
Christine Ford, left, bus driver instructor/training coordinator, discusses scheduling with Kathryn Greene, head bus driver/dispatcher at the Webutuck Central School District transportation office. Photo submitted
DUTCHESS COUNTY — For several years, school districts around the country have been combatting a shortage of school bus drivers, and this area of Dutchess County is no exception.
It has become especially problematic since the COVID-19 pandemic. Webutuck and Pine Plains central school districts provide their own transportation, while the Millbrook Central School District has used the commercial bus service provided by First Student for the past 35 years.
Employing a service involves contracts and coordinating schedules between the district and the company. When a district has its own service, there are many factors to consider besides scheduling: There’s the vetting and hiring of the drivers, monitors, cleaners and mechanics; obtaining the vehicles and attending to their maintenance; fuel costs; budgeting; and finally, the all-important scheduling. There are also decisions to be made, such the one made by Pine Plains regarding not publishing bus routes for security reasons.
Finding help, especially drivers, is not an easy task. The work hours entail early mornings and mid to late afternoons plus some special events, which make it hard to work a second job in or to use the driving as a second job. Yet payment can vary among employers, so as an only source of income, it can be a problem. What can work in favor of the position is the fact that, for most, summer driving can be an option, and holidays and weekends can mean time off.
Jen Biddinger, communications manager of First Student, stated, “We do have all Millbrook bus routes covered to begin the school year. Because it is important for us to ensure that we remain staffed to provide the best possible service to families, we continue to recruit, hire and train drivers.”
First Student provides paid training. Wages start at $25 an hour with a $5,000 sign-on bonus.
Being responsible for the safety of children is a big undertaking, and the driver typically must have or acquire a commercial driver’s license (CDL), submit to vigorous background checks and may need further certifications.
Kathryn Greene is the head bus driver/dispatcher at Webutuck, and has worked in the district’s transportation department for 23 years. It has a full regular roster but is hiring more drivers to fill in for emergencies. It pays between $21 and $25 per hour, is unionized, and provide union benefits as well as New York state retirement insurance and health insurance. Drivers usually work five to six hours per day.
Pine Plains CSD transportation is headed by Lauren Ross and is advertising on its website for bus drivers, full-time positions with the Pine Plains Central School District, requiring the applicant to possess a CDL Class B license with Passenger, School Bus and Air Brake endorsement, but the district is willing to train. The position guarantees five hours per day with full benefits, a salary commensurate with experience, with per-hour pay ranging from $19.79 - $25.85.
According to the Bureau of Labor Statistics, school bus drivers last year made a mean annual wage of $42,400 but that’s assuming they worked full-time. Many don’t, and make less than $20 an hour.
Shortages have now reached crisis level in many areas of the country, with at least one major shortage in every state in 2023. About half of the nation’s children rely on school buses to get them back and forth between home and school, and it doesn’t matter whether the school is in a city or a rural district.
The driver shortage can have an impact on students’ learning; if they can’t get to school, they can’t learn and that can also has an impact on absenteeism. Lower-income children and high school students are the ones who mostly rely on the services and suffer the most when service is disrupted. In rural areas there may not be public transportation, but most have families have cars. In cities, families may not have cars, but public transportation can hurt if income is low and isn’t feasible for younger children.
Some school districts have managed to use the drivers in the schools when they aren’t driving as monitors, aides, or in other functions so that they can work a full week’s hours and get paid for a full-time position. Others have opted to go out of the business and use services that are already long established in the field.
Dancers from Pilobolus will perform at the NWCT Arts Council spring fundraiser on April 26 in Washington Depot, Conn.
On Saturday, April 26, the Northwest Connecticut Arts Council will host a special evening, Arts Connected, their spring fundraiser celebrating the power of creativity and community. Held at the Bryan Memorial Town Hall in Washington Depot from 5 to 8 p.m., this event brings together artists, performers, and neighbors for a magical night filled with inspiration, connection and joy.
Award-winning designer and arts advocate Diane von Furstenberg and her granddaughter Antonia Steinberg are honorary co-chairs of the event. Their shared love of the arts informs the spirit of the evening.
Antonia Steinberg, above, President of Bucks Rock Camp in New Milford that she first attended as a camper when she was ten years old. Antonia is co-chair, with her grandmother Diane Von Furstenberg of the NWCT Arts Council fundraiser.Provided
“As someone whose life was profoundly shaped by the arts — as a child at Buck’s Rock and now as President of its Board — I’ve seen firsthand the transformative power of the arts; how creative spaces can empower young people, build community, and nurture well-rounded problem solvers. That’s why I’m so honored to co-host the Northwest CT Arts Council Gala. Their work in supporting artists and cultural organizations across Connecticut is essential,” said Steinberg.
Von Furstenberg’s influence in fashion and culture, and Steinberg’s leadership at Buck’s Rock reflect the intergenerational impact of the arts,” said NWCT Arts Council board president Sunday Fisher. “Their participation underscores the power of creative expression as a defining force in our community.” Steinberg is the president of Buck’s Rock Camp, a non-profit performing and creative arts camp in New Milford that she first attended as a 10-year-old camper.
Diane Von Furstenberg, co-chair of NWCT Arts Council fundraiser.Provided
Steph Burr, executive director at NWCT Arts Council, added, “Events like Arts Connected are at the heart of what we do — bringing people together, lifting up artists, and reminding us of the essential role creativity plays in our lives. The Council works year-round to ensure the arts not only survive but thrive across our region.”
NWCT Arts Council is a nonprofit that serves as advocates for the arts. Through regranting efforts, public art support, legislative advocacy, and their regional events calendar, they work to ensure the arts are accessible and celebrated in every corner of their 25-town service area.
Burr continued, “The arts in Northwest Connecticut are vibrant, evolving, and deeply rooted in community. There’s a quiet but powerful creative pulse running through these hills — one that reflects the resilience, diversity, and passion of the people who call this region home. Over the past few years, artists and cultural organizations have navigated challenges with heart and determination, despite ongoing funding volatility. Through our advocacy and collaborative programming, we ensure the arts remain essential and accessible in our community.”
Highlights of the April 26 fundraiser include performances by Pilobolus, Sherman Chamber Ensemble, Ysanne Marshall & the Lotus Blues, hand pan musician Jeremy Driscoll, and a curated art exhibition, NW25 Gallery, featuring local artists. Sponsors Litchfield Distillery, Kent Falls Brewing Company, and Executive Cuisine catering will provide the food and drink.
Ticket prices are $125, open to guests 21 and older, available online at givebutter.com/artsconnected.For more information or to ask about sponsorship opportunities, email Katherine Pelletier at katherine@artsnwct.org or visit givebutter.com/artsconnectedsponsorship.
Arts Connected is made possible thanks to the generous support of sponsors; Antonia Steinberg is sponsoring all the artists for the event and Valiant Energy and Torrington Savings Bank are presenting the event.Additional sponsors include William Raveis Lifestyle Realty, Litchfield Magazine, Housatonic Heritage, Art Bank 7, Harney & Sons Teas, Aquarion Water, The Lost Fox Inn, George Home, NKYV Rituals, and Litchfield Distillery.
Lily Al-Nemri, founder and owner, and artistic director and painter Rudy Vavra at Tyte medispa and gallery in Millbrook.
The painter Rudy Vavra once created floor collages in Texas. You could, in theory, lie on them. Now, years later and much farther north, his work graces the walls of a medispa in Millbrook, New York where he also serves as the artistic director. You can still lie down, just not on the art. Instead, you might be undergoing an EmFace non-surgical facelift while surrounded by twenty-two of Vavra’s paintings.
The space, Tyte Medispa in Millbrook, is equal parts gallery and treatment center, the brainchild of Lily Al-Nemri, a medical aesthetician and now gallery owner. She also owns the nail salon, Bryte, down the street on Franklin Avenue. A few years ago, feeling she was outgrowing that space, she looked to expand and, just a few blocks away, found this rather sprawling maze of rooms with the gallery that now inhabits the grand central ballroom. “This used to be a gym,” she said. “It was way more than I was looking for, but I went for it.”
Vavra, a self-professed “painter’s painter,” has spent decades layering pigment in his barn-turned-studio in Milan, New York. “I find paintings as much as I make them,” he mused. “Some happen quickly, others are slow.” Of this latest collection, he said, “Some people call them busy. I think they’re slow.” His marks accumulate with a kind of devotional persistence, like petals left at a shrine. “A while ago, I saw a photographic image of a shrine,” Vavra said. “I don’t know if it was a Buddhist shrine or what, but there were colors on the ground all around it, and I realized they were the stains of flowers left in the worship. That’s very similar to the way I paint.”
The collection of paintings on view at Tyte — some as large as a shrine — are meditations on color, inviting the viewer to slow down. Or speed up. Whether viewers are activated or soothed by the images is neither Vavra’s intention nor within his control. Still, he said that watching people interact with the work has been a real treat. “Now that I have my paintings here, I get to see them all together,” he said. “It’s only when they’re all together that I see how they talk to each other. It’s interesting to see people come in and go to have a treatment and come out. It’s a very interesting connection.”
And what is the connection? What could be a disjointed pairing — aesthetics and aesthetic medicine — has become, improbably, a perfectly logical continuum. “They’re related in a sense,” Vavra said.
Aly Morrissey
Al-Nemri, a former radiologist who taught for over a decade at Westchester Community College, is no stranger to layering, precision, or the quiet rigor of care. Her incredible menu of services — Botox, body contouring, pelvic floor therapies — are the cutting edge of the industry. Of Vavra, Al-Nemri said, “I fell in love with his work, and we just hit it off.” It’s a kind of kismet that seems to hover over the place. Pilates mat classes take place twice a week in the main gallery space and both Al-Nemri and Vavra have loved watching clients pause, eyes caught by a stripe of cerulean or a vibrating cluster of brushstrokes. “Something will catch their eye,” said Vavra. “They’re looking for something in it.”
So, this gallery-meets-spa (or is it the other way around?) has plans. Vavra will be curating six shows a year. Laurie Adams’s photographs will be hung in June, a group show of local artists will share the space in July and August, and a Fall show will feature twenty women artists, which Vavra is eager to anchor with a piece by Judy Pfaff. “There’s nothing like this on this side of the county,” he said of the light drenched space. “It’s been a bit sleepier here. We want to wake it up.”
He means it kindly; sleep certainly has its place. But here in Millbrook, amid the low drone of machines designed to rejuvenate, something unexpected has emerged. Perhaps that’s what both Al-Nemri and Vavra are really after — not the quick fix or the final image, but the suspended moment, the long look. A face seen anew. A painting revealed slowly, in silence.
As for Vavra’s curatorial process? “I just unpack the paintings, lean them against the wall, and look,” he said. “Eighty percent of the time, they’re already where they’re supposed to be.”