”
The collection of paintings on view at Tyte — some as large as a shrine — are meditations on color, inviting the viewer to slow down. Or speed up. Whether viewers are activated or soothed by the images is neither Vavra’s intention nor within his control. Still, he said that watching people interact with the work has been a real treat. “Now that I have my paintings here, I get to see them all together,” he said. “It’s only when they’re all together that I see how they talk to each other. It’s interesting to see people come in and go to have a treatment and come out. It’s a very interesting connection.”
And what is the connection? What could be a disjointed pairing — aesthetics and aesthetic medicine — has become, improbably, a perfectly logical continuum. “They’re related in a sense,” Vavra said.
Aly Morrissey
Al-Nemri, a former radiologist who taught for over a decade at Westchester Community College, is no stranger to layering, precision, or the quiet rigor of care. Her incredible menu of services — Botox, body contouring, pelvic floor therapies — are the cutting edge of the industry. Of Vavra, Al-Nemri said, “I fell in love with his work, and we just hit it off.” It’s a kind of kismet that seems to hover over the place. Pilates mat classes take place twice a week in the main gallery space and both Al-Nemri and Vavra have loved watching clients pause, eyes caught by a stripe of cerulean or a vibrating cluster of brushstrokes. “Something will catch their eye,” said Vavra. “They’re looking for something in it.”
So, this gallery-meets-spa (or is it the other way around?) has plans. Vavra will be curating six shows a year. Laurie Adams’s photographs will be hung in June, a group show of local artists will share the space in July and August, and a Fall show will feature twenty women artists, which Vavra is eager to anchor with a piece by Judy Pfaff. “There’s nothing like this on this side of the county,” he said of the light drenched space. “It’s been a bit sleepier here. We want to wake it up.”
He means it kindly; sleep certainly has its place. But here in Millbrook, amid the low drone of machines designed to rejuvenate, something unexpected has emerged. Perhaps that’s what both Al-Nemri and Vavra are really after — not the quick fix or the final image, but the suspended moment, the long look. A face seen anew. A painting revealed slowly, in silence.
As for Vavra’s curatorial process? “I just unpack the paintings, lean them against the wall, and look,” he said. “Eighty percent of the time, they’re already where they’re supposed to be.”