Sarah Cooke Picton

Sarah Cooke Picton

SALISBURY — Sarah (Cooke) Picton, age 76, of Salisbury, died June 17, 2024, at Geer Nursing and Rehab Center in Canaan of complications from Alzheimer’s Disease. Sarah and her loving husband, Jim Picton, had fourteen golden years together.

Sarah Herritage Cooke (she dropped “Herritage” when she married, and yes, they did spell it with two ‘r’s) was born in Richmond, Virginia, on Oct. 2, 1947, the youngest of four siblings to the late Richard Caswell Cooke and Caroline Myers, both of Richmond. She was predeceased by her oldest sibling, Caroline, and Caroline’s husband, William Dinsmore Holland, both of Cookeville, Tennessee. She is survived by her brother, Richard Caswell (“Caswell”) Cooke, Jr., and his wife, Mary Davis Cooke, both of Lawrenceville, New Jersey; also her sister Anne Gordon Cooke of Richmond. Anne’s husband, Rev. Charles Daniel Curran, Jr., predeceased her. Sarah also leaves many devoted nieces and nephews, one of whom, Lawrence Curran, predeceased her. Sarah had no children of her own, but two loving godsons, Peter Boyd of Charles City, Virginia, the son of Sarah’s longtime friends Julie and Randy Boyd, and Gordon Cooke of Derry, New Hampshire, the youngest son of brother Caswell. It should also be said here that there was not a better-loved pair of cousins either side of the Mason-Dixon Line than Willson Craigie (yes, two ‘L’s) and his wife, Susan Craigie, both of Richmond, whose friendship with Sarah and husband Jim figured prominently in their lives and grew deeper over the years.

In fact, as children, Sarah, Willson, and sister Anne would spend part of each summer together at Cricket Hill, the rural cabin, pond, and stream retreat father Dick fashioned for the family. Many stories emanate from that time, which must have made a deep impression on Sarah who, when she finally began to loosen her grip on reality, would often tell visitors that she lived at Cricket Hill still — which, in a way, must have been true. On Sundays when it didn’t rain (it never did, in the lore), Dick would conduct outdoor services under the weeping cedar, mostly consisting of hymns sung a capella.

Although not religious in later life, Sarah grew up attending Grace and Holy Trinity Episcopal, a church her great-grandfather helped to found in the 19th century. She attended St. Catherine’s, an Episcopal Diocesan school beginning in 6th grade, graduating 12th grade in 1965. Hollins College followed, a female-only school at the edge of the Blue Ridge Mountains, where Sarah thrived (she and her schoolmates were known as “Hollie Collie Dollies”), earning a bachelor’s degree in art history with a minor in math.

At this point, work at the Virginia Museum of Fine Arts was available, and although Sarah eventually took a job there, the urge to travel and see more of this country was overwhelming. Sarah struck out for the West. A series of visits over the next few years led her to jobs on a dude ranch in Wyoming, a sojourn in California (think: camping next to an avocado plantation), bartending in Denver, and a job with the Denver Art Museum, organizing fundraising shows and concerts in Larimer Square. She took credit for, among other things, introducing Bluegrass to the country music fans there when she organized a concert with Hot Rize, a group still heard on the radio today.

Though she loved the clear skies and surrounding natural beauty of Colorado and Wyoming, Sarah yearned to be closer to the New York art world, and so moved to New York, taking an apartment next to an old school friend in a third floor walk-up in Hell’s Kitchen (as she liked to remind us). Sarah was an artist, working in pencil, ink, and watercolor. She sketched every day, drawing from photographs and from life. In New York, she designed a line of greeting cards and sold them to Caspari, Inc. Many years later, after retirement, Sarah re-started her card business, marketing her work to local shops. But in New York, the card business didn’t cover all the bills, so Sarah found work at the Betty Parsons Gallery. After working at the Parsons gallery, Sarah was offered, and quickly took, a job as office manager and general jobber for Jasper Johns.

The relationship with her employer and the artists and “buzz” surrounding him was so successful that Sarah settled into Manhattan for good, moving to Connecticut only after Johns did. They were both fond of each other; Sarah stayed on for about 28 years, retiring finally to spend more time with husband Jim who, as one of the contractors who took care of the Johns campus, had to answer to Sarah’s ironclad rule before proceeding with any work, and fell in love with the boss in the process. Three years after first husband Bill’s death, Sarah allowed Jim into her life. They were subsequently married, in 2014. Visits to Cape Cod and to Maine, and a trip to Ireland to celebrate Sarah’s seventieth birthday, were among the pleasures of retirement, before Alzheimer’s became evident.

A memorial gathering and simple service will be held for Sarah in Salisbury and also Richmond, after summer. Notice will be published so that all who wish may attend these remembrances. Those who wish to make a charitable contribution in Sarah’s memory may consider the Housatonic Valley Association, a local conservation organization Sarah liked to support: Housatonic Valley Association, 150 Kent Road, PO Box 28, Cornwall Bridge, CT 06754.

Latest News

Liane McGhee

Liane McGhee
Liane McGhee
Liane McGhee

Liane McGhee, a woman defined by her strength of will, generosity, and unwavering devotion to her family, passed away leaving a legacy of love and cherished memories.

Born Liane Victoria Conklin on May 27, 1957, in Sharon, CT, she grew up on Fish Street in Millerton, a place that remained close to her heart throughout her life. A proud graduate of the Webutuck High School Class of 1975, Liane soon began the most significant chapter of her life when she married Bill McGhee on August 7, 1976. Together, they built a life centered on family and shared values.

Keep ReadingShow less
‘Women Laughing’ celebrates New Yorker cartoonists

Ten New Yorker cartoonists gather around a table in a scene from “Women Laughing.”

Eric Korenman

There is something deceptively simple about a New Yorker cartoon. A few lines, a handful of words — usually fewer than a dozen — and suddenly an entire worldview has been distilled into a single panel.

There is also something delightfully subversive about watching a room full of women sit around a table drawing them. Not necessarily because it seems unusual now — thankfully — but because “Women Laughing,” screening May 9 at The Moviehouse in Millerton, reminds us that for much of The New Yorker’s history, such a gathering would have been nearly impossible to imagine.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

By any other name: becoming Lena Hall

By any other name: becoming Lena Hall

In “Your Friends and Neighbors,” Lena Hall’s character is also a musician.

Courtesy Apple TV
At a certain point you stop asking who people want you to be and start figuring out who you already are.
Lena Hall

There is a moment in conversation with actress and musician Lena Hall when the question of identity lands with unusual force.

“Well,” she said, pausing to consider it, “who am I really?”

Keep ReadingShow less
Remembering Todd Snider at The Colonial Theatre

“A Love Letter to Handsome John” screens at The Colonial Theatre on May 8.

Provided

Fans of the late singer-songwriter Todd Snider will have a rare opportunity to gather in celebration of his life and music when “A Love Letter to Handsome John,” a documentary by Otis Gibbs, screens for one night only at The Colonial Theatre in North Canaan on Friday, May 8.

Presented by Wilder House Berkshires and The Colonial Theatre, the 54-minute film began as a tribute to Snider’s friend and mentor, folk legend John Prine. Instead, following Snider’s death last November at age 59, it became something more intimate: a portrait of the alt-country pioneer during the final year of his life.

Keep ReadingShow less
Sharon Playhouse debuts new logo ahead of 2026 season

New Sharon Playhouse logo designed by Christina D’Angelo.

Provided

The Sharon Playhouse has unveiled a new brand identity for its 2026 season, reimagining its logo around the silhouette of the historic barn that has long defined the theater.

Sharon Playhouse leadership — Carl Andress, Megan Flanagan and Michael Baldwin — revealed the new logo and website ahead of the 2026 season. The change reflects leadership’s desire to embrace both the Playhouse’s history and future, capturing its nostalgia while reinventing its image.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.