MILLERTON — Nearly a year and a half after opening The Dig in Millerton, Katja Schultz has decided to close the café and store for good on Friday, Dec. 31. The village resident poured her heart and energy into creating an accessible, comfortable community space at 3 Main St. Yet when 2022 arrives, the village will find that cheerful space of everyday enjoyment vacant, another casualty of the COVID pandemic and the economy that has fallen ill alongside it.
The Dig
Schultz and her husband James teamed up with their friend, Raquel Madar, to open The Dig in August 2020. Since then, it has become a place where people can purchase groceries sourced from local vendors and do so much more.
They can engage in community events, purchase artwork by local artists, treat themselves to fresh smoothies and crepes and pass time in its relaxing outdoor patio space.
Working alongside the owners are Webutuck High School students Kaitlyn Cope and Avery Wickwire, multiple volunteers and members of Schultz’s family, including her mother Natalie Pere.
Yet even with The Dig’s initial success, Schultz understood the all-consuming nature of running a small business, especially in Millerton. Over time, she said it became obvious that she and her mom couldn’t sustain The Dig wasn’t, between the time commitment and the challenge of hiring people in today’s climate.
Deciding it was a lot for her and her family, Schultz said. “We had met our goals and I felt like this was the right time to close. It felt like we had a good season one and we didn’t want to have a bad season two.”
Despite their loss, Schultz said she and her mother will be celebrating till the end of the month — in other words, they plan to go out with a bang.
The Dig will be open Fridays through Mondays from 9 a.m. to 4 p.m., with a blowout sale before Christmas and plenty of fun before closing on the 31st.
Considering her future beyond The Dig, Schultz said her first goal is to ski as much as possible with her children and enjoy her weekends with them. Though she’ll no longer be an active merchant in the village business community, she wants to shift her focus and time to learn how to help other local businesses thrive.
Boiling the community’s needs down to one word, Schultz said she believes the Millerton merchants need more connection. She consulted with Lynn Caponera, who owns the building at 3 Main St., about the community’s needs, along with other Millerton business owners about how to stimulate more commerce.
Shultz has also discussed how to offer incentives in town “that are different but are mostly needed” to draw people in. She also wants to highlight the community’s existing resources to attract more visitors and figure out how to translate the digital world of connections into actual experiences.
Going forward, Schultz, who remains open to learning new information, hopes to bridge people together with new ideas — almost as a community liaison. Recognizing the devotion local business owners pour into their enterprises and the challenge of making a profit these days, she wants to make a difference with what she learned from running The Dig and help other merchants prosper.
3 Main St.
Before The Dig, 3 Main St. was previously occupied by a small grocer, the Millerton Mercantile. Caponera explained she originally bought the building with the intention of having her nephew and nieces run it as a small farm grocery store for residents who couldn’t drive to a supermarket.
Opening in the summer of 2019, Caponera’s nephew, Stephen Murphy, managed the Millerton Mercantile for just more a year before it closed.
Based on her experience, Caponera said running a business in Millerton is a dream, given all the support fellow merchants give each other. However, there are challenges with limited parking in the village and the enormous time commitment.
“For the people who actually run it, you really have to have it be your only job because it really is a full-time job,” Caponera said. “What happened with us, we thought it would sort of seamlessly run itself, but there’s so much involved in running anything to do with food. It was really a labor-intensive operation.”
A shifting Main Street
From what she’s heard from other vendors who occupied 3 Main St., Thorunn Kristjansdottir, who heads up the Millerton Business Alliance (MBA), recognizes the parking challenge, especially at the top of Main Street,which has “nothing but office spaces around it.” With The Dig leaving that space, Kristjansdottir said there’s no major draw to that part of Main Street. Instead, the business community appears to taper off around the businesses located on Railroad Plaza, where the Harney Tea Room is with Golden Wok and Country Gardeners Florist.
There is the popular Moonwake Yoga, though, on the second floor at 5 Main St., run by owner Kate Shanley (formerly called Buddhi Tribe).
“Whenever there’s a new business that opens or someone moves to town, we’re always excited… to have a new offering to the mix of offerings available in Millerton,” Kristjansdottir said. “The business owner has to make the decision. No matter what that decision is [when a business closes], it’s always a loss for the community.”
Along with filling the vacant space on Main Street, Kristjansdottir said she hopes “something opens up that has a draw for itself and be another flavor to add to the mixture of Millerton.”
“I always get a little concerned when businesses close west on Main Street,” said Mayor Jenn Najdek, “but we’ve been pretty fortunate. Usually when something closes, it’s not too long before something else takes its place.”
Asked what she’d like to see as the space’s next prospective business, Caponera said it would be great to have a store similar to The Dig or the Millerton Mercantile — something that won’t create a lot of noise and perhaps offer a gathering spot and local groceries.
Caponera advised anyone interested in renting 3 Main St. to get in touch with agent Brad Rebillard at Dutchess County Realty in Millerton.
From left, workers at The Dig Avery Wickwire, Natalie Pere, Kaitlyn Cope, Zachary Pere and co-owner Katja Schultz greeted customers at the popular 3 Main St. site in Millerton. Photo by Aly Morrissey Photography
Contemporary chamber musicians, HUB, performing at The Clark.
MASS MoCA is known for its 20th-century holdings spread throughout a sprawling complex of industrial brick buildings. Installations by Sol LeWitt and James Turrell have permanent homes there. Just down the road in Williamstown, the Clark features masterworks by Winslow Homer, Frederic Remington, John Singer Sargent and Claude Monet.
But what visitors might not immediately associate with those established names is how deeply both institutions invest in art happening right now.
On Saturday afternoon, a panel of young artists discussed their relationships with art, identity and technology as part of MASS MoCA’s “Technologies of Relation” exhibition, which opened that evening. The artists represented a broad range of cultural backgrounds, drawing on ancestry while exploring the future of art and technology.
The work itself ran the gamut: wax relief paintings, stained glass, interactive video and sculptural installations. One immersive piece automated the traditional Armenian practice of reading fortunes from coffee grounds. Particularly striking were Roopa Vasudevan’s hand-drawn QR codes and Taeyoon Choi’s large-scale weavings of binary code.
Opening the same night was Zora J. Murff’s “RACE/HUSTLE.” Through photographs, paintings and installations, Murff explores the wide-ranging and sometimes violent implications of being Black in America today. Each piece — whether confronting the rise of white supremacy or examining stereotypes imposed on Black communities — carries razor-sharp visual commentary designed to unsettle.
Pelenakeke Brown’s “Reverb” (detail) at Mass MoCA. D.H. Callahan
On Sunday, the Clark continued the contemporary thread. A small exhibition of work by Raffaella della Olga, titled “Typescript,” features intricate patterns created using a typewriter on varied paper surfaces. The effect seems almost impossible until viewers watch a video of della Olga loading her typewriter with 140-grit sandpaper and typing in a hypnotic rhythm. Though the typewriter is considered obsolete technology, she continues to find new applications for it, completing some of the works in recent months.
Next door in the Clark auditorium, HUB New Music performed works written specifically for its unusual instrumentation: violin, cello, clarinet and flute. While that combination may not stand out to casual listeners, relatively little classical repertoire exists for it. The ensemble regularly commissions composers to expand the possibilities.
The results were striking. From the opening notes of Francisco del Pino’s “Passacaglia,” the quartet’s command and layered repetition pulled unexpected emotion from the audience.
After three pieces came the world premiere of Daniel Wohl’s “Mirage,” a roughly 25-minute work accompanied by digital blips, static and electronic textures evoking radio transmissions and UFO lore. Hearing four virtuoso musicians extract entirely new sounds from traditional instruments echoed the weekend’s larger theme: old tools made new again.
Like della Olga’s typewriter, Vasudevan’s QR codes or Murff’s charged imagery, the performances demonstrated that contemporary art often grows from familiar materials — reimagined.
The old masters will always draw visitors to these institutions. But when living artists command equal attention, this quiet corner of the Berkshires feels less like the middle of nowhere and more like a creative epicenter.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his artist wife in West Cornwall, Connecticut.
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Ash Baldwin, senior administrative assistant at the North East Community Center, launched the weekly Craft Collective in July 2025.
“I’m the type of person who struggles to stay focused on projects,” said Ash Baldwin, NECC’s senior administrative assistant, who came up with the idea last summer. “I realized I work better when I’m with other people and when I have a dedicated time and space.”
The idea took shape after Baldwin found herself racing to finish a crocheted baby blanket for her sister’s baby shower.
Participants have already brought a range of projects to the group, from sewing and mending to creative repurposing – including one crafter who transformed an old shower curtain into kitchen valence curtains.
“The goal is really community and connection,” Baldwin said. “People can meet other crafters, swap tips, give feedback on projects – maybe even make a friend.”
Ash Baldwin displays a crocheted blanket.Photo by Aly Morrissey
Crafting, Baldwin said, offers a kind of mental reset. “It’s peaceful,” she said. “It quiets my mind and lets me focus on one thing at a time.”
Like many crafters, Baldwin admits to having yarn and unfinished projects scattered around her home, and says she tends to make gifts for others more than items for herself.
Though Baldwin has been crocheting since 2022, creativity has always been part of her life. Her mother sews, her grandmother crocheted, and she grew up surrounded by creative projects. Baldwin joked that her grandmother once “fully kidnapped” her American Girl doll to make custom clothes for it. She also describes herself as a longtime “band kid,” saying creative arts were woven into her childhood.
When she’s not organizing the Craft Collective, Baldwin works behind the scenes at NECC, handling administrative and fiscal operations, including service tracking for programs such as the food pantry.
The Craft Collective is held every Tuesday at 6 p.m. at 51 S Center St., Millerton. There is no cost to participate. For questions or to donate crafting supplies, contact Ash Baldwin at ash@neccmillerton.org or (518) 789-4259 ext. 132.
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