AMENIA — About 10 residents attended the regular meeting of the Recreation Commission Tuesday, Feb. 27, to hear details of conceptual plans for recreational enhancement through the phased development of two town parks.
Landscape architect Jane Didona of Didona Associates in Danbury, who has been working with the commission for more than a year, presented conceptual design plans for the dual projects, expected to be multiphased over several years of development.
One project, Amenia Green, would improve the town-owned land adjacent to the Town Hall, and the other, Wassaic Park, would develop acreage abutting Wassaic Brook and the Rail Trail and include a new playground adjacent to Gridley Chapel.
Questions from residents mainly sought clarification with some concern expressed about future cost, although all comments were favorable toward the plans.
“Play is an important aspect of everyone’s life and the life of their community,” Didona said, introducing the plans.
Conceptual plan for Wassaic Park. Didona Associates
Wassaic Park
Wassaic Park, Didona said, holds about 9 landlocked acres, with the area south of the brook considered to be a floodplain. Recent drawings have moved the half-acre dog run to another location within the park.
Speaking of dog runs, Didona said, breeds should be kept separated according to their temperaments and they need to be at least 350 feet from any residence.
Also requiring separation according to age group is the playground area anticipated for the land adjacent to Gridley Chapel. Toddlers and young children should have playground equipment that stands apart from equipment used by older children.
Planning has been done in cooperation with officials from the state Department of Environmental Conservation (DEC) who have visited the site and made recommendations to assist with meeting regulations and eventually submitting grant applications.
Included in the planning is a recreational sports field that can be used for a variety of sports. A pump track and skate park were moved within the planning to a different location within the park to offer access from the Rail Trail and accommodate inclusion of a walking trail around its perimeter.
The land area to be converted to Wassaic Park and the Gridley Chapel yard is largely owned by the Wassaic Project. The owners have indicated that the pump track area would be developed by the Wassaic Project and the land leased to the town for $1 a year. The town would assume responsibility for insurance.
An existing small pond at the site could be used for winter skating, surrounded by a short walking trail, Didona said.
“We have to keep the brook cool because it is stocked with trout,” Didona explained while outlining the group of improvements to facilitate fishing within the park, including the construction of a fishing platform, accessibility for people with disabilities, and other improvements. The DEC has offered to assist with construction of the fishing access features.
Expert in landscaping, Didona described the presence of large amounts of invasive plants on the site, noting that grant funding is readily available if planning includes environmentally desirable plantings and features.
Conceptual plan for Amenia Green. Didona Associates
Amenia Green
Review of the plans at the Tuesday meeting, Didona explained, had focused more on Wassaic Park because plans for Amenia Green had already been accepted by the town in June 2023. Responding to a resident’s request at the end of the meeting, however, Didona reviewed the plans for Amenia Green, noting the planning phases are nearing completion for that project.
The Amenia Green plans envision correction of the existing drainage issues, expanded parking opportunities, a walking trail around the perimeter of the green area, a pavilion to offer concerts, and a splash pool for the playground area with sheltered seating for adults.
Details of the drainage plans involve new technology including underdrains combined with newly developed drainage fabric to allow water to seep away, an alternative to clay pipes. The system also uses a gravel layer, but Didona explained that soil testing will determine the volume of the gravel layer.
“There will be more places for water to go and to be absorbed gradually,” Didona said.
Next Steps
Recreation Commission secretary Peter McCaffrey noted that this planning for both park areas is akin to a master plan for the multiphase, multiyear effort.
Speaking of the phased program, Didona said that the town’s Recreation Commission needs to “build momentum” toward the next steps in the phased program of recreational park enhancement.
Commenting after the meeting when asked about the next step, McCaffery replied that the Recreation Commission will study the plan and focus on what is needed for the first phase, including surveying and mapping of wetlands and floodplain, and assessing impact on endangered species in the area, notably salamander and bog turtles.
The next steps will also call for the creation of formalized design drawings by an engineer, in advance of receiving cost estimates for construction.
To view images of the park plans, go to www.ameniany.gov
KK Kozik in her studio
It is a particularly fitting philosophy for an artist whose paintings often begin with the world around her but rarely end there. There might be something recognizable — a stone wall, an apple tree, a crow — but then there is something less certain. Something that appears to be one thing becomes another upon inspection. Memory gets involved. So does imagination. So does time.
Since moving from New York City to Sharon, Connecticut in 2006, the landscape around her has become increasingly important to that process.
“I just saw things differently,” Kozik said.
The change was not immediate. She remembers an earlier version of herself driving through Vermont without paying much attention to what was happening beyond the windshield.
“I didn’t have the means to see what was happening around me,” she said. “I just sort of la, la, la, la, la, driving to Vermont.”
But, she said, she started to pay attention differently.
“I became more sensitized as time went on,” she said.
Asked whether that change came with age, she said, “Age and so-called wisdom.”
There’s a sense of loss in her landscapes, but a particular kind of loss that also has a twinge of redemption. Specifically, what happens to a landscape when people leave it?
“When the people go away, the wildlife comes back,” Kozik said.
KK Kozik in her studio with her painting “Golden Delicious.”Natalia Zukerman
Kozik’s work has never settled into a single recognizable formula. She has painted landscapes, figures and still lifes, moved toward abstraction and returned to representation. Her subjects change, but the underlying impulse remains: to take what is in front of her and discover what else there might be.
Kozik describes herself as someone who is always trying to figure things out. Her paintings often have the feeling of a thought in progress rather than a conclusion. They have been called “single-line novellas,” a description that makes sense: They can contain the suggestion of an entire story without telling you exactly what happened.
The animals are part of that storytelling.
They arrived partly because of what was disappearing.
“They were like the new redemption in a way,” she said.
There is something almost funny about the way Kozik talks about this — not because the loss itself is funny, but because she refuses to turn it into a grand pronouncement. She observes something, considers it, and lets it complicate the work.
That same sensibility comes through when she talks about her own development as an artist. Her paintings make room for interpretation. They don’t always tell the viewer what an animal symbolizes, or why a landscape has been altered, or where a particular image came from. Instead, they leave enough evidence to make you curious and enough room for your own stories.
The effect is not accidental. Kozik has spent years thinking about how images work, both as paintings and as containers for ideas.
Her work is currently included in “The Naturalist,” a group exhibition on view through Sept. 13 at Kenise Barnes Fine Art in Kent, alongside Richard Klein, Sally Maca, Rick Shaefer and Tricia Wright. The exhibition brings together artists whose work engages with the natural world, including its forms, histories and mysteries.
Kozik is an especially apt fit for the exhibition. She is described by the gallery as a landscape painter, figurative painter and interiors/still-life painter whose work frequently moves toward painterly abstraction. Her practice, the gallery notes, is “fluid and continuous” — always searching for new pictorial problems to solve.
That search has also extended beyond her own studio.
For several years, Kozik ran ICEHOUSE Project Space, an 18th-century icehouse on Sharon’s town green that she transformed into an unusual venue for contemporary art. It opened in 2018 with Dan Devine’s “Inside-Out NASCAR” and went on to host site-specific projects by artists including Mark Dion, Eric Aho, Janet Biggs, Richard Klein, Kristin Jones, Lisa Hoke and Ryan Frank. The projects addressed everything from the decline of winged insects and native and invasive plants to Sharon’s iron industry, its gardens and its history as an ice-producing community.
The space is now closed, but its premise still feels connected to Kozik’s painting practice. Each project responded in some way to the physical location, turning what might otherwise have been a little historic outbuilding into a setting for contemporary art.
Kozik’s own work does something similar with the landscape. She takes a place and lets it become more than a place.
Kozik’s paintings tell us that something happened before we arrived, and that something will happen after we leave.
And then there is the question of what to do with the space in between.
Maybe Kozik’s paintings are less about that space and more about an idea, as she put it, of “which questions to think about.”
Want more of our stories on Google? Click here to make us a Preferred Source.
Jazzmine Bone and A Stitch in Tyme power through the Gambler’s Choice run during the 2024 Lakeville Open.
The event, which has been held continuously for 69 years, is open to the public with free admission.
Individual competitions will run from 8 a.m. to 5 p.m., and visitors can stop by briefly or settle in for the day.
A food truck, bake sale and portable restrooms will be available on-site.
The show is the primary fundraiser for The Lakeville Pony Club, with proceeds supporting young riders who need financial assistance to participate in lessons. Members and their families work throughout the year to create the event for both competitors and spectators.
Members of the Lakeville Pony Club and Echo the pony arrive for the costume class during the Lakeville Open in 2024.Caitlin Von Graf
For those new to horse shows, the day offers a chance to learn more about the sport and understand what happens in the ring. In equitation competitions, judges evaluate the rider’s skill, from beginners learning walk and trot to more advanced riders navigating cantering and jumping courses.
Hunter competitions focus on the horse’s style and smoothness over fences, while jumper classes emphasize accuracy and speed as horses and riders race against the clock without knocking down rails.
The day also includes a crowd favorite: the costume class, where horses and riders dress up in creative ensembles for a chance at the top prize.
Programs will be available onsite to help spectators identify competitors and horses. A full list of competitions, entry information and details for those interested can be found at rigameadow.com
Whether an experienced equestrian or simply curious about the sport, the Lakeville Open Horse Show offers a chance to enjoy a Hudson Valley tradition that continues to bring the community together.
Want more of our stories on Google? Click here to make us a Preferred Source.
