HILLSDALE — When life gave Gian Marco Heilmann lemons, he made Meyer lemon rosemary jam.
The Swiss filmmaker said an unexpected divorce forced him to look inward. Guided by what he describes as a “gut feeling,” he ultimately purchased the small-batch jam company Les Collines and set out on an entirely new career path.
Now Heilmann is working to rebrand and expand the business while preserving its local roots and commitment to organic, minimally processed ingredients.
“When I walked in here for the first time, I knew this would be my next thing,” Heilmann said of HGS Home and Chef in Hillsdale, a teaching kitchen located in a historic 1870s house where Les Collines products are produced.
With virtually no experience in food preparation, the opportunity to purchase a well-established jam and jelly company didn’t make sense on paper. But he went with his instinct.
“I took the courage and went against the stream,” he said.
Gian Marco Heilman pipes fresh jam into jars.Photo by Aly Morrissey
Born and raised in Zurich, Heilmann spent years working in media production, a career that took him to Munich, Stockholm, Budapest and Kazakhstan. At one point, Heilmann logged 120 travel days in a single year – an experience he described as both exciting and tiring.
The creative side of filmmaking drew him in, eventually leading him to pursue a master’s degree in fine arts and directing in Los Angeles.
“My goal was to learn the Hollywood way of filmmaking and bring that back to Switzerland because that would make me a rather unique player in the market,” Heilmann said.
He eventually returned to the United States after meeting and falling in love with his now ex-wife, helping open an upscale retail business in Millerton. When the marriage later ended, he said the experience forced him to reassess his life.
“It was really tough for me, but I got on my own journey of cleaning up my mental and emotional world, and that has been fantastic,” Heilmann said.
Looking for a new direction, he explored several possible ventures before stumbling upon the opportunity to purchase Les Collines from previous owner Brigid Dorsey.
Once he committed, Heilmann didn’t waste any time. He worked closely with Dorsey in the kitchen for around four months, learning the art and science of making jam, jelly and marmalade. He hired a business coach with experience in packaged goods and began refining the production process through trial and error.
One of his most memorable lessons came early on.
“I forgot to taste the batch,” Heilmann said, smiling as he remembered an entire batch of Meyer lemon rosemary jam.
He woke up at 3 a.m. with the realization and rushed to check the batch the next day. It wasn’t sweet enough. Nearly fifty jars of jam had to be thrown away.
The mistake, however, became an important turning point.
For Heilmann, premium quality is nonnegotiable. Today, every batch is carefully measured using pH and Brix testing to ensure consistent flavor and sugar levels.
“If we don’t hit the target, it’s garbage,” he said.
Authenticity is equally important to him.
“I want to educate customers that organic, unprocessed food can taste great too,” Heilmann said.
A batch of Les Collines jam.Photo by Aly Morrissey
As the company grows, Heilmann said maintaining that philosophy will remain central to the brand.
His first employee shares a similar story of unexpected change.
Emily Redmond joined Les Collines as a production manager after losing her job at the North East Community Center’s Early Learning Program (ELP) in November 2025, just prior to its abrupt, permanent closure.
In her role as Director of the ELP, Redmond had earned a commercial kitchen handling certification – a credential she never expected to use again.
Now she oversees jam production and has quickly mastered the process.
The connection between the two came through Heilmann’s children, who attended the ELP. When he needed someone to help manage production, Redmond immediately came to mind.
“My criteria for hiring are very simple,” Heilmann said. “I need someone with a good attitude who is willing to learn.” Redmond, he said, ticks both those boxes and then some.
Just like Heilmann, Redmond said she never imagined working for a jam company.
“I was throwing it out into the universe that something was going to come up and be the thing I needed when I needed it,” she said. “Life brings you where you need to be sometimes.”
Looking ahead, Heilmann hopes to first establish Les Collines as a strong standalone brand, then eventually grow an overarching premium food company centered on leadership, innovation and authenticity.
“Back in the day, preserving was a necessity,” Heilmann said. “Now we want to make it into an art form.”
Les Collines products are available online at
lescollines.shop, at local general stores and at farmers markets throughout the region, with hopes to soon expand into grocery stores.
Kathy Reisfeld
In college, Reisfeld initially majored in physics, drawn to systems and structure. But an economics class shifted her direction. Markets, she realized, were systems too — not only mathematical, but deeply human.
After graduating, she landed an internship with a financial adviser and gradually discovered a profession that combined curiosity, problem-solving and relationship-building.
“The more I learned, the more I kind of wanted to get involved,” she said.
Over time, she realized she wasn’t interested in chasing predictions; she was interested in guiding people through uncertainty.
Over nearly three decades, she has watched the industry evolve. It has moved, she believes, from selling products to offering advice — a shift toward aligning compensation with clients’ best interests.
She’s candid about the stereotypes that cling to finance: that it’s driven by greed and full of money-hungry people. Those people exist, she said, but they aren’t the majority.
“It’s kind of like the few bad apples ruining it for everyone.”
At its best, she believes, the work is quieter and more meaningful than its reputation suggests.
Kathy Reisfeld practicing yoga.Elena Spellman
Yoga entered her life in 2001, when she was living in New York City and training as a marathon runner.
“I was, like, very anti-yoga,” she admitted with a laugh.
But once she tried it, something shifted. A workshop with Nancy Gilgoff, the first American woman to travel to India to study Ashtanga yoga, “blew my mind open,” she said, revealing yoga as something far larger than poses or stretching.
What began as a physical complement to her running became a doorway into something deeper.
“Ashtanga means eight limbs,” Reisfeld explained. “The physical practice is just the entry point.”
The overlap she sees between yoga and investing is patience. Both practices demand discipline through fluctuation — the ups and downs, the good days and bad days, and the willingness to keep showing up.
In yoga philosophy, she points to the stilling of the mind. In investing, that becomes tuning out the noise — the headlines that spike fear or euphoria, the endless predictions that feel authoritative and rarely land cleanly.
After almost three decades in a traditionally male-dominated industry, Reisfeld has learned to move comfortably in rooms where she was often one of the few women present.
Asked what it was like starting out as a woman in finance, she smiled.
“The lines for the restroom were shorter.”
The humor reflects her temperament. She began her career at 21, and mentorship was not always easy to find. But finance, like yoga, rewards consistency. Ultimately, she built her business through steady growth.
For Reisfeld, yoga is fundamentally about integration. Money is no exception. It shapes how we live, the choices we make and the freedoms we have. Ignoring it doesn’t make it disappear. It only makes it harder.
Now rooted in the Berkshires, advising clients and teaching yoga classes from the same barn, Reisfeld’s work feels less like two careers and more like one philosophy.
When asked what she hopes people feel after spending time with her — whether reviewing a portfolio or finishing a yoga session — her answer is immediate.
“More confident,” she said. “Less stressed. More optimistic about their future.”
For more information or to book an appointment, visit berkshirewealthgroup.com
Kathy Reisfeld, Branch Owner
250 Maple Ave, Great Barrington, MA 01230
845-263-3996
Securities offered through Raymond James Financial Services, Inc. Member FINRA/SIPC.
Berkshire Wealth Group is not a registered broker/dealer and is independent of Raymond James Financial Services, Inc.
Investment advisory services offered through Raymond James Financial Services Advisors, Inc.
Elena Spellman is a Client Service Associate at Berkshire Wealth Group
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Playwright Cinzi Lavin, left, poses with Kathleen Kelly, director of ‘A Goodnight Kiss.’
When Lavin inquired about staging the production there, “they were very excited about it,” she said.
The performance, to take place April 1, is being sponsored by the Connecticut League of Women Voters. Organizers said the Capitol setting offers a fitting backdrop for a story rooted in American history and civic life.
“A Goodnight Kiss” is a dramatic reading drawn from letters exchanged between Sgt. Maj. Frederick Lucas (David Maccharelli) and Sarah Jane “Jennie” Wadhams (Olivia Wadsworth). Fred wrote from battlefields, while Jennie wrote from the peaceful confines of Goshen. Together, their letters trace a gradually deepening romance and how the couple overcame objections by Jennie’s father, John Marsh Wadhams, and finally married in 1867.
“I just found it adorable that (Jennie’s father) was going to make sure she got the right kind of husband, which is why Fred had such a hard time,” Kelly said.
BroadwayWorld reviewer Sean Fallon called the play “the most romantic love story I have ever seen acted out on stage.”
The letters were first brought to light in the 2002 book “Fred and Jennie: A Civil War Love Story” by the late Ernest B. Barker, a Goshen resident and descendant of both the Lucas and Wadhams families. The Barker family discovered Fred’s letters in the Wadhams homestead and Jennie’s letters in a house once owned by a Lucas family member. The correspondence is now housed at the Connecticut Museum of Culture and History in Hartford.
Capitol atriumSubmitted by Kathleen Kelly
Kelly said presenting the story through letters poses a challenge because the actors rarely interact onstage. During rehearsals, she had the performers face one another while reading their letters aloud. “It was just like magic happened,” she said.
Lavin said the play “tells the story of what truly makes America great, what made America great then, and what still makes it great, which is devotion to duty, service to others, integrity and treasuring freedom.”
David Maccharelli, who portrays Fred, said, “Charting (Fred’s) course from enthusiastic young recruit gushing with admiration for the new technology of 19th-century warfare to a man crashing into the reality of war is a reminder that even the noblest of causes demand sacrifice, and that sacrifice is often borne by innocents.”
Olivia Wadsworth said of portraying Jennie, “It’s actually a little dizzying to think about. Two people, more than a hundred years ago, sent private letters to one another, and now their love story is being shared in a performance at the state Capitol.”
The performance will take place April 1 at 2 p.m. in Room 310 of the Capitol at 210 Capitol Ave., Hartford. The event is free and open to the public with advance registration at https://bit.ly/4usa9b7. Arrangements for guests with special requirements may be made by emailing Lisa Del Sesto at admin@lwvct.org or calling 203-288-7996. Parking on Capitol grounds is limited, but additional parking is available nearby at the Legislative Office Building, 300 Capitol Ave.
Yonah Sadeh, Falls Village filmmaker and curator of David M. Hunt Library’s new VideoWall.
After the screening of the two films, “Mail Myself to You” and “Circle, Circle Square,” Pranger and Sadeh will discuss filmmaking and answer questions.
Of Pranger, Sadeh said, “She has a strong visual voice as a director, and both of these films are great examples of a blend of documentary and experimental filmmaking.”
Imogen Pranger, first filmmaker of the new VideoWall.Provided
Pranger described her approach to filmmaking. “I have always approached the visual arts from an interdisciplinary, multimedia perspective.” This approach was a reason why animation was particularly appealing to Pranger as she began exploring the possibilities of filmmaking.
“I particularly fell in love with the tactility of hand-drawn and painted animation and the ways in which it can be used in tandem with analog 16-millimeter film. Stop-motion animation holds the unique power to bring inanimate objects to life, something that became crucial to my practice of archival documentary filmmaking. I appreciate the sense of play that is encouraged in the medium of animation and find great joy in exploring new avenues and possibilities within the medium,” she continued.
At the core of Pranger’s films, she hopes to capture the joy and intimacy of human connection that blossoms through engagement with material and creative process.
After the opening event, the films will remain available to view at any time on the VideoWall screen in the library stacks. “The screen will always be on and ready for anyone to use,” Sadeh said. The installations will last three to four months.
Sadeh added, “Each installation will begin with a public screening at the library, followed by a talkback with the filmmaker.”
Filmmakers can contact Sadeh at huntartwall@gmail.com for information about submitting films for consideration. Visit huntlibrary.org/art-wall for a schedule of ArtWall and VideoWall events, which are free and open to the public.
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