
A steelhead, one could argue, is a rainbow trout on steroids.
Gary Dodson
A steelhead, one could argue, is a rainbow trout on steroids.
Let us open the Tangled Lines mailbag and see what the populi is voxing about.
Agnes Day of Spore City, Ohio writes:
You keep talking about wet flies. Aren’t all flies wet once you cast them into the water?
I could go into a detailed explanation of how the wet fly imitates a transitional stage in an aquatic insects life cycle but I won’t, because this is a family newspaper.
I will offer this anecdote:
I was about 14 and fishing Woodland Valley Creek, a tributary of the Esopus in the Catskills. Dries only. I was having some success but occasionally my fly got waterlogged and provoked strikes, especially when I was trying to retrieve it when it was submerged downstream.
I was working a pool right by a cabin. The building was so close to the stream you could fish from the porch. As I puzzled over how to get that fish that was hanging out by the lower part of the pool, the old-timer on the porch was watching me. I didn’t realize it.
He scared me out of a year’s growth when he spoke up. He asked what fly I was using. “Royal Coachman,” I said. He asked if I had a wet version. I replied, Agnes-like, “A what?”
He came off the porch and made his way to where I was perched at the top of the pool. He borrowed my fingernail clippers and cut off most of the hackle on the Royal and left the white wing.
Then he advised adding a couple of feet of finer tippet, waiting 10 minutes for things to settle down, and flopping the thing into the current, allowing it to swing through the tail out.
I did this and after a couple of false starts caught the fish that had been tormenting me.
Afterwards the old-timer said I should try fishing wet flies upstream just like dries. When I objected that I wouldn’t be able to see the fly he said “Yeah but they’ll see it, and if they see it they’ll let you know soon enough.”
Fester Karbunkle of Potzrebie, New Jersey wants to know:
Do you ice fish?
No I do not. Ice fishing involves walking gingerly out on a frozen pond or lake, cutting a hole in the ice, and staring at it for indefinite periods of time.
I want no part of it. Especially the cutting the ice part. The ice is all that is between me and a cold, watery grave AND WOULD YOU PLEASE STOP CUTTING THE %$@# ICE!
Linus J. Scrimshaw of West Cornwall inquires:
What was your best trout in 2024?
This was a difficult year, with way too much rain at some points and none to speak of at others.
So the most satisfying catch was on the East Branch of the Delaware around Margaretville, New York. The stream was very low and I had to hoof it a couple hundred yards through inhospitable terrain until I found a pool deep enough to justify the term.
I could see the trout, and they could see me. So it just turned into a grim battle. Who would give up first?
After considerable time, and several “look but don’t eat” moments, I finally got a fat brown on a Bread and Butter nymph fished naked and alone. (The fly, that is. Not me.)
Then I had to go a couple hundred yards through inhospitable terrain back to where I started. My buddy Gary had wisely stayed put and was yanking a fish in when I fetched up. His fish was better than mine.
Honolulu Jones of East Drizzle, Wyoming objects:
Wait a minute. Didn’t you catch a steelhead back in April?
Yes, and you could argue that a steelhead is a rainbow trout on steroids.
But that trip to Pulaski and the Salmon River was so completely out of the usual run of events that I think of it the way other people think of significant milestones, like marriage, or the first arrest.
I forgot half my gear, sprained my wrist turning the knob in the shower, and almost lost an earlobe when a gust of wind blew a size 4 black Wooly Bugger (with rubber legs) back into my personal face.
And after fruitlessly flogging the water for two days, I absently flipped the Bugger into a deep hole, just trying to get some line out, when the steelie loomed up and chowed down.
So no, my first and only steelhead wasn’t the best fish of 2024. It was a happy accident and nothing else.
Join us for a day of celebration of Millerton and local nonprofits and businesses, with festive family fun, food, and activities for all. Nonprofits will showcase their missions in front of the Methodist Church and the Millerton Inn, just beyond the Farmer’s Market, while local businesses will open their doors along Main Street. Enjoy clowns, face painting and more for the kids, along with music and entertainment for the whole family. Whether you’re a local or just visiting, the Fair will have something for every everyone!
If you have any questions, please contact Nichole Reyes at nichole@milieuconsultingny.com.
To escape the cruelties of war, Katya finds solace in her imagination in “Sunflower Field”.
‘I can sum up the last year in three words: fear, love, hope,” said Oleksandr Hranyk, a Ukrainian school director in Kharkiv, in a February 2023 interview with the Associated Press. Fast forward to 2025, and not much has changed in his homeland. Even young children in Ukraine are echoing these same sentiments, as illustrated in two short films screened at The Moviehouse in Millerton on April 5, “Once Upon a Time in Ukraine” and “Sunflower Field.”
“Sunflower Field,” an animated short from Ukrainian filmmaker Polina Buchak, begins with a young girl, Katya, who embroiders as her world becomes unstitched with the progression of the war. To cope, Katya retreats into a vivid fantasy world, shielding herself from the brutal realities surrounding her life, all while desperately wanting her family to remain intact as she awaits a phone call from her father, one that may never come.
“Once Upon a Time in Ukraine,” a short documentary from directors Tetiana Khodakivska, Betsy West and Richard Blanshard, shares the stories of four children navigating war. Ivanna, a young girl in the Kherson region, reads from her a book as drawings of vegetables, which she has thoughtfully named, animatedly come to life on. As the film proceeds, Ivanna’s animated vegetables eventually go into defense mode against their Russian attackers.
Still from “Once Upon a Time in Ukraine” depicting a coffin designed for a child being lowered into the ground.Krista A. Briggs
Young Rusland from Moschun tells his story with an emotion not usually seen in school-age boys. He resides in a temporary home not far from his house, which was destroyed in a bombing. He speaks of time in the cellar, keeping busy canning food while his neighborhood was under attack. He misses his cat, Tima, another casualty of the conflict, and stays close to his dog throughout his time on camera while taking viewers on a tour of his neighbor’s former home, now a ruin from the devastation of the area. As Ruslan sadly observes, “It used to be a beauty.”
In Dnipro, eight year old Myroslava, likely a budding gymnast, is exhibiting her limberness. She speaks of formerly smooth roads in her hometown of Mariupol, which eventually caught fire. She explains, “Ukraine and Russia used to be friends until Russia got crazy.” Myroslava’s father has, in fact, perished in the conflict, but she remains in denial – or, as her mother explains, “She has gone into herself.” Myroslava finds comfort from multiple hugs from her mother, but continues to maintain her father is alive. “He will return,” she says. “He’s coming back.”
In Bucha, Maksym, 10, relates stories of explosions and bombings, as well as close encounters with missiles, which forced him and his family to evacuate. As with Myroslava, Maksym finds solace in his family, particularly his older brother. He can’t sleep in the dark and stays close to his favorite toy – a present from his mother. A pianist and a dancer, Maksym says, “I dream of peace so they don’t have to take up arms.”
Children are resilient, but the young people of Ukraine are clearly being tested to their emotional limits. When the internet cooperates, the children of war-torn Ukraine have, for the most part, been receiving educational instruction online for the past five years and despite their circumstances, are academically persevering with a strong academic focus on STEM and the arts.
But education, pets, toys and loving families are for those children who have not been killed since the war began. More than 2,000 young people have been injured or killed as a result of the conflict. Observed filmmaker Buchak, “We’re losing such a young generation now.”
The number of children who suffer from mental health challenges is much higher. Untold numbers of children are in need of psychological intervention. All of Ukraine’s children need to know the war is coming to an end, but until that day, they remain awake in a nightmare.
Anastasia Rab of Razom for Ukraine, a nonprofit advocacy organization, fields questions from the audience alongside filmmaker Polina Buchak. Anastasia and Polina are both Ukrainian natives now living and working in the United States.Krista A. Briggs
After the films, a Q&A featured Buchak, Anastasia Rab, chief advancement officer at the nonprofit, Razom for Ukraine, and Joshua Zeman, whose vocal talents were featured in the documentary, “Cropsey.”
“What’s going on in Ukraine is a travesty and truly undemocratic,” said Zeman, who reminded the audience that their participation in viewing these films is a form of protest against the Russian invasion, most appropriate on a day marked by protests by the Hands Off movement in support of American democracy.
Rab, whose organization supports a physically, politically and economically secure Ukraine, noted the trauma in young Ukrainians whose existence and identities are under attack. “This war is about erasing Ukraine,” said Rab, who pointed out another atrocity of war – the kidnapping, trafficking and forced illegal adoptions of young Ukrainians by Russian forces. In some instances, the young victims are “deprogrammed” by Russian forces and forced to fight against their own country – a war crime.
Despite the atrocities of war and its terrible consequences, Polina Buchak, while grounded firmly in the awful realities of the ongoing battle, remained optimistic for change. “My hope is for a peaceful sky over Ukraine without the fear of being invaded.”
Sam Tanenhaus, when speaking about William F. Buckley, Jr., said he was drawn to the man by the size of his personality, generosity and great temperament. That observation was among the reasons that led Tanenhaus to spend nearly 20 years working on his book, “Buckley: The Life and Revolution That Changed America,” which is due out in June. Buckley and his family had deep roots in Sharon, living in the house called Great Elm on South Main Street, which was built in 1812 and bought by Buckley’s father in 1923.
The author will give a talk on “The Buckleys of Sharon” at the Sharon Historical Society on Saturday, April 12, at 11 a.m. following the group’s annual meeting. The book has details on the family’s life in Sharon, which will, no doubt, be of interest to local residents.
Buckley, who came from a family of 10 children, including his brother Sen. James Buckley and his sister Priscilla Buckley, who were familiar faces in Sharon during their lifetimes, was a well-known conservative writer and political commentator.
“He was a true intellectual,” Tanenhaus said during a recent phone interview. “He would even talk to his dogs in that way.”
Buckley’s name was synonymous with the conservative movement back in the middle of the last century. He was the founder of the National Review magazine in 1955 and host of the public affairs television program, “Firing Line” that ran from 1966 to 1999. The key aspect of Buckley’s conservatism was a push against the tide of liberalism, said Tanenhaus. “It was more a negative than positive movement. He lived as a conservative, being highly patriotic, family-oriented and practicing civility and order.”
Tanenhaus said Bill Buckley was the first political writer/thinker to understand political controversy was really cultural controversy. When he was waging a cultural war, the stakes were about such things as the communists winning and Jim Crow.”
Tanenhaus relates his subject’s relationship with a variety of individuals, including the explosive encounters he had with writer Gore Vidal. “There are indications he had a large capacity and never held a grudge. He didn’t disparage Vidal as a writer and didn’t say he was a bad person. Nowadays that approach is really uncommon.”
Buckley was always interested in other people’s lives, including such figures as Huey Newton of the Black Panthers and Jesse Jackson, of whom he was very fond.
Tanenhaus spends time in the book delving into Buckley’s personality, noting he could talk with anyone and was always interested in those he met. “He wanted to maintain friendships. He never wanted politics to supersede relationships. He was just such an exciting person to be with.”
What he couldn’t tolerate, said Tanenhaus, was being bored. He enjoyed being in the company of others and was a great listener; not so great a talker. He was a great publicist and promoter of ideas and arguments.
Often asked what Buckley would think of today’s political scene, Tanenhaus said he really couldn’t say, but he said he did have lots to say about Donald Trump back in the 1990s. “He might say different things now. He never did have him on ‘Firing Line.’” They had one friend in common; attorney Roy Cohn.
Tanenhaus revealed his political leanings do not mirror those of Buckley’s, but took on the project to see how the world thinks of him.
Janet Marlow recording Pet Acoustics.
Does your pet suffer from anxiety and stress? Musician, pet owner, and animal lover Janet Marlow may have sound solutions. With a background in classical music and a profound interest in the auditory world of animals, Marlow has dedicated her career to understanding how sound impacts emotional and physiological states in pets.
“I’ve always been deeply connected to music. It’s in my DNA as a fifth-generation musician. But it wasn’t until 1994, after moving from New York City to Connecticut, that I discovered how music could impact animals.” Marlow said, “I decided to live in Litchfield County because of the extraordinary beauty of nature that inspired so many compositions.” It was when Marlow adopted a black-and-white cat named Osborn that something remarkable happened. “Every time I played the guitar, Osborn would come to my side and relax. It was clear that the music was affecting him, and this sparked my curiosity,” she said. This sparked Marlow to start investigating how animals perceive sound and whether music could be used to improve their well-being.
Driven by these questions, Marlow began extensive research into animal hearing and their responses to sound. For three years, she immersed herself in veterinary medical literature and consulted with experts in animal hearing. By 1997, she had formulated the concept of species-specific music and learned that animals have different hearing ranges. Marlow then designed Pet Acoustics, music created specifically within the comfort ranges of dogs, cats, horses, and birds to promote calm and balanced behavior.
“The results were astonishing. I observed that by eliminating alert-triggering frequencies, animals became noticeably calmer,” Marlow said.
Marlow founded Pet Acoustics in 2009, which has since grown into a global leader in pet wellness for dogs, cats, horses, birds, rabbits and small animals. They have developed a range of products, including music compositions and speakers designed for pets. Today, Pet Acoustics has co-branding partnerships with Nestlé, Purina, Friskies, Boehringer Ingelheim, and Nationwide Pet Insurance.
“One of the biggest hurdles was convincing people that music could truly influence their pets’ well-being. Educating pet owners about the benefits of species-specific music took time and persistence. But through continuous research, product development, and dedication, we’ve built trust and established Pet Acoustics as a trailblazer in the field,” Marlow said.
Pet Acoustics offers a range of scientifically designed products aimed at enhancing pet wellness through sound. These include Bluetooth-enabled speakers, portable music devices, and species-specific soundtracks tailored to reduce stress and promote relaxation in dogs, cats, horses, and birds. Each product is developed using bioacoustic research to ensure compatibility with the unique auditory sensitivities of different animals.
Additionally, Pet Acoustics provides a specialized free pet hearing test, designed to assess an animal’s auditory range and responsiveness. This test ensures that soundscapes are optimally suited to each pet’s hearing profile, offering an effective and personalized approach to auditory wellness.
For more information, visit www.petacoustics.com