Thank you!
Your support is sustaining the future of local news in our communities.

Connectivity to the internet

Part of the problem we all face in this new age with 90% of commerce being totally dependent on the internet is the connection we all need (I do not use the word enjoy for a reason) to survive and prosper. There is no phone call, no email, no SMS, no Facebook, no TikTok, no factory systems control, nor any Instagram or any other means of communication that is not 100% dependent on the internet. 

If you need an analogy consider this: Without water you cannot exist. Without the internet and a decent connection, similarly, you cannot exist in the modern world.

With new devices coming from all the major companies — virtual reality, 3-D design and sharing, constant connection glasses, Zoom meetings, distance learning, expandable cell phones, amongst a thousand new inventions — the need for faster, more reliable connections becomes critical. It’s like a water pipe. Currently we’re at the trickling stream going past your house stage — every once and a while you go out, dip a bucket in and carry water to the sink or bath. The internet connection we need is in-house plumbing: limitless, on tap in every room, full pressure.

Several companies are working on this. Elon Musk’s Space X is launching thousands of satellites that not only promise but — in early connections — deliver 1,000 megabits or 1 gigabits of download and uploads of 20 megabit (MB). Where? Everywhere, every farm, every road, every field, every town, every city. 

They got $886,000,000 from Congress some years back (heavy lobbying ensued) to set this up, to help solve the “rural connectivity” issues. 

Space X is manufacturing 120 satellites a month (yes, a month) to achieve low earth orbit blanket coverage. As the older satellites’ orbits decay and fall in a fiery ball to earth, they simply launch more.

In all, there are 180 companies that dipped into the Fed’s $9,200,000,000 fund to bring connectivity to rural areas in the U.S. and Pacific Islands. Space X wasn’t the largest beneficiary either. Meanwhile, while these new means of connectivity grow, the current internet providers like Verizon, AT&T and Comcast are making every effort to up their speeds, revise their exorbitant monthly charges and — in desperation — incentivizing existing customers to keep on paying through the nose. We’ve all seen this before with the TV-only cable companies. Along came DISH and Direct TV and cable companies had to either lower process or provide DVR capability and other gimmicks (like “bundling” services) to keep their customers. Now the internet free access to television and movies and subscriptions with producing entities (like Hulu, PrimeTV, HBO and Netflix) are closing down cable companies’ marketing schemes for that set-top box they always rented.

Where will it all end? Sadly, as long as commercial enterprises have an edge, they’ll overcharge, even if their entry into the market was paid with taxpayer dollars. There will continue to be something unsavory about Space X, Verizon, Comcast, AT&T and others charging for your connection to the internet — originally developed and backboned by taxpayer dollars decades ago. Their leverage? They know you cannot survive without their “water” supply. You’d die of thirst without them and they know it.

 

Writer Peter Riva, a former resident of Amenia Union, now resides in New Mexico.

The views expressed here are not necessarily those of The Millerton News and The News does not support or oppose candidates for public office.

Latest News

Slow fashion takes the runway at Stone Ridge Orchard

The organic runway at HVSFW puts sustainable style among the apple trees at Stone Ridge Orchard.

Jay Ballesteros

Fast fashion has made it possible to buy the latest trend almost as quickly as it appears on social media. The environmental cost, however, is anything but fleeting. Fashion production accounts for about 10% of global carbon emissions, consumes enormous quantities of water and energy, and an estimated 85% of textiles end up in landfills each year. Synthetic fabrics also shed microplastics when washed.

So what would happen if we slowed things down?

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Susan Schneider and the magic of marbling
Susan Schneider, owner of Shandell’s in Ashley Falls, in her studio.
Susan Schneider, owner of Shandell’s in Ashley Falls, in her studio.
It’s a joyful process. —Susan Schneider

A beautiful September morning found Susan Schneider of Shandell’s working in her Ashley Falls home studio, while linen cocktail napkins she had marbled the day before hung on a line outside her back door. Her helpers, dogs Daisy and Stubbs, are never far from her.

“Marbling,” Schneider explained, “the art of floating paint on a liquid and printing it on a medium, has been around for hundreds of years.”

Keep ReadingShow less

Through the lens of war

Through the lens of war

“Omaha Beach Rescue, D-Day +1, Normandy, June 7, 1944.” one of the best-known photographs of D-Day.

Walter Rosenblum

Longtime Norfolk resident Nina Rosenblum will present her award-winning documentary, “They Fight With Cameras,” on Saturday, Sept. 26, at 6:30 p.m. at the Norfolk Library.

The film tells the story of her father, decorated U.S. Army Signal Corps combat cameraman Walter Rosenblum.

Keep ReadingShow less
Brian Gersten finds the story in the overlooked

Filmmaker Brian Gersten

D.H. Callahan

At 6 p.m. on Saturday, Sept. 26, award-winning filmmaker Brian Gersten will screen four short documentaries at the David M. Hunt Library in Falls Village, exploring obscure topics such as a lingering territorial dispute between the United States and Canada, a nationwide toilet paper panic sparked by a late-night joke, the infamous “Balloon Boy” saga and the history of bowling in America.

The Chicago-raised, Millerton-based filmmaker has worked as an editor on feature-length documentaries like the cycling film “Enter the Slipstream” and Netflix’s profile on author Tom Wolfe, “Radical Wolfe.” In 2025, “Why We Dream,” a film he edited about bringing D-Day veterans back to the beaches of Normandy, premiered aboard the U.S.S. Intrepid in New York City. When it comes to directing, Gersten’s own interests focus more on the underappreciated and unremembered, as the four short films he directed will demonstrate.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.