The Story  of Jennie
This portrait, by the artist Edwin White in 1844, of Maria Birch Coffing and Jane Elizabeth Winslow is on display at the Salisbury Association Academy Building. Photo submitted by Salisbury Association

The Story of Jennie

Two of the portraits hanging in the Salisbury Association’s Academy Building are those of John Churchill Coffing and his wife, Maria Birch Coffing. If you look closely at Maria Coffing’s portrait, you will see a young Black girl looking around the corner of a door frame in the background.

This is Jane Elizabeth Winslow, who worked for the Coffings for over 40 years. What is so unusual about this painting is that very few portraits of this time period include the likeness of a person of color.

Jane Elizabeth Winslow, known as Jennie, was born circa 1825 to John and Elizabeth Winslow. In 1830, 5-year-old Jennie came to live with the Coffings after both of her parents died. The 1840 U.S. census lists a “free colored person between the ages of 10 and 23” in the household of John Churchill Coffing.

This was probably Jennie, as she appears by name on the 1850 census as a member of the household of Maria Birch Coffing and again on the 1860 census. John Coffing died in 1847, and Jennie continued to live with Maria and her family until Maria died in 1865. Jennie stayed on caretaking the Coffing house in Salisbury for another five or six years before moving to Massachusetts.

A search of vital records in Great Barrington shows that a Jane E. Winslow, age 47 of Salisbury, was married on Nov. 8, 1871, to Egbert Lee, age 71, in VanDeusenville, Mass. The marriage was recorded as her first and his second, as he was widowed. Egbert’s death, recorded on Dec. 23, 1881, shows that he was born an enslaved person in Georgia. Jennie Winslow Lee is buried in the Salisbury Cemetery and her gravestone reads “Lee, Jane E. Winslow, wife of Edward (Egbert) d. April 15, 1872,” just five months after she married.

 

This information was gathered from the Salisbury Association Historical Society’s archives by Board President Jeanette Weber.

Related Articles Around the Web

Latest News

Cornwall Studio Tour captures rural arts scene

David Colbert with one of his sculptures on the sculpture walk he has created over 35 years.

Robin Roraback

The Cornwall Open Studio took place on Saturday, Aug. 31. It is a Cornwall tradition and has been taking place for eighteen years.

It is a day when Cornwall artists invite the public into their studios to see what they are working on and how they do it. The artists work in various media, including painting, sculpture, photography and artistic shoes.

Keep ReadingShow less
Follow your nose to Railroad Street

Fresh donuts by Hanna Rybolt at ILSE Coffee.

Kayla Jacquier

Something scrumptious is cooking beneath Colonial Theatre.

Pastries by Hanna was established in February of 2024 at 27 Railroad St. in North Canaan. The owner, Hanna Rybolt, is a resident of Canaan who studied in the pastry program at Johnson & Wales University in Providence, Rhode Island.

Keep ReadingShow less
Paving the Way: Geraldine Ferraro’s legacy at the Triplex

On Sept. 15, The Triplex Cinema in Great Barrington, Mass. will host a special screening of “Geraldine Ferraro: Paving the Way,” a documentary directed by Donna Zaccaro, Ferraro’s daughter. The film celebrates the life and legacy of Geraldine Ferraro, the first female vice-presidential candidate in U.S. history. As we approach the 40th anniversary of Ferraro’s groundbreaking campaign, this screening offers a timely reminder of the significant strides made by a trailblazer who forever altered the landscape of American politics.

Zaccaro, a seasoned filmmaker and the founder of Dazzling Media and Ferrodonna Features Inc., has dedicated her career to producing films that center on women, women’s issues, and social justice. “Ferro means iron, and Donna means woman in Italian,” Zaccaro explained, highlighting the significance behind the name of her nonprofit production company. “It’s a nod to both my mother’s strength and my mission to tell women’s stories.” The documentary is both a tribute to her mother and a poignant exploration of the barriers Ferraro faced during her 1984 vice-presidential run on Walter Mondale’s ticket.

Keep ReadingShow less