
McEnroe Organic Farm composting director Matt Hamm with part of the 3,000-cubic-yard pile of 10-12-month-old finished compost.
Photo by Deborah Maier
MILLERTON — “There will never be a time when we hear, ‘Hey, sorry, we have no food waste for you,’” Matt Hamm averred, gesturing over the vast acreage at the McEnroe Organic Farm soils and compost facility. Hamm, who is the director of composting, estimated that $600 billion worth of food is wasted every year.
At the center of the McEnroe operation stands a kind of mountain range in miniature, a 30-foot pile of rich, garden-ready compost, or “black gold,” the end product of a roughly 18-month cycle, in what is a consciously circular process. The 1,200-acre farm, a 501(c)(3), uses much of the compost it makes for its own growing and selling, but has a clear and significant educational mission.
What’s the problem/hurry?
With most awareness going to recycling efforts, composting is often overlooked as a main driver of sustainability. But composting diverts food waste from landfills. Shocking as it may seem, 40% of food in the U.S. goes uneaten.
According to an NRDC document, that works out to 20 pounds of food per person every month, including various sources. In the western Hudson Valley, 15 tractor trailers filled with waste leave the waste facility in Kingston six days a week, heading to the landfill in western New York.
In the landfill, decomposing food waste produces methane gas, a greenhouse gas 25 times more potent than carbon dioxide. Removing food waste from the landfill would equate to removing one-fifth of the cars in the U.S.
An exemplar in our back yard
McEnroe’s has been composting at Coleman Station Road since about 1987, when the McEnroe and Durst families set up the farm and in a step visionary for the time, to create organic compost.
“We’re permitted to do up to 15,000 cubic yards of food waste per year, and 55,000 cubic yards of total inputs,” Hamm explained. Much of it comes from New York City restaurants, and “micro-haulers” bring yard and farm waste from various municipalities and other local sources.
An 8-acre compost bed nearby is divided into windrows 8 feet high, 22 feet wide, and very long, where active composting happens.
“Thermophilic” composting refers to using heat, and heat-loving organisms, to decompose matter. Windrow covers keep the compost at proper levels of heat and moisture, principles that home composters will recognize as keys to success.
A temperature of 135-160 degrees Fahrenheit, turned five times in 15 days, assures that the material is cooked throughly. Drainage swales and collector areas keep the area moist but not sopping wet.
Nuisance rodents or vermin are dispatched by the countryside predators: hawks, eagles and coyotes are the natural pest-control solution in the vast McEnroe campus.
Surprisingly, odor is not very evident in most conditions, and certain smells, like ammonic ones during anaerobic decomposition, act as “time to turn” signals. As to effects on nearby residents, “We have wind socks to show wind direction, since we want to be as mindful as possible of our neighbors.”
But the process’ recipe is so well-honed, he added, that those working in the office just adjacent to the huge pad leave the windows open.
Sad contamination, here as everywhere
A giant pile on the other side represents what any large-scale composter, or any steward of nature, faces: shockingly large numbers of plastic bags and other waste. Next to the huge open-air “screening plant,” the pile bristles with plastics amid its half-composted soil.
“This is a real problem, one that we all have to deal with,” Hamm said, “and we don’t see what we’ve done to our planet until we see these processes. With composting, you’re talking about carbon sequestration, and ensuring soil health for generations to come…just taking a bit of time out of your year to make compost happen is really a step toward saving the planet for future generations.”
The foresight of the farm’s owners, the McEnroe and Durst families, before ‘organic’ was a byword, ensure that this efficient, closed-loop operation can extend well into the future. Tours of the facility will be available to the public on Saturday, May 13.
What can each of us do?
For DIFM (do-it-for-me) methods, contributing to McEnroe’s drop-off bin on the south end of its Route 22 store’s parking lot is one easy way for some people to make sure their food waste doesn’t become part of the problem. “We’re about to rebuild the steps into a deck to make it easier to dump food scraps,” said McEnroe farm store manager Olivia Skeen.
While the large-scale, carefully engineered process allows for materials usually forbidden in home systems—meats, fish, dairy, cooked foods—and pretty much anything that spoils at home can be added to the small dumpster, she noted, they’d rather not have yard waste because of its bulkiness; that can go down Coleman Station Road to the main facility.
Skeen pointed out that the farm’s nonprofit status will be highlighted in many community activities and fundraising. The Education Garden is a small-scale display of everything that is done on the farm, a safe way to introduce processes to the public without stressing young greenhouse plants too much.
The DIY route
In terms of individual, household,or even neighborhood composting, there are several choices. People who have a fair bit of property may prefer the “lazy composting” method, consisting of two or three separate piles at a distance from the house—one onto which fresh food scraps (“green” elements, in compost lingo) are thrown, then covered with leaves or such other “brown/carbon” layers to balance what is needed for decomposition; the other pile is the result of that process, further on. That or a third pile is used as needed.
As a vegetarian, Rich Stalzer of Millerton finds the open-piles system works fine for him. “When I do have meat scraps from feeding guests or their pets,” he added, “they either take their scraps home [New York City has curbside composting] or I freeze them until I make a trip down 22 and drop them off at McEnroe.”
Perhaps because of the limited inputs, he finds few issues with odor or animals.
For a three-part system that is definitely not “lazy,” a look at Eliot Ramos’ and Nuno Ramos’ system at their home in Millerton village is instructive. Built of wooden planks from pallets, the first bin holds scraps, yard waste and large pieces of branches, twigs and so on.
In the second bin, similar but older material is finer in consistency but still not soil. The third bin holds what looks like rich dark soil: completed compost. Nuno turns each bin out onto the ground every two weeks or so, advances the parts that are ready, and adds to the first bin.
Don’t provide buffet for local wildlife
A common problem for home composters (and gardeners in general) is the presence of animals, who find our fresh greens irresistible. The Ramos’ bins are protected by rope-mesh covers that can keep squirrels out, and probably discourage other animals. Without animal products and their odors, larger animals are not attracted to the piles.
For bin-style composters like the Earth Machine, currently on sale by Dutchess County for about one-third of the list price, the trick may be to place the bottomless bin on a layer of metal mesh with small enough openings to deter mice—probably 1/4 inch to be safe, since those creatures are experts at self-compression, fitting into holes the size of dimes.
Extend the protection well beyond the object, and possibly vertically into the surrounding soil as well, in the case of a serious population issue. Attention to the size of food bits (the smaller the better), moisture, turning the mixture, and locating it where it can absorb and maintain warmth will ensure maintaining the proper conditions for decomposition and minimize unwanted results.
Conventional wisdom, updated warnings
Home gardeners have been told for ages to beware of composting weeds, especially invasive and those that have already seeded. Garlic mustard, for example, should be cut before it flowers, because seeding happens soon after that. And many home composters never reach the ideal temperatures as noted above.
But newer learning suggests that there is no good way to compost a garlic mustard plant (which is prohibited in New York state), since its roots exude allelopathic anti-fungal substances. Those cause disturbances in relations between mycorrhizal fungi, trees and “good” plants, a link recently shown to be crucial to the entire ecosystem.
In addition, it is one of several plants, including sunflowers, that absorb lead in the soil. The upside of that is their use in phytoremediation of brownfields and so on, but it’s yet another reason to keep them out of composting systems.
Another plant to avoid composting, if one is unlucky enough to encounter it, is Japanese knotweed, a bamboo lookalike whose root systems can destroy foundations, septic tanks and other materials usually thought to be indestructible. Both of those invasive nasties should be bagged, marked, left to dry and lighten in weight, then disposed of, but so carefully that instructions are reminiscent of toxic or radioactive waste management.
Challenges and hopes
As helpful as it can be for the environment, for some people, the challenges of composting at home are too great, considering space, time, equipment and so on.
In Nuno Ramos’ community composting idea, a blend of DIY and DIFM, bins for food scraps would be located at community homes that have the space and system to compost them; neighbors would bring their scraps, the owner of the bin would maintain the system, and all would share the compost that results. Worth noting: No animal fat is used at such a scale of composting.
He also posited a small-business aspect: “Small-scale local entrepreneurs [would] collect food scraps – from residences, restaurants, grocery stores, breweries, coffee shops and other sites – by bicycle, trailer, or truck and transport material to a nearby composting operation.” This might be part of the town government, using state and federal grant monies to help set up and support pilot programs.
“It’s something we need to figure out,” Ramos said. “Even though New York, Massachusetts and Connecticut are close by, we all compost differently;” in states that accept all food, including meat and dairy, the systems tend to be on an industrial scale, and dependent on fossil fuels.
But local composting can be modestly scaled and more sustainable, using what is on hand and avoiding long-haul transport. “There are many opportunities. If we work together as a community, Millerton could be the first community in New York with a truly local, sustainable composting solution.”
McEnroe’s food waste drop-off:-- www.-mcenroeorganicfarm.com--/programs/compost-drop-off
Japanese knotweed ID, disposal info: warren.cce.cornell.edu/gardening-landscape/-warren-county-master-gardener-articles/japanese-knotweed
Reasonably-priced compost bins:
dutchessny.gov/DutchessCountyOnlinePurchases/WasteManagement/-PurchaseCompostBins
Participating students and teachers gathered for the traditional photo at the 2025 Troutbeck Symposium on Thursday, May 1.
Students and educators from throughout the region converged at Troutbeck in Amenia for a three-day conference to present historical research projects undertaken collaboratively by students with a common focus on original research into their chosen topics. Area independent schools and public schools participated in the conference that extended from Wednesday, April 30 to Friday, May 2.
The symposium continues the Troutbeck legacy as a decades-old gathering place for pioneers in social justice and reform. Today it is a destination luxury country inn, but Troutbeck remains conscious of its significant place in history.
A showing of student artworks within the theme of linking the past with the present opened the symposium on Wednesday evening. Each work of art had to draw on historical research to foster an informed dialogue between the artist and the contemporary audience.
The second day was devoted to student research presentations, showcasing teams from the region’s leading public and private schools with strong programs aimed at cultivating engaged young historians. Primary source materials and live interviews with descendants were included in the process.
Topics were divided into blocks with guest commentators providing reactive response as each block of student presentations concluded. Serving as commentators were Dr. Hasan Kwame Jeffries, Ohio State University, and Dr. Christine Proenza-Coles, University of Virginia.
Resistance in the face of oppression and stories of resilience that spanned generations formed an important theme as students presented the stories of area settlers and residents who suffered but endured.
As a sampling, The Taconic School teamed up with The Salisbury School to unearth untold stories of Boston Corners. The Hotchkiss School looked into the activities of the Ku Klux Klan in Connecticut. The Cornwall Consolidated School students stepped up with their untold stories of early Cornwall women.
Other presentations explored criminal justice — witchcraft trials — dealing with society’s “undesirable” elements, individuals in history who took action, people and movements that formed resistance, and various forms of discrimination.
Praising the work of the students, Dr. Jeffries identified a theme of resistance and survival.
“The war ended but the resistance did not,” Jeffries said. “We don’t take indigenous people seriously,” he added. “White supremacy happened in our own back yards.”
“We saw the evolution of research,” said a Cornwall Consolidated School representative. That project moved into civic engagement by the students that moved beyond the classroom.
“This is not the past; this is part of the present,” said Dr. Proenza-Coles.
A panel discussion among educators whose students had participated in the 2025 Troutbeck Symposium was held on Friday, May 2, to offer reflections on the symposium, its value and future development. Panelists from left to right were Jessica Jenkins, Litchfield Historical Society;Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School. Leila Hawken
The third day invited area history educators to assemble and share ideas for redesigning elements of history education, a day of reflection.
The panel included Jessica Jenkins, Litchfield Historical Society; Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School.
Valcin reflected on his work as a shared project within The Salisbury School, one where the inquiry would seek to find “the deeper story behind a base story.”
Duprey also spoke of process and the educational value of engaging with historical inquiry.
Each representing a profession that brings them into contact with historical inquiry, the panelists recounted tedious history classes of past decades. Jenkins described her own career as “public history.”Lamb-Canon’s experience began with choosing history electives in college. Bengal spoke of community engagement and the power of involvement with history.
“History is not the opposite of scientific inquiry,” said Bengal.
Significant discussion centered on the possibility of offering the Troutbeck Symposium model to a wider audience of school systems throughout the U.S.
“A community approach to education,” was a characterization offered by Troutbeck owner Charlie Champalimaud, commenting during a brief interview at the end of the symposium on Friday, May 2. She encouraged a push toward increasing even more the number of participating schools, their educational communities and symposium sponsors.
Terence S. Miller, owner of Roaring Oaks Florist in the new self-serve area of the shop.
Just in time for Mother’s Day, Roaring Oaks Florist in Lakeville has launched a new self-serve flower station next to its Main Street shop, offering high-quality, grab-and-go bouquets from 8 a.m. to 8 p.m., seven days a week — including Sundays when the main store is closed.
Owner Terence S. Miller, who bought the shop 24 years ago at just 20 years old, calls the new feature “a modern twist on an old-school honor system,” with some high-tech updates.
“We’re still using our same high-end flowers, just with less markup and no labor,” said Miller. “That way people can access our quality anytime, even if we’re closed.”
Tucked beside the shop’s main entrance at 349A Main Street next to The Boathouse, the self-serve area is partitioned and monitored by security cameras. A simple touchscreen checkout system lets customers pay with a credit card — no cash accepted — and includes photo prompts to make selection easy. Vases, ribbons, flower food, and care instructions are all stocked and labeled.
“We’ve tried to think of everything people might need,” said Miller. “It’s all about making great flowers more accessible without losing what makes Roaring Oaks special.”
Miller said the idea came from years of watching customers try to squeeze in a visit before or after hours. “We’re open 8 hours a day, but we’re here for almost 10, and it still isn’t enough. People are always showing up after we close,” he said. “This way we can be ‘open’ more hours without adding staff.”
Though he considered making the space available 24/7, Miller ultimately decided against it. “We didn’t want to encourage late-night tampering,” he said, noting the shop’s proximity to local bars and restaurants.
Miller’s journey into flowers was unexpected. As soon as he could get his farming papers at 12 years old, he started working at Silamar Farm in Millerton. Alongside its produce, Silamar’s was one of the first farm stands in the area to sell fresh cut flowers.Miller began growing and bundling cut flowers for city-bound customers. “By 16 I needed a year-round job, so I applied to every florist around. I just had a knack for it,” he said. After a stint in Rhinebeck, he returned and bought Roaring Oaks from its previous owner.
In the decades since, he’s built a reputation for quality and creativity. The shop’s flowers are sourced from around the world, particularly Canada and South America, though Miller is committed to supporting local growers wherever possible, especially for summer offerings and weddings.
“We’re hoping to feature some smaller farms in the self-serve section this summer,” said Miller. “DIY weddings have taken off, and people don’t always realize the benefits of buying local. Cold chain is everything. The flowers we source come straight from the airport to the wholesaler and right up here. That’s how we keep them fresh.”
Roaring Oaks also offers consultations and bulk flower discounts for events and weddings, a service Miller hopes more customers will discover through the new self-serve setup.
After 50 years in business, and nearly a decade at its current Lakeville location, Roaring Oaks continues to evolve. “This September marks my 25th year,” said Miller. “I’m always looking for ways to make people happy. Flowers should be simple, joyful, and accessible. That’s what this is all about.”
For more information or to plan your Mother’s Day bouquet, visit Roaring Oaks Florist at 349A Main Street, Lakeville.
A string quartet opened the Bard Conservatory of Music program for Region One third grade students at Music Mountain.
Region One third grade students attended a chamber music concert by Bard Conservatory of Music students at Music Mountain Tuesday, April 29.
After expending spare energy racing around the Music Mountain lawn, the children trooped into the concert hall and took their seats.
After a brief introduction from Bard’s Mira Wang, the first item on the program was a string quartet, playing a piece by Haydn.
The students also heard a solo rendition of medieval songs played on the alto trombone, an unusual instrument.
The annual third grade concert is a tradition that stretches back decades at Music Mountain. It’s a treat for the children, and for the music students, who get to experience the incredible acoustics of the Music Mountain concert hall.
Two flutists performed later in the show.Patrick L. Sullivan