
Ferris and Ferris, University of North Carolina Press
In a new American biography, Amrita Chakrabarti Myers, a multi-award-winning author and director of the graduate studies history department at Indiana University Bloomington, uncovers the hidden story of the wife of Richard Mentor Johnson, the ninth vice president of the United States, serving under President Martin Van Buren.
“The Vice President’s Black Wife: The Untold Life of Julia Chinn” from Ferris and Ferris explores the lost account of Chinn — a woman with no official portrait, no legal record of her marriage and no surviving letters or diary to expose her own thoughts or feelings. What we do know: Chinn was a Black woman born into slavery in Scott County, Kentucky; trained as a household domestic worker from a young age; and taken as Johnson’s common-law wife as a teenager when Johnson was 15 years her senior. Chinn was never legally freed from slavery, but she would also come to wield significant authority over the management of Johnson’s property, overseeing the slave labor she was born into, now from a position of power.
On Sunday, Feb. 25, at 2 p.m., staff from Martin Van Buren Park will lead a talk on Chakrabarti Myers’ book at the Kinderhook Library in person and over Zoom.
“Sex across the color line began [in America] the moment various ethnic groups came into contact with one another on this side of the Atlantic. Those interactions were varied and complex, ranging from one night of mutual pleasure to intricate business transactions, from violent assaults to more compliant relationships,” Chakrabarti Myers said at a talk held recently at the Filson Historical Society in Kentucky. “What my work seeks to do is illuminate how some Black women were able to use sexual alliances with white men to acquire a modicum of power in the Old South while simultaneously revealing the limits of that power. How much autonomy did Black women in these unions really have? What were the societal limits of their privilege? Did Black women have any choice when it came to participating in these relationships?”
In a conversation held through the University of North Carolina Press with Randal Maurice Jelks, author of “Letters to Martin: Meditations on Democracy in Black America,” Chakrabarti Myers discussed the purposeful erasure of Chinn’s life following her and Johnson’s death by the vice president’s surviving brothers. The brothers conspired with a probate judge in Scott County to declare that Johnson had no living will, had never wed and had no children or grandchildren — despite his mixed-race descendants being present at the hearing.
Johnson was hardly an outlier at the time for having an intimate, long-standing interracial relationship, so why was the legacy of Chinn perceived as so threatening in the eyes of the family? As Chakrabarti Myers said to Jelks: when we look to historical examples like President Thomas Jefferson or Kentucky U.S. Senate Representative Henry Clay, “The men who were having ‘outside relationships’ and children with enslaved women didn’t publicly flaunt it. Most of them were married to white women. Jefferson did not begin his relationship with Sally Hemings until after his wife had passed away — and even so, he did not flaunt her as his wife. She did not entertain guests as the mistress of Monticello. It was gossip, but he never said, ‘Yes, this is my family.’ But Julia was Richard’s only wife. Adaline and Imogene [Johnson’s mixed-race daughters] were his only children. They lived together, he educated his daughters, and his wife was standing by his side when he was visited by former presidents.”
Chinn was head of the household, the mistress of the parlor, the overseer of the labor force, and the manager of Johnson’s Choctaw Academy, an American Indian boarding school located on Johnson’s Blue Spring Farm. “She carried the keys to the farm,” Chakrabarti Myers said, both metaphorically and literally. In her new life, one a woman of her birth was never meant to ascend to, riding through town in a carriage, Chinn wore the status and position of a vice president’s wife with great public spectacle. As we have more presently witnessed in the media treatment of Meghan Markle, a Black woman usurping marital power supposedly “meant” for a white woman is a dangerous love story to live.
Participating students and teachers gathered for the traditional photo at the 2025 Troutbeck Symposium on Thursday, May 1.
Students and educators from throughout the region converged at Troutbeck in Amenia for a three-day conference to present historical research projects undertaken collaboratively by students with a common focus on original research into their chosen topics. Area independent schools and public schools participated in the conference that extended from Wednesday, April 30 to Friday, May 2.
The symposium continues the Troutbeck legacy as a decades-old gathering place for pioneers in social justice and reform. Today it is a destination luxury country inn, but Troutbeck remains conscious of its significant place in history.
A showing of student artworks within the theme of linking the past with the present opened the symposium on Wednesday evening. Each work of art had to draw on historical research to foster an informed dialogue between the artist and the contemporary audience.
The second day was devoted to student research presentations, showcasing teams from the region’s leading public and private schools with strong programs aimed at cultivating engaged young historians. Primary source materials and live interviews with descendants were included in the process.
Topics were divided into blocks with guest commentators providing reactive response as each block of student presentations concluded. Serving as commentators were Dr. Hasan Kwame Jeffries, Ohio State University, and Dr. Christine Proenza-Coles, University of Virginia.
Resistance in the face of oppression and stories of resilience that spanned generations formed an important theme as students presented the stories of area settlers and residents who suffered but endured.
As a sampling, The Taconic School teamed up with The Salisbury School to unearth untold stories of Boston Corners. The Hotchkiss School looked into the activities of the Ku Klux Klan in Connecticut. The Cornwall Consolidated School students stepped up with their untold stories of early Cornwall women.
Other presentations explored criminal justice — witchcraft trials — dealing with society’s “undesirable” elements, individuals in history who took action, people and movements that formed resistance, and various forms of discrimination.
Praising the work of the students, Dr. Jeffries identified a theme of resistance and survival.
“The war ended but the resistance did not,” Jeffries said. “We don’t take indigenous people seriously,” he added. “White supremacy happened in our own back yards.”
“We saw the evolution of research,” said a Cornwall Consolidated School representative. That project moved into civic engagement by the students that moved beyond the classroom.
“This is not the past; this is part of the present,” said Dr. Proenza-Coles.
A panel discussion among educators whose students had participated in the 2025 Troutbeck Symposium was held on Friday, May 2, to offer reflections on the symposium, its value and future development. Panelists from left to right were Jessica Jenkins, Litchfield Historical Society;Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School. Leila Hawken
The third day invited area history educators to assemble and share ideas for redesigning elements of history education, a day of reflection.
The panel included Jessica Jenkins, Litchfield Historical Society; Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School.
Valcin reflected on his work as a shared project within The Salisbury School, one where the inquiry would seek to find “the deeper story behind a base story.”
Duprey also spoke of process and the educational value of engaging with historical inquiry.
Each representing a profession that brings them into contact with historical inquiry, the panelists recounted tedious history classes of past decades. Jenkins described her own career as “public history.”Lamb-Canon’s experience began with choosing history electives in college. Bengal spoke of community engagement and the power of involvement with history.
“History is not the opposite of scientific inquiry,” said Bengal.
Significant discussion centered on the possibility of offering the Troutbeck Symposium model to a wider audience of school systems throughout the U.S.
“A community approach to education,” was a characterization offered by Troutbeck owner Charlie Champalimaud, commenting during a brief interview at the end of the symposium on Friday, May 2. She encouraged a push toward increasing even more the number of participating schools, their educational communities and symposium sponsors.
Terence S. Miller, owner of Roaring Oaks Florist in the new self-serve area of the shop.
Just in time for Mother’s Day, Roaring Oaks Florist in Lakeville has launched a new self-serve flower station next to its Main Street shop, offering high-quality, grab-and-go bouquets from 8 a.m. to 8 p.m., seven days a week — including Sundays when the main store is closed.
Owner Terence S. Miller, who bought the shop 24 years ago at just 20 years old, calls the new feature “a modern twist on an old-school honor system,” with some high-tech updates.
“We’re still using our same high-end flowers, just with less markup and no labor,” said Miller. “That way people can access our quality anytime, even if we’re closed.”
Tucked beside the shop’s main entrance at 349A Main Street next to The Boathouse, the self-serve area is partitioned and monitored by security cameras. A simple touchscreen checkout system lets customers pay with a credit card — no cash accepted — and includes photo prompts to make selection easy. Vases, ribbons, flower food, and care instructions are all stocked and labeled.
“We’ve tried to think of everything people might need,” said Miller. “It’s all about making great flowers more accessible without losing what makes Roaring Oaks special.”
Miller said the idea came from years of watching customers try to squeeze in a visit before or after hours. “We’re open 8 hours a day, but we’re here for almost 10, and it still isn’t enough. People are always showing up after we close,” he said. “This way we can be ‘open’ more hours without adding staff.”
Though he considered making the space available 24/7, Miller ultimately decided against it. “We didn’t want to encourage late-night tampering,” he said, noting the shop’s proximity to local bars and restaurants.
Miller’s journey into flowers was unexpected. As soon as he could get his farming papers at 12 years old, he started working at Silamar Farm in Millerton. Alongside its produce, Silamar’s was one of the first farm stands in the area to sell fresh cut flowers.Miller began growing and bundling cut flowers for city-bound customers. “By 16 I needed a year-round job, so I applied to every florist around. I just had a knack for it,” he said. After a stint in Rhinebeck, he returned and bought Roaring Oaks from its previous owner.
In the decades since, he’s built a reputation for quality and creativity. The shop’s flowers are sourced from around the world, particularly Canada and South America, though Miller is committed to supporting local growers wherever possible, especially for summer offerings and weddings.
“We’re hoping to feature some smaller farms in the self-serve section this summer,” said Miller. “DIY weddings have taken off, and people don’t always realize the benefits of buying local. Cold chain is everything. The flowers we source come straight from the airport to the wholesaler and right up here. That’s how we keep them fresh.”
Roaring Oaks also offers consultations and bulk flower discounts for events and weddings, a service Miller hopes more customers will discover through the new self-serve setup.
After 50 years in business, and nearly a decade at its current Lakeville location, Roaring Oaks continues to evolve. “This September marks my 25th year,” said Miller. “I’m always looking for ways to make people happy. Flowers should be simple, joyful, and accessible. That’s what this is all about.”
For more information or to plan your Mother’s Day bouquet, visit Roaring Oaks Florist at 349A Main Street, Lakeville.
A string quartet opened the Bard Conservatory of Music program for Region One third grade students at Music Mountain.
Region One third grade students attended a chamber music concert by Bard Conservatory of Music students at Music Mountain Tuesday, April 29.
After expending spare energy racing around the Music Mountain lawn, the children trooped into the concert hall and took their seats.
After a brief introduction from Bard’s Mira Wang, the first item on the program was a string quartet, playing a piece by Haydn.
The students also heard a solo rendition of medieval songs played on the alto trombone, an unusual instrument.
The annual third grade concert is a tradition that stretches back decades at Music Mountain. It’s a treat for the children, and for the music students, who get to experience the incredible acoustics of the Music Mountain concert hall.
Two flutists performed later in the show.Patrick L. Sullivan