Reading between the lines in historic samplers

Alexandra Peter's collection of historic samplers includes items from the family of "The House of the Seven Gables" author Nathaniel Hawthorne.
Cynthia Hochswender
Alexandra Peter's collection of historic samplers includes items from the family of "The House of the Seven Gables" author Nathaniel Hawthorne.
The home in Sharon that Alexandra Peters and her husband, Fred, have owned for the past 20 years feels like a mini museum. As you walk through the downstairs rooms, you’ll see dozens of examples from her needlework sampler collection. Some are simple and crude, others are sophisticated and complex. Some are framed, some lie loose on the dining table.
Many of them have museum cards, explaining where those samplers came from and why they are important.
It’s not that Peters has delusions of grandeur, with those small black or white cards a part of the fantasy. In the past few years, her samplers have gone on outings to historical societies and exhibits. Those small black cards are souvenirs.
About 27 of the pieces from Peters’ collection have just left home again, and are featured at the Litchfield History Museum of the Litchfield Historical Society in an exhibit that Peters guest curated along with the historical society’s curator of collections, Alex Dubois.
A needlework example.Cynthia Hochswender
The exhibit is called “With Their Busy Needles,” and it opens with a reception on Friday, April 26, from 6 to 8 p.m. (The exhibit will remain open until the end of November.) Peters will give a talk called “Know My Name: How Schoolgirls’ Samplers Created a Remarkable History” at the museum on Sunday, May 5, at 3 p.m.
Although Peters was first attracted to samplers as a form of art and craft, she has come to see them as something more profound. Each sampler tells a story, but you have to know how to read between the lines of thread and fabric. Peters has become an able and eloquent curator of what were once educational tools just for young girls and women. She can look at one and give an educated guess about who made it, how old they were, where they lived and how affluent their family was (or wasn’t).
Some samplers were made on linen, others were made with silk. Some linens are fine, others are rough and homespun.
“Some of my favorites are made on what’s called ‘linsey woolsey,’” Peters said. “It’s a mix of linen and wool that’s been dyed green. It was uncomfortable to wear, but it looks great on a sampler!”
Younger girls often worked first on learning darning stitches, and would make simple samplers with letters of the alphabet. More advanced stitchers might create genealogies or family trees. Peters particularly loves to find multiple examples from one family.
“I have a couple sets that were done by sisters,” she said, “and a collection from the family of Nathaniel Hawthorne,” the American author of “The Scarlet Letter.”
All samplers, though, show the importance of girls within families, Peters said.
Alexandra Peters, left, is exhibiting needlework samplers from her collection at the Litchfield Historical Society Museum.Cynthia Hochswender
“Parents were excited about their girls getting an education and coming out in the world and displaying their accomplishments. It’s different from what we think.”
“We tend to scorn or disrespect things made by women, particularly if they’re domestic. But before the Industrial Revolution, all work was done at the home, by women and by men. There weren’t jobs that you went to, you did the work at home. Samplers, and needlework, are the work of women, the work of girls.”
Samplers were rarely sold, Peters said, except ones made to help Southern Blacks to escape slavery.
“They were made anonymously and sold at anti-slavery fairs from the 1830s to the 1860s. I have one that can be used as a potholder and it says, ‘Any holder but a slaveholder.’ I have another that must have been a table runner that says, ‘We’s free!’ We’d see some of them as offensive now, but they weren’t at the time; they were joyful.”
Every sampler tells a story, and Peters is an able and entertaining interpreter of those tales. Learn more by visiting the Litchfield History Museum and seeing the exhibit (complete with explanatory museum cards) and come for her talk about samplers on May 5. Register for the opening reception and for the talk at www.litchfieldhistoricalsociety.org/exhibitions.
Long-term town employees were recognized at the Town Board meeting on Thursday, June 12. Honorees pictured with Town Supervisor Leo Blackman, were Judy Carlson, Office Manager at the Town Garage, center, for her 35 years of service to the town and Megan Chamberlin, current Highway Superintendent, for 20 years.
AMENIA — Acknowledging the many years of service accumulated by town employees, the Town Board paused to honor that service at its meeting on Thursday, June 12.
“Thank you for making a difference,” said Town Supervisor Leo Blackman in recognizing Judy Carlson, Office Manager at the town garage, for her 35 years of service.
“Megan’s job is not an easy one,” Blackman said, honoring Megan Chamberlin, current Highway Superintendent who has served the town for 20 years.
Also among those honored was Town Clerk Dawn Marie Klingner for 20 years of service as Court Clerk.
Maureen Moore, Court Clerk, was also honored in absentia for her 20 years of town service.
In anticipation of the celebration of the 250th anniversary of the start of the American Revolution in 2026, new historic markers are appearing at each of the local cemeteries where Revolutionary War veterans are buried. Unveiling the new marker at Amenia Union Cemetery on Saturday, June 21, were left to right, Town Historian Betsy Strauss, Jim Middlebrook representing the regional chapter of the Sons of the American Revolution, and Gail Seymour, President of the Union Cemetery Association.
AMENIA — One by one, new historic markers are appearing at local cemeteries where Revolutionary War dead are buried. On Saturday, June 21, community members gathered to see a new marker unveiled at Amenia Union Cemetery on Leedsville Road.
A tent provided welcome shade for the attendees and refreshments as about 30 residents gathered for the unveiling and to share stories of local history with one another.
As with the first historic market installation at the Old Amenia Burying Ground, held in April, Amenia Union Cemetery graves of Revolutionary War veterans had been marked with American flags in advance.
Jim Middlebrook, representing the Columbia Mid-Hudson chapter of the Sons of the American Revolution, attended along with other members of his chapter. Speaking before the unveiling, Middlebrook said that the historic marker project had begun in August 2024, and included a detailed process to certify the names on the graves.
Middlebrook described the work of the William C. Pomeroy Foundation of Syracuse whose mission is to promote “pride of place” by providing grants in support of installing historic markers and plaques nationwide to honor patriots for their service. Active now in seven or eight states, Middlebrook said, the foundation will soon add Connecticut and Massachusetts to the list.
The new Amenia Union marker honors “at least five veterans of the American Revolution interred between 1787 and 1810,” although Town Historian Betsy Strauss lists six veterans buried in the cemetery. The sixth, Gerhard Winegar, whose burial had been in 1781 could not fully satisfy the certification standards.
Strauss provided the following listing of six names:
Col. Colbe Chamberlain, 1739-1796
Capt. William Chamberlain, 1745-1810
Lieut. Samuel Snyder, 1712-1808
Gerhard Winegar, 1750-1781
Ensign Henry Winegar, 1723-1787
Capt. William Young, 1747-1806
The Nine Partners Road Quaker Meetinghouse, built in 1780, will be the site of two summer lectures sponsored by the Millbrook Historical Society.
MILLBROOK — Long in the planning, the Millbrook Historical Society has announced that it is sponsoring two lectures in observance of the 250th anniversary of the American Revolution. Both lectures relating to Quaker history are to be held in the historic Quaker Meeting House on Nine Partners Road.
For the first talk, scheduled for Sunday, June 29, at 2 p.m., the historical society has invited Sarah Gronningsater, Professor of History at the University of Pennsylvania, to talk on “Quakers, Anti-slavery, and the American Revolution.” The topic will explore the role that New York’s Quakers, especially in the Hudson Valley, played in the rise of the anti-slavery movement that followed the American Revolution.
The second talk, scheduled for Sunday, July 27, at 2 p.m., invites Carl Lounsbury of the College of William and Mary and Colonial Williamsburg to speak on the architecture of the Nine Partners Meetinghouse. His talk is titled, “Nine Partners Meetinghouse Plan: A New Form in the Hudson Valley.” Expert in early American architecture, Lounsbury’s talk will compare Nine Partners with other later houses of worship in New York and New England.
Both lecture events will be held at the 1780 brick Nine Partners Quaker Meetinghouse in Millbrook. An earlier meetinghouse on the site had burned. The building has remained largely unchanged since the 18th century.
Given the age of the structure, handicapped access is limited and there are no rest room facilities.
Visitors should enter through the cemetery gate entrance.
The lectures are free and open to all, supported by a grant from the county and offered as part of Dutchess County’s participation in the nation’s 250th anniversary commemoration.
Downtown Millerton
MILLERTON — Voter turnout in the Village of Millerton dropped sharply in 2025, with just 58 ballots cast in this year’s village election — less than a third of the record turnout seen just two years earlier.
The election on June 17 marked a stark contrast to 2023, when signs littered the intersection of Route 22 and Route 44 and 208 voters headed to the polls to decide a competitive mayoral race between incumbent Jenn Najdek and challenger Kelly Kilmer. That year also featured two contested trustee positions and generated the highest turnout in at least five years.
This year’s ballot looked much different. All three candidates — Mayor Jenn Najdek, Trustee David Sherman, and newcomer Katie Cariello — ran unopposed. With no contested races, just 57 voters turned out, plus one absentee ballot and one spoiled ballot.
Participation in village elections has fluctuated significantly over the past five years, often correlating with whether races were contested.
An uncontested trustee race during the first summer of the COVID-19 pandemic in 2020 saw unusually low turnout with just 17 ballots cast. The 2022 election, which also featured two unopposed trustee candidates, saw a more typical 135 ballots.
Years with competitive mayoral or trustee races saw spikes in participation. In 2021, 147 voters turned out, followed by a special runoff one week later that drew 157 ballots after a tied trustee race. During that race, three trustees ran for two seats, with David Sherman and Laurie Kerr ultimately elected.
The most recent contested election in 2024 drew 122 voters. Matthew Hartzog, Matthew Soleau and Kelly Kilmer ran, with Hartzog and Soleau elected. While that marked a dip from the previous year, it was still more than double the number who turned out this year.
While elections in small villages like Millerton often see modest turnout, the wide swings from year to year suggest that competitive races — and clearer distinctions between candidates — play a major role in mobilizing voters.
Despite the lack of competition, this year’s election produced a few notable results. Trustee David Sherman led all candidates with 52 votes, including 13 on the Republican line and 39 on the Democratic. Mayor Najdek was re-elected with 47 votes — 41 on the Democratic line and six on the Republican. Newcomer Katie Cariello received 39 votes — 34 Democratic and five Republican. There were also four write-ins for mayor and three for trustee.