When you throw it away, where is ‘away’?

A load of “recycling” on the tipping floor of the Dover Plains transfer station, on Friday, Aug. 25.
Photo by Deborah Maier


A load of “recycling” on the tipping floor of the Dover Plains transfer station, on Friday, Aug. 25.
Part 2 of a series on recycling in Millerton
COUNTY — Millerton’s recycling goes directly to the Harlem Valley Transfer Station, south of the Cricket Valley fracked-gas facility on Route 22.
The main part of the facility consists of a single tipping floor, a cavernous room high enough to accommodate tractor-trailers, where one side is reserved for trash and the other for recycling. On the recycling side, Welsh Sanitation supervisor Scott Cale gestured to a jumbled pile of items perhaps 30 feet wide and 10 feet high.
As one would expect, there were sheets of cardboard, water bottles, milk jugs, detergent jugs, some egg cartons, cans and empty jars. But in this load on Friday, Aug. 25—not from Millerton but typical, Cale said, for a day’s residential recycling haul in the region—there were also at least two wire refrigerator shelves; a large, new-looking metal frame from a four-wheeler; plastic film galore; plastic bags holding recycling; and even bags of what was clearly trash. Maybe 30% of the heap was actual recyclable material, and much of that was contaminated.
“We see this all the time,” said Cale. “About 65% of people care, and recycle the way we’re supposed to. But some people don’t distinguish between the orange-lidded and the blue-lidded cans, or they just don’t think, and you get this.”
Items that are usable or bulky enough to cause problems, like the four-wheeler frame, are set aside in a corner for possible reuse or donation. But otherwise, those piles of what seem to be random trash will be loaded into tractor-trailers without further sorting and sent to Republic Services in Beacon, where they will be processed for sale to recycling brokers or sent to landfill or incineration facilities.
This way of dealing with recyclables, known as “single-stream,” was a viable operation when per-ton prices were higher, Cale said, but is less so now.
Welsh Sanitation, a division of parent company Royal Carting, has a good reputation in Millerton, with some drivers of the four weekly trucks on friendly terms with residents. They are merely haulers, though, and their responsibility ends with Republic Services’ high-tech sorting facility, where Welsh pays by the ton to dump loads.
Members of Millerton/North East’s Climate Smart Communities task force have requested a hard-hat tour of the Beacon facility.
Complexities
of recycling business
In telephone and email conversations, Dutchess County Deputy Commissioner of Solid Waste Kerry Russell explained some of the complexities of the recycling business.
Russell is also executive director of the Dutchess County Resource Recovery Agency, “a public benefit agency that was established by the New York State Legislature in 1982 to oversee the construction, financing and operation of the Resource Recovery Facility (RRF), which opened in 1989,” according to its website. RRF is the huge waste-to-energy incinerator complex located on the banks of the Hudson River in Poughkeepsie.
Recycling Education materials highlighted by Russell are found on a Dutchess government webpage of that name with seven teacher resource links and six “general educational resources.” Some of those originate with the New York State Department of Environmental Conservation (DEC) or the U.S. Environmental Protection Agency. School- and college-focused materials are from an organization called New York State Association for Reduction, Reuse and Recycling (NYSAR3). NYSAR3 offers grants of up to $1,000 to schools for recycling education, favoring “disadvantaged schools.”
Recyclopedia,
a potentially useful tool
“Recyclopedia” is a New York State web initiative intended to help consumers sort the items in their waste streams and to figure out what can be recycled and what must be put in the garbage or taken to infrequent Household Hazardous Waste (HHW) or Electronic Waste (E-waste) events. The website is colorful and visually appealing, and promises to help with more than 300 items. Incomplete but still informative, it is at recyclerightny.org/statewide-recyclopedia
Dutchess’ proposed new 10-year plan and its opponents
Dutchess County’s proposed solid waste management plan adds some composting elements to the current mix of strategies, and posits the building of another incinerator. But not everyone agrees that this is the best way forward. Even with advanced filters, the toxic emissions and carbon footprint of such facilities are reasons to opt for landfills instead, they say, as well as robust composting, reduction and reuse programs.
At a recent Zoom meeting of a coalition of citizen organizations arranged by former Dutchess County legislator Joel Tyner, now an Oregon resident, radically different solutions were proposed. Neil Seldman of Zero Waste USA, veteran environmental warrior Manna Jo Greene, representatives of the Institute for Local Self-Reliance, Energy Justice, and Dover’s efforts against the proposed Transco substation and others including the campaign manager for county executive Tommy Zurhellen brainstormed on how to present their case against the current incinerator and further buildout.
Patrick L. Sullivan
This fish took a Wooly Bugger in basic black, with rubber legs. Always get the rubber legs.
Largemouth bass are not picky eaters. When engaged they usually dive and tug. Once in a while they leap. They are easily discouraged, however, and after a minute or two come meekly to the net.
Every August I shift gears and head to the ancestral HQ with no electricity, minimal plumbing and a warm-water lake chock-full of largemouth bass, not to mention smallmouth, perch, pickerel and panfish. The largemouth are the main attraction.
I used an antique rowboat for years. Then a canoe, which was awkward to manage solo, especially when the wind picked up.
Then I hit on a succession of inflatable pontoon and belly boats, powered by oars and/or swim fins, and there I have remained.
Did I forget to mention that no motors are allowed on this lake? Well, no motors are allowed, and it’s no good arguing that a small electric trolling motor couldn’t possibly hurt anything. Ask me how I know this.
It’s a quiet, rejuvenating few weeks. The phone gets enough signal on one end of the deck to receive messages and maybe make a call if the wind is right. If something comes up, it’s only 15 minutes to so-called civilization.
When not fishing, I read, visit assorted cousins, listen to baseball on the AM radio and/or stare blankly into the middle distance.
Bassing with a fly rod in still water is a different game than chasing trout in streams.
A medium-fast-action rod, 8 to 10 feet, in line weight 7 or 8 is the starting point. The flies are big, and the wind is constant, so the angler needs some power, tempered with a bit of finesse.
I usually bring two rods. One is rigged with a floating line with a heavy front taper for turning over surface flies such as poppers.
The other has either a sink-tip or intermediate line. The lake is not all that deep, and the Woolly Buggers, Clousers and other streamers are heavy. The idea is to stay out of the vegetation while getting close to where the lunkers are hunkered down.
I use short nylon leaders, 7.5 feet with 1X tippet out of the package, and modify them constantly with additional sections of fluorocarbon tippet, snaps and droppers.
Surface action is usually minimal during the day unless it’s overcast. The lake runs east-west, so the angler can track the midmorning and late-afternoon shadows and work those areas.
Or the angler can wait until about 6:30 p.m., when things start to pick up.
Or get out there at the crack of dawn, which is best if surface action is the goal.
For subsurface fishing, some experimentation is required to find the right combination of flies, leader and sink rate. The angler also has to decide whether to troll.
There are a few places where a dry-dropper rig is appropriate, the dry being an extremely buoyant popper with a piece of stout fluorocarbon tippet tied to the bend of the hook and something heavy and wiggly at the end, like a stonefly nymph with rubber legs. (Always get the rubber legs.)
If this sounds like a bobber, it’s because it is. Don’t tell anyone. The purists don’t like it.
A net with a long handle is necessary. There is no leverage when sitting in what amounts to a floating chair.
I do not bring my phone for fish pictures. I will drop it into the depths. Ask me how I know this.
Instead I bring a small point-and-shoot camera. These get lost too, but perversely I have better luck keeping the cheap gear safe than the expensive items.
Sunscreen is applied liberally and frequently. After 50-odd years of being outside, I now have to visit the dermatologist every so often to have my face edited, and I don’t enjoy it.
A baseball cap does nothing for the ears and neck. I have a hat with a wide brim and a vented top, so it doesn’t get too hot. It looks stupid, but this is an acceptable risk.
Finally, a word about the quarry. Largemouth bass are not picky eaters. When engaged they usually dive and tug. Once in a while they leap. They are easily discouraged, however, and after a minute or two come meekly to the net.
Smallmouth, not so much. These aren’t especially big, but every smallie I’ve ever met thought it was much bigger than it actually was. Expect acrobatics.
Perch usually grab my fly when I don’t want them to.

Panfish are everywhere. They are extremely cooperative. Chasing sunnies is a good way to get a newcomer started.
And then there are the pickerel. These are nasty fish. Very antisocial. I keep a pair of long-handled pliers handy to get the fly out of their mouths safely while admiring the large number of very sharp teeth. They will bite the pliers. Do not use your fingers. Again, ask me how I know this.
Upon release, it’s not unusual to observe the pickerel hanging around a few yards away, glaring and plotting hideous revenge.
So this is the August routine, occasionally leavened with a scramble into a brook trout stream if conditions allow.
It’s peaceful. Kind of boring, in a good way.
And then in the fall the game shifts back to rivers and streams for trout.

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Natalia Zukerman
Broadway is going way off Broadway when it heads outdoors for The Festival at Hutton Brickyards in Kingston Aug. 14-16, transforming the Hudson River waterfront into a three-day celebration of show tunes, stars and sing-alongs. The inaugural event features an all-star lineup including Audra McDonald, Kelli O’Hara, Renée Elise Goldsberry, Brian Stokes Mitchell and dozens more, along with a 30th anniversary celebration of the musical “Rent” featuring original cast members.
Hutton Brickyards is a former 19th-century brickyard transformed into a historic riverfront hotel and event destination spanning 100 acres along the Hudson. Beyond the nightly concerts, festivalgoers can expect campfire sing-alongs, dance parties, master classes, costume contests and a marketplace highlighting Hudson Valley food, drinks and artisans.
Three-day passes and more information are available at BroadwayFest.com.
Natalia Zukerman
The Crandell Theatre in 1948.
Originally built as an “atmospheric theater,” the Crandell was designed to transport audiences beyond the walls of the auditorium. Its sloped floor, proscenium arch, orchestra pit and balcony seating reflected the grandeur of early 20th-century movie palaces.
Crandell Theatre in Chatham has spent a century bringing stories to the big screen, and this December the historic theater will celebrate its 100th anniversary with a yearlong tribute to the films, filmmakers and community members who have helped keep it alive.
The celebration continues Sunday, Aug. 23, with a special screening of Martin Scorsese’s “The King of Comedy,” presented as part of the theater’s 100th Anniversary Series by Bill Kramer, CEO of the Academy of Motion Picture Arts and Sciences. Kramer will introduce the 1982 film, a darkly comic exploration of celebrity, obsession and the pursuit of fame.
The 100th Anniversary Series invites industry leaders and film experts to share movies that have influenced them and continue to inspire new generations of audiences.
“The King of Comedy” is a fitting selection for a theater whose own story is rooted in the enduring power of cinema. Built in 1926 by Chatham native Walter S. Crandell, the theater opened on Christmas Day of that year with the silent film “Michael Strogoff.” Designed by Glens Falls architect Louis L. Wetmore in the Spanish Renaissance style, the freestanding building quickly became a beloved fixture on Main Street.
Originally built as an “atmospheric theater,” the Crandell was designed to transport audiences beyond the walls of the auditorium. Its sloped floor, proscenium arch, orchestra pit and balcony seating reflected the grandeur of early 20th-century movie palaces. Sound equipment was added in 1929, allowing the theater to transition from silent films to “talkies.”
Over the decades, ownership changed hands, but the theater remained a gathering place for generations of moviegoers. In 2010, following the death of longtime owner Tony Quirino, the theater faced an uncertain future. Community members rallied to save it, with the Chatham Film Club raising approximately $600,000 to purchase the building and complete critical repairs.
The Crandell reopened as a nonprofit community theater in July 2010. In 2018, the organization officially adopted the theater’s name, bringing together its film programming, preservation efforts and annual FilmColumbia Festival under one mission: preserving the theater as a cultural anchor for Chatham and the surrounding region.
A major restoration and modernization project was completed in 2025, bringing the historic theater up to current standards while preserving its architectural character. The renovation included updates to the auditorium, projection systems and building infrastructure.
For former board member Carol Sadlon, the upcoming centennial represents both a celebration of the theater’s history and a testament to the community that has protected it.
“It has been an honor to serve on the Board of the extraordinarily unique Crandell Theatre, celebrating its 100th birthday this December,” Sadlon said. “Renovating the not-for-profit community theater has been a labor of love and commitment for all involved.”
Sadlon noted that the theater’s creation in 1926 reflected the optimism of the era, and that the same spirit continues today.
“Walter S. Crandell, successful Wall Street investor and native son of Chatham, built the 500-seat theater for a community of 3,000 people,” she said. “Thanks to an equally optimistic group of people, the Chatham Film Club, who purchased the theater in 2010, and a very generous community, the theater lives on to continue entertaining for future generations.”
The Crandell Theatre’s 100th Anniversary Series screening of “The King of Comedy” will take place Sunday, Aug. 23, at 4 p.m.
For tickets and more information, visit crandelltheatre.org.
Natalia Zukerman
MOMIX is one of the featured performers at this year’s Arts Connected fundraiser on Aug. 29.
The Northwest Connecticut Arts Council will celebrate the region’s vibrant arts community with Arts Connected 2026, its annual fundraising event, on Saturday, Aug. 29, from 5 to 8 p.m. at Buck’s Rock Camp in New Milford.
More than a fundraiser, Arts Connected is designed as a celebration of the artists, performers and organizations that make the Northwest Corner’s cultural landscape thrive. Guests can enjoy live music and performances, a curated gallery of artwork by regional artists, local food and drinks, and opportunities to connect with fellow arts supporters. Tickets include hors d’oeuvres, an open bar and all entertainment.

The evening will feature live plein air painting by artists from Plein Air Litchfield, performances by Our Culture Is Beautiful (OCIB), fire performer Cinderfella, and Susan Becker Aziz’s monumental humpback whale puppet, originally created for Paul Winter’s “Missa Gaia.” Guests will also have the opportunity to purchase artwork from a curated exhibition, with proceeds supporting the Arts Council’s mission to strengthen and promote the arts throughout Northwest Connecticut.
This year’s honorary host committee includes Meryl Streep, Diane von Furstenberg, Tim Daly, Téa Leoni, Maria Horn, Patti LuPone, Jack O’Brien, Sam Waterston and Paul Winter. Creative cocktail attire is encouraged, and attendance is limited. The event is open to guests 21 and older.
For more information or to purchase tickets, visit artsnwct.org

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